{"id":19133,"date":"2025-10-24T17:38:06","date_gmt":"2025-10-24T15:38:06","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19133"},"modified":"2025-10-24T17:38:12","modified_gmt":"2025-10-24T15:38:12","slug":"episode-405-rescue-mission-belated-birthday-edition","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/10\/24\/episode-405-rescue-mission-belated-birthday-edition\/","title":{"rendered":"Episode 405. Rescue Mission (Belated Birthday Edition)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 405. Rescue Mission (Belated Birthday Edition)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1730-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Smiling-Sarah-Reese.jpg\" alt=\"\" class=\"wp-image-19281\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Smiling-Sarah-Reese.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Smiling-Sarah-Reese-300x225.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Sarah Reese<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s episode is the latest installment in my series entitled \u201cRescue Mission,\u201d which reintroduces great singers who have already been featured on the podcast. This is the Belated Birthday edition of that series, which reintroduces us to a wide range of <em>Countermelody<\/em> favorites, including jazz singer Ethel Ennis; baritones Robert Massard, G\u00e9rard Souzay, and Andrzej Hiolski; sopranos Sylvia Sass, Veronica Tyler, April Cantelo, Elly Ameling, Gloria Davy, Margaret Marshall, Sarah Reese, Ilse Wolf, and Carol Neblett; mezzo-sopranos Jennie Tourel, Maureen Lehane, and Shannon Bolin; and tenors David Rendall and Stuart Burrows. The repertoire is as varied and rare as are the artists featured, including songs by Rimsky-Korsakov, Chopin, Malcolm Williamson, and Alec Wilder; opera arias by Schreker, Mozart, and Verdi; and selections by Bach and Sch\u00fctz. I love doing this kind of episode, because it allows me to cast my net wide and share with you the kinds of singers and repertoire that are bringing me comfort and joy in these trying times.<\/p>\n\n\n\n<p>The link to my interview, just published, with Representative Andrew Grey (D-AK) on his East Anchorage Book Club podcast: <a href=\"https:\/\/repgray.com\/podcast\">https:\/\/repgray.com\/podcast<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"901\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ethel-Ennis-1970s.png\" alt=\"\" class=\"wp-image-19282\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ethel-Ennis-1970s.png 790w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ethel-Ennis-1970s-263x300.png 263w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ethel-Ennis-1970s-768x876.png 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<p>Gladys Shelley: Clown Town. Ethel Ennis, arranged and conducted by Dave Wolpe [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"709\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-709x1024.jpg\" alt=\"\" class=\"wp-image-19283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-709x1024.jpg 709w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-768x1110.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-1063x1536.jpg 1063w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-1418x2048.jpg 1418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo-1600x2312.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Massard-Carlo.jpg 1772w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/figure>\n<\/div>\n\n\n<p>Jacques Offenbach, Hector Cr\u00e9mieux, \u00c9tienne Tr\u00e9feu, Adolphe Jaime: J\u2019arrive arm\u00e9 de pied en cap (<em>Genevi\u00e8ve de Brabant<\/em>). Robert Massard, Marcel Cariven, Orchestre et Choeur Lyrique de la RDF [live 28.I.1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"932\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ameling-Schubert-album-cover.png\" alt=\"\" class=\"wp-image-19284\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ameling-Schubert-album-cover.png 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ameling-Schubert-album-cover-263x300.png 263w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ameling-Schubert-album-cover-768x876.png 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: La\u00df der Sp\u00f6tter Zungen schm\u00e4hen (<em>Wachet, betet, betet, wachet<\/em>, BWV 70). Elly Ameling, Hermann Schroeder, Collegium musicum des WDR [radio recording, K\u00f6ln 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"881\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Margaret-Marshall-Radiant.png\" alt=\"\" class=\"wp-image-19285\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Margaret-Marshall-Radiant.png 663w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Margaret-Marshall-Radiant-226x300.png 226w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Ich folge dir gleichfalls (<em>Johannes-Passion<\/em>, BWV 245). Margaret Marshall, Klaus Martin Ziegler, Radiosinfonieorchester Stuttgart [live Stuttgart 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lehane-and-Doily.png\" alt=\"\" class=\"wp-image-19286\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lehane-and-Doily.png 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lehane-and-Doily-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lehane-and-Doily-150x150.png 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lehane-and-Doily-768x762.png 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure>\n<\/div>\n\n\n<p>Heinrich Sch\u00fctz: Herzlich Lieb hab ich dich, o Herr, SWV 348 (<em>Symphoniae Sacrae II<\/em>). Maureen Lehane, Ensemble conducted by Helmuth Rilling [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"721\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Ilse-Wolf-1-1.png\" alt=\"\" class=\"wp-image-19287\"\/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Karl Friedrich Henckell: Blindenklage, Op. 56\/2. Ilse Wolf, Ernest Lush [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Dalton-and-Gerard-off-the-plane.png\" alt=\"\" class=\"wp-image-19288\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Dalton-and-Gerard-off-the-plane.