{"id":19172,"date":"2025-11-08T00:46:33","date_gmt":"2025-11-07T23:46:33","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19172"},"modified":"2025-11-08T13:28:08","modified_gmt":"2025-11-08T12:28:08","slug":"episode-409-arie-antiche-schirmer-edition","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/11\/08\/episode-409-arie-antiche-schirmer-edition\/","title":{"rendered":"Episode 409. Arie antiche [Schirmer Edition]"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 409. Arie antiche [Schirmer Edition]<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1745-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1-620x1024.jpg\" alt=\"\" class=\"wp-image-19412\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1-620x1024.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1-182x300.jpg 182w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1-768x1268.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1-930x1536.jpg 930w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa1.jpg 1238w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption class=\"wp-element-caption\">Tito Schipa<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s potpourri episode is a special one for anyone who has ever studied voice in a college, university or conservatory. One of the primary sources of repertoire for instructors of singing has been a book first published by G. Schirmer in 1894 entitled <em>Twenty-Four Italian Songs and Arias<\/em>, consisting primarily of <em>arie antiche<\/em>, i.e. songs from the Italian baroque (Caldara, Monteverdi, Scarlatti, Durante, and others), heavily edited, and often virtually rewritten, by musicologist Theodore Baker. Many of the works were also falsely attributed to composers (Pergolesi, Stradella, and Marcello in particular) who had nothing to do with the pieces in question. In spite of those editorial issues, these songs have figured prominently ever since in the early repertoire of most young singers. They have also been a staple of the concert platform for as long (and, truth be told, even longer), and remain so to this day. Today\u2019s episode focuses on this repertoire as recorded by some of the greatest singers of the twentieth century. Some of these artists are <em>Countermelody<\/em> favorites (Claudia Muzio, Igor Gorin, Roberta Alexander, Irina Arkhipova, G\u00e9rard Souzay) but many others have, in spite of their stature, received relatively little exposure on the podcast (Luciano Pavarotti, Suzanne Danco, Roland Hayes, Georges Thill, Montserrat Caball\u00e9, John McCormack, Dmitri Hvorostovsky, Nigel Rogers, and Beniamino Gigli, among many others presented in the episode). And let us not forget to raise a glass to Joan Sutherland, whose 99th birthday is observed today, and whose voice is the last one heard on the episode, in a rare 1960 radio recording, stunningly vocalized, that might surprise you.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"775\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Theodore-Baker.png\" alt=\"\" class=\"wp-image-19422\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Theodore-Baker.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Theodore-Baker-223x300.png 223w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption class=\"wp-element-caption\">Theodore Baker (June 3, 1851 \u2013 October 12, 1934)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"793\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Elly-Dalton.png\" alt=\"\" class=\"wp-image-19447\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Elly-Dalton.png 865w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Elly-Dalton-300x275.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Elly-Dalton-768x704.png 768w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/figure>\n\n\n\n<p>Alessandro Scarlatti: Le Violette. Elly Ameling, Dalton Baldwin [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"301\" height=\"301\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Luke-Pavarotti.jpg\" alt=\"\" class=\"wp-image-19425\" style=\"width:558px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Luke-Pavarotti.jpg 301w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Luke-Pavarotti-150x150.jpg 150w\" sizes=\"auto, (max-width: 301px) 100vw, 301px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Bononcini: Per la gloria d\u2019adorarvi (<em>Griselda<\/em>). Luciano Pavarotti, Leone Mageira [live Bari 14.II.1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"615\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Nigel-Rogers-1024x615.png\" alt=\"\" class=\"wp-image-19426\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Nigel-Rogers-1024x615.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Nigel-Rogers-300x180.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Nigel-Rogers-768x462.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Nigel-Rogers.png 1158w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giulio Caccini: Amarilli, mia bella. Nigel Rogers, Colin Tilney [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"661\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hayes-Boardman-1024x661.png\" alt=\"\" class=\"wp-image-19427\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hayes-Boardman-1024x661.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hayes-Boardman-300x194.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hayes-Boardman-768x496.