{"id":18234,"date":"2025-08-04T18:51:45","date_gmt":"2025-08-04T16:51:45","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=18234"},"modified":"2025-08-04T19:02:56","modified_gmt":"2025-08-04T17:02:56","slug":"episode-382-eine-janowitzische-geburtstagfeier","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/08\/04\/episode-382-eine-janowitzische-geburtstagfeier\/","title":{"rendered":"Episode 382. Eine Janowitzische Geburtstagfeier"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 382. Eine Janowitzische Geburtstagfeier<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1633-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"733\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-in-the-Woods-768x733-1.jpg\" alt=\"\" class=\"wp-image-18516\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-in-the-Woods-768x733-1.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-in-the-Woods-768x733-1-300x286.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>If you \u201cget\u201d Gundula Janowitz, then you really get her, and this birthday tribute will be a delectable treat. If, however, you don\u2019t get her, or don\u2019t think that you get her, you might want to give this episode a try, anyway, for it focuses on her work as a <em>Lieder<\/em> singer. It is my contention that she was one of the very finest song recitatlists of the late 20th century. Like Grace Bumbry, Margaret Price, Helen Donath, and a number of others, she balanced her work in opera with superlative work on the recital stage. To support my informed opinion, I have found a number of rare live recordings from Amsterdam, Tokyo, and Athens, in which the beloved soprano performs (with her pianists Irwin Gage, Charles Spencer, and Peter Waters and conductor Rudolf Barshai), songs of Strauss, Schubert, Liszt, Wagner, and Hindemith. The episode is supplemented by music by Haydn, Bach, and Robert Stolz, the last an early-career Janowitz performance of his obscure opera <em>Die Rosen der Madonna<\/em>. In these works, she is heard in duet with Waldemar Kmentt and last week\u2019s featured singer, Hermann Prey. Herzliche (aber nachtr\u00e4gliche) Geburtstagsgr\u00fc\u00dfe an unsere geliebte Frau Kammers\u00e4ngerin!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Polka-Dots-768x705-1.jpg\" alt=\"\" class=\"wp-image-18518\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Polka-Dots-768x705-1.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Polka-Dots-768x705-1-300x275.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"534\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Prey-Janowitz.jpg\" alt=\"\" class=\"wp-image-18526\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Prey-Janowitz.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Prey-Janowitz-300x209.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Herbert von Karajan, Gundula Janowitz, and Hermann Prey in rehearsal<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Joseph Haydn, Gottfried van Swieten: Von deiner G\u00fct\u2019 (<em>Die Sch\u00f6pfung<\/em>, Hob. XXI:2), Gundula Janowitz, Hermann Prey, Herbert von Karajan, Wiener Philharmoniker, Singverein der Gesellschaft der Musikfreunde Wien [live Salzburg 29.VIII.1965]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Prey-Fassbaender-Schreier-Janowitz-Cosi-1024x640.png\" alt=\"\" class=\"wp-image-18531\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Prey-Fassbaender-Schreier-Janowitz-Cosi-1024x640.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Prey-Fassbaender-Schreier-Janowitz-Cosi-300x188.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Prey-Fassbaender-Schreier-Janowitz-Cosi-768x480.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Prey-Fassbaender-Schreier-Janowitz-Cosi.png 1240w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Hermann Prey, Brigitte Fassbaender, Peter Schreier, Gundula Janowitz in the G\u00fcnther Rennert-directed  Salzburg Festival production of <em>Cos\u00ec fan tutte<\/em><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"921\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-1024x921.jpg\" alt=\"\" class=\"wp-image-18527\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-1024x921.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-300x270.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-768x690.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-1536x1381.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz-1600x1438.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Karajan-Janowitz.