{"id":20034,"date":"2026-01-31T05:44:14","date_gmt":"2026-01-31T04:44:14","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=20034"},"modified":"2026-01-31T19:17:35","modified_gmt":"2026-01-31T18:17:35","slug":"episode-433-lois-marshall-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/01\/31\/episode-433-lois-marshall-revisited\/","title":{"rendered":"Episode 433. Lois Marshall Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 433. Lois Marshall Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1840-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"742\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/LMarshall-Fragile-Beauty.png\" alt=\"\" class=\"wp-image-20218\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/LMarshall-Fragile-Beauty.png 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/LMarshall-Fragile-Beauty-236x300.png 236w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yesterday, January 29th, was the 101st anniversary of the birth of the Canadian soprano (later mezzo) Lois Marshall. Marshall was in so many ways a unique and treasurable artist. Afflicted with polio as a young child, she spent much of her early life hospitalized. It was there that she discovered the expressive power of her singing voice. Following her training at the Royal Conservatory of Music in Toronto, Marshall won two prestigious vocal competitions, including the Naumburg, she was taken on by such early mentors as Arturo Toscanini and Thomas Beecham and others. Audiences were captivated by both the spontaneity and directness of her artistry. Though she made occasional appearances in opera (and in particular televised opera, where her mobility issues could be more easily managed), she was primarily known as a concert singer. Recommended by the young Glenn Gould, she quickly became a favorite with Russian audiences and created the Canadian premieres of works by Poulenc and Britten, among others. This, the third <em>Countermelody<\/em> episode devoted to this artist, features her in a wide range of material, including in particular work by contemporary Canadian composers including Harry Somers, Oskar Morawetz, Srul Anthony Glick, Godfrey Ridout, Harry Freedman, and Jean Coulthard. The episode also emphasizes the purity and expressiveness of her singing in Baroque music, including Handel, Bach, Purcell, and Sch\u00fctz as well as her unique way on the concert platform with both art song and folk song arrangements. Collaborating artists include Leopold Stokowski, Maureen Forrester, Glenn Gould, Seiji Ozawa, John Alexander, and Thomas Beecham. Once heard, Lois Marshall will never be forgotten.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"709\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles-1024x709.png\" alt=\"\" class=\"wp-image-20235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles-1024x709.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles-300x208.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles-768x532.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles-1536x1064.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Older-Lois-Smiles.png 1559w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Traditional Scottish, arr. Healey Willan, Robert Burns: Ae fond kiss. Lois Marshall, Stuart Hamilton [live Toronto 10.XII.1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"156\" height=\"200\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/RIdout.jpg\" alt=\"\" class=\"wp-image-20236\" style=\"width:589px;height:auto\"\/><figcaption class=\"wp-element-caption\">Godfrey Ridout<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Godfrey Ridout, John Donne: At the Round Earth\u2019s Imagined Corners [Sonnet VII] (<em>Cantiones<\/em> <em>Mysticae<\/em>). Lois Marshall, Leopold Stokowski, New York Philharmonic [live Carnegie Hall 16.X.1953]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"808\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Stokowski.jpg\" alt=\"\" class=\"wp-image-20241\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Stokowski.jpg 808w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Stokowski-237x300.jpg 237w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Stokowski-768x973.jpg 768w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\" \/><figcaption class=\"wp-element-caption\">Leopold Stokowski<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"918\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Fancy-Hair-918x1024.png\" alt=\"\" class=\"wp-image-20237\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Fancy-Hair-918x1024.png 918w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Fancy-Hair-269x300.png 269w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Fancy-Hair-768x857.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Fancy-Hair.png 968w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/figure>\n\n\n\n<p>George Frideric Handel, unknown librettist [attribted Newburgh Hamilton, but likely Moses Mendes]: With thee th\u2019unsheltered moor I\u2019d tred (<em>Solomon<\/em>). Lois Marshall, Anthony Bernard, London Symphony Orchestra [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"606\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1192.png\" alt=\"\" class=\"wp-image-20243\" style=\"width:518px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1192.png 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1192-201x300.png 201w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<p>Manuel de Falla, Traditional Spanish: Canci\u00f3n (<em>Siete canciones populares espa\u00f1olas<\/em>, No. 6). Lois Marshall, Weldon Kilburn [CBC Recording, ca. 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"699\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen-1024x699.png\" alt=\"\" class=\"wp-image-20242\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen-1024x699.