{"id":17138,"date":"2025-05-02T21:13:29","date_gmt":"2025-05-02T19:13:29","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=17138"},"modified":"2025-05-03T05:35:34","modified_gmt":"2025-05-03T03:35:34","slug":"episode-355-john-wustman-honor-your-mentors-i","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/05\/02\/episode-355-john-wustman-honor-your-mentors-i\/","title":{"rendered":"Episode 355. John Wustman (Honor Your Mentors I)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 355. John Wustman (Honor Your Mentors I)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1523-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-and-hands.jpg\" alt=\"\" class=\"wp-image-17482\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-and-hands.jpg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-and-hands-210x300.jpg 210w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I have been reminded over and over again in recent weeks of the preciousness of life as numerous dear friends and family members face loss of loved ones and their own life-altering health crises. This got me to thinking about how much my mentors have shaped my life. So with this latest episode I inaugurate a new <em>Countermelody <\/em>series entitled \u201cHonor Your Mentors.\u201d I have already posted numerous times on the podcast about my beloved teacher John Wustman. This coming July my friend and colleague Chanda VanderHart\u2019s monumental book <em>Accompaniment in America: Contextualizing Collaborative Piano<\/em>, co-authored with Kathleen Kelly and Elvia Puccinelli, will be published by Routledge. Chanda has put together an astonishing digital archive featuring a wealth of material related to the book: <a href=\"https:\/\/accompanimentinamerica.website\/index.html\">https:\/\/accompanimentinamerica.website\/index.html<\/a>. Included among these is  an interview I did with Chanda about my teacher and mentor John Wustman. Chanda has given me permission to include that interview on my podcast, but don\u2019t miss all of the material that is available on the website that richly supplements the book itself.<\/p>\n\n\n\n<p>I was enormously saddened a few days ago to read of the death of my first serious voice teacher in New York, Joan Caplan. Joan was not only a teacher and mentor, she was a close friend. In recent years she had been living at the Actors Fund Home in Englewood, New Jersey. I was able to visit her there last summer and had intended to go see her again when I am back in New York next month. Alas, that will no longer be possible, but since I was already planning an episode featuring my dear Mr. Wustman, I decided to honor both of these life-changing mentors of mine in a single episode. Joan is heard singing Mahler, Donizetti, and Handel;&nbsp; and John is heard in a sampling of his studio recordings featuring, among others, R\u00e9gine Crespin, Carlo Bergonzi, Brigitte Fassbaender, Luciano Pavarotti, and Irina Arkhipova.<\/p>\n\n\n\n<p>I was also reminded again this week of the preciousness of life as numerous dear friends and family members face life-changing health crises. Please do not forget to tell those that you love how much they mean to you. And don\u2019t wait until their funerals to give them their flowers!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"602\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Joan-Headshot.jpg\" alt=\"\" class=\"wp-image-17483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Joan-Headshot.jpg 538w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Joan-Headshot-268x300.jpg 268w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><figcaption class=\"wp-element-caption\">Joan Caplan, my beloved teacher and friend<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Felice Romani [after Victor Hugo]: Il segreto per esser felici (<em>Lucrezia Borgia<\/em>). Joan Caplan [unknown pianist and date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-at-piano-1024x578.jpg\" alt=\"\" class=\"wp-image-17487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-at-piano-1024x578.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-at-piano-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-at-piano-768x434.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-at-piano.jpg 1103w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Auvergnat, arr. Joseph Canteloube: Lou coucut (<em>Chants d\u2019Auvergne<\/em>, IV\/6). R\u00e9gine Crespin, John Wustman [live Strasbourg 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Mildred-Miller-I.jpg\" alt=\"\" class=\"wp-image-17489\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Mildred-Miller-I.jpg 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Mildred-Miller-I-220x300.jpg 220w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Joseph von Eichendorff: Zwielicht (<em>Liederkreis<\/em>, Op. 39\/10). Mildred Miller, John Wustman [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav-1024x750.jpg\" alt=\"\" class=\"wp-image-17490\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav-1024x750.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav-300x220.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav-768x562.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav-1536x1125.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wust-Pav.jpg 1583w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo]: Ella mi fu rapita&#8230; Parmi veder le lagrime (<em>Rigoletto<\/em>). Luciano Pavarotti, John Wustman [live Carnegie Hall 01.XI.87]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell.jpg\" alt=\"\" class=\"wp-image-17491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Carl Loewe, Johann Gottfried von Herder: Herr Oluf, Op. 2\/2. Donald Bell, John Wustman [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell.png\" alt=\"\" class=\"wp-image-17492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell.png 418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Donald-Bell-228x300.png 228w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Mayrhofer: Lied eines Schiffers an die Dioskuren, D. 360. Donald Bell, John Wustman [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/RC-JW.jpg\" alt=\"\" class=\"wp-image-17493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/RC-JW.