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Janowitz with her one-time mentor Herbert von Karajan<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"925\" data-id=\"18528\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-with-Rose-Headdress.jpg\" alt=\"\" class=\"wp-image-18528\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-with-Rose-Headdress.jpg 699w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-with-Rose-Headdress-227x300.jpg 227w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"403\" height=\"484\" data-id=\"18529\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kmentt-TRIMMED.jpg\" alt=\"\" class=\"wp-image-18529\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kmentt-TRIMMED.jpg 403w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kmentt-TRIMMED-250x300.jpg 250w\" sizes=\"auto, (max-width: 403px) 100vw, 403px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Robert Stolz, Bruno Hardt-Warden, Otto Tumlirz: Wilde Rosen, n\u00e4chtlich aufgebl\u00fcht&#8230; Aus deinem Wort str\u00f6mt Wunderkraft (<em>Die Rosen der Madonna<\/em>). Gundula Janowitz, Waldemar Kmentt, Robert Stolz, Gro\u00dfe Orchester des \u00d6sterreichischen Rundfunks [Radio Wien 1961]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Robert_Stolz_um_1915.jpg\" alt=\"\" class=\"wp-image-18530\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Robert_Stolz_um_1915.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Robert_Stolz_um_1915-183x300.jpg 183w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"919\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-in-Recording-Studio-1024x919.jpg\" alt=\"\" class=\"wp-image-18525\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-in-Recording-Studio-1024x919.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-in-Recording-Studio-300x269.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-in-Recording-Studio-768x689.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-in-Recording-Studio.jpg 1457w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach, Georg Christian Lehms: excerpts from <em>Mein Herze schwimmt im Blut<\/em>, BWV 199. Gundula Janowitz, Mathieu Lange, Mitglieder des RSO Hannover [from an undated 1970s broadcast]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Recitative. Auf diese Schmerzensreu<\/li>\n\n\n\n<li>Chorale. Ich, dein betr\u00fcbtes Kind<\/li>\n\n\n\n<li>Recitative. Ich lege mich in diese Wunden<\/li>\n\n\n\n<li>Aria. Wie freudig ist mein Herz<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"894\" height=\"693\" data-id=\"18535\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-3.jpg\" alt=\"\" class=\"wp-image-18535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-3.jpg 894w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-3-300x233.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-3-768x595.jpg 768w\" sizes=\"auto, (max-width: 894px) 100vw, 894px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"697\" data-id=\"18538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-5.jpg\" alt=\"\" class=\"wp-image-18538\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-5.jpg 899w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-5-300x233.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-5-768x595.jpg 768w\" sizes=\"auto, (max-width: 899px) 100vw, 899px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"888\" height=\"696\" data-id=\"18533\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-4.jpg\" alt=\"\" class=\"wp-image-18533\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-4.jpg 888w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-4-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-4-768x602.jpg 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"903\" height=\"707\" data-id=\"18532\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-1.jpg\" alt=\"\" class=\"wp-image-18532\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-1.jpg 903w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-1-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-1-768x601.jpg 768w\" sizes=\"auto, (max-width: 903px) 100vw, 903px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"893\" height=\"670\" data-id=\"18536\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-7.jpg\" alt=\"\" class=\"wp-image-18536\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-7.jpg 893w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-7-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-7-768x576.jpg 768w\" sizes=\"auto, (max-width: 893px) 100vw, 893px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"901\" height=\"690\" data-id=\"18534\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-6.jpg\" alt=\"\" class=\"wp-image-18534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-6.jpg 901w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-6-300x230.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-6-768x588.jpg 768w\" sizes=\"auto, (max-width: 901px) 100vw, 901px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"912\" height=\"691\" data-id=\"18537\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-2.jpg\" alt=\"\" class=\"wp-image-18537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-2.jpg 912w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-2-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Tokyo-2-768x582.jpg 768w\" sizes=\"auto, (max-width: 912px) 100vw, 912px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Selections from televised Lieder Recital. Gundula Janowitz, Charles Spencer [live Tokyo 1985]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Richard Strauss, Adolf Friedrich von Schack: Heimkehr, Op. 15\/5<\/li>\n\n\n\n<li>Richard Strauss, Hermann Gilm: Die Nacht, Op. 10\/3<\/li>\n\n\n\n<li>Richard Wagner, Mathilde Wesendonck: from the <em>Wesendonck-Lieder<\/em>.