{"id":19074,"date":"2025-10-30T20:38:17","date_gmt":"2025-10-30T19:38:17","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=19074"},"modified":"2025-10-31T09:11:33","modified_gmt":"2025-10-31T08:11:33","slug":"episode-407-get-to-know-eric-tappy","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/10\/30\/episode-407-get-to-know-eric-tappy\/","title":{"rendered":"Episode 407. Get to Know Eric Tappy"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 407. Get to Know Eric Tappy<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1738-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"737\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-as-Tito.png\" alt=\"\" class=\"wp-image-19345\" style=\"width:586px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-as-Tito.png 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-as-Tito-193x300.png 193w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Swiss tenor Eric Tappy (19 May 1931 \u2013 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pell\u00e9as was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin R\u00e9gamey, and Hermann Suter. Guest singers include <em>Countermelody<\/em> favorites Ileana Cotruba\u0219, Rachel Yakar, Hugues Cu\u00e9nod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans M\u00fcnch (brother of Charles), Colin Davis, Hans Vonk, and Jean Fran\u00e7aix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age.<\/p>\n\n\n\n<p>As promised on the episode, click here for the <a href=\"https:\/\/www.rts.ch\/play\/tv\/redirect\/detail\/396789\">link to Grands Entretiens: Eric Tappy interviewed by Catherine Unger<\/a>, first aired 03 April 2003 on RTV [Radio T\u00e9l\u00e9vision Suisse].<\/p>\n\n\n\n<p>Also, Eric Tappy&#8217;s daughter, Nicola Tappy Mori, has given me permission to share with you a beautiful collage that she produced last year, based on her father&#8217;s performance of Tamino in <em>Die Zauberfl\u00f6te<\/em> \/ <em>La Fl\u00fbte enchant\u00e9e<\/em>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-1024x787.jpg\" alt=\"\" class=\"wp-image-19380\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-1024x787.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-300x231.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-768x590.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-1536x1181.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori-1600x1230.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Flute-Enchantee-Collage-Nicola-Tappy-Mori.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"939\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV4.jpg\" alt=\"\" class=\"wp-image-19344\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV4.jpg 939w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV4-300x228.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV4-768x583.jpg 768w\" sizes=\"auto, (max-width: 939px) 100vw, 939px\" \/><\/figure>\n<\/div>\n\n\n<p>Hermann Suter, Francis of Assisi: Altissimo onnipotente, bon Signore [Introduzione] (<em>Le Laudi di San Francesco d\u2019Assisi<\/em>). Eric Tappy, Hans M\u00fcnch, Orchester der Basler Orchester-Gesellschaft, Basler Gesangsverein [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"752\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hermann-Suter.png\" alt=\"\" class=\"wp-image-19362\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hermann-Suter.png 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hermann-Suter-218x300.png 218w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><figcaption class=\"wp-element-caption\">Hermann Suter<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"914\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Orfeo.jpg\" alt=\"\" class=\"wp-image-19348\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Orfeo.jpg 914w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Orfeo-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Orfeo-768x605.jpg 768w\" sizes=\"auto, (max-width: 914px) 100vw, 914px\" \/><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi, Alessandro Striggio: Possente spirto (<em>L\u2019Orfeo<\/em>). Eric Tappy, Michel Corboz, Ensemble Instrumental de Lausanne [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"945\" height=\"709\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio.jpg\" alt=\"\" class=\"wp-image-19349\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio.jpg 945w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-768x576.jpg 768w\" sizes=\"auto, (max-width: 945px) 100vw, 945px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Jules Barbier, Michel Carr\u00e9 [after Moli\u00e8re]: Est-on sage dans le bel age? (<em>Le medecin malgr\u00e9 lui<\/em>). Eric Tappy, Nino Sanzogno, Orchestra Sinfonica di Roma della RAI [Roma 22.VII.61]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sanzogno.jpg\" alt=\"\" class=\"wp-image-19363\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sanzogno.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Sanzogno-300x200.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Nino Sanzogno<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"808\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy-Tux.png\" alt=\"\" class=\"wp-image-19350\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy-Tux.