{"id":16942,"date":"2025-04-08T15:25:15","date_gmt":"2025-04-08T13:25:15","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=16942"},"modified":"2025-07-29T10:40:36","modified_gmt":"2025-07-29T08:40:36","slug":"episode-348-rescue-mission-ii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/04\/08\/episode-348-rescue-mission-ii\/","title":{"rendered":"Episode 348. Rescue Mission II"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 348. Rescue Mission II<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1492-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1.png\" alt=\"\" class=\"wp-image-17274\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1-214x300.png 214w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>After I post a <em>Countermelody<\/em> episode on a cherished singer, my relationship with these artists continues: one of those manifestataions is that I never stop seeking out rare and unusual recordings featuring those singers. This results in a grab-bag of fascinating and often obscure material that is simply too good <em>not<\/em> to share with my listeners. Today I present you with the second episode of such genre, which I have collectively dubbed \u201cRescue Mission.\u201d On this episode I feature singers you\u2019ve heard on the podcast over the course of the past several weeks and months, including, among many others, Janet Baker, Oralia Dom\u00ednguez, Eugene Holmes, Ellabelle Davis, Gilda Cruz-Romo, Benjamin Luxon, Mara Coleva, Hugo Hasslo, Margaret Marshall, Gloria Davy, and Mady Mespl\u00e9, performing work by Handel, Verdi, Weill, Bach, Brahms, Boito, and Mozart. The episode concludes with Eleanor Steber (because, as I affirmed laast week, you can never have enough of her), in a 1949 performance of \u201cAh, Perfido!\u201d that will have you picking your dislocated jaw up off the floor. Also expect shout-outs to friends of the podcast, old and new, as well as a certain amount of political snippiness!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Holmes-Kumalo-683x1024.jpg\" alt=\"\" class=\"wp-image-17279\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Holmes-Kumalo-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Holmes-Kumalo-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Holmes-Kumalo.jpg 707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Maxwell Anderson [after Alan Paton]: How Many Miles? (<em>Lost in the Stars<\/em>). Eugene Holmes, Dora Wilson [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"768\" data-id=\"17288\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gilda-Glam.png\" alt=\"\" class=\"wp-image-17288\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gilda-Glam.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gilda-Glam-234x300.png 234w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"1024\" data-id=\"17287\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/John-Alexander-763x1024.png\" alt=\"\" class=\"wp-image-17287\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/John-Alexander-763x1024.png 763w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/John-Alexander-224x300.png 224w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/John-Alexander-768x1030.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/John-Alexander.png 791w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas fils]: Un d\u00ec, felice (<em>La traviata<\/em>). Gilda Cruz-Romo, John Alexander, Walter Herbert, Philadelphia Opera [live 01.VII.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"423\" data-id=\"17289\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-and-Tree.jpg\" alt=\"\" class=\"wp-image-17289\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-and-Tree.jpg 489w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-and-Tree-300x260.jpg 300w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><figcaption class=\"wp-element-caption\">Margaret Price<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" data-id=\"17290\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mathis-in-Nature.jpg\" alt=\"\" class=\"wp-image-17290\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mathis-in-Nature.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mathis-in-Nature-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mathis-in-Nature-768x432.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Edith Mathis<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte [after Pierre Beaumarchais]: Sull\u2019aria&#8230; Che soave zeffiretto (<em>Le Nozze di Figaro<\/em>). Margaret Price, Edith Mathis, Karl B\u00f6hm, Orchester der Bayerische Staatsoper [live M\u00fcnchen 1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"677\" data-id=\"17291\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Hasslo-and-Einar-Andersson-in-Cosi.png\" alt=\"\" class=\"wp-image-17291\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Hasslo-and-Einar-Andersson-in-Cosi.png 466w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Hasslo-and-Einar-Andersson-in-Cosi-206x300.png 206w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><figcaption