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Dalton-and-Gerard-off-the-plane-221x300.png 221w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Charles Baudelaire: Le jet d\u2019eau (<em>Cinq po\u00e8mes de Charles Baudelaire<\/em>, L 64\/3). G\u00e9rard Souzay, Dalton Baldwin [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"620\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hiolski-Orest-TRIMMED-1024x620.png\" alt=\"\" class=\"wp-image-19289\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hiolski-Orest-TRIMMED-1024x620.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hiolski-Orest-TRIMMED-300x182.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hiolski-Orest-TRIMMED-768x465.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hiolski-Orest-TRIMMED.png 1469w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Fryderyk Chopin, Adam Mickiewicz: Precz z moich oczu, Op. 74\/6. Andrzej Hiolski, Sergiusz Nadgryzowski [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"796\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rendall-Bruckner-Photo.png\" alt=\"\" class=\"wp-image-19290\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rendall-Bruckner-Photo.png 643w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rendall-Bruckner-Photo-242x300.png 242w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioachino Rossini, Angelo Anelli: Contenta quest\u2019alma (<em>L\u2019italiana in Algeri<\/em>). David Rendall, unknown conductor, Orquestra Estable del Teatro Col\u00f3n [live Buenos Aires 1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"309\" height=\"446\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Burrows-Zauberflote-Booklet.jpg\" alt=\"\" class=\"wp-image-19291\" style=\"width:573px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Burrows-Zauberflote-Booklet.jpg 309w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Burrows-Zauberflote-Booklet-208x300.jpg 208w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Wie stark ist nicht dein Zauberton (<em>Die Zauberfl\u00f6te<\/em>). Stuart Burrows, Peter Maag, Metropolitan Opera Orchestra and Chorus [live New York 23.XII.1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Neblett-Tote-Stadt-Recording-Session-1024x722.jpg\" alt=\"\" class=\"wp-image-19292\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Neblett-Tote-Stadt-Recording-Session-1024x722.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Neblett-Tote-Stadt-Recording-Session-300x212.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Neblett-Tote-Stadt-Recording-Session-768x542.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Neblett-Tote-Stadt-Recording-Session.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: In quali eccessi&#8230; Mi trad\u00ec quell\u2019alma ingrata (<em>Don Giovanni<\/em>). Carol Neblett, John Pritchard, Orchestra of the Lyric Opera of Chicago [live 15.XI.1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-1024x640.jpeg\" alt=\"\" class=\"wp-image-19293\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-1024x640.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-300x188.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-768x480.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-1536x960.jpeg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta-1600x1000.jpeg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Carteri-Violetta.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Pietro Mascagni, Giovanni Targioni-Tozzetti, Guido Menasci [after Fran\u00e7ois Copp\u00e9e]:  Senti, bambino. Non cercar di colei (<em>Zanetto<\/em>). Rosanna Carteri, Antonino Votto, Orchestra del Teatro alla Scala di Milano [live La Scala 10.V.55]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"871\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sass-with-Eye-Makeup.png\" alt=\"\" class=\"wp-image-19294\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sass-with-Eye-Makeup.png 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sass-with-Eye-Makeup-207x300.png 207w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schreker: Fritz find\u2019 ich nicht mehr (<em>Die ferne Klang<\/em>). Sylvia Sass, Gabriele Ferro, Orchestra del Teatro La Fenice [live Venezia 30.IX.1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"443\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Davy-in-Zagreb.jpg\" alt=\"\" class=\"wp-image-19295\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Davy-in-Zagreb.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Davy-in-Zagreb-300x222.