{"id":19185,"date":"2025-11-10T20:58:20","date_gmt":"2025-11-10T19:58:20","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19185"},"modified":"2025-11-10T20:58:27","modified_gmt":"2025-11-10T19:58:27","slug":"episode-410-magda-olivero-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/11\/10\/episode-410-magda-olivero-revisited\/","title":{"rendered":"Episode 410. Magda Olivero Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 410. Magda Olivero Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1749-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder.jpg\" alt=\"\" class=\"wp-image-19453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder-248x300.jpg 248w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>If we have to live in a world of extremes, I want it to be a world in which Magda Olivero reigns supreme. Her artistry combined both integrity (personal, vocal, and artistic), alongside originality and fearless risk-taking. She was never afraid to go out on a limb and it was this quality (alongside her extraordinary longevity) that endeared her to so many opera lovers. Today I have culled my Olivero collection and combined excerpts from a number of rare albums in my collection with material culled from The Magda Olivero Archives, maintained by Denis Robert, a friend and confidante of Olivero who has made it his life\u2019s work to present the great diva in all her many facets. We hear the great diva in excerpts from <em>Manon Lescaut<\/em>, <em>Mefistofele<\/em>, <em>Traviata<\/em>, <em>Tristan <\/em>(!), <em>Boh\u00e8me<\/em>, <em>Manon<\/em>, <em>Medea<\/em>, and <em>Adriana Lecouvreur <\/em>(probably her most significant role). In addition, I offer up live excerpts from her two Carnegie Hall recitals as well as rare recordings of Italian songs, including an excerpt from her official farewell appearance in 1991 at the age of 81. There was never another soprano even remotely like her, and if she is your cup of tea (as she most emphatically is mine), this episode will provide an exceptional opportunity to revel in many aspects of her artistry.<\/p>\n\n\n\n<p>Denis Robert&#8217;s articles on Magda Olivero can be accessed <a href=\"https:\/\/myscena.org\/author\/denis-robert\/\" data-type=\"link\" data-id=\"https:\/\/myscena.org\/author\/denis-robert\/\">here<\/a>: <a href=\"https:\/\/myscena.org\/author\/denis-robert\/\">https:\/\/myscena.org\/author\/denis-robert\/<\/a><\/p>\n\n\n\n<p>The Magda Olivero Archives are available <a href=\"https:\/\/www.youtube.com\/@themagdaoliveroarchives9199\">here<\/a>: <a href=\"https:\/\/www.youtube.com\/@themagdaoliveroarchives9199\">https:\/\/www.youtube.com\/@themagdaoliveroarchives9199<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Oliver-and-Denis-Robert-788x1024.jpg\" alt=\"\" class=\"wp-image-19454\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Oliver-and-Denis-Robert-788x1024.jpg 788w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Oliver-and-Denis-Robert-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Oliver-and-Denis-Robert-768x998.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Oliver-and-Denis-Robert.jpg 864w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><figcaption class=\"wp-element-caption\">Magda Olivero and Denis Robert<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Many of the photos reproduced here first appeared on The Magda Olivero Archives.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"581\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Youngster-1024x581.png\" alt=\"\" class=\"wp-image-19455\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Youngster-1024x581.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Youngster-300x170.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Youngster-768x436.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Youngster.png 1340w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Luigi Gerussi, Giosu\u00e9 Carducci: Panteismo. Magda Olivero, Ermelinda Magnetti [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Headshot.jpg\" alt=\"\" class=\"wp-image-19456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Headshot.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Headshot-225x300.jpg 225w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p>Nino Porto, Alfonso Gatto: Lontananza. Magda Olivero, Maria Teresa Conti [unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder-1.jpg\" alt=\"\" class=\"wp-image-19457\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder-1.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-off-the-shoulder-1-248x300.jpg 248w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p>Alfonso Guercia, Ernesto Del Preite: Non m\u2019amava. Magda Olivero [unknown performance details]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Adriana.jpg\" alt=\"\" class=\"wp-image-19458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Adriana.jpg 834w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Adriana-300x259.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Adriana-768x663.jpg 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><\/figure>\n<\/div>\n\n\n<p>Francesco Cilea: from <em>Adriana Lecouvreur <\/em>[Edinburgh 1963].<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Io son l\u2019umile ancella<\/li>\n\n\n\n<li>Poveri fiori [with Sesto Bruscantini]<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-poisoned-violets.jpg\" alt=\"\" class=\"wp-image-19459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-poisoned-violets.jpg 828w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-poisoned-violets-300x261.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-poisoned-violets-768x668.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero_Portrait1.jpg\" alt=\"\" class=\"wp-image-19460\" style=\"width:589px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero_Portrait1.jpg 452w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero_Portrait1-222x300.jpg 222w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: from <em>La Boh\u00e8me<\/em> [Amsterdam 1968].<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>S\u00ec, mi chiamano Mim\u00ec<\/li>\n\n\n\n<li>Donde lieta usc\u00ec<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-fille-de-joie.jpg\" alt=\"\" class=\"wp-image-19461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-fille-de-joie.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-fille-de-joie-300x270.