{"id":18037,"date":"2025-07-14T12:12:54","date_gmt":"2025-07-14T10:12:54","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=18037"},"modified":"2025-07-15T11:27:23","modified_gmt":"2025-07-15T09:27:23","slug":"episode-376-bacquier-en-recital","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/07\/14\/episode-376-bacquier-en-recital\/","title":{"rendered":"Episode 376. Bacquier en R\u00e9cital"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 376. Bacquier en R\u00e9cital [Bastille Day 2025]<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1611-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Interview-Screenshot.png\" alt=\"\" class=\"wp-image-18308\" style=\"width:551px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Interview-Screenshot.png 743w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Interview-Screenshot-300x288.png 300w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today in honor of Bastille Day, I present an episode featuring the late Gabriel Bacquier, who considered himself an \u201cacting singer\u201d rather than a \u201csinging actor.\u201d He made his first mark as a sublime Mozart singer, from there moving into Verdi baritone parts, and finally as a supremely skilled basso buffo. What is less well-known is that he was also a superb recitalist, and in today\u2019s bonus episode, I present him in recordings primarily from the early 1960s, but ranging into the late 1970s, which display his surprising skill in <em>m\u00e9lodie<\/em> (for it is rare that one singer excels to the extent that Bacquier does in both opera and song). We hear him in live performances and studio recordings of songs of Faur\u00e9, Poulenc, Ravel, Duparc, Satie, and Poulenc, as well as examples from such lesser-known lights as Henri Sauguet, Louis Beydts, Maurice Yvain, and Marc Berthomieu. Bacquier\u2019s artistry began with the word as the basis for the shape and form of the music, and this approach proves to be equally valid and successful in song as in opera. Plus that, in the early years of his career, the voice was a thing of extraordinary beauty, whether in full-throated expostulation or the merest hint of a whisper.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-behind-chair-1024x575.png\" alt=\"\" class=\"wp-image-18300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-behind-chair-1024x575.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-behind-chair-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-behind-chair-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-behind-chair.png 1089w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: Voyage \u00e0 Paris (<em>Banalit\u00e9s<\/em>, FP 107\/4) Gabriel Bacquier, Jean Laforge [live Paris 30.XII.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Early-Colorized-Headshot.png\" alt=\"\" class=\"wp-image-18302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Early-Colorized-Headshot.png 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Early-Colorized-Headshot-275x300.png 275w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n<\/div>\n\n\n<p>Reynaldo Hahn, Victor Hugo: Si mes vers avaient des ailes. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot.png\" alt=\"\" class=\"wp-image-18303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot.png 549w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot-215x300.png 215w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Louis Gallet: \u00c9l\u00e9gie. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"277\" height=\"222\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Melodie-Cover.jpg\" alt=\"\" class=\"wp-image-18304\" style=\"width:507px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Emmanuel Chabrier, Edmond Rostand: Ballade des gros dindons. Gabriel Bacquier, Jean Laforge [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"472\" height=\"613\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Formal-Headshot.png\" alt=\"\" class=\"wp-image-18305\" style=\"width:570px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Formal-Headshot.png 472w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Formal-Headshot-231x300.png 231w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Alphonse de Lamartine: Le vallon. Gabriel Bacquier, Ernest Lush. [BBC 29.V.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"629\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-on-the-Street-chez-Lui-1024x629.png\" alt=\"\" class=\"wp-image-18306\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-on-the-Street-chez-Lui-1024x629.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-on-the-Street-chez-Lui-300x184.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-on-the-Street-chez-Lui-768x471.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-on-the-Street-chez-Lui.png 1147w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Erik Satie, D. Durante: Allons-y, Chochotte. Gabriel Bacquier, Aldo Ciccolini [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"171\" height=\"256\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-sly-grin-1.png\" alt=\"\" class=\"wp-image-18307\" style=\"width:506px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Erik Satie: <em>Trois Po\u00e8mes d\u2019Amour<\/em>. Gabriel Bacquier, Claudie Martinet [live Paris 1972]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Ne suis que grain de sable<\/li>\n\n\n\n<li>II. Suis chauve de naissance<\/li>\n\n\n\n<li>III. Ta parure est secr\u00e8te<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"626\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Making-Up.jpeg\" alt=\"\" class=\"wp-image-18309\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Making-Up.jpeg 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Making-Up-300x298.