{"id":17855,"date":"2025-07-04T17:33:01","date_gmt":"2025-07-04T15:33:01","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=17855"},"modified":"2025-07-05T20:50:14","modified_gmt":"2025-07-05T18:50:14","slug":"episode-373-carol-neblett-girl-of-the-golden-west","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/07\/04\/episode-373-carol-neblett-girl-of-the-golden-west\/","title":{"rendered":"Episode 373. Carol Neblett: Girl of the Golden West"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 373. Carol Neblett: Girl of the Golden West<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1602-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"411\" height=\"795\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-smiling.jpg\" alt=\"\" class=\"wp-image-18195\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-smiling.jpg 411w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-smiling-155x300.jpg 155w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today is the day that the United States formerly celebrated its independence. But the events of recent months have not made me feel much like celebrating. As I racked my brain to think of an \u201cAmerican\u201d (read: US-American) of whom we could be truly proud, my mind flew to Carol Neblett, one of the great (if relatively unsung) voices of the 1970s and beyond. Carol died prematurely and unexpectedly in November 2017, and from the earliest days of the podcast, it has been my intention to bring increased attention to her incandescent voice and artistry. For a while, her son Stefan Schermerhorn and I have been planning to do such a tribute, but as with so many such plans, life got in the way. With the looming national holiday, however, I felt the urgent need to do a Carol Neblett episode. So I contacted Stefan earlier this week to ask him if he had any reminiscences to share with us as I was preparing this urgently-needed episode. He returned with an absolutely charming Fourth of July anecdote which begins the tribute. There follows a plethora of live recordings of near-definitive performances of an enormous range of roles that were core to Carol\u2019s repertoire: Violetta, Ariadne, Tha\u00efs, Marietta, Manon, Musetta, Louise, Tosca, Magda in <em>La Rondine<\/em>, Margherita in <em>Mefistofele<\/em>, Leonora in <em>Il Trovatore<\/em>, and Elettra in <em>Idomeneo<\/em>. Also well-represented is no doubt her most celebrated portrayal: Minnie in <em>La Fanciulla del West<\/em>. Being a tall and statuesque California-born blonde made Carol a physically ideal Minnie, but even moreso, it was <em>THAT VOICE<\/em> which allowed her to negotiate all of the part\u2019s considerable vocal difficulties and made her legendary in the part. This is the first of a planned series of Neblett episodes that I hope will bring you as much delight in listening as it did me in preparing it. And in this undeniably grim period of our nation\u2019s history, we desperately need Carol Neblett as a shining example of the brilliance of which the United States is still capable.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Barda-1024x640.jpg\" alt=\"\" class=\"wp-image-18203\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Barda-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Barda-300x187.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Barda-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Barda.jpg 1501w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"582\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie.jpg\" alt=\"\" class=\"wp-image-18201\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie-300x243.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Carlo Zangarini, Guelfo Civinini [after David Belasco]: S\u2019amavan tanto (<em>La Fanciulla del West<\/em>). Carol Neblett, Gian Piero Mastromei, Bruno Bartoletti, Lyric Opera of Chicago Orchestra [live Chicago 22.IX.1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"985\" height=\"656\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Mastromei.png\" alt=\"\" class=\"wp-image-18202\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Mastromei.png 985w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Mastromei-300x200.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Mastromei-768x511.png 768w\" sizes=\"auto, (max-width: 985px) 100vw, 985px\" \/><figcaption class=\"wp-element-caption\">Gian Piero Mastromei<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-1970.jpg\" alt=\"\" class=\"wp-image-18204\" style=\"width:612px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-1970.jpg 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-1970-250x300.jpg 250w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: Quando m\u2019en vo (<em>La Boh\u00e8me<\/em>). Carol Neblett, Gilda Cruz-Romo, Enrico Di Giuseppe, Abe Polakoff, William Ledbetter, Michael Devlin, Don Yule, Julius Rudel, New York City Opera Orchestra and Chorus [live NYCO 28.II.1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"651\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Gilda.jpg\" alt=\"\" class=\"wp-image-18205\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Gilda.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Gilda-300x279.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\">Gilda Cruz-Romo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"282\" height=\"434\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie-da-capo-a-piedi.png\" alt=\"\" class=\"wp-image-18206\" style=\"width:410px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie-da-capo-a-piedi.png 282w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie-da-capo-a-piedi-195x300.png 195w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Carlo Zangarini, Guelfo Civinini [after David Belasco]: Oh, se sapeste (<em>La Fanciulla del West<\/em>). Carol Neblett, Bruno Bartoletti, Lyric Opera of Chicago Orchestra [live Chicago 22.IX.1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-1024x722.jpg\" alt=\"\" class=\"wp-image-18207\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-1024x722.