{"id":17577,"date":"2025-06-13T22:07:17","date_gmt":"2025-06-13T20:07:17","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=17577"},"modified":"2025-07-29T10:39:16","modified_gmt":"2025-07-29T08:39:16","slug":"episode-367-bernac-sings-not-poulenc","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/06\/13\/episode-367-bernac-sings-not-poulenc\/","title":{"rendered":"Episode 367. Bernac Sings Not-Poulenc"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 367. Bernac Sings Not-Poulenc<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1579-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Pierre-Bernac-headshot.jpg\" alt=\"\" class=\"wp-image-17903\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Pierre-Bernac-headshot.jpg 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Pierre-Bernac-headshot-267x300.jpg 267w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Continuing our exploration of queer pride in classical music, I bring you the great <em>baryton-martin<\/em> Pierre Bernac (1899 \u2013 1979), known first and foremost as a creator of some of the most exquisite <em>m\u00e9lodies<\/em> of his friend and musical partner Francis Poulenc. Later Bernac became renowned as <em>the <\/em>exemplar of style and taste in the interpretation of French art song. In this episode, however, I wanted to explore his contribution as a singer of the music of composers <em>other<\/em> than Poulenc. I had already found some great orchestral song cycles by Andr\u00e9 Jolivet and Louis Beydts, as well as a sublimely anachronistic recording of a Bach cantata, but just yesterday I came upon a series of rare recordings that Bernac made in 1935 for the Ultraphone label. These include songs by Debussy and Hahn accompanied by pianists Jean Doyen and Boris Golschmann (who was the brother of the conductor Vladimir Golschmann, and whose tragic story I relate), as well as an earlier (and even more exquisite) recording of Chausson\u2019s \u201cLe colibri.\u201d But perhaps the crown jewels among these early records were two duets with the exquisite French-Algerian soprano Le\u00efla Ben Sedira which won the <em>Grand Prix du Disque<\/em> in 1936. I have folded these deeply satisfying early recordings into the setlist that I had already partially assembled for a very special episode that I hope that you will enjoy!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" data-id=\"17906\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chabrier-1024x577.png\" alt=\"\" class=\"wp-image-17906\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chabrier-1024x577.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chabrier-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chabrier.png 1192w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Emmanuel Chabrier<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"331\" data-id=\"17905\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ephraim-Mikael.jpg\" alt=\"\" class=\"wp-image-17905\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ephraim-Mikael.jpg 232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ephraim-Mikael-210x300.jpg 210w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><figcaption class=\"wp-element-caption\">\u00c9phra\u00efm Mikha\u00ebl<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Emmanuel Chabrier, \u00c9phra\u00efm Mikha\u00ebl: L\u2019\u00eele heureuse. Pierre Bernac, Francis Poulenc [1950]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"698\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Hunched.jpg\" alt=\"\" class=\"wp-image-17907\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Hunched.jpg 550w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Hunched-236x300.jpg 236w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"521\" height=\"789\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ben-Sedira.png\" alt=\"\" class=\"wp-image-17911\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ben-Sedira.png 521w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Ben-Sedira-198x300.png 198w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><figcaption class=\"wp-element-caption\">Le\u00efla Ben Sedira<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Camille Saint-Sa\u00ebns, Jules Barbier: El desdichado. Le\u00efla Ben Sedira, Pierre Bernac, Jean Doyen [1935]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"774\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-1024x774.jpg\" alt=\"\" class=\"wp-image-17913\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-1024x774.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-300x227.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-768x580.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-1536x1161.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens-1600x1209.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Camille-Saint-Saens.jpg 2005w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Camille Saint-Sa\u00ebns<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"283\" height=\"352\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Charles-Munch.jpg\" alt=\"\" class=\"wp-image-17914\" style=\"width:522px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Charles-Munch.jpg 283w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Charles-Munch-241x300.jpg 241w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><figcaption class=\"wp-element-caption\">Charles Munch<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Aria. Meine Seele r\u00fchmt und preist (<em>Meine Seele r\u00fchmt und preist<\/em>, BWV 189). Pierre Bernac, Orchestra conducted by Charles M\u00fcnch [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"1016\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Winifred-Radford-and-Pierre-Bernac.png\" alt=\"\" class=\"wp-image-17915\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Winifred-Radford-and-Pierre-Bernac.png 698w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Winifred-Radford-and-Pierre-Bernac-206x300.png 206w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><figcaption class=\"wp-element-caption\">Winifred Radford, dedicatee of <em>The Interpretation of French