{"id":19516,"date":"2025-12-05T16:56:28","date_gmt":"2025-12-05T15:56:28","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19516"},"modified":"2025-12-07T16:46:09","modified_gmt":"2025-12-07T15:46:09","slug":"episode-417-hail-queens","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/12\/05\/episode-417-hail-queens\/","title":{"rendered":"Episode 417. Hail, Queens!"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 417. Hail, Queens!<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1776-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Drag-Mary.png\" alt=\"\" class=\"wp-image-19699\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Drag-Mary.png 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Drag-Mary-297x300.png 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Drag-Mary-150x150.png 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Drag-Mary-768x776.png 768w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Okay, I confess that the title of this week\u2019s episode is intentionally misleading, but if I told you what it actually was outright, you might not listen, and that would be a great loss! On Monday I celebrated Larry Kert for World AIDS Day, and today, I have made a selection of musical settings of the Marian Antiphon <em>Salve Regina<\/em>, which translated means, \u201cHail, Queen,\u201d so there you have the inspiration for the episode. In fact, this is an episode chock-full of particularly glorious singing, and I don\u2019t think you\u2019ll regret spending the time with these glorious Queens of Song (with a few Kings tossed in)! The 11th-century <em>Salve Regina <\/em>text, far from being dry and dull, provided inspiration for a wide range of composers, primarily of the Baroque (Handel, Vivaldi, Hasse, the Scarlattis, Monteverdi, and a number of others), but also of later vintage (Mozart, Johann Christian Bach, Schubert, and even Puccini). The singers who perform these works are a Who\u2019s Who of <em>Countermelody<\/em> favorites (Helen Donath, Rachel Yakar, Margaret Marshall, Francisco Araiza, Elly Ameling, and Roberta Alexander) and new friends, including three countertenors (G\u00e9rard Lesne, John Angelo Messana, and Jochen Kowalski) who provided inspiration to me as a young singer. Dive right in to this episode, my friends, and never fear: would I steer you wrong? Never! The episode begins with a tribute to Madeline Kahn, who died 26 years ago this week.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Mary-of-Stone-1024x683.jpg\" alt=\"\" class=\"wp-image-19726\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Mary-of-Stone-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Mary-of-Stone-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Mary-of-Stone-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Mary-of-Stone.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"825\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/La-Kahn.png\" alt=\"\" class=\"wp-image-19702\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/La-Kahn.png 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/La-Kahn-263x300.png 263w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure>\n\n\n\n<p>Richard Rodgers, Lorenz Hart: Bewitched, Bothered and Bewildered (<em>Pal Joey<\/em>) [reprise]. Madeline Kahn, Fred Barton [live 1995]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"658\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Fred-Barton.png\" alt=\"\" class=\"wp-image-19730\" style=\"width:435px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Fred-Barton.png 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Fred-Barton-170x300.png 170w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><figcaption class=\"wp-element-caption\">Fred Barton<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"462\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Monks.png\" alt=\"\" class=\"wp-image-19705\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Monks.png 695w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Monks-300x199.png 300w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/figure>\n<\/div>\n\n\n<p>Gregorian Chant: Salve Regina. Coro de Monjes del Monasterio Benedictino de Santo Domingo de Silos [1980]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Salve_Regina-Pneumes-484x1024.png\" alt=\"\" class=\"wp-image-19728\" style=\"width:527px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Salve_Regina-Pneumes-484x1024.png 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Salve_Regina-Pneumes-142x300.png 142w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Salve_Regina-Pneumes.png 500w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"514\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Neway-1024x514.jpg\" alt=\"\" class=\"wp-image-19706\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Neway-1024x514.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Neway-300x151.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Neway-768x385.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Neway.jpg 1467w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Battista Pergolesi: Salve Regina (<em>Salve Regina<\/em>). Patricia Neway, Arnold Black, Allegro Chamber Players [Arnold Black, Isidor Lateiner, Karen Tuttle, Laszlo Varga] [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"261\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Lesne.jpg\" alt=\"\" class=\"wp-image-19707\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Lesne.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Lesne-300x157.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: Salve Regina (<em>Salve Regina<\/em>). G\u00e9rard Lesne, Il Seminario Musicale [1999]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-692x1024.jpg\" alt=\"\" class=\"wp-image-19732\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-692x1024.jpg 692w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-203x300.jpg 203w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-768x1136.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-1039x1536.jpg 1039w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel-1385x2048.jpg 1385w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/gay-handel.jpg 1503w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel: <em>Salve Regina<\/em>, HWV 214.