{"id":19209,"date":"2025-11-15T10:20:22","date_gmt":"2025-11-15T09:20:22","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19209"},"modified":"2025-11-26T14:42:20","modified_gmt":"2025-11-26T13:42:20","slug":"episode-411-orchestral-song-international-edition","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/11\/15\/episode-411-orchestral-song-international-edition\/","title":{"rendered":"Episode 411. Orchestral Song [International Edition]"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 411. Orchestral Song [International Edition]<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1752-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"831\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu.jpg\" alt=\"\" class=\"wp-image-19477\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu.jpg 831w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu-243x300.jpg 243w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu-768x946.jpg 768w\" sizes=\"auto, (max-width: 831px) 100vw, 831px\" \/><figcaption class=\"wp-element-caption\">T\u014dru Takemitsu (1930 \u2013 1996)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>An old LP of T\u014dru Takemitsu\u2019s <em>Coral Island <\/em>and a conversation with a new friend about American Exceptionalism inspired today\u2019s episode, the \u201cInternational Edition\u201d of my ongoing series on Orchestral Song. <em>Coral Island<\/em> is still here, although I ended up using a later (and better) recording than the one in my collection. I also feature the work of composers Karol Szymanowski, Augustyn Bloch, Aminollah Hossein, Kaija Saariaho, Frederic Mompou, Ottorino Respighi, Fartein Valen, Bohuslav Martin\u016f, and many others, performed by Gerald Finley, Andr\u00e9a Guiot, Robert Tear, Dorothy Dorow, Halina \u0141ukomska, Victoria de los \u00c1ngeles, Andrzej Hiolski, Bernard Kruysen, and Marianne Crebassa, for starters! I have been enjoying so much preparing these recent \u201cpotpourri\u201d episodes, and this one is particularly chock full of surprises and discoveries!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"501\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski.jpg\" alt=\"\" class=\"wp-image-19480\" style=\"width:597px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Szymanowski-287x300.jpg 287w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\">Karol Szymanowski (1882 \u2013 1937)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Karol Szymanowski, Jaros\u0142aw Iwaszkiewicz: Allah, Allah Akbar, Allah! (<em>Pie\u015bni muezina szalonego<\/em> [Songs of the Infatuated Muezzin], Op. 42-1). Ryszard Minkiewicz, Karol Stryja, Polish State Philharmonic Orchestra, Katowice [1991]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ryszard-Minkiewicz.jpg\" alt=\"\" class=\"wp-image-19481\" style=\"width:533px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ryszard-Minkiewicz.jpg 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ryszard-Minkiewicz-220x300.jpg 220w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><figcaption class=\"wp-element-caption\">Ryszard Minkiewicz<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hossein.jpg\" alt=\"\" class=\"wp-image-19482\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hossein.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hossein-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hossein-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Aminollah Hossein (1905 \u2013 1983)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Aminollah Hossein, Saadi Shirazi: Caravan. Andr\u00e9a Guiot, Jean-Claude Hartemann, Orchestre National de Monte Carlo [unknown date]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"686\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Guiot.jpg\" alt=\"\" class=\"wp-image-19483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Guiot.jpg 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Guiot-202x300.jpg 202w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><figcaption class=\"wp-element-caption\">Andr\u00e9a Guiot (1928 \u2013 2021)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"978\" height=\"790\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Martinu.png\" alt=\"\" class=\"wp-image-19484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Martinu.png 978w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Martinu-300x242.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Martinu-768x620.png 768w\" sizes=\"auto, (max-width: 978px) 100vw, 978px\" \/><figcaption class=\"wp-element-caption\">Bohuslav Martin\u016f (1890\u20131959)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bohuslav Martin\u016f, anonymous Japanese text translated by Emanuel Le\u0161ehrad: Prosn\u011bn\u00fd \u017eivot [Life in Dreams] (<em>Nipponari<\/em>, H 68\/4). Dagmar Peckov\u00e1, Ji\u0159\u00ed B\u011blohl\u00e1vek, Prague Symphony Orchestra [1991]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Peckova.png\" alt=\"\" class=\"wp-image-19485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Peckova.png 890w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Peckova-300x277.