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Making-Up-150x150.jpeg 150w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Paul Verlaine: Sur l\u2019herbe, M. 53. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"726\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Grin.png\" alt=\"\" class=\"wp-image-18310\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Grin.png 494w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Grin-204x300.png 204w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Jules Renard: Le grillon (<em>Histoires naturelles<\/em>, M.50\/2). Gabriel Bacquier, Dalton Baldwin [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"957\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autographed-Giovanni.jpg\" alt=\"\" class=\"wp-image-18311\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autographed-Giovanni.jpg 608w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autographed-Giovanni-191x300.jpg 191w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Cl\u00e9ment Marot: <em>Deux \u00c9pigrammes de Cl\u00e9ment Marot<\/em>, M.21<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. D\u2019Anne qui me jecta de la neige. Gabriel Bacquier, Jean Laforge [1962]<\/li>\n\n\n\n<li>II. D\u2019Anne jouant de l\u2019\u00e9pinette. Gabriel Bacquier, Jean Laforge [live Paris 1961]<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"543\" height=\"759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot2.jpg\" alt=\"\" class=\"wp-image-18312\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot2.jpg 543w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Headshot2-215x300.jpg 215w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Th\u00e9ophile Gautier: Chanson du p\u00eacheur (Lamento), Op. 4\/1. Gabriel Bacquier Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"849\" height=\"484\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Laforge.png\" alt=\"\" class=\"wp-image-18313\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Laforge.png 849w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Laforge-300x171.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Laforge-768x438.png 768w\" sizes=\"auto, (max-width: 849px) 100vw, 849px\" \/><figcaption class=\"wp-element-caption\">Jean Laforge and Gabriel Bacquier<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Armand Silvestre: Le Secret, Op. 23\/3. Gabriel Bacquier Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Regal.png\" alt=\"\" class=\"wp-image-18314\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Regal.png 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Regal-219x300.png 219w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Armand Silvestre: Automne, Op. 18\/3. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Young-Headshot.png\" alt=\"\" class=\"wp-image-18315\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Young-Headshot.png 718w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Young-Headshot-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Young-Headshot-150x150.png 150w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n<\/div>\n\n\n<p>Henri Duparc, Jean Lahor [n\u00e9 Henri Cazalis]: Extase. Gabriel Bacquier, Jean Laforge [live Paris 1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Topless-1024x577.png\" alt=\"\" class=\"wp-image-18316\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Topless-1024x577.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Topless-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Topless-768x433.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Topless.png 1310w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Henri Duparc, Charles Baudelaire: La vie ant\u00e9rieure. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autogramme.png\" alt=\"\" class=\"wp-image-18317\" style=\"width:561px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autogramme.png 462w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Autogramme-193x300.png 193w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Paul \u00c9luard: from <em>Le travail du peintre<\/em>, FP 161.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Pablo Picasso. Gabriel Bacquier, Ernest Lush. [BBC 29.V.70]<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>VI. Joan Mir\u00f3. Gabriel Bacquier, Claudie Martinet [live Paris 1972]<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"487\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Saucy.jpg\" alt=\"\" class=\"wp-image-18318\" style=\"width:611px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Saucy.jpg 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Saucy-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Saucy-150x150.jpg 150w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Maurice Fombeure: Les gars qui vont \u00e0 la f\u00eate (<em>Chansons villageoises<\/em>, FP 117\/2). Gabriel Bacquier, Ernest Lush. [BBC 29.V.