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-fille-de-joie-768x691.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Marco Praga, Domenico Oliva [after Abb\u00e9 Pr\u00e9vost]: from <em>Manon Lescaut <\/em>[Amsterdam 1964].<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>In quelle trine morbide<\/li>\n\n\n\n<li>Sola, perduta, abbandonata<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1018\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Margherita-1.jpg\" alt=\"\" class=\"wp-image-19463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Margherita-1.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Margherita-1-212x300.jpg 212w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/figure>\n<\/div>\n\n\n<p>Arrigo Boito: L\u2019altra notte in fondo al mare (<em>Mefistofele<\/em>) [Amsterdam 1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"904\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Haunted.jpg\" alt=\"\" class=\"wp-image-19462\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Haunted.jpg 904w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Haunted-300x239.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Haunted-768x612.jpg 768w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\" \/><\/figure>\n\n\n\n<p>Luigi Cherubini, Fran\u00e7ois-Beno\u00eet Hoffmann [Italian version by Carlo Zangarini]: De tuoi figli (<em>Medea<\/em>). [Dallas 1967] [with Bruno Prevedi]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"585\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Violetta-1024x585.jpg\" alt=\"\" class=\"wp-image-19464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Violetta-1024x585.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Violetta-300x171.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Violetta-768x439.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Violetta.jpg 1261w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas fils]: Teneste la promessa&#8230; Addio del passato (<em>La traviata<\/em>). [Amsterdam 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"885\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-Shadow.jpg\" alt=\"\" class=\"wp-image-19465\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-Shadow.jpg 885w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-Shadow-259x300.jpg 259w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-Shadow-768x889.jpg 768w\" sizes=\"auto, (max-width: 885px) 100vw, 885px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Dolce e calmo (<em>Tristan und Isolde<\/em>). Franco Mannino, Orchestra Sinfonica di Torino della RAI [15.XII.1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Grinning-Olivero.jpg\" alt=\"\" class=\"wp-image-19466\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Grinning-Olivero.jpg 870w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Grinning-Olivero-300x248.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Grinning-Olivero-768x636.jpg 768w\" sizes=\"auto, (max-width: 870px) 100vw, 870px\" \/><\/figure>\n<\/div>\n\n\n<p>Sammy Fain, Paul Francis Webster, Devilli (n\u00e9 Alberto Curci) [Italian text]: L\u2019amore \u00e8 una cosa meravigliosa [RAI Milano 03.XII.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-699x1024.jpg\" alt=\"\" class=\"wp-image-19467\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-699x1024.jpg 699w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-205x300.jpg 205w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-768x1125.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-1049x1536.jpg 1049w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert-1398x2048.jpg 1398w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-concert.jpg 1487w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/figure>\n<\/div>\n\n\n<p>Stefano Donaudy, Alberto Donaudy: Vaghissima sembianza. Magda Olivero, Ivan Davis [live New York 05.XII.1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"479\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Sideeye-1.jpg\" alt=\"\" class=\"wp-image-19469\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Sideeye-1.jpg 479w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Magda-Sideeye-1-205x300.jpg 205w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/figure>\n<\/div>\n\n\n<p>Paolo Tosti, George Doncieux: Pour un baiser. Magda Olivero, Ivan Davis [live New York 05.XII.1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-a-stage-hat.jpg\" alt=\"\" class=\"wp-image-19468\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-a-stage-hat.jpg 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-in-a-stage-hat-282x300.jpg 282w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: Allons, il le faut&#8230; Adieu, notre petite table (<em>Manon<\/em>). Magda Olivero, Garrick Ohlsson [live New York 27.X.1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Elderly-1024x578.png\" alt=\"\" class=\"wp-image-19470\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Elderly-1024x578.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Elderly-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Elderly-768x434.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Elderly.png 1296w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Stradella [falsely attributed]: Piet\u00e0, Signore. Magda Olivero, unknown organist [live Milano 05.XI.1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Thoughtful-1024x625.jpg\" alt=\"\" class=\"wp-image-19472\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Thoughtful-1024x625.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Thoughtful-300x183.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Thoughtful-768x469.