Song<\/em> and its author, Pierre Bernac <\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Alphonse de Lamartine: Au rossignol. Pierre Bernac, Francis Poulenc [BBC 1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Golschmann.png\" alt=\"\" class=\"wp-image-17916\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Golschmann.png 584w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Golschmann-272x300.png 272w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><figcaption class=\"wp-element-caption\">Boris Golschmann<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Reynaldo Hahn, Paul Verlaine: L&#8217;incr\u00e9dule. Pierre Bernac, Boris Golschmann [ca. 1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"666\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Hahn.jpg\" alt=\"\" class=\"wp-image-17917\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Hahn.jpg 615w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Hahn-277x300.jpg 277w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/figure>\n<\/div>\n\n\n<p>Reynaldo Hahn, Jean Lahor [Henri Cazalis]: Nocturne. Pierre Bernac, Boris Golschmann [ca. 1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"527\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Jean-Doyen.png\" alt=\"\" class=\"wp-image-17918\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Jean-Doyen.png 527w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Jean-Doyen-194x300.png 194w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><figcaption class=\"wp-element-caption\">Jean Doyen<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ernest Chausson, Leconte de Lisle: Le Colibri, Op. 2\/7. Pierre Bernac, Jean Doyen [1935]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chausson-1024x657.jpeg\" alt=\"\" class=\"wp-image-17919\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chausson-1024x657.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chausson-300x193.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chausson-768x493.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Chausson.jpeg 1094w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ernest Chausson<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"859\" height=\"863\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc.jpg\" alt=\"\" class=\"wp-image-17920\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc.jpg 859w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-768x772.jpg 768w\" sizes=\"auto, (max-width: 859px) 100vw, 859px\" \/><figcaption class=\"wp-element-caption\">Pierre Bernac and Francis Poulenc<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz Liszt, Johann Wolfgang von Goethe: Freudvoll und Leidvoll. Pierre Bernac, Francis Poulenc [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"786\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Gerald-Moore.png\" alt=\"\" class=\"wp-image-17921\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Gerald-Moore.png 674w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Gerald-Moore-257x300.png 257w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><figcaption class=\"wp-element-caption\">Gerald Moore<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Heinrich Heine: Dein Angesicht, Op. 127\/2. Pierre Bernac, Gerald Moore [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"803\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Casadesus-and-Score-803x1024.jpg\" alt=\"\" class=\"wp-image-17922\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Casadesus-and-Score-803x1024.jpg 803w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Casadesus-and-Score-235x300.jpg 235w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Casadesus-and-Score-768x979.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Casadesus-and-Score.jpg 941w\" sizes=\"auto, (max-width: 803px) 100vw, 803px\" \/><figcaption class=\"wp-element-caption\">Robert Casadesus<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Heinrich Heine: Ich hab&#8217; im Traum geweinet (<em>Dichterliebe<\/em>, Op. 48\/13). Pierre Bernac, Robert Casadesus [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Vellones-613x1024.jpg\" alt=\"\" class=\"wp-image-17923\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Vellones-613x1024.jpg 613w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Vellones-179x300.jpg 179w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Vellones.jpg 655w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><figcaption class=\"wp-element-caption\">Pierre Vellones<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Pierre Vellones, Charles Fontaine: \u00c0 mon fils. Pierre Bernac, Francis Poulenc [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Auric-1-850x1024.png\" alt=\"\" class=\"wp-image-17925\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Auric-1-850x1024.png 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Auric-1-249x300.png 249w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Auric-1-768x925.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Auric-1.png 1200w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><figcaption class=\"wp-element-caption\">Georges Auric (where is your heart?)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Georges Auric, Ren\u00e9 Chalupt: Le gloxinia (<em>Trois Interludes<\/em>, No. 2). Pierre Bernac, Francis Poulenc [1936]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"897\" height=\"615\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Cocteau-et-Les-Six.png\" alt=\"\" class=\"wp-image-17933\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Cocteau-et-Les-Six.png 897w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Cocteau-et-Les-Six-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Cocteau-et-Les-Six-768x527.png 768w\" sizes=\"auto, (max-width: 897px) 100vw, 897px\" \/><figcaption class=\"wp-element-caption\">Jean Cocteau (seated) and Les Six: Darius Milhaud, Georges Auric, Arthur Honegger, Germaine Tailleferre, Francis Poulenc, and Louis Durey <\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"557\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Beydts.jpeg\" alt=\"\" class=\"wp-image-17926\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Beydts.jpeg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Beydts-227x300.jpeg 