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\">IV. Schmerzen<\/p>\n\n\n\n<p class=\"has-text-align-center\">V. Tr\u00e4ume<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"862\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-Stately.jpg\" alt=\"\" class=\"wp-image-18540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-Stately.jpg 862w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-Stately-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gundy-Stately-768x512.jpg 768w\" sizes=\"auto, (max-width: 862px) 100vw, 862px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"870\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Sieglinde.jpg\" alt=\"\" class=\"wp-image-18524\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Sieglinde.jpg 692w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Sieglinde-239x300.jpg 239w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Hindemith, Rainer Maria Rilke: Geburt Mari\u00e4 (<em>Das Marienleben<\/em>, Op. 27\/1, revised version [1948]). Gundula Janowitz, Peter Waters [live Salzburg 15.VIII.1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1760\" height=\"2048\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider.jpg\" alt=\"\" class=\"wp-image-18523\" style=\"width:526px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider.jpg 1760w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider-258x300.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider-880x1024.jpg 880w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider-768x894.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider-1320x1536.jpg 1320w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Gage-Janowitz-Wider-1600x1862.jpg 1600w\" sizes=\"auto, (max-width: 1760px) 100vw, 1760px\" \/><figcaption class=\"wp-element-caption\">Gundula Janowitz and Irwin Gage<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Selections from Holland Festival Recital. Gundula Janowitz, Irwin Gage [live Amsterdam 08.VI.1977]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Franz Liszt, Emil Kuh: Ihr Glocken von Marling, S.328<\/li>\n\n\n\n<li>Richard Strauss, Richard Dehmel: Wiegenlied, Op. 41\/1<\/li>\n\n\n\n<li>Richard Strauss, Richard Dehmel: Befreit, Op. 39\/4<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Pageboy.jpg\" alt=\"\" class=\"wp-image-18539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Pageboy.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Pageboy-214x300.jpg 214w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-outside.jpg\" alt=\"\" class=\"wp-image-18521\" style=\"width:602px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-outside.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-outside-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-outside-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Karl Gottfried von Leitner: Der Winterabend, D. 938. Gundula Janowitz, Charles Spencer [1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"723\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Studio-768x723-1.jpg\" alt=\"\" class=\"wp-image-18520\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Studio-768x723-1.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Janowitz-Studio-768x723-1-300x282.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hermann Hesse: Beim Schlafengehen (<em>Vier letzte Lieder<\/em>, AV 150\/3). Gundula Janowitz, Rudolf Barshai, Stuttgarter Philharmoniker [live 05.III.1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy-719x1024.jpg\" alt=\"\" class=\"wp-image-18519\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy-719x1024.jpg 719w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy-211x300.jpg 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy-768x1094.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy-1079x1536.jpg 1079w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Smiling-Squinty-Older-Gundy.jpg 1438w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kammersangerin-Gundy.jpg\" alt=\"\" class=\"wp-image-18543\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kammersangerin-Gundy.jpg 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Kammersangerin-Gundy-237x300.jpg 237w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, John Henry Mackay: Morgen!, Op. 27\/4. Gundula Janowitz [Farewell Recital], Charles Spencer [live Athens 16.IX.1999]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 382. Eine Janowitzische Geburtstagfeier SOCIAL SHARE SUBSCRIPTION PLATFORM If you \u201cget\u201d Gundula Janowitz, then you really get