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-300x212.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-768x542.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-1536x1083.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session-1600x1128.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Tote-Stadt-Recording-Session.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Recording session for <em>Die tote Stadt<\/em>, 1975<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Erich Wolfgang Korngold, Paul Schott [pseudonym of Erich Korngold and Julius Korngold, after Georges Rodenbach]: Und der Erste, die mich Liebe belehrt (<em>Die tote Stadt<\/em>). Carol Neblett, Imre Pallo, New York City Opera Orchestra [live NYCO 04.IV.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"612\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poodle-Hair.png\" alt=\"\" class=\"wp-image-18208\" style=\"width:561px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poodle-Hair.png 469w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poodle-Hair-230x300.png 230w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: Tu vedrai che amore in terra (<em>Il Trovatore<\/em>). Carol Neblett, Carl Suppa, Orchestra of the New Orleans Opera Association [live New Orleans 14.III.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"479\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Earring-Check.png\" alt=\"\" class=\"wp-image-18209\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Earring-Check.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Earring-Check-300x187.png 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Louis Gallet [after Anatole France]: Le ciel s\u2019ouvre&#8230; Deux s\u00e9raphins aux blanches ailes (<em>Tha\u00efs<\/em>). Carol Neblett, Julian Patrick, Knud Anderson, Orchestra of the New Orleans Opera Association [live New Orleans 14.IV.1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"619\" height=\"849\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Julian-Patrick.png\" alt=\"\" class=\"wp-image-18210\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Julian-Patrick.png 619w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Julian-Patrick-219x300.png 219w\" sizes=\"auto, (max-width: 619px) 100vw, 619px\" \/><figcaption class=\"wp-element-caption\">Julian Patrick<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"519\" height=\"660\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Louise-Sam-Norkin-caricature.jpg\" alt=\"\" class=\"wp-image-18211\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Louise-Sam-Norkin-caricature.jpg 519w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Louise-Sam-Norkin-caricature-236x300.jpg 236w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><figcaption class=\"wp-element-caption\">A 1971 caricature by Sam Norkin of Carol Neblett as Louise, with Georges Liccioni on the left<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gustave Charpentier: Depuis le jour (<em>Louise<\/em>). Carol Neblett, Charles Wendelkon-Wilson, New York City Opera Orchestra [live NYCO 05.IX.1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Manon.jpg\" alt=\"\" class=\"wp-image-18212\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Manon.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Manon-261x300.jpg 261w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: Ah! Parlez-moi!&#8230; Nous vivrons \u00e0 Paris (<em>Manon<\/em>). Carol Neblett, Ion Piso, John Darrencamp, Barbara Blanchard, Helene Guilet, Kay Creed, Julius Rudel, New York City Opera Orchestra [live NYCO 17.IV.1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Ion-Piso.jpg\" alt=\"\" class=\"wp-image-18213\" style=\"width:468px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Ion-Piso.jpg 368w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Ion-Piso-232x300.jpg 232w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><figcaption class=\"wp-element-caption\">Ion Piso<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"277\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poppea.png\" alt=\"\" class=\"wp-image-18214\" style=\"width:560px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poppea.png 277w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Poppea-183x300.png 183w\" sizes=\"auto, (max-width: 277px) 100vw, 277px\" \/><figcaption class=\"wp-element-caption\">Neblett as Poppea<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: L\u2019ombre des arbres (<em>Ariettes oubli\u00e9es<\/em>, L. 60\/3). Carol Neblett, Darlene Lawrence [live Provo, UT 21.II.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"305\" height=\"419\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-in-the-park.png\" alt=\"\" class=\"wp-image-18215\" style=\"width:533px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-in-the-park.png 305w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-Neblett-in-the-park-218x300.png 218w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><\/figure>\n<\/div>\n\n\n<p>Gian Carlo Menotti: Hello? Hello? Oh, Margaret, it\u2019s you (<em>The Telephone<\/em>). Carol Neblett, Darlene Lawrence [live Provo, UT 21.II.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"304\" height=\"496\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Elettra.png\" alt=\"\" class=\"wp-image-18216\" style=\"width:550px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Elettra.png 304w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Elettra-184x300.png 184w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Giambattista Maresco: O smanie, o furie&#8230; D\u2019Oreste, d\u2019Ajace (<em>Idomeneo<\/em>). Carol Neblett, John Pritchard, San Francisco Opera Orchestra [23.IX.1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-white-sheath.jpg\" alt=\"\" class=\"wp-image-18217\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-white-sheath.jpg 515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-white-sheath-223x300.jpg 223w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo]: Gi\u00e0 da tre lune&#8230; Veglia, o donna, questo fiore (<em>Rigoletto<\/em>). Carol Neblett, Louis Quilico, James Levine, Los Angeles Philharmonic Orchestra [live Hollywood Bowl 09.IX.1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Quilico-Rigoletto.jpg\" alt=\"\" class=\"wp-image-18218\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Quilico-Rigoletto.