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/RC-JW-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/RC-JW-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Paul Verlaine: Clair de lune, Op. 46\/2. R\u00e9gine Crespin, John Wustman [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"447\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-and-Wustman.jpg\" alt=\"\" class=\"wp-image-17495\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-and-Wustman.jpg 636w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-and-Wustman-300x211.jpg 300w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: H\u00f4tel (<em>Banalit\u00e9s<\/em>, FP 107\/2). R\u00e9gine Crespin, John Wustman [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"856\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-bowing-Wustman-watching-1024x856.jpg\" alt=\"\" class=\"wp-image-17494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-bowing-Wustman-watching-1024x856.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-bowing-Wustman-watching-300x251.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-bowing-Wustman-watching-768x642.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-bowing-Wustman-watching.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Crespin and Wustman. Photo by Beth Bergman<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Pierre Lou\u00ffs: Le tombeau des na\u00efades (<em>Chansons de Bilitis<\/em>, L.90\/3). R\u00e9gine Crespin, John Wustman [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US-1024x1024.jpg\" alt=\"\" class=\"wp-image-17496\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-US.jpg 1099w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Modest Mussorgsky, Arseny Golenishchev-Kutuzov: \u041f\u043e\u043b\u043a\u043e\u0432\u043e\u0434\u0435\u0446 [Field-Marshal Death] (<em>\u041f\u0435\u0441\u043d\u0438 \u0438 \u041f\u043b\u044f\u0441\u043a\u0438 \u0421\u043c\u0435\u0440\u0442\u0438<\/em> [<em>Songs and Dances of Death<\/em>]). Irina Arkhopova, John Wustman [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov.jpg\" alt=\"\" class=\"wp-image-17497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Arkhipova-Mussorgsky-Rachmaninov-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"464\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wustman-Bergonzi.jpg\" alt=\"\" class=\"wp-image-17498\" style=\"width:603px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wustman-Bergonzi.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Wustman-Bergonzi-300x296.jpg 300w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioachino Rossini, Carlo Pepoli: La danza [Tarantella] (<em>Soir\u00e9es musicales<\/em>). Carlo Bergonzi, John Wustman [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-Wustman-US-trimmed-1001x1024.jpg\" alt=\"\" class=\"wp-image-17499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-Wustman-US-trimmed-1001x1024.jpg 1001w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-Wustman-US-trimmed-293x300.jpg 293w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-Wustman-US-trimmed-768x786.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-Wustman-US-trimmed.jpg 1069w\" sizes=\"auto, (max-width: 1001px) 100vw, 1001px\" \/><\/figure>\n<\/div>\n\n\n<p>Stefano Donaudy, Alberto Donaudy: O del mio amato ben. Carlo Bergonzi, John Wustman [1977]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1018\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue-1024x1018.jpg\" alt=\"\" class=\"wp-image-17500\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue-1024x1018.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue-768x763.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Bergonzi-LP-European-issue.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie-1024x1024.jpg\" alt=\"\" class=\"wp-image-17501\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Pav-at-Carnegie.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Liszt, Francesco Petrarca: I\u2019 vidi in terra (<em>Tre Sonetti di Petrarca<\/em>, S. 270\/3). Luciano Pavarotti, John Wustman [live Carnegie Hall 01.XI.87]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"758\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender-Wustman-LP.jpg\" alt=\"\" class=\"wp-image-17502\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender-Wustman-LP.jpg 763w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender-Wustman-LP-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender-Wustman-LP-150x150.jpg 150w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure>\n<\/div>\n\n\n<p>Claus Ogerman, Rabindranath Tagore [German translation by Gabriele M. Muncker, Adam Haas]: Zeit ist endlos, Herr (<em>Tagore-Lieder<\/em>, No. 3). Brigitte Fassbaender, John Wustman [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"991\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender.jpg\" alt=\"\" class=\"wp-image-17503\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Fassbaender-212x300.jpg 212w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div>\n\n\n<p>Alban Berg, Alfred Mombert: Warm die L\u00fcfte, es spriesst Gras auf sonnigen Wiesen (<em>Vier Lieder<\/em>, Op. 2\/4). Brigitte Fassbaender, John Wustman [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"734\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Susan-Dunn.png\" alt=\"\" class=\"wp-image-17504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Susan-Dunn.png 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Susan-Dunn-243x300.png 243w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Der Knabe und das Immlein (<em>M\u00f6rike-Lieder<\/em>, No. 2). Susan Dunn, John Wustman [2010]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Moerike.jpg\" alt=\"\" class=\"wp-image-17505\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Moerike.