her, and&hellip;<\/p>\n","protected":false},"author":1,"featured_media":18541,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,2261,2399,5137,1074,1659,8033,5806,2260,808,1470,4722,2257,2328,4801,2806,4980],"tags":[828,2913,2467,8073,8075,8068,800,8071,8074,456,1242,4019,584,1173,298,7246,2530,6614,3769,8069,8072,2394,8066,2469,3391,329,486,1453,8067,700,5133,8070],"class_list":["post-18234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-full-figured-baroque","category-great-baritones","category-great-tenors","category-happy-birthday","category-interview","category-johann-sebastian-bach","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-richard-strauss","category-richard-wagner","category-singers-in-old-age","category-twentieth-century-music","category-twentieth-century-opera","tag-bruno-hardt-warden","tag-charles-spencer","tag-das-marienleben","tag-die-rosen-der-madonna","tag-die-schopfung","tag-emil-kuh","tag-franz-liszt","tag-georg-christian-lehms","tag-gottfried-van-swieten","tag-gundula-janowitz","tag-herbert-von-karajan","tag-hermann-hesse","tag-hermann-prey","tag-irwin-gage","tag-johann-sebastian-bach","tag-john-henry-mackay","tag-joseph-haydn","tag-karl-gottfried-von-leitner","tag-mathieu-lange","tag-mathilde-wesendonck","tag-otto-tumlirz","tag-paul-hindemith","tag-peter-waters","tag-rainer-maria-rilke","tag-richard-dehmel","tag-richard-strauss","tag-richard-wagner","tag-robert-stolz","tag-rudolf-barshai","tag-vier-letzte-lieder","tag-waldemar-kmentt","tag-wesendonck-lieder"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/08\/Grinning-Gundy-TRIMMED-300x168.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Bruno Hardt-Warden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Charles Spencer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Das Marienleben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Die Rosen der Madonna<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Die Sch\u00f6pfung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Emil Kuh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Georg Christian Lehms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gottfried van Swieten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gundula Janowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hermann Hesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Irwin Gage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">John Henry Mackay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Joseph Haydn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Karl Gottfried von Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Mathieu Lange<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Mathilde Wesendonck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Otto Tumlirz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Paul Hindemith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Peter Waters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Dehmel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Rudolf Barshai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Waldemar Kmentt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Wesendonck-Lieder<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bruno Hardt-Warden<\/span>","<span class=\"advgb-post-tax-term\">Charles Spencer<\/span>","<span class=\"advgb-post-tax-term\">Das Marienleben<\/span>","<span class=\"advgb-post-tax-term\">Die Rosen der Madonna<\/span>","<span class=\"advgb-post-tax-term\">Die Sch\u00f6pfung<\/span>","<span class=\"advgb-post-tax-term\">Emil Kuh<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Georg Christian Lehms<\/span>","<span class=\"advgb-post-tax-term\">Gottfried van Swieten<\/span>","<span class=\"advgb-post-tax-term\">Gundula Janowitz<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Hermann Hesse<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Irwin Gage<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Henry Mackay<\/span>","<span class=\"advgb-post-tax-term\">Joseph Haydn<\/span>","<span class=\"advgb-post-tax-term\">Karl Gottfried von Leitner<\/span>","<span class=\"advgb-post-tax-term\">Mathieu Lange<\/span>","<span class=\"advgb-post-tax-term\">Mathilde Wesendonck<\/span>","<span class=\"advgb-post-tax-term\">Otto Tumlirz<\/span>","<span class=\"advgb-post-tax-term\">Paul Hindemith<\/span>","<span class=\"advgb-post-tax-term\">Peter Waters<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Richard Dehmel<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Barshai<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Waldemar Kmentt<\/span>","<span class=\"advgb-post-tax-term\">Wesendonck-Lieder<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 8 months ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 04\/08\/2025","modified":"Updated on 04\/08\/2025"},"absolute_dates_time":{"created":"Posted on 04\/08\/2025 18:51","modified":"Updated on 04\/08\/2025 19:02"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=18234"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18234\/revisions"}],"predecessor-version":[{"id":18547,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18234\/revisions\/18547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/18541"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=18234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=18234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=18234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}