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy-Tux-217x300.png 217w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure>\n<\/div>\n\n\n<p>Frank Martin: Ha, ha! J\u00e9sus, notre adversaire (<em>Pilate<\/em>). Eric Tappy, Ernest Ansermet, Orchestre de la Suisse Romande [live Gen\u00e8ve 02.XI.66]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"356\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Martin-portrait.jpeg\" alt=\"\" class=\"wp-image-19361\" style=\"width:577px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Martin-portrait.jpeg 356w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Martin-portrait-214x300.jpeg 214w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption class=\"wp-element-caption\">Frank Martin<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"653\" height=\"470\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Birthday-Landscape.jpg\" alt=\"\" class=\"wp-image-19351\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Birthday-Landscape.jpg 653w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Birthday-Landscape-300x216.jpg 300w\" sizes=\"auto, (max-width: 653px) 100vw, 653px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Deine G\u00fcte, dein Erbarmen (<em>Meine Seele r\u00fchmt und preist<\/em>, BWV 189). Eric Tappy, Jean-Jacques Rapin, Orchestre de Chambre de Lausanne [live Lausanne 05.III.78]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"912\" height=\"643\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ewing-Idomeneo.png\" alt=\"\" class=\"wp-image-19377\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ewing-Idomeneo.png 912w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ewing-Idomeneo-300x212.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ewing-Idomeneo-768x541.png 768w\" sizes=\"auto, (max-width: 912px) 100vw, 912px\" \/><figcaption class=\"wp-element-caption\">Eric Tappy and Maria Ewing in <em>Idomeneo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Giambattista Varesco [after Antoine Danchet]: Vedrommi intorno (<em>Idomeneo<\/em>). Eric Tappy, John Pritchard, San Francisco Opera Orchestra [live 23.IX.77]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"924\" height=\"657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Pelleas-with-Je-Ne-Sais-Qui.jpg\" alt=\"\" class=\"wp-image-19353\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Pelleas-with-Je-Ne-Sais-Qui.jpg 924w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Pelleas-with-Je-Ne-Sais-Qui-300x213.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Pelleas-with-Je-Ne-Sais-Qui-768x546.jpg 768w\" sizes=\"auto, (max-width: 924px) 100vw, 924px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Maurice Maeterlinck: Oui, c\u2019est ici nous y sommes (<em>Pell\u00e9as et<\/em> <em>M\u00e9lisande<\/em>). Eric Tappy, Rachel Yakar, Armin Jordan, Orchestre National de l\u2019Op\u00e9ra de Monte-Carlo [1981]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"744\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Yakar-Poppea-3-1024x744.png\" alt=\"\" class=\"wp-image-19364\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Yakar-Poppea-3-1024x744.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Yakar-Poppea-3-300x218.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Yakar-Poppea-3-768x558.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Yakar-Poppea-3.png 1457w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Eric Tappy and Rachel Yakar in the Jean-Pierre Ponnelle film of <em>L&#8217;Incoronazione di Poppea<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Sexy.jpg\" alt=\"\" class=\"wp-image-19354\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Sexy.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Sexy-300x271.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: <em>Die sch\u00f6ne M\u00fcllerin<\/em>, D.795. Eric Tappy, Ruben Lifschitz. [live Hilversum 14.I.74]. Two excerpts:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>XVI. Die liebe Farbe<\/li>\n\n\n\n<li>XVII. Die b\u00f6se Farbe<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-1024x576.jpg\" alt=\"\" class=\"wp-image-19355\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-1536x864.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-2048x1152.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Lili-Boulanger-1600x900.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Lili Boulanger<\/figcaption><\/figure>\n\n\n\n<p>Lili Boulanger, Francis Jammes: <em>Clairi\u00e8res dans le ciel<\/em>. Eric Tappy, Jean Fran\u00e7aix [1967]. Two excerpts:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Elle \u00e9tait descendue au bas de la prairie<\/li>\n\n\n\n<li>XIII. Demain fera un an<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"645\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Francaix2.jpg\" alt=\"\" class=\"wp-image-19356\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Francaix2.