{"id":17104,"date":"2025-04-25T09:59:26","date_gmt":"2025-04-25T07:59:26","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=17104"},"modified":"2025-04-25T19:54:25","modified_gmt":"2025-04-25T17:54:25","slug":"episode-353-canteloube-originals","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/04\/25\/episode-353-canteloube-originals\/","title":{"rendered":"Episode 353. Canteloube Originals"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 353. Canteloube Originals<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1517-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"486\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-looking-evil.png\" alt=\"\" class=\"wp-image-17443\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-looking-evil.png 486w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-looking-evil-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-looking-evil-150x150.png 150w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The composer Joseph-Marie Canteloube is primarily known for his lush orchestral arrangements of folk songs from his native Auvergne region. However, he also composed other work, including arrangements of French folk songs (from regions <em>other<\/em> than the Auvergne!) as well as original works including the lush orchestral song cycle <em>Triptyque<\/em> and a fascinating and unique cycle for voice and piano entitled <em>L\u2019arada <\/em>(<em>The Tilled Earth<\/em>), set to poems in the Languedoc dialect. This work has been studied, promoted, and recorded by soprano Karen Coker Merritt, who deserves our especial thanks for bringing this unique work to our attention. Examples of all of these works are featured on this episode, which also does not shy away from exploring Canteloube\u2019s difficult political legacy as a proud right-wing nationalist and supporter of the collaborationist Vichy government during World War II. I believe that we can and should decry such positions while at the same time exploring these works independently of and stripped (as much as possible) of their political associations. Performers (several accompanied by the composer himself) include Georges Thill, Karen Coker Merritt (performing two songs from <em>L\u2019arada <\/em>with the exceptional pianist Sean Kennard), Genevi\u00e8ve Rex, Lucie Daull\u00e8ne, V\u00e9ronique Gens, Netania Davrath, Bruno Laplante, Mar\u00eda Bayo, and, transcendently, Frederica von Stade.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Joseph-Canteloube_0.jpg\" alt=\"\" class=\"wp-image-17468\" style=\"width:498px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Joseph-Canteloube_0.jpg 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Joseph-Canteloube_0-202x300.jpg 202w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"827\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath2.png\" alt=\"\" class=\"wp-image-17453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath2.png 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath2-186x300.png 186w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional French, arr. Joseph Canteloube, orchestrated Gershon Kingsley. Netania Davrath, Orchestra conducted by Gershon Kingsley [1966]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rossignolet qui chants (<em>Chants paysans B\u00e9arn<\/em>)<\/li>\n\n\n\n<li>Dans le tombeau (<em>Chants des Pays Basques<\/em>)<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath1.png\" alt=\"\" class=\"wp-image-17454\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath1.png 453w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davrath1-169x300.png 169w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"776\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Von-Stade2.jpg\" alt=\"\" class=\"wp-image-17449\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Von-Stade2.jpg 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Von-Stade2-218x300.jpg 218w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure>\n<\/div>\n\n\n<p>Joseph Canteloube, Roger Fr\u00eane: I. Offrande \u00e0 l\u2019\u00e9t\u00e9 (<em>Triptyque<\/em>). Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"826\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Thill.png\" alt=\"\" class=\"wp-image-17456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Thill.png 455w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Thill-165x300.png 165w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/figure>\n<\/div>\n\n\n<p>Joseph Canteloube, \u00c9tienne Cl\u00e9mentel, J.H. Louwyck: <em>Vercing\u00e9torix<\/em> (excerpt). Georges Thill, Joseph Canteloube [from 1933 newsreel]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"817\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Daulene.png\" alt=\"\" class=\"wp-image-17457\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Daulene.png 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Daulene-217x300.png 217w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional French, arr. Joseph Canteloube: Y a rien de si charmant (<em>Chants de France<\/em> [Savoie]). Lucie Daull\u00e8ne, Joseph Canteloube [1949]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Genevieve-Rex.png\" alt=\"\" class=\"wp-image-17458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Genevieve-Rex.png 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Genevieve-Rex-249x300.png 249w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditonal French, arr. Joseph Canteloube: O\u00f9 irai-je me plaindre? (<em>Chants de France<\/em>, Book I\/2). Genevi\u00e8ve Rex, Joseph Canteloube [ca. 1945]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"826\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-hair.png\" alt=\"\" class=\"wp-image-17459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-hair.png 698w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-hair-254x300.png 254w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional French, arr. Joseph Canteloube: Aupr\u00e8s de ma blonde (<em>Chants de France<\/em>, Book I\/1). Frederica von Stade, Martin Katz [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gens-Color-1024x680.png\" alt=\"\" class=\"wp-image-17460\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gens-Color-1024x680.