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Peckova-768x710.png 768w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption class=\"wp-element-caption\">Dagmar Peckov\u00e1<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"893\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu.png\" alt=\"\" class=\"wp-image-19486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu.png 893w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu-300x276.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu-768x707.png 768w\" sizes=\"auto, (max-width: 893px) 100vw, 893px\" \/><figcaption class=\"wp-element-caption\">T\u014dru Takemitsu (1930 \u2013 1996)<\/figcaption><\/figure>\n\n\n\n<p>T\u014dru Takemitsu, Makota Ohka: Poem I (<em>Coral Island<\/em>) [1962]. Rie Hamada, Yuzo Toyama, Members of the Tokyo Metropolitan Symphony Orchestra [1998]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-1024x1024.jpg\" alt=\"\" class=\"wp-image-19487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Rie-Hamada.jpg 1574w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Rie Hamada<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"645\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-1024x645.jpg\" alt=\"\" class=\"wp-image-19488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-1024x645.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-300x189.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-768x483.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-1536x967.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck-1600x1007.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Othmar-Schoeck.jpg 2040w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Othmar Schoeck (1886 \u2013 1957)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Othmar Schoeck, Gottfried Keller: Und&nbsp;wieder&nbsp;schl\u00e4gt&#8217;s&nbsp;\u2013&nbsp;ein Viertel&nbsp;erst (<em>Lebendig begraben<\/em>, Op. 40\/14). G\u00fcnter von Kannen, Ralf Weikert, Orchester und Chor der Oper Z\u00fcrich [1986]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"254\" height=\"256\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gunter-von-Kannen.png\" alt=\"\" class=\"wp-image-19489\" style=\"width:514px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gunter-von-Kannen.png 254w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gunter-von-Kannen-150x150.png 150w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/><figcaption class=\"wp-element-caption\">G\u00fcnter von Kannen (1940 \u2013 2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Saariaho.png\" alt=\"\" class=\"wp-image-19490\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Saariaho.png 677w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Saariaho-248x300.png 248w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><figcaption class=\"wp-element-caption\">Kaija Saariaho (1952 \u2013 2023)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Kaija Saariaho, text after Ralph Waldo Emerson: Proposition II (<em>True Fire<\/em>). Gerald Finley, Hannu Lintu, Finnish Radio Symphony Orchestra [2019]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"519\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Finley.jpeg\" alt=\"\" class=\"wp-image-19491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Finley.jpeg 870w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Finley-300x179.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Finley-768x458.jpeg 768w\" sizes=\"auto, (max-width: 870px) 100vw, 870px\" \/><figcaption class=\"wp-element-caption\">Gerald Finley<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"749\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Fartein-Valen-1887-\u2013-1952-749x1024.jpg\" alt=\"\" class=\"wp-image-19492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Fartein-Valen-1887-\u2013-1952-749x1024.jpg 749w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Fartein-Valen-1887-\u2013-1952-219x300.jpg 219w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Fartein-Valen-1887-\u2013-1952-768x1050.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Fartein-Valen-1887-\u2013-1952.jpg 800w\" sizes=\"auto, (max-width: 749px) 100vw, 749px\" \/><figcaption class=\"wp-element-caption\">Fartein Valen (1887 \u2013 1952)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Fartein Valen, Walt Whitman: Darest thou now, O Soul, Op. 9. Dorothy Dorow, Militiades Caridis, Oslo Philharmonic Orchestra [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"364\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Dorow.jpg\" alt=\"\" class=\"wp-image-19493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Dorow.jpg 680w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Dorow-300x161.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><figcaption class=\"wp-element-caption\">Dorothy Dorow (1930 \u2013 2017)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/EinojuhaniRautavaara1950s-775x1024.jpg\" alt=\"\" class=\"wp-image-19494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/EinojuhaniRautavaara1950s-775x1024.jpg 775w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/EinojuhaniRautavaara1950s-227x300.jpg 227w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/EinojuhaniRautavaara1950s-768x1015.