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Francaix2-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Francaix2-150x150.jpg 150w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption class=\"wp-element-caption\">Jean Fran\u00e7aix<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"345\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rudolf-Escher.jpeg\" alt=\"\" class=\"wp-image-19357\" style=\"width:455px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rudolf-Escher.jpeg 345w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Rudolf-Escher-223x300.jpeg 223w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><figcaption class=\"wp-element-caption\">Rudolf Escher<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Rudolf Escher, Arthur Rimbaud: <em>Univers de Rimbaud<\/em>. Eric Tappy, Hans Vonk, Amsterdam Concertgebouw Orchestra [live 1977]. Spoken Introduction by Harry Kliphuis and three excerpts:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Le mal<\/li>\n\n\n\n<li>III. L\u2019\u00e9toile a pleur\u00e9 rose<\/li>\n\n\n\n<li>V. Ma boh\u00e8me [Fantaisie]<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hans-Vonk.jpg\" alt=\"\" class=\"wp-image-19358\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hans-Vonk.jpg 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Hans-Vonk-229x300.jpg 229w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><figcaption class=\"wp-element-caption\">Hans Vonk<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"829\" height=\"610\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Troyanos-Poppea.png\" alt=\"\" class=\"wp-image-19359\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Troyanos-Poppea.png 829w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Troyanos-Poppea-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Troyanos-Poppea-768x565.png 768w\" sizes=\"auto, (max-width: 829px) 100vw, 829px\" \/><figcaption class=\"wp-element-caption\">With Tatiana Troyanos in <em>L&#8217;Incoronazione di Poppea<\/em> (San Francisco 1975)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz: Le repos de la Sainte Famille (<em>L\u2019Enfance du Christ<\/em>, Op. 25). Eric Tappy, Colin Davis, London Symphony Orchestra, John Alldis Choir [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"478\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Edda-Moser-Page-Boy.png\" alt=\"\" class=\"wp-image-19360\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Edda-Moser-Page-Boy.png 735w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Edda-Moser-Page-Boy-300x195.png 300w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><figcaption class=\"wp-element-caption\">Edda Moser<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Joseph Haydn, Gottfried van Swieten [after James Thomson]: Welch\u2019 ein Gl\u00fcck ist treue Liebe! (<em>Die Jahreszeiten<\/em>). Eric Tappy, Edda Moser, Armin Jordan, Orchestre de Chambre de Lausanne [1980]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"848\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio.jpg\" alt=\"\" class=\"wp-image-19375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio-212x300.jpg 212w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"651\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio2-1.jpg\" alt=\"\" class=\"wp-image-19366\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio2-1.jpg 828w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio2-1-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Ottavio2-1-768x604.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/figure>\n<\/div>\n\n\n<p>Arthur Honegger, Ren\u00e9 Morax: Ne crains rien (<em>Le Roi David<\/em>). Eric Tappy, Ensemble conducted by Charles Dutoit [1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Arthur-Honegger.jpg\" alt=\"\" class=\"wp-image-19365\" style=\"width:565px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Arthur-Honegger.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Arthur-Honegger-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Arthur Honegger<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-1024x768.jpg\" alt=\"\" class=\"wp-image-19367\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-1536x1152.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old-1600x1200.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cuenod-old.jpg 1960w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Hugues Cu\u00e9nod<\/figcaption><\/figure>\n\n\n\n<p>Melchior Gletle: Stella coeli. Eric Tappy, Hugues Cu\u00e9nod, Ensemble Baroque de Lausanne [Christiane Jacottet, Mar\u00e7al Cervera] [early 1960s]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"909\" height=\"709\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV2.jpg\" alt=\"\" class=\"wp-image-19374\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV2.jpg 909w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV2-300x234.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-TV2-768x599.jpg 768w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"628\" height=\"821\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Regamey.png\" alt=\"\" class=\"wp-image-19369\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Regamey.png 628w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Regamey-229x300.png 229w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" \/><figcaption class=\"wp-element-caption\">Constantin R\u00e9gamey<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Constantin R\u00e9gamey: <em>Alpha<\/em> [excerpt]. Eric Tappy, Armin Jordan, Orchestre de la Suisse Romande [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"396\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy.jpg\" alt=\"\" class=\"wp-image-19373\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy.jpg 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Eric-Tappy-300x207.jpg 300w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"871\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Tamino.jpg\" alt=\"\" class=\"wp-image-19371\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Tamino.jpg 871w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Tamino-300x248.