class=\"wp-element-caption\">Hugo Hasslo (R) and Einar Andersson (L) as Guglielmo and Ferrando<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" data-id=\"17292\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Helga-Gorlin.jpg\" alt=\"\" class=\"wp-image-17292\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Helga-Gorlin.jpg 765w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Helga-Gorlin-224x300.jpg 224w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><figcaption class=\"wp-element-caption\">Helga G\u00f6rlin<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Il core vi dono (<em>Cos\u00ec fan tutte<\/em>) Hugo Hasslo, Helga G\u00f6rlin, Fritz Busch, Royal Swedish Opera Orchestra [live Stockholm 30.III.40]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-1024x1024.jpg\" alt=\"\" class=\"wp-image-17293\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch-1600x1600.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Fritz-Busch.jpg 1900w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fritz Busch<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"831\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Arroyo-Elsa.png\" alt=\"\" class=\"wp-image-17294\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Arroyo-Elsa.png 613w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Arroyo-Elsa-221x300.png 221w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Euch L\u00fcften, die mein Klagen (<em>Lohengrin<\/em>). Martina Arroyo, Berislav Klobu\u010dar, Metropolitan Opera Orchestra [live New York 10.II.68]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1.png\" alt=\"\" class=\"wp-image-17274\" style=\"width:474px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Gloria-Davy-as-Conchita-1-214x300.png 214w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n<\/div>\n\n\n<p>Riccardo Zandonai, Maurizio Vaucaire, Carlo Zangarini [after Pierre Lou\u00ffs]: A fine dicembre (<em>Conchita<\/em>). Gloria Davy, Loris Gavarini, Orchestra Sinfonica Citt\u00e0 di Sanremo [live 23.III.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"932\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mara-Coleva.png\" alt=\"\" class=\"wp-image-17298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mara-Coleva.png 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Mara-Coleva-193x300.png 193w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<p>Arrigo Boito: Nugoli d\u2019arsa (<em>Mefistofele<\/em>). Mara Coleva, Alfredo Kraus, Nicolai Ghiaurov, Jacklyn Schneider, Marshall Stone, Anton Guadagno, Orchestra and Chorus of the Philadelphia Opera [live 29.X.65]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-1024x546.png\" alt=\"\" class=\"wp-image-17286\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-1024x546.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-300x160.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-768x410.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-1536x819.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED-1600x853.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Oralia-Autograph-TRIMMED.png 1656w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Ferdinando Bertoni, Ranieri de\u2019 Calzabigi: Che far\u00f2 senza Euridice (<em>Orfeo ed Euridice<\/em>). Oralia Dom\u00ednguez, Orchestra conducted by Carlo Franci [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"579\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Baker-cape.png\" alt=\"\" class=\"wp-image-17299\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Baker-cape.png 597w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Baker-cape-300x291.png 300w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel: Ah! che ancor nel abisso&#8230; Alla salma infedel (<em>Lucrezia<\/em> [<em>O Numi eterni!<\/em>], HWV 145. Janet Baker, Raymond Leppard, Scottish Chamber Orchestra [live Edinburgh 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"828\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ria-Bollen.png\" alt=\"\" class=\"wp-image-17300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ria-Bollen.png 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ria-Bollen-268x300.png 268w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Was mein Herz von dir begehrt (<em>Es ist euch gut, dass ich hingehe<\/em>, BWV 108). Ria Bollen, Hans Thamm, Collegium Musicum des WDR [radio recording 1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"879\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-Marshall-879x1024.jpg\" alt=\"\" class=\"wp-image-17301\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-Marshall-879x1024.jpg 879w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-Marshall-258x300.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-Marshall-768x895.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Margaret-Marshall.jpg 927w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: H\u00f6chster, mache deine G\u00fcte (<em>Jauchzet Gott in allen Landen<\/em>, BWV 51). Margaret Marshall, Claudio Abbado, Jugendorchester der Europ\u00e4ischen Union [live Venezia 10.VIII.79]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ellabelle-Davis-formal-pose-TRIMMED-1024x544.jpg\" alt=\"\" class=\"wp-image-17302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ellabelle-Davis-formal-pose-TRIMMED-1024x544.