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/EinojuhaniRautavaara1950s.jpg 800w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><figcaption class=\"wp-element-caption\">Einojuhani Rautavaara (1928 \u2013 2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Einojuhani Rautavaara, William Shakespeare: That Time of Year (<em>Three Sonnets of Shakespeare<\/em>, No. 1). Gabriel Suovanen, Leif Segerstam, Helsinki Philharmonic Orchestra [2006]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"560\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/gabriel-suovanen.jpg\" alt=\"\" class=\"wp-image-19495\" style=\"width:618px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/gabriel-suovanen.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/gabriel-suovanen-268x300.jpg 268w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Gabriel Suovanen<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"382\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bloch.jpg\" alt=\"\" class=\"wp-image-19497\" style=\"width:558px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bloch.jpg 382w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bloch-235x300.jpg 235w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><figcaption class=\"wp-element-caption\">Augustyn Bloch (1929 \u2013 2006)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Augustyn Bloch, William Wordsworth [translated Stanis\u0142aw Kry\u0144ski]: Byl czas [There was a time] (<em>Wordsworth Songs<\/em>). Andrzej Hiolski, Jerzy Maksumiuk, Polish Chamber Orchestra [1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hiolski-610x1024.jpg\" alt=\"\" class=\"wp-image-19496\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hiolski-610x1024.jpg 610w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hiolski-179x300.jpg 179w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hiolski-768x1289.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hiolski.jpg 876w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><figcaption class=\"wp-element-caption\">Andrzej Hiolski (1922 \u2013 2000)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"814\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Serocki-814x1024.jpg\" alt=\"\" class=\"wp-image-19498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Serocki-814x1024.jpg 814w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Serocki-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Serocki-768x966.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Serocki.jpg 954w\" sizes=\"auto, (max-width: 814px) 100vw, 814px\" \/><figcaption class=\"wp-element-caption\">Kazimierz Serocki (1922 \u2013 1981)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Kazimierz Serocki, Julian Przybo\u015b: Spotkanie (<em>Oczy Powietrza<\/em> [Eyes of Air], No. 1). Halina \u0141ukomska, Andrzej Markowski, Warsaw National Philharmonic Orchestra [1967]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"883\" height=\"784\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Halina-Lukomska-1929-\u2013-2016.png\" alt=\"\" class=\"wp-image-19499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Halina-Lukomska-1929-\u2013-2016.png 883w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Halina-Lukomska-1929-\u2013-2016-300x266.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Halina-Lukomska-1929-\u2013-2016-768x682.png 768w\" sizes=\"auto, (max-width: 883px) 100vw, 883px\" \/><figcaption class=\"wp-element-caption\">Halina \u0141ukomska (1929 \u2013 2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"875\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Montsalvatge.png\" alt=\"\" class=\"wp-image-19500\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Montsalvatge.png 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Montsalvatge-300x265.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Montsalvatge-768x679.png 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><figcaption class=\"wp-element-caption\">Xavier Montsalvatge (1912 \u2013 2002)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Xavier Montsalvatge, Rafael Merello: Cuba dentro de un piano (<em>Cinco canciones negras<\/em>, No. 1). Victoria de los \u00c1ngeles, Rafael Fr\u00fchbeck De Burgos, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/De-Los-Angeles.jpg\" alt=\"\" class=\"wp-image-19502\" style=\"width:562px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/De-Los-Angeles.jpg 290w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/De-Los-Angeles-240x300.jpg 240w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><figcaption class=\"wp-element-caption\">Victoria de los \u00c1ngeles (1923 \u2013 2005)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"794\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Joaquin-Turina-1882-\u2013-1949.png\" alt=\"\" class=\"wp-image-19504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Joaquin-Turina-1882-\u2013-1949.png 886w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Joaquin-Turina-1882-\u2013-1949-300x269.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Joaquin-Turina-1882-\u2013-1949-768x688.png 768w\" sizes=\"auto, (max-width: 886px) 100vw, 886px\" \/><figcaption class=\"wp-element-caption\">Joaqu\u00edn Turina (1882 \u2013 1949)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Joaqu\u00edn Turina, Jos\u00e9 Mu\u00f1oz San Rom\u00e1n: La Giralda (<em>Canto a Sevilla<\/em>, Op. 37\/4). Pilar Lorengar, Jes\u00fas L\u00f3pez-Cobos, Orchestre de la Suisse Romande [1984]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"274\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Pilar_Lorengar_in_profile-1.jpg\" alt=\"\" class=\"wp-image-19506\" style=\"width:570px;height:auto\"\/><figcaption class=\"wp-element-caption\">Pilar Lorengar (1928 \u2013 1996)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frederic-Mompou-1893-\u2013-1987.png\" alt=\"\" class=\"wp-image-19507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frederic-Mompou-1893-\u2013-1987.png 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frederic-Mompou-1893-\u2013-1987-300x246.