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hayes-Boardman.png 1111w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Caldara: Alma del core. Roland Hayes, Reginald Boardman [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Danco-714x1024.jpg\" alt=\"\" class=\"wp-image-19428\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Danco-714x1024.jpg 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Danco-209x300.jpg 209w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Danco.jpg 745w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Caldara: Come raggio di sol. Suzanne Danco, Guido Agosti [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"579\" height=\"386\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Edith-Lang.jpg\" alt=\"\" class=\"wp-image-19429\" style=\"width:627px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Edith-Lang.jpg 579w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Edith-Lang-300x200.jpg 300w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Caldara: S\u2019ebben, crudele. Edith Lang, Gottfried H\u00e4mpel [unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-670x1024.jpg\" alt=\"\" class=\"wp-image-19415\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-670x1024.jpg 670w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-196x300.jpg 196w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-768x1173.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-1006x1536.jpg 1006w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-1341x2048.jpg 1341w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-1600x2444.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Jadlowker1-scaled.jpg 1676w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Carissimi: Vittoria, mio core. Hermann Jadlowker, unknown pianist [1927]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/dmitri-hvorostovsky.jpg\" alt=\"\" class=\"wp-image-19430\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/dmitri-hvorostovsky.jpg 838w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/dmitri-hvorostovsky-300x161.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/dmitri-hvorostovsky-768x412.jpg 768w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/figure>\n<\/div>\n\n\n<p>Francesco Durante: Danza, danza fanciulla. Dmitri Hvorostovsky, Neville Marriner, Academy of St.-Martin-in-the-Fields [1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"865\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Souzay.jpg\" alt=\"\" class=\"wp-image-19431\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Souzay.jpg 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Souzay-208x300.jpg 208w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<p>Francesco Durante: Vergin, tutto amor. G\u00e9rard Souzay, Jacqueline Bonneau [1948]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"516\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Prandelli.png\" alt=\"\" class=\"wp-image-19432\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Prandelli.png 516w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Prandelli-221x300.png 221w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Giordani: Caro mio ben. Giacinto Prandelli, Dick Marzollo [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Roberta-1024x526.png\" alt=\"\" class=\"wp-image-19416\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Roberta-1024x526.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Roberta-300x154.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Roberta-768x394.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Roberta.png 1601w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Christoph Willibald Gluck: O del mio dolce ardor (<em>Paride ed Elena<\/em>). Roberta Alexander, Michael Schneider, La Stagione [live Frankfurt 13.IX.1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Igor-Dreamy-Eyes-Gorin-795x1024.jpg\" alt=\"\" class=\"wp-image-19433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Igor-Dreamy-Eyes-Gorin-795x1024.jpg 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Igor-Dreamy-Eyes-Gorin-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Igor-Dreamy-Eyes-Gorin-768x989.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Igor-Dreamy-Eyes-Gorin.jpg 1125w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Legrenzi: Che fiero costume. Igor Gorin, Willard Straight [unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Caballe-Vespri-1024x677.jpg\" alt=\"\" class=\"wp-image-19434\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Caballe-Vespri-1024x677.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Caballe-Vespri-300x198.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Caballe-Vespri-768x508.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Caballe-Vespri.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Lotti: Pur dicesti, o bocca bella. Monserrat Caball\u00e9, Miguel Zanetti [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"627\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Thill-Arms-Crossed-627x1024.jpg\" alt=\"\" class=\"wp-image-19435\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Thill-Arms-Crossed-627x1024.jpg 627w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Thill-Arms-Crossed-184x300.jpg 184w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Thill-Arms-Crossed.jpg 691w\" sizes=\"auto, (max-width: 627px) 100vw, 627px\" \/><\/figure>\n<\/div>\n\n\n<p>Francesco Bartolomeo Conti [formerly attributed Benedetto Marcello]: Il mio bel foco&#8230; Quella fiamma che m\u2019accende. Georges Thill, Maurice Faure [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Irina-Arkhipova-1024x607.png\" alt=\"\" class=\"wp-image-19436\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Irina-Arkhipova-1024x607.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Irina-Arkhipova-300x178.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Irina-Arkhipova-768x455.