227w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><figcaption class=\"wp-element-caption\">Louis Beydts<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Louis Beydts, Tristan l&#8217;Hermite: La belle esclave morte (<em>La lyre et les amours<\/em>, No. 3). Pierre Bernac, Orchestra conducted by Louis Beydts [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"542\" height=\"797\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/AJolivet.png\" alt=\"\" class=\"wp-image-17930\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/AJolivet.png 542w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/AJolivet-204x300.png 204w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><figcaption class=\"wp-element-caption\">Andr\u00e9 Jolivet<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Andr\u00e9 Jolivet: La complainte du soldat vaincu (<em>Les trois complaintes du soldat<\/em>, No. 1). Pierre Bernac, Charles M\u00fcnch, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Young-Sam-Barber.jpg\" alt=\"\" class=\"wp-image-17931\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Young-Sam-Barber.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Young-Sam-Barber-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Young-Sam-Barber-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Samuel Barber<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Samuel Barber, Rainer Maria Rilke: <em>M\u00e9lodies Passag\u00e8res<\/em>, Op. 27. I. Puisque tout passe; II. Un cygne; III. Tombeau dans un parc; IV. Le clocher chante; V. D\u00e9part. Pierre Bernac, Francis Poulenc [1952]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Poulenc-Bernac-Snappy2a-YES-652x1024.jpg\" alt=\"\" class=\"wp-image-17937\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Poulenc-Bernac-Snappy2a-YES-652x1024.jpg 652w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Poulenc-Bernac-Snappy2a-YES-191x300.jpg 191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Poulenc-Bernac-Snappy2a-YES-768x1206.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Poulenc-Bernac-Snappy2a-YES.jpg 815w\" sizes=\"auto, (max-width: 652px) 100vw, 652px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"563\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Maurice-Ravel_1.jpg\" alt=\"\" class=\"wp-image-17936\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Maurice-Ravel_1.jpg 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Maurice-Ravel_1-234x300.jpg 234w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><figcaption class=\"wp-element-caption\">Maurice Ravel<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, St\u00e9phane Mallarm\u00e9: Sainte, M.9. Pierre Bernac, Francis Poulenc [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"524\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-Avedon.png\" alt=\"\" class=\"wp-image-17932\" style=\"width:533px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-Avedon.png 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Poulenc-Avedon-190x300.png 190w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><figcaption class=\"wp-element-caption\">Francis Poulenc and Pierre Bernac by Richard Avedon<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Jules Renard: Le Paon (<em>Histoires naturelles<\/em>, M.50\/1). Pierre Bernac, Francis Poulenc [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"242\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Portrait.jpg\" alt=\"\" class=\"wp-image-17938\" style=\"width:524px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Paul Morand: Chanson \u00e0 boire (<em>Don Quichotte \u00e0 Dulcin\u00e9e<\/em>, M.84\/3). Pierre Bernac, Francis Poulenc [live Festival de Bordeaux 26.V.52]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Debussy-1904-1024x650.png\" alt=\"\" class=\"wp-image-17939\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Debussy-1904-1024x650.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Debussy-1904-300x190.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Debussy-1904-768x487.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Debussy-1904.png 1037w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Claude Debussy<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Bourget: Les cloches. Pierre Bernac, Jean Doyen [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"812\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot-812x1024.jpg\" alt=\"\" class=\"wp-image-17940\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot-812x1024.jpg 812w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot-768x969.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot-1218x1536.jpg 1218w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-Older-Snapshot.jpg 1431w\" sizes=\"auto, (max-width: 812px) 100vw, 812px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: Colloque sentimental (<em>F\u00eates galantes II<\/em>, L.80\/3). Pierre Bernac, Jean Doyen [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"445\" height=\"621\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Leila-Ben-Sedira.jpg\" alt=\"\" class=\"wp-image-17941\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Leila-Ben-Sedira.jpg 445w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Leila-Ben-Sedira-215x300.jpg 215w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><figcaption class=\"wp-element-caption\">Le\u00efla Ben Sedira<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ernest Chausson, Th\u00e9odore de Banville: La nuit, Op. 11\/1. Le\u00efla Ben Sedira, Pierre Bernac, Jean Doyen [1935]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 367. Bernac Sings Not-Poulenc SOCIAL SHARE SUBSCRIPTION PLATFORM Continuing our exploration of queer pride in classical music, I