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-1024x584.png\" alt=\"\" class=\"wp-image-19708\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-1024x584.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-300x171.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-768x438.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-1536x876.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful-1600x912.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Elly-young-beautiful.png 1633w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Elly Ameling, Albert de Klerk, Andr\u00e9 Rieu [Sr.], Amsterdams Kamerorkest [1959] (movements 1,3)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"859\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Benita-Valente-1536x1289-1-1024x859.jpg\" alt=\"\" class=\"wp-image-19709\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Benita-Valente-1536x1289-1-1024x859.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Benita-Valente-1536x1289-1-300x252.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Benita-Valente-1536x1289-1-768x645.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Benita-Valente-1536x1289-1.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Benita Valente, Michael Korn, Concerto Soloists Chamber Orchestra of Philadelphia [1985] (Movements 2,4)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Salve Regina<\/li>\n\n\n\n<li>II. Ad te clamamus<\/li>\n\n\n\n<li>III. Eia ergo<\/li>\n\n\n\n<li>IV. O clemens, o pia<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"303\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Michael-Korn.jpeg\" alt=\"\" class=\"wp-image-19710\" style=\"width:523px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Michael-Korn.jpeg 303w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Michael-Korn-250x300.jpeg 250w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><figcaption class=\"wp-element-caption\">Michael Korn (1947 &#8211; 1991)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"272\" height=\"352\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Gerald_English_1.jpg\" alt=\"\" class=\"wp-image-19711\" style=\"width:537px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Gerald_English_1.jpg 272w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Gerald_English_1-232x300.jpg 232w\" sizes=\"auto, (max-width: 272px) 100vw, 272px\" \/><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi: Salve Regina, SV 327. Gerald English, David Lumsden, Jennifer Ryan [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Messana.jpg\" alt=\"\" class=\"wp-image-19712\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Messana.jpg 675w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Messana-203x300.jpg 203w\" sizes=\"auto, (max-width: 675px) 100vw, 675px\" \/><figcaption class=\"wp-element-caption\">John Angelo Messanaa<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giovanni Rovetti: Salve Regina. John Angelo Messana, Newell Jenkins, Frederick Hammond, Orchestra del Teatro Accademico di Castelfranco Veneto [live Castelfranco Veneto 27.IX.82]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Newell-Jenkins-795x1024.jpg\" alt=\"\" class=\"wp-image-19713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Newell-Jenkins-795x1024.jpg 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Newell-Jenkins-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Newell-Jenkins-768x989.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Newell-Jenkins.jpg 880w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><figcaption class=\"wp-element-caption\">Newell Jenkins (1915 &#8211; 1996)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"671\" height=\"910\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Donath9.png\" alt=\"\" class=\"wp-image-19714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Donath9.png 671w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Donath9-221x300.png 221w\" sizes=\"auto, (max-width: 671px) 100vw, 671px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: <em>Offertorium \u2018Salve Regina<\/em>,<em>\u2019<\/em> KV Anh. C3.01. Helen Donath, Josef Suk, Klaus Donath, Suk Chamber Orchestra [1987]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Josef-Suk.jpg\" alt=\"\" class=\"wp-image-19715\" style=\"width:554px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Josef-Suk.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Josef-Suk-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Josef Suk (1929 &#8211; 2011)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"531\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Araiza-Denim-TRIMMED-1024x531.png\" alt=\"\" class=\"wp-image-19716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Araiza-Denim-TRIMMED-1024x531.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Araiza-Denim-TRIMMED-300x156.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Araiza-Denim-TRIMMED-768x398.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Araiza-Denim-TRIMMED.png 1176w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert: <em>Salve Regina<\/em> in B-flat Major, D. 106. Francisco Araiza, Wolfgang Sawallisch, Symphonieorchester des Bayerischen Rundfunks [1983]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Sawallisch.jpg\" alt=\"\" class=\"wp-image-19717\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Sawallisch.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Sawallisch-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Sawallisch-150x150.jpg 150w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption class=\"wp-element-caption\">Wolfgang Sawallisch (1923 &#8211; 2013)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"608\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Roberta-with-Flowers-TRIMMED-1024x608.jpg\" alt=\"\" class=\"wp-image-19727\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Roberta-with-Flowers-TRIMMED-1024x608.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Roberta-with-Flowers-TRIMMED-300x178.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Roberta-with-Flowers-TRIMMED-768x456.