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frederic-Mompou-1893-\u2013-1987-768x631.png 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><figcaption class=\"wp-element-caption\">Frederic Mompou (1893 \u2013 1987)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frederic Mompou, Josep Jan\u00e9s: Damunt de tu nom\u00e9s les flors (<em>Combat del somni<\/em>). Marianne Crebassa, Ben Glassberg, Orchestre National du Capitole de Toulouse [2021]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"741\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Crebassa-1024x741.png\" alt=\"\" class=\"wp-image-19508\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Crebassa-1024x741.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Crebassa-300x217.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Crebassa-768x556.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Crebassa.png 1054w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marianne Crebassa<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"667\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ottorino-Respighi-1879-\u2013-1936.jpg\" alt=\"\" class=\"wp-image-19509\" style=\"width:552px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ottorino-Respighi-1879-\u2013-1936.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Ottorino-Respighi-1879-\u2013-1936-225x300.jpg 225w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Ottorino Respighi (1879 \u2013 1936)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ottorino Respighi, Antonio Rubino: Crepuscolo (<em>Deit\u00e0 silvane<\/em>, P.107\/5). Robert Tear, L\u00e1szl\u00f3 Heltay, Argo Chamber Orchestra [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"706\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Robert-Tear-1939-\u2013-2011-1024x706.png\" alt=\"\" class=\"wp-image-19510\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Robert-Tear-1939-\u2013-2011-1024x706.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Robert-Tear-1939-\u2013-2011-300x207.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Robert-Tear-1939-\u2013-2011-768x530.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Robert-Tear-1939-\u2013-2011.png 1183w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Robert Tear (1939 \u2013 2011)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Zemlinsky-1024x578.jpg\" alt=\"\" class=\"wp-image-19511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Zemlinsky-1024x578.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Zemlinsky-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Zemlinsky-768x433.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Zemlinsky.jpg 1276w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Alexander Zemlinsky (1871 \u2013 1942)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Alexander Zemlinsky, Rabindranath Tagore [German translation by Zemlinsky]: Friede, mein Herz (<em>Lyrische Symphonie<\/em>, Op. 18\/7). Bernard Kruysen, Zoltan Pesko, Hague Philharmonic Orchestra [live Holland Festival 1974]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bernard-Kruysen-1933-\u2013-2000-730x1024.jpg\" alt=\"\" class=\"wp-image-19512\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bernard-Kruysen-1933-\u2013-2000-730x1024.jpg 730w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bernard-Kruysen-1933-\u2013-2000-214x300.jpg 214w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bernard-Kruysen-1933-\u2013-2000-768x1077.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Bernard-Kruysen-1933-\u2013-2000.jpg 854w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption class=\"wp-element-caption\">Bernard Kruysen (1933 \u2013 2000)<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 411. Orchestral Song [International Edition] SOCIAL SHARE SUBSCRIPTION PLATFORM An old LP of T\u014dru Takemitsu\u2019s Coral Island and a&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,2397,5823,2399,5137,5806,1263,2260,808,4722,6189,2806],"tags":[8464,8491,2768,8478,3521,7565,2414,5190,8472,7989,8470,8485,8489,8467,5477,2361,8488,5476,4122,2367,3095,8281,8482,8477,8481,8495,3867,2898,8490,3997,8471,8468,8475,5265,8494,3209,8474,7512,8480,2930,8465,8484,8469,5478,8476,2999,3520,8497,3324,4713,4121,8473,2226,8479,8486,2726,8493,8492,8496,8483,1375,2466,7987,8487,8466],"class_list":["post-19209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-finnish-opera","category-forgotten-divas","category-great-baritones","category-great-tenors","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-rescue-mission","category-twentieth-century-music","tag-alexander-zemlinsky","tag-aminollah-hossein","tag-andrea-guiot","tag-andrzej-markowski","tag-antonio-rubino","tag-ben-glassberg","tag-bernard-kruysen","tag-bohuslav-martinu","tag-canto-a-sevilla","tag-cinco-canciones-negras","tag-combat-del-somni","tag-coral-island","tag-dagmar-peckova","tag-deita-silvane","tag-dorothy-dorow","tag-einojuhani-rautavaara","tag-emanuel-lesehrad","tag-fartein-valen","tag-frederic-mompou","tag-gabriel-suovanen","tag-gerald-finley","tag-gottfried-keller","tag-gunter-von-kannen","tag-halina-lukomska","tag-hannu-lintu","tag-jaroslaw-iwaszkiewicz","tag-jean-claude-hartemann","tag-jesus-lopez-cobos","tag-jiri-belohlavek","tag-joaquin-turina","tag-jose-munoz-san-roman","tag-josep-janes","tag-julian-przybos","tag-kaija-saariaho","tag-karol-stryja","tag-karol-szymanowski","tag-kazimierz-serocki","tag-laszlo-heltay","tag-lebendig-begraben","tag-leif-segerstam","tag-lyrische-symphonie","tag-makota-ohka","tag-marianne-crebassa","tag-militiades-caridis","tag-oczy-powietrza","tag-othmar-schoeck","tag-ottorino-respighi","tag-piesni-muezina-szalonego","tag-pilar-lorengar","tag-rabindranath-tagore","tag-rafael-fruhbeck-de-burgos","tag-rafael-merello","tag-ralf-weikert","tag-ralph-waldo-emerson","tag-rie-hamada","tag-robert-tear","tag-ryszard-minkiewicz","tag-saadi-shirazi","tag-songs-of-the-lovesick-muezzin","tag-toru-takemitsu","tag-victoria-de-los-angeles","tag-walt-whitman","tag-xavier-montsalvatge","tag-yuzo-toyama","tag-zoltan-pesko"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Takemitsu-TRIMMED-300x169.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/finnish-opera\/\" class=\"advgb-post-tax-term\">Finnish Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Finnish Opera<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Aminollah Hossein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andr\u00e9a Guiot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andrzej Markowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio Rubino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ben Glassberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Kruysen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohuslav Martin\u016f<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Canto a Sevilla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cinco canciones negras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Combat del somni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Coral Island<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dagmar Peckov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Deit\u00e0 silvane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dorothy Dorow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Einojuhani Rautavaara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emanuel Le\u0161ehrad<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fartein Valen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederic Mompou<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Suovanen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerald Finley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gottfried Keller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">G\u00fcnter von Kannen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Halina \u0141ukomska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hannu Lintu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jaros\u0142aw Iwaszkiewicz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Claude Hartemann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jesus Lopez-Cobos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ji\u0159\u00ed B\u011blohl\u00e1vek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Mu\u00f1oz San Rom\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josep Jan\u00e9s<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julian Przybo\u015b<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kaija Saariaho<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karol Stryja<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karol Szymanowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kazimierz Serocki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Laszlo Heltay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lebendig begraben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leif Segerstam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lyrische Symphonie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Makota Ohka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marianne Crebassa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Militiades Caridis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oczy Powietrza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Othmar Schoeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pie\u015bni muezina szalonego<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pilar Lorengar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rabindranath Tagore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rafael Fr\u00fchbeck de Burgos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rafael Merello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralf Weikert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Waldo Emerson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rie Hamada<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Tear<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ryszard Minkiewicz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Saadi Shirazi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Songs of the Lovesick