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen-300x205.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen-768x524.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen-1536x1048.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-mit-Blumen.png 1561w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Henry Purcell, John Dryden: I attempt from Love\u2019s sickness to fly (<em>The Indian Queen<\/em>). Lois Marshall, Weldon Killburn [CBC recording, ca. 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"482\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-and-Ernest-MacMillan.png\" alt=\"\" class=\"wp-image-20244\" style=\"width:505px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-and-Ernest-MacMillan.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-and-Ernest-MacMillan-240x300.png 240w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption class=\"wp-element-caption\">Lois Marshall and Ernest MacMillan<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Ich will dir mein Herze schenken (<em>St. Matthew Passion<\/em>, BWV 244) [sung in English]. Lois Marshall, Ernest MacMillan, Toronto Symphony Orchestra [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Forrester.png\" alt=\"\" class=\"wp-image-20245\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Forrester.png 648w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Forrester-239x300.png 239w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><figcaption class=\"wp-element-caption\">Maureen Forrester<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Heinrich Sch\u00fctz: Herr, ich hoffe darauf (<em>Kleine gestliche Konzerte II<\/em>), SWV 312. Lois Marshall, Maureen Forrester, Yehudi Wyner [live Mont Orford, Qu\u00e9bec 21.IX.1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Gould.png\" alt=\"\" class=\"wp-image-20238\" style=\"width:513px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Gould.png 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Gould-201x300.png 201w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><figcaption class=\"wp-element-caption\">Glenn Gould and Lois Marshall<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, William Shakespeare [translated Karl Joseph Simrock]: Guten Morgen, \u2018s ist Sankt Valentinstag (<em>Ophelia-Lieder<\/em>, Op. 67\/2). Lois Marshall, Glenn Gould [originally telecast CBC 15.X.1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-and-Kilburn.jpeg\" alt=\"\" class=\"wp-image-20233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-and-Kilburn.jpeg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-and-Kilburn-295x300.jpeg 295w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">Marshall and Kilburn<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Pierre Lou\u00ffs: La Fl\u00fbte de Pan (<em>Chansons de Bilitis<\/em>, L.97\/1). Lois Marshall, Weldon Kilburn [CBC ca. 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"614\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Ozawa.jpg\" alt=\"\" class=\"wp-image-20234\" style=\"width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Ozawa.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Ozawa-244x300.jpg 244w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Seiji Ozawa<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Tristan Klingsor: La Fl\u00fbte enchant\u00e9e (<em>Sh\u00e9h\u00e9razade<\/em>, M. 41-2). Lois Marshall, Seiji Ozawa, Toronto Symphony Orchestra [live London, unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Alexander-832x1024.png\" alt=\"\" class=\"wp-image-20239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Alexander-832x1024.png 832w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Alexander-244x300.png 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Alexander-768x945.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Alexander.png 865w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><figcaption class=\"wp-element-caption\">John Alexander<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz [after Johann Wolfgang von Goethe]: Grand Dieu! Que vois-je&#8230; Ange ador\u00e9 dont la c\u00e9leste image (<em>La damnation de Faust<\/em>). Lois Marshall, John Alexander, Ezio Flagello, Seiji Ozawa, Boston Symphony Orchestra [live Tanglewood 22.VIII.1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"379\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Elmer-Iseler.jpg\" alt=\"\" class=\"wp-image-20240\" style=\"width:573px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Elmer-Iseler.jpg 290w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Elmer-Iseler-230x300.jpg 230w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><figcaption class=\"wp-element-caption\">Elmer Iseler<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc: Domine Deus (<em>Gloria<\/em>, FP 177\/3). Lois Marshall, Elmer Iseler, Toronto Symphony Orchestra, Toronto Mendelssohn Choir [live Canadian premiere, 20.X.1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Young-and-So-Solemn-1024x720.png\" alt=\"\" class=\"wp-image-20246\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Young-and-So-Solemn-1024x720.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Young-and-So-Solemn-300x211.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Young-and-So-Solemn-768x540.