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after \u00c1ngel de Saavedra]: Pace, pace, mio Dio (<em>La forza del destino<\/em>). Gloria Davy, Orchestra conducted by Fulvio Vernizzi [live Amsterdam 1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"767\" height=\"429\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sarah-Reese-1970s.jpg\" alt=\"\" class=\"wp-image-19296\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sarah-Reese-1970s.jpg 767w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sarah-Reese-1970s-300x168.jpg 300w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni [after Auguste Mariette and Temistocle Solera]: Qui Radames verr\u00e0&#8230; O patria mia (<em>Aida<\/em>). Sarah Reese, Borislav Ivanov, National Grand Opera Orchestra [live Long Island 04.V.1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"653\" height=\"854\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tourel-1968.jpg\" alt=\"\" class=\"wp-image-19297\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tourel-1968.jpg 653w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tourel-1968-229x300.jpg 229w\" sizes=\"auto, (max-width: 653px) 100vw, 653px\" \/><\/figure>\n<\/div>\n\n\n<p>Nikolai Rimsky-Korsakov, Alexander Pushkin: A Flight of Passing Clouds [\u0420\u0435\u0434\u0435\u0435\u0442 \u043e\u0431\u043b\u0430\u043a\u043e\u0432], Op. 42\/3. Jennie Tourel, Allen Rogers [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"816\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Veronica-Tyler-over-Shoulder-816x1024.jpg\" alt=\"\" class=\"wp-image-19298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Veronica-Tyler-over-Shoulder-816x1024.jpg 816w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Veronica-Tyler-over-Shoulder-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Veronica-Tyler-over-Shoulder-768x963.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Veronica-Tyler-over-Shoulder.jpg 1200w\" sizes=\"auto, (max-width: 816px) 100vw, 816px\" \/><\/figure>\n<\/div>\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky, Apollon Maykov: \u041a\u043e\u043b\u044b\u0431\u0435\u043b\u044c\u043d\u0430\u044f \u043f\u0435\u0441\u043d\u044f [Cradle Song], Op. 16\/1. Veronica Tyler, Charles Wadsworth [live Spoleto, ca. 1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"906\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cantelo-calico.png\" alt=\"\" class=\"wp-image-19299\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cantelo-calico.png 615w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cantelo-calico-204x300.png 204w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/figure>\n<\/div>\n\n\n<p>Malcolm Williamson, Robert Louis Stevenson: My Bed Is a Boat (<em>From a Child\u2019s Garden<\/em>, No. 8). April Cantelo, Malcolm Williamson [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Malcolm-Williamson.jpg\" alt=\"\" class=\"wp-image-19300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Malcolm-Williamson.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Malcolm-Williamson-300x254.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Malcolm-Williamson-768x650.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Malcolm Williamson<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"19301\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling-683x1024.jpg\" alt=\"\" class=\"wp-image-19301\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling-768x1152.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling-1024x1536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Bolin-Smiling.jpg 1236w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Shannon Bolin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1024\" data-id=\"19302\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Kaye-805x1024.jpg\" alt=\"\" class=\"wp-image-19302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Kaye-805x1024.jpg 805w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Kaye-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Kaye-768x977.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Kaye.jpg 1192w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><figcaption class=\"wp-element-caption\">Milton Kaye<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Alec Wilder, Morty Palitz, William Engvick: While We\u2019re Young. Shannon Bolin, Milton Kaye [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"914\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Alec-Wilder-with-Pipe.jpg\" alt=\"\" class=\"wp-image-19303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Alec-Wilder-with-Pipe.jpg 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Alec-Wilder-with-Pipe-300x279.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Alec-Wilder-with-Pipe-768x713.jpg 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><figcaption class=\"wp-element-caption\">Alec Wilder<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 405. Rescue Mission (Belated Birthday Edition) SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode is the latest installment in my series&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,1701,7296,7295,5823,2261,2398,2399,5137,1072,8033,5806,6486,1263,2260,808,2755,6189,2257,4801,3272,1903,2806,4980,427,5138],"tags":[4813,8355,437,1961,3518,894,1632,6532,8142,2152,4534,8351,6691,6368,8352,1484,3498,8021,501,531,6008,5081,1612,1068,769,4328,1280,740,8354,4535,8360,4493,8358,2834,2239,8356,25,6156,5680,207,6007,998,5681,8353,4036,6591,7361,7509,98,893,298,7465,1621,4696,8357,1257,1110,870,8350,4563,2526,4048,4408,3974,2617,3028,59,1913,329,1269,3269,2281,3789,8359,4407,52,1857,4536,4453,1962,34,8361],"class_list":["post-19133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-bel-canto","category-black-history-month","category-black-history-month-2025","category-forgotten-divas","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-great-tenors","category-in-memoriam","category-johann-sebastian-bach","category-listeners-favorites","category-melodie","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-pop-icons","category-rescue-mission","category-richard-strauss","category-singers