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Irina-Arkhipova.png 1383w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi: Lasciatemi morire (<em>Arianna<\/em>). Irina Arkhipova, P\u0113teris Sipolnieks [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"695\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Valdengo.jpg\" alt=\"\" class=\"wp-image-19443\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Valdengo.jpg 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Valdengo-238x300.jpg 238w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Paisiello: Nel cor pi\u00f9 non mi sento. Giuseppe Valdengo, Franz Hole\u010dek 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"873\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1-873x1024.jpg\" alt=\"\" class=\"wp-image-19417\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1-873x1024.jpg 873w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1-256x300.jpg 256w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1-768x901.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1-1309x1536.jpg 1309w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Muzio1.jpg 1593w\" sizes=\"auto, (max-width: 873px) 100vw, 873px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Parisotti [formerly atrributed Giovanni Battista Pergolesi]: Se tu m\u2019ami. Claudia Muzio, Orchestra conducted by Lorenzo Molajoli [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"971\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/McCormack.jpg\" alt=\"\" class=\"wp-image-19437\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/McCormack.jpg 760w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/McCormack-235x300.jpg 235w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/figure>\n<\/div>\n\n\n<p>Vincenzo Legrenzo Ciampi [formerly attributed Giovanni Battista Pergolesi]: Nina. John McCormack, Gerald Moore [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton-677x1024.jpg\" alt=\"\" class=\"wp-image-19418\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton-677x1024.jpg 677w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton-198x300.jpg 198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton-768x1161.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton-1016x1536.jpg 1016w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Florence-Easton.jpg 1436w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: Gi\u00e0 il sole dal Gange. Florence Easton, Lester Hodges [live New York 13.VII.1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2-669x1024.jpg\" alt=\"\" class=\"wp-image-19419\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2-669x1024.jpg 669w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2-196x300.jpg 196w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2-768x1176.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2-1003x1536.jpg 1003w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Tito-Schipa2.jpg 1410w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: Le Violette. Tito Schipa, Orchestra conducted by Dino Olivieri [1939]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi-590x1024.jpg\" alt=\"\" class=\"wp-image-19438\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi-590x1024.jpg 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi-173x300.jpg 173w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi-768x1332.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi-885x1536.jpg 885w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Kolassi.jpg 931w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: Se Florindo \u00e8 fedele. Irma Kolassi, Andr\u00e9 Collard [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"809\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gigli-TRIMMED.jpg\" alt=\"\" class=\"wp-image-19439\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gigli-TRIMMED.jpg 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Gigli-TRIMMED-217x300.jpg 217w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Scarlatti: O cessate di piagarmi. Beniamino Gigli, Orchestra conducted by Rainaldo Zamboni [1948]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"530\" height=\"815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Pasero-Kingly.png\" alt=\"\" class=\"wp-image-19442\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Pasero-Kingly.png 530w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Pasero-Kingly-195x300.png 195w\" sizes=\"auto, (max-width: 530px) 100vw, 530px\" \/><\/figure>\n<\/div>\n\n\n<p>Alessandro Stradella [falsely attributed]: Piet\u00e0, Signore. Tancredi Pasero, Orchestra conducted by Antonio Sabino [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frijsh.png\" alt=\"\" class=\"wp-image-19424\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frijsh.png 524w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Frijsh-190x300.png 190w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Torelli: Tu lo sai. Povla Frijsh, Lucy Bucktrout [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1-714x1024.jpg\" alt=\"\" class=\"wp-image-19421\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1-714x1024.jpg 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1-209x300.jpg 209w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1-768x1101.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1-1072x1536.jpg 1072w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Hina-Spani1.jpg 1318w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/figure>\n<\/div>\n\n\n<p>Giulio Caccini: Amarilli, mia bella. Hina Spani, Gino Nastrucci, Conservatorio Milano string octet [1929]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-662x1024.jpg\" alt=\"\" class=\"wp-image-19440\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-662x1024.jpg 662w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland.jpg 735w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Bononcini: Per la gloria d\u2019adoravi (<em>Griselda<\/em>). Joan Sutherland, Richard Bonynge [1960 radio recording]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"656\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-Kilt.jpg\" alt=\"\" class=\"wp-image-19445\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-Kilt.