{"id":19939,"date":"2026-01-23T10:32:50","date_gmt":"2026-01-23T09:32:50","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19939"},"modified":"2026-01-23T10:32:56","modified_gmt":"2026-01-23T09:32:56","slug":"episode-431-hermann-prey-singt-schubert-orchesterlieder","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2026\/01\/23\/episode-431-hermann-prey-singt-schubert-orchesterlieder\/","title":{"rendered":"Episode 431. Hermann Prey singt Schubert Orchesterlieder"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 431. Hermann Prey singt Schubert Orchesterlieder<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1831-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"472\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann.jpg\" alt=\"\" class=\"wp-image-20138\" style=\"width:568px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-300x283.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I\u2019m sure many of you balked when you saw the title of this episode: \u201cBut Daniel: Schubert wrote no orchestral songs!\u201d And of course you would be correct. And yet, what about when other composers orchestrate his songs? Therein lies the content of today\u2019s episode. Historical evidence from some of Schubert\u2019s contemporaries and closest associates indicate that he was strict in both tempo and affect in the performance of his <em>Lieder<\/em>. And yet, in the later 19th century (and beyond) many of his songs were orchestrated by such masters of orchestral color as Reger, Berlioz, Brahms, Liszt, Weingartner, and Mottl. In the twentieth century, individual songs have been orchestrated by such unexpected composers as Britten and Webern. In the late 1970s, Hermann Prey and conductor Gary Bertini made two LPs of the first recordings of these orchestrations and they make for fascinating listening, as these songs are transformed from the distinct genre of <em>Klavierlieder<\/em> to that of <em>Orchesterlieder<\/em>. These two records are supplemented by excerpts of \u00a0a recording of a live performance by Hermann Prey of the world premiere of an orchestrated version of <em>Winterreise<\/em> by Japanese composer Yukikazu Suzuki. Even less than a year before his death, Prey\u2019s connection to the music of Schubert remains palpable, and the slight vocal vulnerabilities from that performance serve only to intensify and deepen Prey\u2019s interpretation.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-681x1024.jpg\" alt=\"\" class=\"wp-image-20173\" style=\"aspect-ratio:0.6652036631860285;width:690px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-681x1024.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-768x1155.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-1022x1536.jpg 1022w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-1362x2048.jpg 1362w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho-1600x2405.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Franz_Schubert_Teltscher_Litho.jpg 1663w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"495\" height=\"503\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Old-Fashioned-Phone-Booth.png\" alt=\"\" class=\"wp-image-20139\" style=\"width:577px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Old-Fashioned-Phone-Booth.png 495w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Old-Fashioned-Phone-Booth-295x300.png 295w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><\/figure>\n<\/div>\n\n\n<p>All songs composed by Franz Schubert and sung by Hermann Prey.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"20140\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Cover.jpg\" alt=\"\" class=\"wp-image-20140\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Cover.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Cover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"588\" data-id=\"20141\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Second-Orchesterlieder-Album.jpg\" alt=\"\" class=\"wp-image-20141\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Second-Orchesterlieder-Album.jpg 587w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Second-Orchesterlieder-Album-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Second-Orchesterlieder-Album-150x150.jpg 150w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"307\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gary-Bertini.jpg\" alt=\"\" class=\"wp-image-20142\" style=\"width:438px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gary-Bertini.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Gary-Bertini-244x300.jpg 244w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Gary Bertini<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz von Schober, orchestrated Max Reger: An die Musik, D. 547. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"532\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Max-Reger.jpg\" alt=\"\" class=\"wp-image-20161\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Max-Reger.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Max-Reger-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Max-Reger-768x511.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Max Reger<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"688\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hiroyuki_Iwaki-1024x688.jpg\" alt=\"\" class=\"wp-image-20143\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hiroyuki_Iwaki-1024x688.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hiroyuki_Iwaki-300x202.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hiroyuki_Iwaki-768x516.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hiroyuki_Iwaki.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Hiroyuki Iwaki<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller, orchestrated Yukikazu Suzuki: Gute Nacht (<em>Winterreise<\/em>, D. 911\/1). Hiroyuki Iwaki, Orchestra Ensemble Kanazawa [live Bad Urach 04.X.1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"448\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-in-Turtleneck.jpg\" alt=\"\" class=\"wp-image-20144\" style=\"width:595px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-in-Turtleneck.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-in-Turtleneck-300x269.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Mayrhofer, orchestrated Johannes Brahms: Memnon, D. 541. Gary Bertini, M\u00fcnchner Philharmoniker [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Brahms.jpg\" alt=\"\" class=\"wp-image-20162\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Brahms.jpg 617w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Brahms-185x300.jpg 185w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><figcaption class=\"wp-element-caption\">Johannes Brahms<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Trilogy-Cover.jpg\" alt=\"\" class=\"wp-image-20145\" style=\"width:534px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Trilogy-Cover.jpg 348w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schubert-Trilogy-Cover-177x300.jpg 177w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe, orchestrated Franz Liszt: Erlk\u00f6nig, D. 328. Gary Bertini, M\u00fcnchner Philharmoniker [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-1024x683.jpg\" alt=\"\" class=\"wp-image-20163\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt-1600x1067.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Liszt.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Franz Liszt<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"969\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Fayer.jpg\" alt=\"\" class=\"wp-image-20146\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Fayer.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Fayer-232x300.jpg 232w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe, orchestrated Hector Berlioz: Erlk\u00f6nig, D. 328. Gary Bertini, M\u00fcnchner Philharmoniker [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Berlioz.jpg\" alt=\"\" class=\"wp-image-20164\" style=\"width:652px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Berlioz.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Berlioz-271x300.jpg 271w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\">Hector Berlioz<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"562\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Lapels.png\" alt=\"\" class=\"wp-image-20147\" style=\"width:697px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Lapels.png 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Lapels-300x293.png 300w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure>\n<\/div>\n\n\n<p>Friedrich Schiller, orchestrated Max Reger: Gruppe aus dem Tartarus, D. 583. Gary Bertini, M\u00fcnchner Philharmoniker [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-with-White-Tie.jpg\" alt=\"\" class=\"wp-image-20148\" style=\"width:585px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-with-White-Tie.jpg 509w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-with-White-Tie-255x300.jpg 255w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe, orchestrated Max Reger: Wer sich die Einsamkeit ergibt (<em>Ges\u00e4nge des Harfners<\/em>, D. 478). Gary Bertini, M\u00fcnchener Philharmoniker [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"707\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Matthew-Snapshot.png\" alt=\"\" class=\"wp-image-20149\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Matthew-Snapshot.png 692w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Matthew-Snapshot-294x300.png 294w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe, orchestrated Max Reger: Wer nie sein Brot mit Tr\u00e4nen a\u00df (<em>Ges\u00e4nge des Harfners<\/em>, D. 480). Gary Bertini, M\u00fcnchener Philharmoniker [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-wistful.jpg\" alt=\"\" class=\"wp-image-20150\" style=\"width:603px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-wistful.jpg 433w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-wistful-217x300.jpg 217w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe, orchestrated Max Reger: An die T\u00fcren will ich schleichen (<em>Ges\u00e4nge des Harfners<\/em>, D. 479). Gary Bertini, M\u00fcnchener Philharmoniker [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Dianes-Birthday.png\" alt=\"\" class=\"wp-image-20151\" style=\"width:648px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Dianes-Birthday.png 556w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Dianes-Birthday-204x300.png 204w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Ladislaus Pyrker, orchestrated Felix Mottl: Die Allmacht, D. 852. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"267\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Felix-Mottl.jpeg\" alt=\"\" class=\"wp-image-20165\" style=\"width:557px;height:auto\"\/><figcaption class=\"wp-element-caption\">Felix Mottl<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"399\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey.jpg\" alt=\"\" class=\"wp-image-20152\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey.jpg 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-300x186.jpg 300w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/figure>\n<\/div>\n\n\n<p>Friedrich Gottlieb Klopstock, orchestrated Felix Mottl: Dem Unendlichen, D. 291. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-725x1024.jpeg\" alt=\"\" class=\"wp-image-20153\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-725x1024.jpeg 725w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-212x300.jpeg 212w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-768x1085.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-1087x1536.jpeg 1087w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-1449x2048.jpeg 1449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm-1600x2261.jpeg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Autogramm.jpeg 1604w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>\n\n\n<p>Christian Schubart, orchestrated Benjamin Britten: Die Forelle, D. 550. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-1024x576.jpg\" alt=\"\" class=\"wp-image-20166\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten-1600x900.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Britten.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Benjamin Britten<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-for-Banner.jpg\" alt=\"\" class=\"wp-image-20154\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-for-Banner.jpg 1020w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-for-Banner-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-for-Banner-768x432.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><\/figure>\n<\/div>\n\n\n<p>Heinrich Heine, orchestrated Anton Webern: Ihr Bild, D. 957\/9. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"364\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Webern.jpg\" alt=\"\" class=\"wp-image-20167\" style=\"width:701px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Webern.jpg 648w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Webern-300x169.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><figcaption class=\"wp-element-caption\">Anton Webern<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-Prey-Young.png\" alt=\"\" class=\"wp-image-20155\" style=\"width:478px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-Prey-Young.png 348w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Hermann-Prey-Young-220x300.png 220w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller, orchestrated Anton Webern: Tr\u00e4nenregen (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D. 795\/10). Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-and-Doggie.png\" alt=\"\" class=\"wp-image-20172\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-and-Doggie.png 663w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-and-Doggie-244x300.png 244w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"287\" height=\"435\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-with-grey-hair.png\" alt=\"\" class=\"wp-image-20156\" style=\"width:499px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-with-grey-hair.png 287w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-with-grey-hair-198x300.png 198w\" sizes=\"auto, (max-width: 287px) 100vw, 287px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller, orchestrated Yukikazu Suzuki: Die Kr\u00e4he (<em>Winterreise<\/em>, D. 911\/15). Hiroyuki Iwaki, Orchestra Ensemble Kanazawa<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Front-of-House.png\" alt=\"\" class=\"wp-image-20157\" style=\"width:657px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Front-of-House.png 591w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Front-of-House-300x274.png 300w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller, orchestrated Yukikazu Suzuki: Letzte Hoffnung (<em>Winterreise<\/em>, D. 911\/16). Hiroyuki Iwaki, Orchestra Ensemble Kanazawa<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Suit.png\" alt=\"\" class=\"wp-image-20158\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Suit.png 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-in-Suit-295x300.png 295w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller, orchestrated Anton Webern: Der Wegweiser (<em>Winterreise<\/em>, D. 911\/20). Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"972\" height=\"1260\" data-id=\"20169\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Beautiful.jpg\" alt=\"\" class=\"wp-image-20169\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Beautiful.jpg 972w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Beautiful-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Beautiful-790x1024.jpg 790w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Beautiful-768x996.jpg 768w\" sizes=\"auto, (max-width: 972px) 100vw, 972px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"323\" height=\"476\" data-id=\"20159\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schwetzingen.jpg\" alt=\"\" class=\"wp-image-20159\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schwetzingen.jpg 323w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schwetzingen-204x300.jpg 204w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Matth\u00e4us von Collin, orchestrated Felix Weingartner: Nacht und Tr\u00e4ume, D. 827. Gary Bertini, Wiener Symphoniker [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Weingartner.jpg\" alt=\"\" class=\"wp-image-20168\" style=\"width:542px;height:auto\"\/><figcaption class=\"wp-element-caption\">Felix Weingartner<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Biedermeier-Watercolor-1024x675.png\" alt=\"\" class=\"wp-image-20171\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Biedermeier-Watercolor-1024x675.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Biedermeier-Watercolor-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Biedermeier-Watercolor-768x506.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Schubert-Biedermeier-Watercolor.png 1250w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 431. Hermann Prey singt Schubert Orchesterlieder SOCIAL SHARE SUBSCRIPTION PLATFORM I\u2019m sure many of you balked when you saw&hellip;<\/p>\n","protected":false},"author":1,"featured_media":20137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,2399,5806,2260,808,4722,4801],"tags":[2940,305,5179,2767,8785,8781,800,101,1228,8267,3222,2936,8786,310,1197,584,8783,8784,1229,1137,863,3733,651,862,861,8782],"class_list":["post-19939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-great-baritones","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-singers-in-old-age","tag-anton-webern","tag-benjamin-britten","tag-christian-schubart","tag-die-schone-mullerin","tag-felix-mottl","tag-felix-weingartner","tag-franz-liszt","tag-franz-schubert","tag-franz-von-schober","tag-friedrich-gottlieb-klopstock","tag-friedrich-schiller","tag-gary-bertini","tag-gesange-des-harfners","tag-hector-berlioz","tag-heinrich-heine","tag-hermann-prey","tag-hiroyuki-iwaki","tag-johann-ladislaus-pyrker","tag-johann-mayrhofer","tag-johann-wolfgang-von-goethe","tag-johannes-brahms","tag-matthaus-von-collin","tag-max-reger","tag-wilhelm-muller","tag-winterreise","tag-yukikazu-suzuki"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2026\/01\/Prey-Schwanengesang-cover-trimmed-300x199.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Anton Webern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Christian Schubart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Felix Mottl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Felix Weingartner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Franz von Schober<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Friedrich Gottlieb Klopstock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Gary Bertini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Ges\u00e4nge des Harfners<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Hiroyuki Iwaki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Johann Ladislaus Pyrker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Johann Mayrhofer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Matth\u00e4us von Collin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Max Reger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Winterreise<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Yukikazu Suzuki<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Anton Webern<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Christian Schubart<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Felix Mottl<\/span>","<span class=\"advgb-post-tax-term\">Felix Weingartner<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Franz von Schober<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Gottlieb Klopstock<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Gary Bertini<\/span>","<span class=\"advgb-post-tax-term\">Ges\u00e4nge des Harfners<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Hiroyuki Iwaki<\/span>","<span class=\"advgb-post-tax-term\">Johann Ladislaus Pyrker<\/span>","<span class=\"advgb-post-tax-term\">Johann Mayrhofer<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Matth\u00e4us von Collin<\/span>","<span class=\"advgb-post-tax-term\">Max Reger<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Winterreise<\/span>","<span class=\"advgb-post-tax-term\">Yukikazu Suzuki<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 months ago","modified":"Updated 3 months ago"},"absolute_dates":{"created":"Posted on 23\/01\/2026","modified":"Updated on 23\/01\/2026"},"absolute_dates_time":{"created":"Posted on 23\/01\/2026 10:32","modified":"Updated on 23\/01\/2026 10:32"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=19939"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19939\/revisions"}],"predecessor-version":[{"id":20175,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19939\/revisions\/20175"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/20137"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=19939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=19939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=19939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}