Muezzin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">T\u014dru Takemitsu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victoria de los Angeles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walt Whitman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Xavier Montsalvatge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yuzo Toyama<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zoltan Pesko<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Zemlinsky<\/span>","<span class=\"advgb-post-tax-term\">Aminollah Hossein<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9a Guiot<\/span>","<span class=\"advgb-post-tax-term\">Andrzej Markowski<\/span>","<span class=\"advgb-post-tax-term\">Antonio Rubino<\/span>","<span class=\"advgb-post-tax-term\">Ben Glassberg<\/span>","<span class=\"advgb-post-tax-term\">Bernard Kruysen<\/span>","<span class=\"advgb-post-tax-term\">Bohuslav Martin\u016f<\/span>","<span class=\"advgb-post-tax-term\">Canto a Sevilla<\/span>","<span class=\"advgb-post-tax-term\">Cinco canciones negras<\/span>","<span class=\"advgb-post-tax-term\">Combat del somni<\/span>","<span class=\"advgb-post-tax-term\">Coral Island<\/span>","<span class=\"advgb-post-tax-term\">Dagmar Peckov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Deit\u00e0 silvane<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Dorow<\/span>","<span class=\"advgb-post-tax-term\">Einojuhani Rautavaara<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Le\u0161ehrad<\/span>","<span class=\"advgb-post-tax-term\">Fartein Valen<\/span>","<span class=\"advgb-post-tax-term\">Frederic Mompou<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Suovanen<\/span>","<span class=\"advgb-post-tax-term\">Gerald Finley<\/span>","<span class=\"advgb-post-tax-term\">Gottfried Keller<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnter von Kannen<\/span>","<span class=\"advgb-post-tax-term\">Halina \u0141ukomska<\/span>","<span class=\"advgb-post-tax-term\">Hannu Lintu<\/span>","<span class=\"advgb-post-tax-term\">Jaros\u0142aw Iwaszkiewicz<\/span>","<span class=\"advgb-post-tax-term\">Jean-Claude Hartemann<\/span>","<span class=\"advgb-post-tax-term\">Jesus Lopez-Cobos<\/span>","<span class=\"advgb-post-tax-term\">Ji\u0159\u00ed B\u011blohl\u00e1vek<\/span>","<span class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Mu\u00f1oz San Rom\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Josep Jan\u00e9s<\/span>","<span class=\"advgb-post-tax-term\">Julian Przybo\u015b<\/span>","<span class=\"advgb-post-tax-term\">Kaija Saariaho<\/span>","<span class=\"advgb-post-tax-term\">Karol Stryja<\/span>","<span class=\"advgb-post-tax-term\">Karol Szymanowski<\/span>","<span class=\"advgb-post-tax-term\">Kazimierz Serocki<\/span>","<span class=\"advgb-post-tax-term\">Laszlo Heltay<\/span>","<span class=\"advgb-post-tax-term\">Lebendig begraben<\/span>","<span class=\"advgb-post-tax-term\">Leif Segerstam<\/span>","<span class=\"advgb-post-tax-term\">Lyrische Symphonie<\/span>","<span class=\"advgb-post-tax-term\">Makota Ohka<\/span>","<span class=\"advgb-post-tax-term\">Marianne Crebassa<\/span>","<span class=\"advgb-post-tax-term\">Militiades Caridis<\/span>","<span class=\"advgb-post-tax-term\">Oczy Powietrza<\/span>","<span class=\"advgb-post-tax-term\">Othmar Schoeck<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Pie\u015bni muezina szalonego<\/span>","<span class=\"advgb-post-tax-term\">Pilar Lorengar<\/span>","<span class=\"advgb-post-tax-term\">Rabindranath Tagore<\/span>","<span class=\"advgb-post-tax-term\">Rafael Fr\u00fchbeck de Burgos<\/span>","<span class=\"advgb-post-tax-term\">Rafael Merello<\/span>","<span class=\"advgb-post-tax-term\">Ralf Weikert<\/span>","<span class=\"advgb-post-tax-term\">Ralph Waldo Emerson<\/span>","<span class=\"advgb-post-tax-term\">Rie Hamada<\/span>","<span class=\"advgb-post-tax-term\">Robert Tear<\/span>","<span class=\"advgb-post-tax-term\">Ryszard Minkiewicz<\/span>","<span class=\"advgb-post-tax-term\">Saadi Shirazi<\/span>","<span class=\"advgb-post-tax-term\">Songs of the Lovesick Muezzin<\/span>","<span class=\"advgb-post-tax-term\">T\u014dru Takemitsu<\/span>","<span class=\"advgb-post-tax-term\">Victoria de los Angeles<\/span>","<span class=\"advgb-post-tax-term\">Walt Whitman<\/span>","<span class=\"advgb-post-tax-term\">Xavier Montsalvatge<\/span>","<span class=\"advgb-post-tax-term\">Yuzo Toyama<\/span>","<span class=\"advgb-post-tax-term\">Zoltan Pesko<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 months ago","modified":"Updated 5 months ago"},"absolute_dates":{"created":"Posted on 15\/11\/2025","modified":"Updated on 26\/11\/2025"},"absolute_dates_time":{"created":"Posted on 15\/11\/2025 10:20","modified":"Updated on 26\/11\/2025 14:42"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=19209"}],"version-history":[{"count":9,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19209\/revisions"}],"predecessor-version":[{"id":19619,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19209\/revisions\/19619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/19515"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=19209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=19209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=19209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}