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-Thoughtful.jpg 1179w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod [after Johann Sebastian Bach]: Ave Maria. Magda Olivero, Maria Concetta Balducci [live Firenze, Chiesa di San Jacopino 28.III.1969]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 410. Magda Olivero Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM If we have to live in a world of extremes, I&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19471,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[8450,1075,1701,1076,3273,2261,2476,2398,1072,5806,1675,2260,808,2329,2328,4801,4980,427],"tags":[4009,143,8452,8426,5548,8460,8461,77,5857,6349,296,8453,6370,8458,8462,164,4535,8463,3543,8455,94,8457,4759,207,3672,6022,7350,298,433,418,1066,1310,8456,4758,141,434,1069,6369,8451,8454,83,8459,1943,6301,4008,486,2004,2538,161,2330],"class_list":["post-19185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arie-antiche","category-art-song","category-bel-canto","category-crossover","category-french-opera","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-in-memoriam","category-listeners-favorites","category-magda-olivero","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-richard-wagner","category-singers-in-old-age","category-twentieth-century-opera","category-verismo","tag-abbe-prevost","tag-adriana-lecouvreur","tag-alberto-donaudy","tag-alessandro-stradella","tag-alexandre-dumas-fils","tag-alfonso-gatto","tag-alfonso-guercia","tag-arrigo-boito","tag-bruno-prevedi","tag-carlo-zangarini","tag-charles-gounod","tag-deville-ne-alberto-curci","tag-domenico-oliva","tag-ermelinda-magnetti","tag-ernesto-del-priete","tag-francesco-cilea","tag-francesco-maria-piave","tag-francois-benoit-hoffmann","tag-garrick-ohlsson","tag-george-doncieux","tag-giacomo-puccini","tag-giosue-carducci","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-henri-meilhac","tag-henri-murger","tag-ivan-davis","tag-johann-sebastian-bach","tag-jules-massenet","tag-la-boheme","tag-la-traviata","tag-luigi-cherubini","tag-luigi-gerussi","tag-luigi-illica","tag-magda-olivero","tag-manon","tag-manon-lescaut","tag-marco-praga","tag-maria-concetta-balducci","tag-medea","tag-mefistofele","tag-nino-porto","tag-paolo-tosti","tag-paul-francis-webster","tag-philippe-gille","tag-richard-wagner","tag-sammy-fain","tag-sesto-bruscantini","tag-stefano-donaudy","tag-tristan-und-isolde"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Olivero-older-befurred-300x170.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/arie-antiche\/\" class=\"advgb-post-tax-term\">Arie antiche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/magda-olivero\/\" class=\"advgb-post-tax-term\">Magda Olivero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Arie antiche<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Magda Olivero<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alberto Donaudy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alessandro Stradella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfonso Gatto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfonso Guercia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bruno Prevedi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlo Zangarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Deville (n\u00e9 Alberto Curci)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Domenico Oliva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ermelinda Magnetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ernesto Del Priete<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Cilea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Fran\u00e7ois-Beno\u00eet Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Garrick Ohlsson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George Doncieux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giosu\u00e9 Carducci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ivan Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Cherubini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Gerussi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Magda Olivero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon Lescaut<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Marco Praga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Maria Concetta Balducci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Medea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mefistofele<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Nino Porto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paolo Tosti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paul Francis Webster<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sammy Fain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sesto Bruscantini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Stefano Donaudy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Tristan und Isolde<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/span>","<span class=\"advgb-post-tax-term\">Alberto Donaudy<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Stradella<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfonso Gatto<\/span>","<span class=\"advgb-post-tax-term\">Alfonso Guercia<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Bruno Prevedi<\/span>","<span class=\"advgb-post-tax-term\">Carlo Zangarini<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Deville (n\u00e9 Alberto Curci)<\/span>","<span class=\"advgb-post-tax-term\">Domenico Oliva<\/span>","<span class=\"advgb-post-tax-term\">Ermelinda Magnetti<\/span>","<span class=\"advgb-post-tax-term\">Ernesto Del Priete<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cilea<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7ois-Beno\u00eet Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Garrick Ohlsson<\/span>","<span class=\"advgb-post-tax-term\">George Doncieux<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giosu\u00e9 Carducci<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Ivan Davis<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Luigi Cherubini<\/span>","<span class=\"advgb-post-tax-term\">Luigi Gerussi<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Magda Olivero<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Manon Lescaut<\/span>","<span class=\"advgb-post-tax-term\">Marco Praga<\/span>","<span class=\"advgb-post-tax-term\">Maria Concetta Balducci<\/span>","<span class=\"advgb-post-tax-term\">Medea<\/span>","<span class=\"advgb-post-tax-term\">Mefistofele<\/span>","<span class=\"advgb-post-tax-term\">Nino Porto<\/span>","<span class=\"advgb-post-tax-term\">Paolo Tosti<\/span>","<span class=\"advgb-post-tax-term\">Paul Francis Webster<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Sammy Fain<\/span>","<span class=\"advgb-post-tax-term\">Sesto Bruscantini<\/span>","<span class=\"advgb-post-tax-term\">Stefano Donaudy<\/span>","<span class=\"advgb-post-tax-term\">Tristan und Isolde<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 6 months ago","modified":"Updated 6 months ago"},"absolute_dates":{"created":"Posted on 10\/11\/2025","modified":"Updated on 10\/11\/2025"},"absolute_dates_time":{"created":"Posted on 10\/11\/2025 20:58","modified":"Updated on 10\/11\/2025 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