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Sutherland-Kilt-300x289.jpg 300w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 409. Arie antiche [Schirmer Edition] SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s potpourri episode is a special one for anyone who&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,8450,1075,1701,7296,7295,5823,2261,2399,5137,1074,5806,23,808,4801,3272,2550],"tags":[1322,1311,8426,8431,1317,8439,8428,8424,1313,1983,153,24,33,5530,1308,8432,4541,8221,8444,8436,55,1416,25,186,7759,1321,3018,8442,8434,3845,8445,8435,8446,8447,1097,2411,6769,8430,28,408,650,8448,67,354,8438,4953,8441,8440,2528,3657,8437,8429,605,4672,2166,601,4076,8427,8275,1432,8425,8433,8443],"class_list":["post-19172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-arie-antiche","category-art-song","category-bel-canto","category-black-history-month","category-black-history-month-2025","category-forgotten-divas","category-full-figured-baroque","category-great-baritones","category-great-tenors","category-happy-birthday","category-listeners-favorites","category-muzio","category-needle-drop","category-singers-in-old-age","category-singers-of-color","category-voiceless-wonders","tag-alessandro-parisotti","tag-alessandro-scarlatti","tag-alessandro-stradella","tag-andre-collard","tag-antonio-caldara","tag-antonio-lotti","tag-antonio-sabino","tag-arie-antiche","tag-benedetto-marcello","tag-beniamino-gigli","tag-christoph-willibald-gluck","tag-claudia-muzio","tag-claudio-monteverdi","tag-colin-tilney","tag-dick-marzollo","tag-dino-olivieri","tag-dmitri-hvorostovsky","tag-edith-lang","tag-francesco-durante","tag-franz-holecek","tag-georges-thill","tag-gerald-moore","tag-gerard-souzay","tag-giacinto-prandelli","tag-gino-nastrucci","tag-giovanni-battista-pergolesi","tag-giovanni-bononcini","tag-giovanni-legrenzi","tag-giovanni-paisiello","tag-giulio-caccini","tag-giuseppe-giordani","tag-giuseppe-valdengo","tag-gottfried-hampel","tag-guido-agosti","tag-hina-spani","tag-igor-gorin","tag-irina-arkhipova","tag-irma-kolassi","tag-bonneau","tag-joan-sutherland","tag-john-mccormack","tag-leone-mageira","tag-lorenzo-molajoli","tag-luciano-pavarotti","tag-maurice-faure","tag-michael-schneider","tag-miguel-zanetti","tag-monserrat-caballe","tag-neville-marriner","tag-nigel-rogers","tag-peteris-sipolnieks","tag-rainaldo-zamboni","tag-reginald-boardman","tag-richard-bonynge","tag-roberta-alexander","tag-roland-hayes","tag-suzanne-danco","tag-tancredi-pasero","tag-theodore-baker","tag-tito-schipa","tag-twenty-four-italian-songs-and-arias","tag-vincenzo-legrenzo-ciampi","tag-willard-straight"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/11\/Schirmer-Cover-300x167.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/arie-antiche\/\" class=\"advgb-post-tax-term\">Arie antiche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2025\/\" class=\"advgb-post-tax-term\">Black History Month 2025<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/muzio\/\" class=\"advgb-post-tax-term\">Muzio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Arie antiche<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2025<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Muzio<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alessandro Parisotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alessandro Stradella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Collard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Antonio Caldara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Antonio Lotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Antonio Sabino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Arie antiche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benedetto Marcello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Beniamino Gigli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Claudia Muzio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Colin Tilney<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dick Marzollo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dino Olivieri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dmitri Hvorostovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Edith Lang<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Francesco Durante<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franz Hole\u010dek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Georges Thill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gerald Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gerard Souzay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giacinto Prandelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gino Nastrucci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giovanni Bononcini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giovanni Legrenzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giovanni Paisiello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giulio Caccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giuseppe Giordani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Giuseppe Valdengo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gottfried H\u00e4mpel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Guido Agosti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Hina Spani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Igor Gorin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Irina Arkhipova<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Irma Kolassi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jacqueline Bonneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Joan Sutherland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">John