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Quilico-Rigoletto-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Quilico-Rigoletto-150x150.jpg 150w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><figcaption class=\"wp-element-caption\">Louis Quilico as Rigoletto<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"713\" height=\"466\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-in-Riverside-Park.png\" alt=\"\" class=\"wp-image-18219\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-in-Riverside-Park.png 713w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-in-Riverside-Park-300x196.png 300w\" sizes=\"auto, (max-width: 713px) 100vw, 713px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas fils]: Ah, dite alla giovine (<em>La Traviata<\/em>). Carol Neblett, Dominic Cossa, Chris Nance, New York City Opera Orchestra [live NYCO 17.IX.1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Cossa.jpg\" alt=\"\" class=\"wp-image-18220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Cossa.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Cossa-240x300.jpg 240w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Dominic Cossa<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-in-Mefistofele.png\" alt=\"\" class=\"wp-image-18221\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-in-Mefistofele.png 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-in-Mefistofele-300x221.png 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Arrigo Boito: L\u2019altra notte in fondo al mare (<em>Mefistofele<\/em>). Carol Neblett, Julius Rudel, New York City Opera Orchestra [live NYCO 07.XI.1971] (verse 1); Anton Guadagno, London Symphony Orchestra [live London 25.V.1972] (verse 2)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"294\" height=\"457\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Siepi-London-1972.png\" alt=\"\" class=\"wp-image-18227\" style=\"width:549px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Siepi-London-1972.png 294w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Siepi-London-1972-193x300.png 193w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><figcaption class=\"wp-element-caption\">Cesare Siepi and Carol Neblett in London for <em>Mefistofele<\/em>, 1972<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"409\" data-id=\"18222\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-different-marabou.jpg\" alt=\"\" class=\"wp-image-18222\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-different-marabou.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Carol-different-marabou-220x300.jpg 220w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"796\" data-id=\"18223\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn2.png\" alt=\"\" class=\"wp-image-18223\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn2.png 686w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn2-259x300.png 259w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><figcaption class=\"wp-element-caption\">Kenneth Schermerhorn<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Es gibt ein Reich (<em>Ariadne auf Naxos<\/em>). Carol Neblett, Kenneth Schermerhorn, Milwaukee Symphony Orchestra [unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"429\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Intense-Minnie-Table.png\" alt=\"\" class=\"wp-image-18224\" style=\"width:632px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Intense-Minnie-Table.png 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Intense-Minnie-Table-300x225.png 300w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Carlo Zangarini, Guelfo Civinini [after David Belasco]: Laggi\u00f9 nel Soledad (<em>La Fanciulla del West<\/em>). Carol Neblett, Mario Basiola, Nino Sanzogno, Orchestra del Teatro Regio, Torino [live Torino 24.XI.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"687\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Pavarotti-Tosca.jpg\" alt=\"\" class=\"wp-image-18225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Pavarotti-Tosca.jpg 687w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Pavarotti-Tosca-250x300.jpg 250w\" sizes=\"auto, (max-width: 687px) 100vw, 687px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Victorien Sardou]: Ors\u00f9, Tosca, parlate (<em>Tosca<\/em>). Carol Neblett, Luciano Pavarotti, Cornell MacNeil, Thomas Booth, Bruno Bartoletti, Lyric Opera of Chicago Orchestra [live 26.XI.1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"685\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-glamour.png\" alt=\"\" class=\"wp-image-18226\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-glamour.png 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-glamour-241x300.png 241w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Alfred Maria Willner, Heinz Reichert]: Ore dolce e divine (<em>La Rondine<\/em>). Carol Neblett, Noemi Lugo, Vilia Hinds, Alicia Maraslian, Michelangelo Veltri, Orquestra del Teatro Municipal de Caracas [live 10.VI.1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1024\" data-id=\"18228\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-818x1024.webp\" alt=\"\" class=\"wp-image-18228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-818x1024.webp 818w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-240x300.webp 240w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-768x962.webp 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-1226x1536.webp 1226w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta-1600x2004.webp 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Met-Senta.webp 1635w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><figcaption