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Marshall-Young-and-So-Solemn.png 1535w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Roger Quilter, Anonymous text: Over the mountains. Lois Marshall, Weldon Kilburn [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"269\" height=\"324\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1190.png\" alt=\"\" class=\"wp-image-20247\" style=\"width:548px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1190.png 269w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1190-249x300.png 249w\" sizes=\"auto, (max-width: 269px) 100vw, 269px\" \/><\/figure>\n<\/div>\n\n\n<p>John Ireland, Traditional English text: I have twelve oxen. Lois Marshall, Weldon Kilburn [Melodiya recording 1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"354\" height=\"462\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Somers.jpg\" alt=\"\" class=\"wp-image-20231\" style=\"width:528px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Somers.jpg 354w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Somers-230x300.jpg 230w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><figcaption class=\"wp-element-caption\">Harry Somers<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Harry Somers, anonymous text: The Barmaid from Crale (<em>Limericks<\/em>). Lois Marshall, Stratford Ensemble, Elmer Iseler Singers [world premiere, Guelph Spring Festival Ontario 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"802\" height=\"813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Coulthard.png\" alt=\"\" class=\"wp-image-20232\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Coulthard.png 802w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Coulthard-296x300.png 296w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Coulthard-768x779.png 768w\" sizes=\"auto, (max-width: 802px) 100vw, 802px\" \/><figcaption class=\"wp-element-caption\">Jean Coulthard<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jean Coulthard, William Shakespeare: Sonnet 116 [Let me not to the marriage of true minds admit impediments] (<em>Three Sonnets of Shakespeare<\/em>, No. 3). Lois Marshall, Gabora String Quartet [Taras Gabora, Edward Kudlak, Robert Verebes, Michael Carpenter] [CBC broadcast 07.I.1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"292\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-in-1987.jpg\" alt=\"\" class=\"wp-image-20227\" style=\"width:522px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-in-1987.jpg 395w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-in-1987-300x222.jpg 300w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure>\n<\/div>\n\n\n<p>A.E. Housman: Bredon Hill (<em>A Shropshire Lad<\/em>). Lois Marshall [unknown date and venue]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"252\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Harry-Freedman.jpeg\" alt=\"\" class=\"wp-image-20228\" style=\"width:511px;height:auto\"\/><figcaption class=\"wp-element-caption\">Harry Freedman<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Harry Freedman [Henryk Frydmann], Traditional Inuit [translated Knud Rasmussen]&nbsp; Song of a Hostess (<em>Anerca<\/em>). Lois Marshall, Wendell Kilburn [live 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"586\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Oskar-Morawetz.png\" alt=\"\" class=\"wp-image-20229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Oskar-Morawetz.png 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Oskar-Morawetz-300x238.png 300w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption class=\"wp-element-caption\">Oskar Morawetz<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Oskar Morawetz, Anne Wilkinson: I am so tired. Lois Marshall, Weldon Kilburn [live II.1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"156\" height=\"200\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Glick.jpg\" alt=\"\" class=\"wp-image-20230\" style=\"width:583px;height:auto\"\/><figcaption class=\"wp-element-caption\">Srul Anthony Glick<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Srul Anthony Glick, anonymous children\u2019s poems from Terezin: V. Narrative (<em>I Never Saw Another Butterfly<\/em>). Lois Marshall, Ruben Gurevich, Winnipeg Symphony Orchestra [broadcast premiere January 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-at-piano-1024x682.jpg\" alt=\"\" class=\"wp-image-20226\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-at-piano-1024x682.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-at-piano-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-at-piano-768x511.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-at-piano.jpg 1173w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Samuel Barber, James Joyce: I hear an army (<em>Three Songs<\/em>, Op. 10\/3). Lois Marshall, Weldon Kilburn [ca 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gold-and-Fizdale.jpg\" alt=\"\" class=\"wp-image-20225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gold-and-Fizdale.jpg 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gold-and-Fizdale-217x300.jpg 217w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><figcaption class=\"wp-element-caption\">Arthur Gold, Robert Fizdale<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Emanuel von Geibel [after Lu\u00eds de Cam\u00f5es]: Tief im Herzen trag\u2019 ich Pein (<em>Spanische Liebeslieder<\/em>, Op. 138\/2). Lois Marshall, Arthur Gold, Robert Fizdale [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"973\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Greta-Kraus.jpg\" alt=\"\" class=\"wp-image-20222\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Greta-Kraus.jpg 973w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Greta-Kraus-285x300.jpg 285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Greta-Kraus-768x808.jpg 768w\" sizes=\"auto, (max-width: 973px) 100vw, 973px\" \/><figcaption class=\"wp-element-caption\">Greta Kraus<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Abschied (<em>M\u00f6rike-Lieder<\/em>). Lois Marshall, Greta Kraus [live Toronto 15.III.1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Thos-Beecham.png\" alt=\"\" class=\"wp-image-20224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Thos-Beecham.png 544w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Thos-Beecham-201x300.png 