bring&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3273,2261,1625,2399,8033,5806,6486,2260,808,4722,2806,2550],"tags":[7829,4488,7832,349,7831,296,4006,501,3121,1446,3283,4210,4209,544,800,952,1416,7377,7825,5699,4159,298,1137,4020,7824,4879,4101,5213,545,7826,7823,4149,550,536,7830,2469,7827,782,4206,7828,745,732,3290],"class_list":["post-17577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-french-opera","category-full-figured-baroque","category-gay-pride","category-great-baritones","category-johann-sebastian-bach","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","category-voiceless-wonders","tag-alphonse-de-lamartine","tag-andre-jolivet","tag-boris-golschmann","tag-camille-saint-saens","tag-charles-fontaine","tag-charles-gounod","tag-charles-munch","tag-claude-debussy","tag-dichterliebe","tag-don-quichotte-a-dulcinee","tag-emmanuel-chabrier","tag-ephraim-mikhael","tag-ernest-chausson","tag-francis-poulenc","tag-franz-liszt","tag-georges-auric","tag-gerald-moore","tag-henri-cazalis","tag-histoires-naturelles","tag-jean-doyen","tag-jean-lahor","tag-johann-sebastian-bach","tag-johann-wolfgang-von-goethe","tag-jules-barbier","tag-jules-renard","tag-leconte-de-lisle","tag-leila-ben-sedira","tag-louis-beydts","tag-maurice-ravel","tag-melodies-passageres","tag-paul-bourget","tag-paul-morand","tag-paul-verlaine","tag-pierre-bernac","tag-pierre-vellones","tag-rainer-maria-rilke","tag-rene-chalupt","tag-reynaldo-hahn","tag-robert-casadesus","tag-robert-schumann-heinrich-heine","tag-samuel-barber","tag-stephane-mallarme","tag-tristan-lhermite"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/06\/Bernac-1968-TRIMMED-300x135.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Andr\u00e9 Jolivet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Boris Golschmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Camille Saint-Saens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Charles Fontaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Charles Munch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dichterliebe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Emmanuel Chabrier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">\u00c9phra\u00efm Mikha\u00ebl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ernest Chausson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Georges Auric<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Gerald Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Henri Cazalis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Histoires naturelles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jean Doyen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jean Lahor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jules Renard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Leconte de Lisle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Le\u00efla ben Sedira<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Louis Beydts<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">M\u00e9lodies Passag\u00e8res<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul Bourget<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul Morand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Pierre Bernac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Pierre Vellones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ren\u00e9 Chalupt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Reynaldo Hahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Casadesus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Robert Schumann Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">St\u00e9phane Mallarm\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Tristan L\u2019Hermite<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alphonse de Lamartine<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e9 Jolivet<\/span>","<span class=\"advgb-post-tax-term\">Boris Golschmann<\/span>","<span class=\"advgb-post-tax-term\">Camille Saint-Saens<\/span>","<span class=\"advgb-post-tax-term\">Charles Fontaine<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Charles Munch<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Dichterliebe<\/span>","<span class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Emmanuel Chabrier<\/span>","<span class=\"advgb-post-tax-term\">\u00c9phra\u00efm Mikha\u00ebl<\/span>","<span class=\"advgb-post-tax-term\">Ernest Chausson<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Georges Auric<\/span>","<span class=\"advgb-post-tax-term\">Gerald Moore<\/span>","<span class=\"advgb-post-tax-term\">Henri Cazalis<\/span>","<span class=\"advgb-post-tax-term\">Histoires naturelles<\/span>","<span class=\"advgb-post-tax-term\">Jean Doyen<\/span>","<span class=\"advgb-post-tax-term\">Jean Lahor<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Jules Renard<\/span>","<span class=\"advgb-post-tax-term\">Leconte de Lisle<\/span>","<span class=\"advgb-post-tax-term\">Le\u00efla ben Sedira<\/span>","<span class=\"advgb-post-tax-term\">Louis Beydts<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodies Passag\u00e8res<\/span>","<span class=\"advgb-post-tax-term\">Paul Bourget<\/span>","<span class=\"advgb-post-tax-term\">Paul Morand<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Pierre Bernac<\/span>","<span class=\"advgb-post-tax-term\">Pierre Vellones<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9 Chalupt<\/span>","<span class=\"advgb-post-tax-term\">Reynaldo Hahn<\/span>","<span class=\"advgb-post-tax-term\">Robert Casadesus<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">St\u00e9phane Mallarm\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Tristan L\u2019Hermite<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 11 months ago","modified":"Updated 9 months ago"},"absolute_dates":{"created":"Posted on 13\/06\/2025","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 13\/06\/2025 22:07","modified":"Updated on 29\/07\/2025 10:39"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=17577"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17577\/revisions"}],"predecessor-version":[{"id":17942,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17577\/revisions\/17942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/17902"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=17577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=17577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=17577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}