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Ravel-Pray.png\" alt=\"\" class=\"wp-image-18319\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Ravel-Pray.png 726w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Ravel-Pray-292x300.png 292w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: H\u00f4tel (<em>Banalit\u00e9s<\/em>, FP 107\/2). Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Iago-Hannibal.png\" alt=\"\" class=\"wp-image-18326\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Iago-Hannibal.png 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Iago-Hannibal-223x300.png 223w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><figcaption class=\"wp-element-caption\">Bacquier as Iago<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Robert Desnos: Le Disparu, FP 134. Gabriel Bacquier, Jacques F\u00e9vrier [ca. 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Paw.jpg\" alt=\"\" class=\"wp-image-18325\" style=\"width:604px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Paw.jpg 426w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Paw-213x300.jpg 213w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Robert Desnos: Dernier po\u00e8me, FP 163. Gabriel Bacquier, Jacques F\u00e9vrier [ca. 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Generic-Evil-Character.png\" alt=\"\" class=\"wp-image-18324\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Generic-Evil-Character.png 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Generic-Evil-Character-268x300.png 268w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/figure>\n<\/div>\n\n\n<p>Louis Beydts, Paul Jean Toulet: Dormez, ami (<em>D\u2019ombre et de soleil<\/em>, No. 3). Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"565\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Louise-Photo.png\" alt=\"\" class=\"wp-image-18322\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Louise-Photo.png 607w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Louise-Photo-300x279.png 300w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/figure>\n<\/div>\n\n\n<p>Marc Berthomieu, Daniel Schmitt: Parc Monceau (<em>Jardins de Paris<\/em>, No. 4). Gabriel Bacquier, Marc Berthomieu, Lily Laskine, Marielle Normann, Jean Leber, Bruno Pasquier, Roger Bourdin, Pierre-Yves Artaud, Maurice Allard, \u00c9tienne Lorin, Ren\u00e9 Benedetti [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"1475\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Zurga.jpg\" alt=\"\" class=\"wp-image-18323\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Zurga.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Zurga-195x300.jpg 195w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Zurga-666x1024.jpg 666w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Zurga-768x1180.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Yvain, Jacques Larue: Porquerolles. Gabriel Bacquier, Jean Laforge [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"746\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Caricature.png\" alt=\"\" class=\"wp-image-18320\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Caricature.png 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-Caricature-227x300.png 227w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n<\/div>\n\n\n<p>Henri Sauguet [n\u00e9 Henri-Pierre Poupard]: Berceuse cr\u00e9ole (<em>Le plumet du colonel<\/em>). Gabriel Bacquier, Jean Laforge [1962]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 376. Bacquier en R\u00e9cital [Bastille Day 2025] SOCIAL SHARE SUBSCRIPTION PLATFORM Today in honor of Bastille Day, I present&hellip;<\/p>\n","protected":false},"author":1,"featured_media":18296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2891,1625,2399,1073,1072,5806,6486,2260,808,1470,4722,2806],"tags":[7829,3545,6280,7980,7974,3498,296,7970,7976,7972,3284,3283,2881,1280,7984,544,1424,588,2195,1788,714,7969,6360,1447,4159,7979,433,7824,7975,7977,5213,5662,1445,7978,7983,4205,545,7971,3739,7973,550,7982,7985,782,4150,7981,3648,3735],"class_list":["post-18037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-comic-relief","category-gay-pride","category-great-baritones","category-holiday-music","category-in-memoriam","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-twentieth-century-music","tag-alphonse-de-lamartine","tag-armand-silvestre","tag-banalites","tag-bruno-pasquier","tag-chansons-villageoises","tag-charles-baudelaire","tag-charles-gounod","tag-claudie-martinet","tag-clement-marot","tag-daniel-schmitt","tag-edmond-rostand","tag-emmanuel-chabrier","tag-erik-satie","tag-ernest-lush","tag-etienne-lorin","tag-francis-poulenc","tag-gabriel-bacquier","tag-gabriel-faure","tag-guillaume-apollinaire","tag-henri-duparc","tag-henri-sauguet","tag-jacques-fevrier","tag-jacques-larue","tag-jean-laforge","tag-jean-lahor","tag-jean-leber","tag-jules-massenet","tag-jules-renard","tag-le-travail-du-peintre","tag-lily-laskine","tag-louis-beydts","tag-louis-gallet","tag-marc-berthomieu","tag-marielle-normann","tag-maurice-allard","tag-maurice-fombeure","tag-maurice-ravel","tag-maurice-yvain","tag-paul-eluard","tag-paul-jean-toulet","tag-paul-verlaine","tag-pierre-yves-artaud","tag-rene-benedetti","tag-reynaldo-hahn","tag-robert-desnos","tag-roger-bourdin","tag-theophile-gautier","tag-victor-hugo"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Bacquier-for-FB-post-300x186.