McCormack<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Leone Mageira<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lorenzo Molajoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maurice Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Michael Schneider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Miguel Zanetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Monserrat Caball\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Neville Marriner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Nigel Rogers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">P\u0113teris Sipolnieks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rainaldo Zamboni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Reginald Boardman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Richard Bonynge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Roland Hayes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Suzanne Danco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Tancredi Pasero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Theodore Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Tito Schipa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Twenty-Four Italian Songs and Arias<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Vincenzo Legrenzo Ciampi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Willard Straight<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alessandro Parisotti<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Scarlatti<\/span>","<span class=\"advgb-post-tax-term\">Alessandro Stradella<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Collard<\/span>","<span class=\"advgb-post-tax-term\">Antonio Caldara<\/span>","<span class=\"advgb-post-tax-term\">Antonio Lotti<\/span>","<span class=\"advgb-post-tax-term\">Antonio Sabino<\/span>","<span class=\"advgb-post-tax-term\">Arie antiche<\/span>","<span class=\"advgb-post-tax-term\">Benedetto Marcello<\/span>","<span class=\"advgb-post-tax-term\">Beniamino Gigli<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Claudia Muzio<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Colin Tilney<\/span>","<span class=\"advgb-post-tax-term\">Dick Marzollo<\/span>","<span class=\"advgb-post-tax-term\">Dino Olivieri<\/span>","<span class=\"advgb-post-tax-term\">Dmitri Hvorostovsky<\/span>","<span class=\"advgb-post-tax-term\">Edith Lang<\/span>","<span class=\"advgb-post-tax-term\">Francesco Durante<\/span>","<span class=\"advgb-post-tax-term\">Franz Hole\u010dek<\/span>","<span class=\"advgb-post-tax-term\">Georges Thill<\/span>","<span class=\"advgb-post-tax-term\">Gerald Moore<\/span>","<span class=\"advgb-post-tax-term\">Gerard Souzay<\/span>","<span class=\"advgb-post-tax-term\">Giacinto Prandelli<\/span>","<span class=\"advgb-post-tax-term\">Gino Nastrucci<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Bononcini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Legrenzi<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Paisiello<\/span>","<span class=\"advgb-post-tax-term\">Giulio Caccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giordani<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Valdengo<\/span>","<span class=\"advgb-post-tax-term\">Gottfried H\u00e4mpel<\/span>","<span class=\"advgb-post-tax-term\">Guido Agosti<\/span>","<span class=\"advgb-post-tax-term\">Hina Spani<\/span>","<span class=\"advgb-post-tax-term\">Igor Gorin<\/span>","<span class=\"advgb-post-tax-term\">Irina Arkhipova<\/span>","<span class=\"advgb-post-tax-term\">Irma Kolassi<\/span>","<span class=\"advgb-post-tax-term\">Jacqueline Bonneau<\/span>","<span class=\"advgb-post-tax-term\">Joan Sutherland<\/span>","<span class=\"advgb-post-tax-term\">John McCormack<\/span>","<span class=\"advgb-post-tax-term\">Leone Mageira<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo Molajoli<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Maurice Faure<\/span>","<span class=\"advgb-post-tax-term\">Michael Schneider<\/span>","<span class=\"advgb-post-tax-term\">Miguel Zanetti<\/span>","<span class=\"advgb-post-tax-term\">Monserrat Caball\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Neville Marriner<\/span>","<span class=\"advgb-post-tax-term\">Nigel Rogers<\/span>","<span class=\"advgb-post-tax-term\">P\u0113teris Sipolnieks<\/span>","<span class=\"advgb-post-tax-term\">Rainaldo Zamboni<\/span>","<span class=\"advgb-post-tax-term\">Reginald Boardman<\/span>","<span class=\"advgb-post-tax-term\">Richard Bonynge<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Roland Hayes<\/span>","<span class=\"advgb-post-tax-term\">Suzanne Danco<\/span>","<span class=\"advgb-post-tax-term\">Tancredi Pasero<\/span>","<span class=\"advgb-post-tax-term\">Theodore Baker<\/span>","<span class=\"advgb-post-tax-term\">Tito Schipa<\/span>","<span class=\"advgb-post-tax-term\">Twenty-Four Italian Songs and Arias<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Legrenzo Ciampi<\/span>","<span class=\"advgb-post-tax-term\">Willard Straight<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 months ago","modified":"Updated 5 months ago"},"absolute_dates":{"created":"Posted on 08\/11\/2025","modified":"Updated on 08\/11\/2025"},"absolute_dates_time":{"created":"Posted on 08\/11\/2025 00:46","modified":"Updated on 08\/11\/2025 13:28"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=19172"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19172\/revisions"}],"predecessor-version":[{"id":19449,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19172\/revisions\/19449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/19413"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=19172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=19172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=19172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}