201w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption class=\"wp-element-caption\">Thomas Beecham<\/figcaption><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, unknown librettist [attributed Newburgh Hamilton, but likely Moses Mendes]: Will the sun forget to streak (<em>Solomon<\/em>). Lois Marshall, Thomas Beecham, Royal Philharmonic Orchestra [1955]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1185.png\" alt=\"\" class=\"wp-image-20250\" style=\"width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1185.png 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Screenshot-1185-291x300.png 291w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 433. Lois Marshall Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM Yesterday, January 29th, was the 101st anniversary of the birth of&hellip;<\/p>\n","protected":false},"author":1,"featured_media":20217,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3614,5823,3273,2261,6551,5137,7698,1072,5806,6486,1263,2260,808,4722,2806],"tags":[5298,4286,8833,8822,1003,8821,3568,501,653,8836,8829,8751,8823,8828,8819,544,8834,280,3636,8813,8831,3560,310,4036,255,8832,648,8817,2770,8830,298,1137,387,7521,3581,2846,8825,8824,8826,2833,1427,8815,2651,2267,545,8838,1277,6411,8812,8827,3573,3567,329,3586,1004,548,8837,6782,8818,745,2464,2305,4130,6410,8814,8816,1282,8820,8835,3585,4303,3677,3486,2600,3572],"class_list":["post-20034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-canadian-singers","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-great-contraltos","category-great-tenors","category-honor-your-mentors","category-in-memoriam","category-listeners-favorites","category-melodie","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","tag-a-shropshire-lad","tag-a-e-housman","tag-anne-wilkinson","tag-anthony-bernarad","tag-arthur-gold","tag-cantiones-mysticae","tag-chansons-de-bilitis","tag-claude-debussy","tag-eduard-morike","tag-edward-kudlak","tag-elmer-iseler","tag-emanuel-von-geibel","tag-ernst-macmillan","tag-ezio-flagello","tag-folksong","tag-francis-poulenc","tag-gabora-string-quartet","tag-george-frideric-handel","tag-godfrey-ridout","tag-greta-kraus","tag-harry-freedman","tag-healey-willan","tag-hector-berlioz","tag-heinrich-schutz","tag-henry-purcell","tag-henryk-frydmann","tag-hugo-wolf","tag-i-never-saw-another-butterfly","tag-james-joyce","tag-jean-coulthard","tag-johann-sebastian-bach","tag-johann-wolfgang-von-goethe","tag-john-alexander","tag-john-donne","tag-john-dryden","tag-john-ireland","tag-karl-joseph-simrock","tag-kleine-geistiche-konzerte","tag-la-damnation-de-faust","tag-leopold-stokowski","tag-lois-marshall","tag-luis-de-camoes","tag-manuel-de-falla","tag-maureen-forrester","tag-maurice-ravel","tag-michael-carpenter","tag-morike-lieder","tag-moses-mendes","tag-newburgh-hamilton","tag-ophelia-lieder","tag-oskar-morawetz","tag-pierre-louys","tag-richard-strauss","tag-robert-burns","tag-robert-fizdale","tag-robert-schumann","tag-robert-verebes","tag-roger-quilter","tag-ruben-gurevich","tag-samuel-barber","tag-seiji-ozawa","tag-sheherazade","tag-siete-canciones-populares-espanolas","tag-solomon","tag-spanische-liebeslieder","tag-srul-anthony-glick","tag-st-matthew-passion","tag-stuart-hamilton","tag-taras-gabora","tag-the-fairy-queen","tag-thomas-beecham","tag-tristan-klingsor","tag-weldon-kilburn","tag-william-shakespeare","tag-yehudi-wyner"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Lois-Formal-TRIMMED-300x195.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/honor-your-mentors\/\" class=\"advgb-post-tax-term\">Honor Your Mentors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Honor Your Mentors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">A Shropshire Lad<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">A.E. Housman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anne Wilkinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anthony Bernarad<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cantiones Mysticae<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chansons de Bilitis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edward Kudlak<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elmer Iseler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emanuel von Geibel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernst MacMillan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ezio Flagello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Folksong<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabora String Quartet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Godfrey Ridout<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Greta Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harry Freedman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Healey Willan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henryk Frydmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">I Never Saw Another Butterfly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Joyce<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Coulthard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Donne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Dryden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Ireland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl Joseph Simrock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kleine geistiche Konzerte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Damnation de Faust<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Stokowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lois Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lu\u00eds de Cam\u00f5es<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maureen Forrester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Carpenter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">M\u00f6rike-Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Moses