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ellabelle-Davis-formal-pose-TRIMMED-300x159.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ellabelle-Davis-formal-pose-TRIMMED-768x408.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Ellabelle-Davis-formal-pose-TRIMMED.jpg 1061w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Traditional Hungarian text adapted by Hugo Conrat [n\u00e9 Hugo Cohn]: <em>Zigeuenerlieder<\/em>, Op. 103: V. Brauner Bursche f\u00fchrt zum Tanze; VI. R\u00f6slein dreie in der Reihe; VII. Kommt dir manchmal in den Sinn; VIII. Rote Abendwolken ziehen am Firmament. Ellabelle Davis, Kjell Olsson [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Roberta-young-with-pearls.jpg\" alt=\"\" class=\"wp-image-17303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Roberta-young-with-pearls.jpg 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Roberta-young-with-pearls-257x300.jpg 257w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n<\/div>\n\n\n<p>Joaqu\u00edn Turina, Josefina de Attard: Melp\u00f3mene (<em>Musas de Andaluc\u00eda<\/em>, Op. 93\/5). Roberta Alexander, unknown pianist [live Z\u00fcrich, unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Dominguez-Spanish-Attire-717x1024.png\" alt=\"\" class=\"wp-image-17285\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Dominguez-Spanish-Attire-717x1024.png 717w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Dominguez-Spanish-Attire-210x300.png 210w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Dominguez-Spanish-Attire.png 747w\" sizes=\"auto, (max-width: 717px) 100vw, 717px\" \/><\/figure>\n<\/div>\n\n\n<p>Manuel de Falla, Mar\u00eda de la O Lej\u00e1rraga Garc\u00eda: Canci\u00f3n del fuego fatuo (<em>El amor brujo<\/em>). Oralia Dom\u00ednguez, Leopold Stokowski, Orchestra di Torino della RAI [live Torino 08.V.55]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Luxon-Willison-1024x625.png\" alt=\"\" class=\"wp-image-17284\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Luxon-Willison-1024x625.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Luxon-Willison-300x183.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Luxon-Willison-768x469.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Luxon-Willison.png 1343w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">David Willison and Benjamin Luxon<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hermann Lohr, Frederick E. Weatherly: When Jack and I were Children. Benjamin Luxon, David Willison [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Mady-at-Piano.jpg\" alt=\"\" class=\"wp-image-17283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Mady-at-Piano.jpg 776w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Mady-at-Piano-300x276.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Mady-at-Piano-768x706.jpg 768w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Misraki, Jean F\u00e9line: Chez moi. Mady Mespl\u00e9, L\u00e9o Chauliac [radio recording 31.XII.69]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"840\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Holmes.jpg\" alt=\"\" class=\"wp-image-17280\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Holmes.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Young-Holmes-257x300.jpg 257w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Maxwell Anderson [after Alan Paton]: O Tixo, Tixo, Help Me (<em>Lost in the Stars<\/em>). Eugene Holmes, Dora Wilson [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Steber-1942.jpg\" alt=\"\" class=\"wp-image-17282\" style=\"width:581px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Steber-1942.jpg 416w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Steber-1942-192x300.jpg 192w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig Van Beethoven, Pietro Metastasio: Ah, crudel, tu vuoi ch\u2019io mora&#8230; Dite voi, se in tanto affanno (<em>Ah, Perfido!<\/em>, Op. 65). Eleanor Steber, Bruno Walter, New York Philharamonic [live 15.IV.49]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 348. Rescue Mission II SOCIAL SHARE SUBSCRIPTION PLATFORM After I post a Countermelody episode on a cherished