-in-old-age","category-singers-of-color","category-sylvia-sass","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-adam-mickiewicz","tag-adolphe-jaime","tag-aida","tag-alec-wilder","tag-alexander-pushkin","tag-allen-rogers","tag-andrzej-hiolski","tag-angel-de-saavedra","tag-angelo-anelli","tag-antonino-votto","tag-antonio-ghislanzoni","tag-apollon-maykov","tag-april-cantelo","tag-auguste-mariette","tag-borislav-ivanov","tag-carol-neblett","tag-charles-baudelaire","tag-charles-wadsworth","tag-claude-debussy","tag-dalton-baldwin","tag-dave-wolpe","tag-david-rendall","tag-die-zauberflote","tag-don-giovanni","tag-elly-ameling","tag-emanuel-schikaneder","tag-ernest-lush","tag-ethel-ennis","tag-etienne-trefeu","tag-francesco-maria-piave","tag-francois-coppee","tag-franz-schreker","tag-fryderyk-chopin","tag-fulvio-vernizzi","tag-gabriele-ferro","tag-genevieve-de-brabant","tag-gerard-souzay","tag-gioachino-rossini","tag-giovanni-targioni-tozzetti","tag-giuseppe-verdi","tag-gladys-shelley","tag-gloria-davy","tag-guido-menasci","tag-hector-cremieux","tag-heinrich-schutz","tag-helmuth-rilling","tag-hermann-schroeder","tag-ilse-wolf","tag-jacques-offenbach","tag-jennie-tourel","tag-johann-sebastian-bach","tag-johannes-passion","tag-john-pritchard","tag-karl-friedrich-henckell","tag-klaus-martin-ziegler","tag-litaliana-in-algeri","tag-la-forza-del-destino","tag-lorenzo-da-ponte","tag-malcolm-williamson","tag-marcel-cariven","tag-margaret-marshall","tag-maureen-lehane","tag-milton-kaye","tag-morty-palitz","tag-nikolai-rimsky-korsakov","tag-peter-maag","tag-pietro-mascagni","tag-pyotr-ilyich-tchaikovsky-2","tag-richard-strauss","tag-robert-louis-stevenson","tag-robert-massard","tag-rosanna-carteri","tag-sarah-reese","tag-sergiusz-nadgryzowski","tag-shannon-bolin","tag-stuart-burrows","tag-sylvia-sass","tag-temistocle-solera","tag-veronica-tyler","tag-william-engvick","tag-wolfgang-amadeus-mozart","tag-zanetto"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sylvia-with-Guitar-300x206.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2025\/\" class=\"advgb-post-tax-term\">Black History Month 2025<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/sylvia-sass\/\" class=\"advgb-post-tax-term\">Sylvia Sass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2025<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Sylvia Sass<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Adam Mickiewicz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Adolphe Jaime<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alec Wilder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Allen Rogers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrzej Hiolski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Angelo Anelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonino Votto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Apollon Maykov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">April Cantelo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Auguste Mariette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Borislav Ivanov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carol Neblett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Baudelaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Wadsworth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dave Wolpe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Rendall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Elly Ameling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ernest Lush<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ethel Ennis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c9tienne Tr\u00e9feu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fran\u00e7ois Copp\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Schreker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fryderyk Chopin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fulvio Vernizzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gabriele Ferro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Genevi\u00e8ve de Brabant<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerard Souzay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioachino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Targioni-Tozzetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gladys Shelley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Guido Menasci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hector Cr\u00e9mieux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helmuth Rilling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Schroeder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ilse Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jennie Tourel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johannes-Passion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Friedrich Henckell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Klaus Martin Ziegler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L&#039;Italiana in Algeri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Malcolm Williamson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marcel Cariven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maureen Lehane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Milton Kaye<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Morty Palitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nikolai Rimsky-Korsakov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Maag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Mascagni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Louis