Mendes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Newburgh Hamilton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ophelia-Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oskar Morawetz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Burns<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Fizdale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Verebes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roger Quilter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ruben Gurevich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sh\u00e9h\u00e9razade<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Solomon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spanische Liebeslieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Srul Anthony Glick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">St. Matthew Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stuart Hamilton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Taras Gabora<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Fairy Queen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Beecham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tristan Klingsor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Weldon Kilburn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yehudi Wyner<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Shropshire Lad<\/span>","<span class=\"advgb-post-tax-term\">A.E. Housman<\/span>","<span class=\"advgb-post-tax-term\">Anne Wilkinson<\/span>","<span class=\"advgb-post-tax-term\">Anthony Bernarad<\/span>","<span class=\"advgb-post-tax-term\">Arthur Gold<\/span>","<span class=\"advgb-post-tax-term\">Cantiones Mysticae<\/span>","<span class=\"advgb-post-tax-term\">Chansons de Bilitis<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Edward Kudlak<\/span>","<span class=\"advgb-post-tax-term\">Elmer Iseler<\/span>","<span class=\"advgb-post-tax-term\">Emanuel von Geibel<\/span>","<span class=\"advgb-post-tax-term\">Ernst MacMillan<\/span>","<span class=\"advgb-post-tax-term\">Ezio Flagello<\/span>","<span class=\"advgb-post-tax-term\">Folksong<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Gabora String Quartet<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Godfrey Ridout<\/span>","<span class=\"advgb-post-tax-term\">Greta Kraus<\/span>","<span class=\"advgb-post-tax-term\">Harry Freedman<\/span>","<span class=\"advgb-post-tax-term\">Healey Willan<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Henryk Frydmann<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">I Never Saw Another Butterfly<\/span>","<span class=\"advgb-post-tax-term\">James Joyce<\/span>","<span class=\"advgb-post-tax-term\">Jean Coulthard<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">John Alexander<\/span>","<span class=\"advgb-post-tax-term\">John Donne<\/span>","<span class=\"advgb-post-tax-term\">John Dryden<\/span>","<span class=\"advgb-post-tax-term\">John Ireland<\/span>","<span class=\"advgb-post-tax-term\">Karl Joseph Simrock<\/span>","<span class=\"advgb-post-tax-term\">Kleine geistiche Konzerte<\/span>","<span class=\"advgb-post-tax-term\">La Damnation de Faust<\/span>","<span class=\"advgb-post-tax-term\">Leopold Stokowski<\/span>","<span class=\"advgb-post-tax-term\">Lois Marshall<\/span>","<span class=\"advgb-post-tax-term\">Lu\u00eds de Cam\u00f5es<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Maureen Forrester<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Michael Carpenter<\/span>","<span class=\"advgb-post-tax-term\">M\u00f6rike-Lieder<\/span>","<span class=\"advgb-post-tax-term\">Moses Mendes<\/span>","<span class=\"advgb-post-tax-term\">Newburgh Hamilton<\/span>","<span class=\"advgb-post-tax-term\">Ophelia-Lieder<\/span>","<span class=\"advgb-post-tax-term\">Oskar Morawetz<\/span>","<span class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Burns<\/span>","<span class=\"advgb-post-tax-term\">Robert Fizdale<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Robert Verebes<\/span>","<span class=\"advgb-post-tax-term\">Roger Quilter<\/span>","<span class=\"advgb-post-tax-term\">Ruben Gurevich<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Sh\u00e9h\u00e9razade<\/span>","<span class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/span>","<span class=\"advgb-post-tax-term\">Solomon<\/span>","<span class=\"advgb-post-tax-term\">Spanische Liebeslieder<\/span>","<span class=\"advgb-post-tax-term\">Srul Anthony Glick<\/span>","<span class=\"advgb-post-tax-term\">St. Matthew Passion<\/span>","<span class=\"advgb-post-tax-term\">Stuart Hamilton<\/span>","<span class=\"advgb-post-tax-term\">Taras Gabora<\/span>","<span class=\"advgb-post-tax-term\">The Fairy Queen<\/span>","<span class=\"advgb-post-tax-term\">Thomas Beecham<\/span>","<span class=\"advgb-post-tax-term\">Tristan Klingsor<\/span>","<span class=\"advgb-post-tax-term\">Weldon Kilburn<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Yehudi Wyner<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 months ago","modified":"Updated 3 months ago"},"absolute_dates":{"created":"Posted on 31\/01\/2026","modified":"Updated on 31\/01\/2026"},"absolute_dates_time":{"created":"Posted on 31\/01\/2026 05:44","modified":"Updated on 31\/01\/2026 19:17"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=20034"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20034\/revisions"}],"predecessor-version":[{"id":20251,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/20034\/revisions\/20251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/20217"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=20034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=20034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=20034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}