singer, my&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17275,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,1701,7296,7295,2891,1076,5823,2261,2398,2399,6551,1074,8033,5806,2294,1263,2260,808,4722,6189,2328,3272,2806,4980,427,5138],"tags":[3576,7371,5548,47,4460,77,2847,4613,1192,7501,6349,368,7503,44,3476,7491,2230,2653,1125,3828,3813,7502,4535,4256,2246,280,4502,207,998,2545,7506,7495,7499,7297,99,304,7493,3997,298,863,387,7497,7508,1021,3829,1040,7505,871,7494,2833,2345,870,7507,1042,328,481,2651,4578,2526,1637,7496,336,7504,3057,83,7498,1089,4139,1243,7492,3567,3575,4630,691,7471,189,486,2166,7057,34,7500],"class_list":["post-16942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-bel-canto","category-black-history-month","category-black-history-month-2025","category-comic-relief","category-crossover","category-forgotten-divas","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-great-contraltos","category-happy-birthday","category-johann-sebastian-bach","category-listeners-favorites","category-margaret-price","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-rescue-mission","category-richard-wagner","category-singers-of-color","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-ah-perfido","tag-alan-paton","tag-alexandre-dumas-fils","tag-alfredo-kraus","tag-anton-guadagno","tag-arrigo-boito","tag-benjamin-luxon","tag-berislav-klobucar","tag-bruno-walter","tag-carlo-franci","tag-carlo-zangarini","tag-claudio-abbado","tag-conchita","tag-cosi-fan-tutte","tag-david-willison","tag-dora-wilson","tag-edith-mathis","tag-el-amor-brujo","tag-eleanor-steber","tag-ellabelle-davis","tag-eugene-holmes","tag-ferdinando-bertoni","tag-francesco-maria-piave","tag-frederick-weatherly","tag-fritz-busch","tag-george-frideric-handel","tag-gilda-cruz-romo","tag-giuseppe-verdi","tag-gloria-davy","tag-hans-thamm","tag-helga-gorlin","tag-hermann-lohr","tag-hugo-cohn","tag-hugo-conrat","tag-hugo-hasslo","tag-janet-baker","tag-jean-feline","tag-joaquin-turina","tag-johann-sebastian-bach","tag-johannes-brahms","tag-john-alexander","tag-josefina-de-attard","tag-judith-layng","tag-karl-bohm","tag-kjell-olsson","tag-kurt-weill","tag-la-traviataa","tag-le-nozze-di-figaro","tag-leo-chauliac","tag-leopold-stokowski","tag-lohengrin","tag-lorenzo-da-ponte","tag-loris-gavarini","tag-lost-in-the-stars","tag-ludwig-van-beethoven","tag-mady-mesple","tag-manuel-de-falla","tag-mara-coleva","tag-margaret-marshall","tag-margaret-price","tag-maria-de-la-o-lejarraga-garcia","tag-martina-arroyo","tag-maurizio-vaucaire","tag-maxwell-anderson","tag-mefistofele","tag-musas-de-andalucia","tag-nicolai-ghiaurov","tag-oralia-dominguez","tag-orfeo-ed-euridice","tag-paul-misraki","tag-pierre-louys","tag-pietro-metastasio","tag-ranieri-de-calzabigi","tag-raymond-leppard","tag-ria-bollen","tag-riccardo-zandonai","tag-richard-wagner","tag-roberta-alexander","tag-walter-herbert","tag-wolfgang-amadeus-mozart","tag-zigeunerlieder"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/04\/Davy-as-Conchita-300x196.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2025\/\" class=\"advgb-post-tax-term\">Black History Month 2025<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/margaret-price\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2025<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ah Perfido!<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alan Paton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anton Guadagno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Benjamin Luxon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bruno Walter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Franci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Zangarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claudio Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Conchita<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Willison<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dora Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edith Mathis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">El amor brujo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eleanor Steber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ellabelle Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugene Holmes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferdinando Bertoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frederick Weatherly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz Busch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gilda Cruz-Romo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans Thamm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helga G\u00f6rlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Lohr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Cohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Conrat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Hasslo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Janet Baker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean F\u00e9line<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josefina de Attard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Judith Layng<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kjell Olsson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Traviataa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u00e9o Chauliac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leopold Stokowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lohengrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Loris Gavarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lost in the Stars<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mady Mesple<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mara Coleva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mar\u00eda de la O Lej\u00e1rraga