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Moerike-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Moerike-150x150.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Auf eine Christblume II (<em>M\u00f6rike-Lieder<\/em>, No. 21). Thomas Potter, John Wustman [2010]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"863\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-mannish.jpg\" alt=\"\" class=\"wp-image-17506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-mannish.jpg 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-mannish-242x300.jpg 242w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Johann Wolfgang von Goethe: Mignon [Kennst du das Land?]. R\u00e9gine Crespin, John Wustman [live Hunter College 11.XI.67]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"705\" height=\"899\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Robert-Shaw-older.jpg\" alt=\"\" class=\"wp-image-17507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Robert-Shaw-older.jpg 705w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Robert-Shaw-older-235x300.jpg 235w\" sizes=\"auto, (max-width: 705px) 100vw, 705px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Georg Friedrich Daumer: O sch\u00f6ne Nacht (<em>Vier Quartette<\/em>, Op. 92\/1). Robert Shaw, Robert Shaw Festival Singers, John Wustman [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1013\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-Silhouette.jpg\" alt=\"\" class=\"wp-image-17509\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-Silhouette.jpg 1013w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-Silhouette-300x191.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/JW-Silhouette-768x488.jpg 768w\" sizes=\"auto, (max-width: 1013px) 100vw, 1013px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf: Verschwiegene Liebe (<em>Eichendorff-Lieder<\/em>). John Wustman [ca. 1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"668\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-Wustman-1024x668.jpg\" alt=\"\" class=\"wp-image-17510\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-Wustman-1024x668.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-Wustman-300x196.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-Wustman-768x501.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/Crespin-Wustman.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo by Beth Bergman<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Joseph von Eichendorff: Mondnacht (<em>Liederkreis<\/em>, Op. 39\/5). R\u00e9gine Crespin, John Wustman [live Strasbourg 1966]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"833\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/John-Wustman-alone-1024x833.jpg\" alt=\"\" class=\"wp-image-17508\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/John-Wustman-alone-1024x833.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/John-Wustman-alone-300x244.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/John-Wustman-alone-768x625.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/John-Wustman-alone.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo by Beth Bergman<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 355. John Wustman (Honor Your Mentors I) SOCIAL SHARE SUBSCRIPTION PLATFORM I have been reminded over and over again&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,1701,3614,5823,1625,2398,2399,6551,5137,2314,1072,1659,5806,6486,1263,2260,808,2806,4980],"tags":[2315,7618,4624,3119,470,2410,5804,7623,3568,774,501,5626,2316,1646,3634,653,7625,5222,4535,5805,800,7617,376,3526,280,6156,207,1297,648,6769,3621,7621,863,461,772,3335,7624,354,7622,4625,5800,2601,3567,4713,444,325,548,567,7620,7351,3117,2422,7616,7619,3735],"class_list":["post-17138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-bel-canto","category-canadian-singers","category-forgotten-divas","category-gay-pride","category-giuseppe-verdi","category-great-baritones","category-great-contraltos","category-great-tenors","category-gustav-mahler","category-in-memoriam","category-interview","category-listeners-favorites","category-melodie","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-twentieth-century-music","category-twentieth-century-opera","tag-achim-von-arnim","tag-adam-haas","tag-alcina","tag-arseny-golenishchev-kutuzov","tag-brigitte-fassbaender","tag-carl-loewe","tag-carlo-pepoli","tag-chanda-vanderhart","tag-chansons-de-bilitis","tag-chants-dauvergne","tag-claude-debussy","tag-claus-ogerman","tag-clemens-brentano","tag-des-knaben-wunderhorn","tag-donald-bell","tag-eduard-morike","tag-elvia-puccinelli","tag-felice-romani","tag-francesco-maria-piave","tag-francesco-petrarca","tag-franz-liszt","tag-gabriele-m-muncker","tag-gaetano-donizetti","tag-georg-friedrich-daumer","tag-george-frideric-handel","tag-gioachino-rossini","tag-giuseppe-verdi","tag-gustav-mahler","tag-hugo-wolf","tag-irina-arkhipova","tag-joan-caplan","tag-johann-gottfried-von-herder","tag-johannes-brahms","tag-john-wustman","tag-joseph-canteloube","tag-joseph-von-eichendorff","tag-kathleen-kelly","tag-luciano-pavarotti","tag-lucrezia-borgia","tag-ludovico-ariosti","tag-mildred-miller","tag-modest-mussorgsky","tag-pierre-louys","tag-rabindranath-tagore","tag-regine-crespin","tag-rigoletto","tag-robert-schumann","tag-robert-shaw","tag-serate-musicali","tag-soirees-musicales","tag-songs-and-dances-of-death","tag-susan-dunn","tag-thomas-potter","tag-tre-sonetti-di-petrarca","tag-victor-hugo"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/05\/DG-and-JW-300x225.