class=\"wp-element-caption\">Neblett as Senta<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"830\" data-id=\"18229\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn1.png\" alt=\"\" class=\"wp-image-18229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn1.png 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Schermerhorn1-235x300.png 235w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi]: O Principi, che a lunghe carovane (<em>Turandot<\/em>). Carol Neblett, Barry Morell, Kenneth Schermerhorn, Pittsburgh Opera Orchestra [live 18.XI.1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"525\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie.png\" alt=\"\" class=\"wp-image-18231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie.png 633w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Minnie-300x249.png 300w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/figure>\n\n\n\n<p>Giacomo Puccini, Carlo Zangarini, Guelfo Civinini [after David Belasco]: Quante?&#8230; Una&#8230; [Poker Scene] (<em>La Fanciulla del West<\/em>). Carol Neblett, Giangiacomo Guelfi, Silvio Varviso, Wiener Philharmoniker [live Wiener Staatsoper 23.V.1976]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"534\" height=\"923\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Guelfi-lighting-a-match-on-his-boot.jpg\" alt=\"\" class=\"wp-image-18230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Guelfi-lighting-a-match-on-his-boot.jpg 534w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Guelfi-lighting-a-match-on-his-boot-174x300.jpg 174w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><figcaption class=\"wp-element-caption\">Giangiacomo Guelfi as Jack Rance<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 373. Carol Neblett: Girl of the Golden West SOCIAL SHARE SUBSCRIPTION PLATFORM Today is the day that the United&hellip;<\/p>\n","protected":false},"author":1,"featured_media":18196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,2891,5823,3273,2476,2398,2399,5137,7698,1072,1659,5806,6486,2260,808,4510,1470,2257,2806,4980,427,5138],"tags":[4009,4504,5548,5279,5663,4460,5118,462,2782,77,7945,1090,7949,6350,6349,1484,7951,7957,501,6195,7953,4270,2463,7948,7947,3279,4535,6719,94,7955,1968,7958,4288,4502,4610,4759,6348,1728,6137,3672,3760,1613,348,365,7952,1683,1621,433,7950,6069,363,7946,7446,222,1500,1066,5662,4013,354,4758,434,4506,366,6718,550,4008,4611,329,7956,325,4850,1886,5664,7954,453,1092,3735,151,4505,34],"class_list":["post-17855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-comic-relief","category-forgotten-divas","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-great-tenors","category-honor-your-mentors","category-in-memoriam","category-interview","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-operetta","category-richard-strauss","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-abbe-prevost","tag-abe-polakoff","tag-alexandre-dumas-fils","tag-alfred-maria-willner","tag-anatole-france","tag-anton-guadagno","tag-antonio-garcia-gutierrez","tag-ariadne-auf-naxos","tag-ariettes-oubliees","tag-arrigo-boito","tag-barry-morell","tag-bruno-bartoletti","tag-carl-suppa","tag-carlo-gozzi","tag-carlo-zangarini","tag-carol-neblett","tag-charles-wendelkon-wilson","tag-chris-nance","tag-claude-debussy","tag-cornell-macneil","tag-darlene-lawrence","tag-david-belasco","tag-dominic-cossa","tag-don-yule","tag-enrico-di-giuseppe","tag-erich-wolfgang-korngold","tag-francesco-maria-piave","tag-georges-rodenbach","tag-giacomo-puccini","tag-giambattista-moresco","tag-gian-carlo-menotti","tag-gian-piero-mastromei","tag-giangiacomo-guelfi","tag-gilda-cruz-romo","tag-giuseppe-adami","tag-giuseppe-giacosa","tag-guelfo-civinini","tag-gustave-charpentier","tag-heinz-reichert","tag-henri-meilhac","tag-hugo-von-hofmannsthal","tag-idomeneo","tag-il-trovatore","tag-imre-pallo","tag-ion-piso","tag-james-levine","tag-john-pritchard","tag-jules-massenet","tag-julian-patrick","tag-julius-korngold","tag-julius-rudel","tag-kenneth-schermerhorn","tag-knud-anderson","tag-la-fanciulla-del-west","tag-la-rondine","tag-la-traviata","tag-louis-gallet","tag-louis-quilico","tag-luciano-pavarotti","tag-luigi-illica","tag-manon","tag-michael-devlin","tag-michelangelo-veltri","tag-paul-schott","tag-paul-verlaine","tag-philippe-gille","tag-renato-simoni","tag-richard-strauss","tag-rigoletti","tag-rigoletto","tag-salvadore-cammarano","tag-silvio-varviso","tag-thais","tag-the-telephone","tag-tosca","tag-turandot","tag-victor-hugo","tag-victorien-sardou","tag-william-ledbetter","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/07\/Neblett-Makeup-300x228.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/honor-your-mentors\/\" class=\"advgb-post-tax-term\">Honor Your Mentors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Honor Your Mentors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Abe Polakoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Maria Willner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anatole France<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anton Guadagno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Barry Morell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bruno Bartoletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carl Suppa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Gozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Zangarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carol Neblett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Wendelkon-Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Chris Nance<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cornell MacNeil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Darlene Lawrence<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Belasco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dominic Cossa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Yule<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Enrico Di Giuseppe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Erich Wolfgang