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Roberta-with-Flowers-TRIMMED.jpg 1258w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini: <em>Salve Regina<\/em>. Roberta Alexander, Thomas Provost [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Yakar-Eyelashes.jpg\" alt=\"\" class=\"wp-image-19718\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Yakar-Eyelashes.jpg 580w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Yakar-Eyelashes-242x300.jpg 242w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure>\n<\/div>\n\n\n<p>Leonardo Leo: Salve Regina (<em>Salve Regina<\/em> in F Major). Rachel Yakar, Helmut M\u00fcller-Br\u00fchl, K\u00f6lner Kammerorchester [Rainer Kussmaul, Therese Timoney, Barbara L\u00fcbke, Antonius Schr\u00f6der, Rosalinde Haas] [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"535\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-1024x535.jpg\" alt=\"\" class=\"wp-image-19719\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-1024x535.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-300x157.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-768x401.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall.jpg 1060w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Christian Bach: Ad te clamamus (<em>Salve Regina<\/em>). Margaret Marshall, Rudolf Ewerhart, Die Deutschen Barocksolisten [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Jochen-Kowalski-683x1024.jpg\" alt=\"\" class=\"wp-image-19720\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Jochen-Kowalski-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Jochen-Kowalski-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Jochen-Kowalski-768x1152.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Jochen-Kowalski.jpg 800w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi: Ad te suspiramus (<em>Salve Regina<\/em>, RV 618). Jochen Kowalski, Vittorio Negri, English Chamber Orchestra [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"879\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-Manlio.jpg\" alt=\"\" class=\"wp-image-19721\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-Manlio.jpg 879w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-Manlio-258x300.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Margaret-Marshall-Manlio-768x895.jpg 768w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi: Eia ergo (<em>Salve Regina<\/em>, RV 617). Margaret Marshall, Vittorio Negri, English Chamber Orchestra [1990]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"652\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Negri.jpg\" alt=\"\" class=\"wp-image-19722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Negri.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Negri-294x300.jpg 294w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Vittorio Negri (1923 &#8211; 1998)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"382\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Bernarda-Fink.jpg\" alt=\"\" class=\"wp-image-19723\" style=\"width:600px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Bernarda-Fink.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Bernarda-Fink-300x212.jpg 300w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Adolf Hasse: Et Jesum benedictum (<em>Salve Regina<\/em> in A Major). Bernarda Fink, Reinhard Goebel, Musica Antiqua K\u00f6ln [1997]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Goebel.jpg\" alt=\"\" class=\"wp-image-19724\" style=\"width:485px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Goebel.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Goebel-150x150.jpg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption class=\"wp-element-caption\">Reinhard Goebel<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"783\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Maureen-Forrester.jpg\" alt=\"\" class=\"wp-image-19725\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Maureen-Forrester.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Maureen-Forrester-300x229.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Maureen-Forrester-768x587.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Domenico Scarlatti: O clemens, o pia&#8230; Amen (<em>Salve Regina<\/em>). Maureen Forrester, Anton Heiller, Die Wiener Solisten [1966]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 417. Hail, Queens! SOCIAL SHARE SUBSCRIPTION PLATFORM Okay, I confess that the title of this week\u2019s episode is intentionally&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19701,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1701,2109,3614,424,5823,3132,2261,2476,6551,5137,1073,1072,5806,1263,2260,808,4722,6189,3272,2550,5138],"tags":[4629,1311,8609,8622,1326,4075,8363,2412,33,8611,8621,769,46,101,3955,8615,280,693,8608,94,1321,8613,8606,2933,8619,8612,8620,8001,8614,8616,3421,8618,1524,2110,2526,2267,8610,3142,8623,2059,5366,8419,928,2166,2544,8607,8617,2543,34,698],"class_list":["post-19516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-bel-canto","category-broadway-and-musicals","category-canadian-singers","category-countertenors","category-forgotten-divas","category-franz-schubert","category-full-figured-baroque","category-giacomo-puccini","category-great-contraltos","category-great-tenors","category-holiday-music","category-in-memoriam","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-rescue-mission","category-singers-of-color","category-voiceless-wonders","category-wolfgang-amadeus-mozart","tag-albert-de-klerk","tag-alessandro-scarlatti","tag-andre-rieu-sr","tag-anton-heiller","tag-antonio-vivaldi","tag-arnold-black","tag-benita-valente","tag-bernarda-fink","tag-claudio-monteverdi","tag-david-lumsden","tag-domenico-scarlatti","tag-elly-ameling","tag-francisco-araiza","tag-franz-schubert","tag-fred-barton","tag-frederick-hammond","tag-george-frideric-handel","tag-gerald-english","tag-gerard-lesne","tag-giacomo-puccini","tag-giovanni-battista-pergolesi","tag-giovanni-rovetti","tag-gregorian-chant","tag-helen-donath","tag-helmut-muller-bruhl","tag-jennifer-ryan","tag-jochen-kowalski","tag-johann-adolf-hasse","tag-john-angelo-messana","tag-josef-suk","tag-klaus-donath","tag-leonardo-leo","tag-lorenz-hart","tag-madeline-kahn","tag-margaret-marshall","tag-maureen-forrester","tag-michael-korn","tag-newell-jenkins","tag-pal-joey","tag-patricia-neway","tag-rachel-yakar","tag-reinhard-goebel","tag-richard-rodgers","tag-roberta-alexander","tag-rudolf-ewerhart","tag-salve-regina","tag-thomas-provost","tag-vittorio-negri","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/12\/Raphael-Mary-and-Baybee-Jeezus-300x222.