Garc\u00eda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Martina Arroyo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maurizio Vaucaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maxwell Anderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mefistofele<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Musas de Andaluc\u00eda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicolai Ghiaurov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oralia Dominguez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Orfeo ed Euridice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Misraki<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ranieri de\u2019 Calzabigi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Raymond Leppard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ria Bollen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Riccardo Zandonai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Walter Herbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zigeunerlieder<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Ah Perfido!<\/span>","<span class=\"advgb-post-tax-term\">Alan Paton<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Anton Guadagno<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Luxon<\/span>","<span class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/span>","<span class=\"advgb-post-tax-term\">Bruno Walter<\/span>","<span class=\"advgb-post-tax-term\">Carlo Franci<\/span>","<span class=\"advgb-post-tax-term\">Carlo Zangarini<\/span>","<span class=\"advgb-post-tax-term\">Claudio Abbado<\/span>","<span class=\"advgb-post-tax-term\">Conchita<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">David Willison<\/span>","<span class=\"advgb-post-tax-term\">Dora Wilson<\/span>","<span class=\"advgb-post-tax-term\">Edith Mathis<\/span>","<span class=\"advgb-post-tax-term\">El amor brujo<\/span>","<span class=\"advgb-post-tax-term\">Eleanor Steber<\/span>","<span class=\"advgb-post-tax-term\">Ellabelle Davis<\/span>","<span class=\"advgb-post-tax-term\">Eugene Holmes<\/span>","<span class=\"advgb-post-tax-term\">Ferdinando Bertoni<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Frederick Weatherly<\/span>","<span class=\"advgb-post-tax-term\">Fritz Busch<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gilda Cruz-Romo<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gloria Davy<\/span>","<span class=\"advgb-post-tax-term\">Hans Thamm<\/span>","<span class=\"advgb-post-tax-term\">Helga G\u00f6rlin<\/span>","<span class=\"advgb-post-tax-term\">Hermann Lohr<\/span>","<span class=\"advgb-post-tax-term\">Hugo Cohn<\/span>","<span class=\"advgb-post-tax-term\">Hugo Conrat<\/span>","<span class=\"advgb-post-tax-term\">Hugo Hasslo<\/span>","<span class=\"advgb-post-tax-term\">Janet Baker<\/span>","<span class=\"advgb-post-tax-term\">Jean F\u00e9line<\/span>","<span class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Alexander<\/span>","<span class=\"advgb-post-tax-term\">Josefina de Attard<\/span>","<span class=\"advgb-post-tax-term\">Judith Layng<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Kjell Olsson<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La Traviataa<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">L\u00e9o Chauliac<\/span>","<span class=\"advgb-post-tax-term\">Leopold Stokowski<\/span>","<span class=\"advgb-post-tax-term\">Lohengrin<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Loris Gavarini<\/span>","<span class=\"advgb-post-tax-term\">Lost in the Stars<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Mady Mesple<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Mara Coleva<\/span>","<span class=\"advgb-post-tax-term\">Margaret Marshall<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Mar\u00eda de la O Lej\u00e1rraga Garc\u00eda<\/span>","<span class=\"advgb-post-tax-term\">Martina Arroyo<\/span>","<span class=\"advgb-post-tax-term\">Maurizio Vaucaire<\/span>","<span class=\"advgb-post-tax-term\">Maxwell Anderson<\/span>","<span class=\"advgb-post-tax-term\">Mefistofele<\/span>","<span class=\"advgb-post-tax-term\">Musas de Andaluc\u00eda<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Ghiaurov<\/span>","<span class=\"advgb-post-tax-term\">Oralia Dominguez<\/span>","<span class=\"advgb-post-tax-term\">Orfeo ed Euridice<\/span>","<span class=\"advgb-post-tax-term\">Paul Misraki<\/span>","<span class=\"advgb-post-tax-term\">Pierre Lou\u00ffs<\/span>","<span class=\"advgb-post-tax-term\">Pietro Metastasio<\/span>","<span class=\"advgb-post-tax-term\">Ranieri de\u2019 Calzabigi<\/span>","<span class=\"advgb-post-tax-term\">Raymond Leppard<\/span>","<span class=\"advgb-post-tax-term\">Ria Bollen<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Zandonai<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Walter Herbert<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zigeunerlieder<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 08\/04\/2025","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 08\/04\/2025 15:25","modified":"Updated on 29\/07\/2025 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