Korngold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georges Rodenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giambattista Moresco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gian Piero Mastromei<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giangiacomo Guelfi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gilda Cruz-Romo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Guelfo Civinini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gustave Charpentier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz Reichert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Idomeneo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Imre Pallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ion Piso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Pritchard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julian Patrick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Korngold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kenneth Schermerhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Knud Anderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Fanciulla del West<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La rondine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Louis Gallet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Louis Quilico<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michael Devlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michelangelo Veltri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Schott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rigoletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Silvio Varviso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tha\u00efs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">The Telephone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tosca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victorien Sardou<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Ledbetter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Abe Polakoff<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfred Maria Willner<\/span>","<span class=\"advgb-post-tax-term\">Anatole France<\/span>","<span class=\"advgb-post-tax-term\">Anton Guadagno<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Ariettes oubli\u00e9es<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Barry Morell<\/span>","<span class=\"advgb-post-tax-term\">Bruno Bartoletti<\/span>","<span class=\"advgb-post-tax-term\">Carl Suppa<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi<\/span>","<span class=\"advgb-post-tax-term\">Carlo Zangarini<\/span>","<span class=\"advgb-post-tax-term\">Carol Neblett<\/span>","<span class=\"advgb-post-tax-term\">Charles Wendelkon-Wilson<\/span>","<span class=\"advgb-post-tax-term\">Chris Nance<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Cornell MacNeil<\/span>","<span class=\"advgb-post-tax-term\">Darlene Lawrence<\/span>","<span class=\"advgb-post-tax-term\">David Belasco<\/span>","<span class=\"advgb-post-tax-term\">Dominic Cossa<\/span>","<span class=\"advgb-post-tax-term\">Don Yule<\/span>","<span class=\"advgb-post-tax-term\">Enrico Di Giuseppe<\/span>","<span class=\"advgb-post-tax-term\">Erich Wolfgang Korngold<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Georges Rodenbach<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giambattista Moresco<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Gian Piero Mastromei<\/span>","<span class=\"advgb-post-tax-term\">Giangiacomo Guelfi<\/span>","<span class=\"advgb-post-tax-term\">Gilda Cruz-Romo<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Guelfo Civinini<\/span>","<span class=\"advgb-post-tax-term\">Gustave Charpentier<\/span>","<span class=\"advgb-post-tax-term\">Heinz Reichert<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Idomeneo<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Imre Pallo<\/span>","<span class=\"advgb-post-tax-term\">Ion Piso<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">John Pritchard<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julian Patrick<\/span>","<span class=\"advgb-post-tax-term\">Julius Korngold<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Kenneth Schermerhorn<\/span>","<span class=\"advgb-post-tax-term\">Knud Anderson<\/span>","<span class=\"advgb-post-tax-term\">La Fanciulla del West<\/span>","<span class=\"advgb-post-tax-term\">La rondine<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Louis Gallet<\/span>","<span class=\"advgb-post-tax-term\">Louis Quilico<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Michael Devlin<\/span>","<span class=\"advgb-post-tax-term\">Michelangelo Veltri<\/span>","<span class=\"advgb-post-tax-term\">Paul Schott<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rigoletti<\/span>","<span class=\"advgb-post-tax-term\">Rigoletto<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Silvio Varviso<\/span>","<span class=\"advgb-post-tax-term\">Tha\u00efs<\/span>","<span class=\"advgb-post-tax-term\">The Telephone<\/span>","<span class=\"advgb-post-tax-term\">Tosca<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Victorien Sardou<\/span>","<span class=\"advgb-post-tax-term\">William Ledbetter<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"6","relative_dates":{"created":"Posted 9 months ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 04\/07\/2025","modified":"Updated on 05\/07\/2025"},"absolute_dates_time":{"created":"Posted on 04\/07\/2025 17:33","modified":"Updated on 05\/07\/2025 20:50"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=17855"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17855\/revisions"}],"predecessor-version":[{"id":18232,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17855\/revisions\/18232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/18196"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=17855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=17855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=17855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}