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/countertenors\/\" class=\"advgb-post-tax-term\">Countertenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Countertenors<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Albert de Klerk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Rieu Sr.<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anton Heiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Vivaldi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arnold Black<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Benita Valente<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bernarda Fink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Lumsden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Domenico Scarlatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Elly Ameling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fred Barton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frederick Hammond<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerald English<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">G\u00e9rard Lesne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Rovetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gregorian Chant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helen Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helmut M\u00fcller-Br\u00fchl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jennifer Ryan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jochen Kowalski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Adolf Hasse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Angelo Messana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josef Suk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Klaus Donath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leonardo Leo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenz Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Madeline Kahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maureen Forrester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michael Korn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Newell Jenkins<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pal Joey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Patricia Neway<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rachel Yakar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Reinhard Goebel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rudolf Ewerhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salve Regina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Thomas Provost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vittorio Negri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Albert de Klerk<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Rieu Sr.<\/span>","<span class=\"advgb-post-tax-term\">Anton Heiller<\/span>","<span class=\"advgb-post-tax-term\">Antonio Vivaldi<\/span>","<span class=\"advgb-post-tax-term\">Arnold Black<\/span>","<span class=\"advgb-post-tax-term\">Benita Valente<\/span>","<span class=\"advgb-post-tax-term\">Bernarda Fink<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">David Lumsden<\/span>","<span class=\"advgb-post-tax-term\">Domenico Scarlatti<\/span>","<span class=\"advgb-post-tax-term\">Elly Ameling<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Fred Barton<\/span>","<span class=\"advgb-post-tax-term\">Frederick Hammond<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gerald English<\/span>","<span class=\"advgb-post-tax-term\">G\u00e9rard Lesne<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Rovetti<\/span>","<span class=\"advgb-post-tax-term\">Gregorian Chant<\/span>","<span class=\"advgb-post-tax-term\">Helen Donath<\/span>","<span class=\"advgb-post-tax-term\">Helmut M\u00fcller-Br\u00fchl<\/span>","<span class=\"advgb-post-tax-term\">Jennifer Ryan<\/span>","<span class=\"advgb-post-tax-term\">Jochen Kowalski<\/span>","<span class=\"advgb-post-tax-term\">Johann Adolf Hasse<\/span>","<span class=\"advgb-post-tax-term\">John Angelo Messana<\/span>","<span class=\"advgb-post-tax-term\">Josef Suk<\/span>","<span class=\"advgb-post-tax-term\">Klaus Donath<\/span>","<span class=\"advgb-post-tax-term\">Leonardo Leo<\/span>","<span class=\"advgb-post-tax-term\">Lorenz Hart<\/span>","<span class=\"advgb-post-tax-term\">Madeline Kahn<\/span>","<span class=\"advgb-post-tax-term\">Margaret Marshall<\/span>","<span class=\"advgb-post-tax-term\">Maureen Forrester<\/span>","<span class=\"advgb-post-tax-term\">Michael Korn<\/span>","<span class=\"advgb-post-tax-term\">Newell Jenkins<\/span>","<span class=\"advgb-post-tax-term\">Pal Joey<\/span>","<span class=\"advgb-post-tax-term\">Patricia Neway<\/span>","<span class=\"advgb-post-tax-term\">Rachel Yakar<\/span>","<span class=\"advgb-post-tax-term\">Reinhard Goebel<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Ewerhart<\/span>","<span class=\"advgb-post-tax-term\">Salve Regina<\/span>","<span class=\"advgb-post-tax-term\">Thomas Provost<\/span>","<span class=\"advgb-post-tax-term\">Vittorio Negri<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 months ago","modified":"Updated 5 months ago"},"absolute_dates":{"created":"Posted on 05\/12\/2025","modified":"Updated on 07\/12\/2025"},"absolute_dates_time":{"created":"Posted on 05\/12\/2025 16:56","modified":"Updated on 07\/12\/2025 16:46"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=19516"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19516\/revisions"}],"predecessor-version":[{"id":19733,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19516\/revisions\/19733"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/19701"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=19516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=19516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=19516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}