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Adam Haas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Alcina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Arseny Golenishchev-Kutuzov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Carl Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Carlo Pepoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Chanda VanderHart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Chansons de Bilitis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Chants d&#039;auvergne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Claus Ogerman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Donald Bell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Elvia Puccinelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Felice Romani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Francesco Petrarca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gabriele M. Muncker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Georg Friedrich Daumer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gioachino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Irina Arkhipova<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Joan Caplan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Johann Gottfried von Herder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">John Wustman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Joseph Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Kathleen Kelly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Lucrezia Borgia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Ludovico Ariosti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Mildred Miller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Modest Mussorgsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Rabindranath Tagore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Regine Crespin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Serate musicali<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Soir\u00e9es musicales<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Songs and Dances of Death<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Susan Dunn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Thomas Potter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Tre Sonetti di Petrarca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Achim von Arnim<\/span>","<span class=\"advgb-post-tax-term\">Adam Haas<\/span>","<span class=\"advgb-post-tax-term\">Alcina<\/span>","<span class=\"advgb-post-tax-term\">Arseny Golenishchev-Kutuzov<\/span>","<span class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Carl Loewe<\/span>","<span class=\"advgb-post-tax-term\">Carlo Pepoli<\/span>","<span class=\"advgb-post-tax-term\">Chanda VanderHart<\/span>","<span class=\"advgb-post-tax-term\">Chansons de Bilitis<\/span>","<span class=\"advgb-post-tax-term\">Chants d&#039;auvergne<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Claus Ogerman<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Donald Bell<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Elvia Puccinelli<\/span>","<span class=\"advgb-post-tax-term\">Felice Romani<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Francesco Petrarca<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Gabriele M. Muncker<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">Georg Friedrich Daumer<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gioachino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Irina Arkhipova<\/span>","<span class=\"advgb-post-tax-term\">Joan Caplan<\/span>","<span class=\"advgb-post-tax-term\">Johann Gottfried von Herder<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Wustman<\/span>","<span class=\"advgb-post-tax-term\">Joseph Canteloube<\/span>","<span class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/span>","<span class=\"advgb-post-tax-term\">Kathleen Kelly<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Lucrezia Borgia<\/span>","<span class=\"advgb-post-tax-term\">Ludovico Ariosti<\/span>","<span class=\"advgb-post-tax-term\">Mildred Miller<\/span>","<span class=\"advgb-post-tax-term\">Modest Mussorgsky<\/span>","<span class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/span>","<span class=\"advgb-post-tax-term\">Rabindranath Tagore<\/span>","<span class=\"advgb-post-tax-term\">Regine Crespin<\/span>","<span class=\"advgb-post-tax-term\">Rigoletto<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Robert Shaw<\/span>","<span class=\"advgb-post-tax-term\">Serate musicali<\/span>","<span class=\"advgb-post-tax-term\">Soir\u00e9es musicales<\/span>","<span class=\"advgb-post-tax-term\">Songs and Dances of Death<\/span>","<span class=\"advgb-post-tax-term\">Susan Dunn<\/span>","<span class=\"advgb-post-tax-term\">Thomas Potter<\/span>","<span class=\"advgb-post-tax-term\">Tre Sonetti di Petrarca<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 12 months ago","modified":"Updated 12 months ago"},"absolute_dates":{"created":"Posted on 02\/05\/2025","modified":"Updated on 03\/05\/2025"},"absolute_dates_time":{"created":"Posted on 02\/05\/2025 21:13","modified":"Updated on 03\/05\/2025 05:35"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=17138"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17138\/revisions"}],"predecessor-version":[{"id":17513,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/17138\/revisions\/17513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/17484"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=17138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=17138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=17138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}