Stevenson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Massard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rosanna Carteri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sarah Reese<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sergiusz Nadgryzowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Shannon Bolin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stuart Burrows<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sylvia Sass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Temistocle Solera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Veronica Tyler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Engvick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zanetto<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adam Mickiewicz<\/span>","<span class=\"advgb-post-tax-term\">Adolphe Jaime<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Alec Wilder<\/span>","<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Allen Rogers<\/span>","<span class=\"advgb-post-tax-term\">Andrzej Hiolski<\/span>","<span class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/span>","<span class=\"advgb-post-tax-term\">Angelo Anelli<\/span>","<span class=\"advgb-post-tax-term\">Antonino Votto<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/span>","<span class=\"advgb-post-tax-term\">Apollon Maykov<\/span>","<span class=\"advgb-post-tax-term\">April Cantelo<\/span>","<span class=\"advgb-post-tax-term\">Auguste Mariette<\/span>","<span class=\"advgb-post-tax-term\">Borislav Ivanov<\/span>","<span class=\"advgb-post-tax-term\">Carol Neblett<\/span>","<span class=\"advgb-post-tax-term\">Charles Baudelaire<\/span>","<span class=\"advgb-post-tax-term\">Charles Wadsworth<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">Dave Wolpe<\/span>","<span class=\"advgb-post-tax-term\">David Rendall<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Elly Ameling<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Ernest Lush<\/span>","<span class=\"advgb-post-tax-term\">Ethel Ennis<\/span>","<span class=\"advgb-post-tax-term\">\u00c9tienne Tr\u00e9feu<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7ois Copp\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Franz Schreker<\/span>","<span class=\"advgb-post-tax-term\">Fryderyk Chopin<\/span>","<span class=\"advgb-post-tax-term\">Fulvio Vernizzi<\/span>","<span class=\"advgb-post-tax-term\">Gabriele Ferro<\/span>","<span class=\"advgb-post-tax-term\">Genevi\u00e8ve de Brabant<\/span>","<span class=\"advgb-post-tax-term\">Gerard Souzay<\/span>","<span class=\"advgb-post-tax-term\">Gioachino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Targioni-Tozzetti<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gladys Shelley<\/span>","<span class=\"advgb-post-tax-term\">Gloria Davy<\/span>","<span class=\"advgb-post-tax-term\">Guido Menasci<\/span>","<span class=\"advgb-post-tax-term\">Hector Cr\u00e9mieux<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Helmuth Rilling<\/span>","<span class=\"advgb-post-tax-term\">Hermann Schroeder<\/span>","<span class=\"advgb-post-tax-term\">Ilse Wolf<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Jennie Tourel<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes-Passion<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">Karl Friedrich Henckell<\/span>","<span class=\"advgb-post-tax-term\">Klaus Martin Ziegler<\/span>","<span class=\"advgb-post-tax-term\">L&#039;Italiana in Algeri<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Malcolm Williamson<\/span>","<span class=\"advgb-post-tax-term\">Marcel Cariven<\/span>","<span class=\"advgb-post-tax-term\">Margaret Marshall<\/span>","<span class=\"advgb-post-tax-term\">Maureen Lehane<\/span>","<span class=\"advgb-post-tax-term\">Milton Kaye<\/span>","<span class=\"advgb-post-tax-term\">Morty Palitz<\/span>","<span class=\"advgb-post-tax-term\">Nikolai Rimsky-Korsakov<\/span>","<span class=\"advgb-post-tax-term\">Peter Maag<\/span>","<span class=\"advgb-post-tax-term\">Pietro Mascagni<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Louis Stevenson<\/span>","<span class=\"advgb-post-tax-term\">Robert Massard<\/span>","<span class=\"advgb-post-tax-term\">Rosanna Carteri<\/span>","<span class=\"advgb-post-tax-term\">Sarah Reese<\/span>","<span class=\"advgb-post-tax-term\">Sergiusz Nadgryzowski<\/span>","<span class=\"advgb-post-tax-term\">Shannon Bolin<\/span>","<span class=\"advgb-post-tax-term\">Stuart Burrows<\/span>","<span class=\"advgb-post-tax-term\">Sylvia Sass<\/span>","<span class=\"advgb-post-tax-term\">Temistocle Solera<\/span>","<span class=\"advgb-post-tax-term\">Veronica Tyler<\/span>","<span class=\"advgb-post-tax-term\">William Engvick<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zanetto<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 6 months ago","modified":"Updated 6 months ago"},"absolute_dates":{"created":"Posted on 24\/10\/2025","modified":"Updated on 24\/10\/2025"},"absolute_dates_time":{"created":"Posted on 24\/10\/2025 17:38","modified":"Updated on 24\/10\/2025 17:38"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=19133"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19133\/revisions"}],"predecessor-version":[{"id":19305,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/19133\/revisions\/19305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/19280"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=19133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=19133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=19133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}