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Tamino-768x635.jpg 768w\" sizes=\"auto, (max-width: 871px) 100vw, 871px\" \/><figcaption class=\"wp-element-caption\">Tappy as Tamino<\/figcaption><\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Tamino mein! O welch ein Gl\u00fcck! (<em>Die Zauberfl\u00f6te<\/em>). Ileana Cotruba\u0219, Eric Tappy, Karl Terkal, Helge von B\u00f6mches, James Levine, Wiener Philharmoniker [1980]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"241\" height=\"390\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cotrubas-Cover-TRIMMED.jpg\" alt=\"\" class=\"wp-image-19372\" style=\"width:514px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cotrubas-Cover-TRIMMED.jpg 241w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Cotrubas-Cover-TRIMMED-185x300.jpg 185w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><figcaption class=\"wp-element-caption\">Ileana Cotruba\u0219<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-2.jpg\" alt=\"\" class=\"wp-image-19385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-2.jpg 929w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-2-300x233.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-2-768x595.jpg 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi, Alessandro Striggio: Saliam cantand\u2019 al cielo (<em><u>L\u2019Orfeo<\/u><\/em>). Eric Tappy, Gino Quilico, Michel Corboz,&nbsp; Orchestre de l\u2019Op\u00e9ra de Lyon [1986]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Gino-Quilico-765x1024.jpg\" alt=\"\" class=\"wp-image-19370\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Gino-Quilico-765x1024.jpg 765w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Gino-Quilico-224x300.jpg 224w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Gino-Quilico-768x1028.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Gino-Quilico.jpg 1000w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><figcaption class=\"wp-element-caption\">Gino Quilico<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 407. Get to Know Eric Tappy SOCIAL SHARE SUBSCRIPTION PLATFORM Swiss tenor Eric Tappy (19 May 1931 \u2013 11&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3132,3273,2399,5137,7698,1603,1072,8033,5806,6486,2260,808,2806,5138],"tags":[4014,8398,4094,3644,4280,296,8410,6755,501,33,1614,8320,8405,2767,1612,2247,4328,3684,6754,8408,101,8397,3654,8074,4018,4955,8401,310,8412,4017,1380,1613,448,1683,8406,6756,8396,298,1621,2530,4020,8411,8402,4765,8407,8414,8404,6753,5718,3601,8409,4021,4011,8413,5091,546,5366,8403,8399,8400,862,34],"class_list":["post-19074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-franz-schubert","category-french-opera","category-great-baritones","category-great-tenors","category-honor-your-mentors","category-ileana-cotrubas","category-in-memoriam","category-johann-sebastian-bach","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-twentieth-century-music","category-wolfgang-amadeus-mozart","tag-alessandro-striggio","tag-antoine-danchet","tag-armin-jordan","tag-arthur-honegger","tag-arthur-rimbaud","tag-charles-gounod","tag-christiane-jacottet","tag-clairieres-dans-le-ciel","tag-claude-debussy","tag-claudio-monteverdi","tag-colin-davis","tag-constantin-regamey","tag-die-jahreszeiten","tag-die-schone-mullerin","tag-die-zauberflote","tag-edda-moser","tag-emanuel-schikaneder","tag-eric-tappy","tag-francis-jammes","tag-francis-of-assisi","tag-franz-schubert","tag-giambattista-varesco","tag-gino-quilico","tag-gottfried-van-swieten","tag-hans-munch","tag-hans-vonk","tag-harry-kliphuis","tag-hector-berlioz","tag-helge-von-bomches","tag-hermann-suter","tag-hugues-cuenod","tag-idomeneo","tag-ileana-cotrubas","tag-james-levine","tag-james-thomson","tag-jean-francaix","tag-jean-jacques-rapin","tag-johann-sebastian-bach","tag-john-pritchard","tag-joseph-haydn","tag-jules-barbier","tag-karl-terkal","tag-lenfance-du-christ","tag-lorfeo","tag-le-laudi-di-san-francesco-dassisi","tag-le-medecin-malgre-lui","tag-le-roi-david","tag-lili-boulanger","tag-marcal-cervera","tag-maurice-maeterlinck","tag-melchior-gletle","tag-michel-carre","tag-michel-corboz","tag-moliere","tag-nino-sanzogno","tag-pelleas-et-melisande","tag-rachel-yakar","tag-rene-morax","tag-ruben-lifschitz","tag-rudolf-escher","tag-wilhelm-muller","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/10\/Tappy-Rehearsing-Ottavio-3-TRIMMED-300x172.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/honor-your-mentors\/\" class=\"advgb-post-tax-term\">Honor Your Mentors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ileana-cotrubas\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Honor Your Mentors<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alessandro Striggio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antoine Danchet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Armin Jordan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arthur Honegger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arthur Rimbaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christiane Jacottet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Clairi\u00e8res dans le ciel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Colin Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Constantin Regamey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Jahreszeiten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eric