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gens-Color-300x199.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gens-Color-768x510.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gens-Color.png 1137w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional French, arr. Joseph Canteloube: D\u00e9licieuses cimes (<em>Chants de France<\/em>, Book I\/4). V\u00e9ronique Gens, Serge Baudo, Orchestre National de Lille R\u00e9gion Nord-Pas de Calais [2007]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"827\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-demure.png\" alt=\"\" class=\"wp-image-17461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-demure.png 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-demure-268x300.png 268w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n<\/div>\n\n\n<p>Joseph Canteloube, Roger Fr\u00eane: II. Lunaire (<em>Triptyque<\/em>). Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Bayo.png\" alt=\"\" class=\"wp-image-17462\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Bayo.png 690w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Bayo-252x300.png 252w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Basque, arr. Joseph Canteloube: Nik badut maite\u00f1obat (<em>Chants des Pays Basques<\/em>, No. 2). Mar\u00eda Bayo, V\u00edctor Pablo P\u00e9rez, Orquesta Sinfonica de Tenerife [1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"659\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Laplante-CD.png\" alt=\"\" class=\"wp-image-17463\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Laplante-CD.png 426w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Laplante-CD-194x300.png 194w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional French, arranged Joseph Canteloube: L\u2019autre jour dans une sente (<em>Chants de la Touraine<\/em>, No. 2). Bruno Laplante, Jean Eudes Vaillancourt [CBC, Montr\u00e9al 01.IV.69]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"606\" height=\"823\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Karen-Coker.png\" alt=\"\" class=\"wp-image-17464\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Karen-Coker.png 606w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Karen-Coker-221x300.png 221w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><\/figure>\n<\/div>\n\n\n<p>Joseph Canteloube, Antonin Perbosc: from <em>L\u2019arada<\/em>. Karen Coker Merritt, Sean Kennard [2021]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>III. La mosada<\/li>\n\n\n\n<li>VI. Lauraires e trobaires<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"578\" height=\"780\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Kennard-Keyboard.png\" alt=\"\" class=\"wp-image-17465\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Kennard-Keyboard.png 578w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Kennard-Keyboard-222x300.png 222w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><figcaption class=\"wp-element-caption\">Sean Kennard<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"838\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-autograph.jpg\" alt=\"\" class=\"wp-image-17448\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-autograph.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Flicka-autograph-202x300.jpg 202w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Joseph Canteloube, Roger Fr\u00eane: III. Hymne dans l\u2019aurore (<em>Triptyque<\/em>). Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-with-score.png\" alt=\"\" class=\"wp-image-17444\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-with-score.png 644w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-with-score-300x217.png 300w\" sizes=\"auto, (max-width: 644px) 100vw, 644px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 353. Canteloube Originals SOCIAL SHARE SUBSCRIPTION PLATFORM The composer Joseph-Marie Canteloube is primarily known for his lush orchestral arrangements&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17445,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3614,3273,2399,5806,6486,1263,2260,808,4722,2806,4980,7574],"tags":[3263,7607,774,2605,1579,7612,55,7036,7608,772,7613,7615,5632,7609,2259,5618,7614,1341,7611,7610],"class_list":["post-17104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-canadian-singers","category-french-opera","category-great-baritones","category-listeners-favorites","category-melodie","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","category-twentieth-century-opera","category-young-singers","tag-antonio-de-almeida","tag-bruno-laplante","tag-chants-dauvergne","tag-folk-songs","tag-frederica-von-stade","tag-genevieve-rex","tag-georges-thill","tag-gershon-kingsley","tag-jean-eudes-vaillancourt","tag-joseph-canteloube","tag-karen-coker-merritt","tag-larada","tag-lucie-daullene","tag-maria-bayo","tag-martin-katz","tag-netania-davrath","tag-sean-kennard","tag-serge-baudo","tag-veronique-gens","tag-victor-pablo-perez"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Canteloube-at-desk-TRIMMED-300x134.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a 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class=\"advgb-post-tax-term\">Jean Eudes Vaillancourt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">Joseph Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">Karen Coker Merritt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">L\u2019arada<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">Lucie Daull\u00e8ne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">Mar\u00eda Bayo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" class=\"advgb-post-tax-term\">Martin Katz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/young-singers\/\" 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