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Armand Silvestre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Banalit\u00e9s<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bruno Pasquier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chansons villageoises<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Baudelaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudie Martinet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cl\u00e9ment Marot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Daniel Schmitt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edmond Rostand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emmanuel Chabrier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Satie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Lush<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">\u00c9tienne Lorin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Bacquier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Duparc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Sauguet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques F\u00e9vrier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacques Larue<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Laforge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Lahor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Leber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Renard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Le Travail du peintre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lily Laskine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Beydts<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Gallet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marc Berthomieu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marielle Normann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Allard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Fombeure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Yvain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul \u00c9luard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Jean Toulet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre-Yves Artaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ren\u00e9 Benedetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Desnos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roger Bourdin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/span>","<span class=\"advgb-post-tax-term\">Armand Silvestre<\/span>","<span class=\"advgb-post-tax-term\">Banalit\u00e9s<\/span>","<span class=\"advgb-post-tax-term\">Bruno Pasquier<\/span>","<span class=\"advgb-post-tax-term\">Chansons villageoises<\/span>","<span class=\"advgb-post-tax-term\">Charles Baudelaire<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Claudie Martinet<\/span>","<span class=\"advgb-post-tax-term\">Cl\u00e9ment Marot<\/span>","<span class=\"advgb-post-tax-term\">Daniel Schmitt<\/span>","<span class=\"advgb-post-tax-term\">Edmond Rostand<\/span>","<span class=\"advgb-post-tax-term\">Emmanuel Chabrier<\/span>","<span class=\"advgb-post-tax-term\">Erik Satie<\/span>","<span class=\"advgb-post-tax-term\">Ernest Lush<\/span>","<span class=\"advgb-post-tax-term\">\u00c9tienne Lorin<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Bacquier<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/span>","<span class=\"advgb-post-tax-term\">Henri Duparc<\/span>","<span class=\"advgb-post-tax-term\">Henri Sauguet<\/span>","<span class=\"advgb-post-tax-term\">Jacques F\u00e9vrier<\/span>","<span class=\"advgb-post-tax-term\">Jacques Larue<\/span>","<span class=\"advgb-post-tax-term\">Jean Laforge<\/span>","<span class=\"advgb-post-tax-term\">Jean Lahor<\/span>","<span class=\"advgb-post-tax-term\">Jean Leber<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Jules Renard<\/span>","<span class=\"advgb-post-tax-term\">Le Travail du peintre<\/span>","<span class=\"advgb-post-tax-term\">Lily Laskine<\/span>","<span class=\"advgb-post-tax-term\">Louis Beydts<\/span>","<span class=\"advgb-post-tax-term\">Louis Gallet<\/span>","<span class=\"advgb-post-tax-term\">Marc Berthomieu<\/span>","<span class=\"advgb-post-tax-term\">Marielle Normann<\/span>","<span class=\"advgb-post-tax-term\">Maurice Allard<\/span>","<span class=\"advgb-post-tax-term\">Maurice Fombeure<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Maurice Yvain<\/span>","<span class=\"advgb-post-tax-term\">Paul \u00c9luard<\/span>","<span class=\"advgb-post-tax-term\">Paul Jean Toulet<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Pierre-Yves Artaud<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9 Benedetti<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Robert Desnos<\/span>","<span class=\"advgb-post-tax-term\">Roger Bourdin<\/span>","<span class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 9 months ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 14\/07\/2025","modified":"Updated on 15\/07\/2025"},"absolute_dates_time":{"created":"Posted on 14\/07\/2025 12:12","modified":"Updated on 15\/07\/2025 11:27"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=18037"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18037\/revisions"}],"predecessor-version":[{"id":18327,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/18037\/revisions\/18327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/18296"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=18037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=18037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=18037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}