Tappy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francis Jammes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francis of Assisi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giambattista Varesco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gino Quilico<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gottfried van Swieten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans Vonk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Harry Kliphuis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helge von B\u00f6mches<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Suter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugues Cuenod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Idomeneo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Thomson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Fran\u00e7aix<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean-Jacques Rapin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph Haydn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Terkal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u2019Enfance du Christ<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u2019Orfeo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le Laudi di San Francesco d\u2019Assisi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le medecin malgr\u00e9 lui<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le Roi David<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lili Boulanger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marcal Cervera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Melchior Gletle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Corboz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Moli\u00e8re<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nino Sanzogno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pelleas et Melisande<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rachel Yakar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ren\u00e9 Morax<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ruben Lifschitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rudolf Escher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alessandro Striggio<\/span>","<span class=\"advgb-post-tax-term\">Antoine Danchet<\/span>","<span class=\"advgb-post-tax-term\">Armin Jordan<\/span>","<span class=\"advgb-post-tax-term\">Arthur Honegger<\/span>","<span class=\"advgb-post-tax-term\">Arthur Rimbaud<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Christiane Jacottet<\/span>","<span class=\"advgb-post-tax-term\">Clairi\u00e8res dans le ciel<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Colin Davis<\/span>","<span class=\"advgb-post-tax-term\">Constantin Regamey<\/span>","<span class=\"advgb-post-tax-term\">Die Jahreszeiten<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Eric Tappy<\/span>","<span class=\"advgb-post-tax-term\">Francis Jammes<\/span>","<span class=\"advgb-post-tax-term\">Francis of Assisi<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Giambattista Varesco<\/span>","<span class=\"advgb-post-tax-term\">Gino Quilico<\/span>","<span class=\"advgb-post-tax-term\">Gottfried van Swieten<\/span>","<span class=\"advgb-post-tax-term\">Hans M\u00fcnch<\/span>","<span class=\"advgb-post-tax-term\">Hans Vonk<\/span>","<span class=\"advgb-post-tax-term\">Harry Kliphuis<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Helge von B\u00f6mches<\/span>","<span class=\"advgb-post-tax-term\">Hermann Suter<\/span>","<span class=\"advgb-post-tax-term\">Hugues Cuenod<\/span>","<span class=\"advgb-post-tax-term\">Idomeneo<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">James Thomson<\/span>","<span class=\"advgb-post-tax-term\">Jean Fran\u00e7aix<\/span>","<span class=\"advgb-post-tax-term\">Jean-Jacques Rapin<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">Joseph Haydn<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Karl Terkal<\/span>","<span class=\"advgb-post-tax-term\">L\u2019Enfance du Christ<\/span>","<span class=\"advgb-post-tax-term\">L\u2019Orfeo<\/span>","<span class=\"advgb-post-tax-term\">Le Laudi di San Francesco d\u2019Assisi<\/span>","<span class=\"advgb-post-tax-term\">Le medecin malgr\u00e9 lui<\/span>","<span class=\"advgb-post-tax-term\">Le Roi David<\/span>","<span class=\"advgb-post-tax-term\">Lili Boulanger<\/span>","<span class=\"advgb-post-tax-term\">Marcal Cervera<\/span>","<span class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/span>","<span class=\"advgb-post-tax-term\">Melchior Gletle<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Michel Corboz<\/span>","<span class=\"advgb-post-tax-term\">Moli\u00e8re<\/span>","<span class=\"advgb-post-tax-term\">Nino Sanzogno<\/span>","<span class=\"advgb-post-tax-term\">Pelleas et Melisande<\/span>","<span class=\"advgb-post-tax-term\">Rachel Yakar<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9 Morax<\/span>","<span class=\"advgb-post-tax-term\">Ruben Lifschitz<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Escher<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 5 months ago","modified":"Updated 5 months ago"},"absolute_dates":{"created":"Posted on 30\/10\/2025","modified":"Updated on 31\/10\/2025"},"absolute_dates_time":{"created":"Posted on 30\/10\/2025 20:38","modified":"Updated on 31\/10\/2025 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