{"id":16803,"date":"2025-03-17T20:54:31","date_gmt":"2025-03-17T19:54:31","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=16803"},"modified":"2025-03-17T21:05:02","modified_gmt":"2025-03-17T20:05:02","slug":"episode-342-norman-bailey-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/03\/17\/episode-342-norman-bailey-revisited\/","title":{"rendered":"Episode 342. Norman Bailey Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 342. Norman Bailey Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=192-podcast&amp;powerpress_player=mediaelement-audio\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"605\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Olderheadshot.png\" alt=\"\" class=\"wp-image-17105\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Olderheadshot.png 509w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Olderheadshot-252x300.png 252w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The British bass-baritone Norman Bailey (23 March 1933 \u2013 15 September 2021) was one of the premier Wagner singers of his generation, appearing in his signature roles (Hans Sachs, the Dutchman, and Wotan, among others) at the most prestigious festival and with the most distinguished opera companies around the world. He was also celebrated for his Verdi and Strauss portrayals and was an skillful, intuitive, and communicative recitalist. In this refurbished bonus episode, he is heard in operatic scenes by all three of those composers, and additionally as a big-voiced miniaturist in songs by Peter Warlock, Ralph Vaughan Williams, and Hugo Wolf. \u201cGuest stars\u201d in the operatic excerpts (from <em>Walk\u00fcre<\/em>, <em>Macbeth<\/em>,<em> Holl\u00e4nder<\/em>, <em>Salome<\/em>, <em>Falstaff<\/em>, <em>Die Liebe der Danae<\/em>, and <em>The Mastersingers of Nuremberg<\/em>) include Galina Vishnevskaya, Margaret Curphey, Carol Neblett, Arlene Saunders, and Montserrat Caball\u00e9, conducted by Otto Klemperer, Julius Rudel, Alexander Gibson, Anton Guadagno, Reginald Goodall, and Charles Mackerras.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"603\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Warlock-Songs.jpg\" alt=\"\" class=\"wp-image-17107\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Warlock-Songs.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Warlock-Songs-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Warlock-Songs-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Peter Warlock, Robert Louis Stevenson: To the Memory of a Great Singer. Norman Bailey, Geoffrey Parsons [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"414\" height=\"591\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dramatic-Baldie.png\" alt=\"\" class=\"wp-image-17125\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dramatic-Baldie.png 414w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dramatic-Baldie-210x300.png 210w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/figure>\n<\/div>\n\n\n<p>Peter Warlock, Thomas Ford: There is a lady sweet and kind. Norman Bailey, Geoffrey Parsons [1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"693\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Staid-Headshot-1024x693.png\" alt=\"\" class=\"wp-image-17124\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Staid-Headshot-1024x693.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Staid-Headshot-300x203.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Staid-Headshot-768x519.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Staid-Headshot.png 1202w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Peter Warlock, Hilaire Belloc: My Own Country. Norman Bailey, Geoffrey Parsons [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ballads-and-Sacred-Songs.jpg\" alt=\"\" class=\"wp-image-17108\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ballads-and-Sacred-Songs.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ballads-and-Sacred-Songs-300x295.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Ralph Vaughan Williams, William Barnes: Linden Lea. Norman Bailey, Geoffrey Parsons [1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"601\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Wolf-Lieder.jpg\" alt=\"\" class=\"wp-image-17109\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Wolf-Lieder.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Wolf-Lieder-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Wolf-Lieder-150x150.jpg 150w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Gebet. Norman Bailey, John Constable [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Romberg.png\" alt=\"\" class=\"wp-image-17110\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Romberg.png 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Romberg-265x300.png 265w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><figcaption class=\"wp-element-caption\">Sigmund Romberg<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Sigmund Romberg, Dorothy Donnelly: Golden Days (<em>The Student Prince<\/em>). Norman Bailey, John Owen Edwards, Philharmonia Orchestra [1989]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"757\" data-id=\"17115\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-1-1024x757.png\" alt=\"\" class=\"wp-image-17115\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-1-1024x757.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-1-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-1-768x568.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-1.png 1352w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"752\" data-id=\"17117\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-2-1024x752.png\" alt=\"\" class=\"wp-image-17117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-2-1024x752.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-2-300x220.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-2-768x564.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-2.png 1387w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"754\" data-id=\"17116\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-3-1024x754.png\" alt=\"\" class=\"wp-image-17116\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-3-1024x754.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-3-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-3-768x566.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Evans-Falstaff-Screenshot-3.png 1382w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"780\" data-id=\"17113\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Casks-1024x780.png\" alt=\"\" class=\"wp-image-17113\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Casks-1024x780.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Casks-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Casks-768x585.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Casks.png 1373w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"17112\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Fugue-1024x768.png\" alt=\"\" class=\"wp-image-17112\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Fugue-1024x768.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Fugue-300x225.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Fugue-768x576.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Fugue.png 1355w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"746\" data-id=\"17114\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Monolog-1024x746.png\" alt=\"\" class=\"wp-image-17114\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Monolog-1024x746.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Monolog-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Monolog-768x560.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-Monolog.png 1380w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"767\" data-id=\"17118\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-1024x767.png\" alt=\"\" class=\"wp-image-17118\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-1024x767.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-300x225.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford-768x575.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Ford.png 1384w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Arrigo Boito [English version by Eric Crozier and Joan Cross]: Am I dreaming; can this be true [\u00c8 sogno? O realt\u00e0?] (<em>Falstaff<\/em>). Norman Bailey, Geraint Evans, James Lockhart, English Chamber Orchestra [1972 film]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"527\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth.jpg\" alt=\"\" class=\"wp-image-17123\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth.jpg 527w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-198x300.jpg 198w\" sizes=\"auto, (max-width: 527px) 100vw, 527px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave, Andrea Maffei [after William Shakespeare]: Sappia la sposa mia&#8230; Mi si affaccia un pugnal!&#8230; Fatal mia donna!&#8230; Il pugnal l\u00e0 riportate\u2026 Vieni altrove! (<em>Macbeth<\/em>). Norman Bailey, Galina Vishnevskaya, Alexander Gibson, Scottish Opera Orchestra [live Edinburgh 14.IX.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"671\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Vishnevskaya-1024x671.jpg\" alt=\"\" class=\"wp-image-17120\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Vishnevskaya-1024x671.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Vishnevskaya-300x197.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Vishnevskaya-768x503.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Vishnevskaya.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Galina Vishnevskaya<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-Screenshot-3-1024x731.png\" alt=\"\" class=\"wp-image-17119\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-Screenshot-3-1024x731.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-Screenshot-3-300x214.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-Screenshot-3-768x548.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Macbeth-Screenshot-3.png 1416w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave, Andrea Maffeo: Perfidi!&#8230; Piet\u00e0, rispetta, amore&#8230; Mal per me (<em>Macbeth<\/em>). Norman Bailey, Neil Shicoff, Robin Leggate, Robin Stapleton, London Philharmonic Orchestra, Ambrosian Singers [1977 television film]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"786\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/With-Johnson-as-Macbeth.jpg\" alt=\"\" class=\"wp-image-17121\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/With-Johnson-as-Macbeth.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/With-Johnson-as-Macbeth-244x300.jpg 244w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"633\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Caballe-Bailey-Salome-1024x633.png\" alt=\"\" class=\"wp-image-17122\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Caballe-Bailey-Salome-1024x633.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Caballe-Bailey-Salome-300x185.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Caballe-Bailey-Salome-768x475.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Caballe-Bailey-Salome.png 1107w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hedwig Lachmann [after Oscar Wilde]: Wo ist er, dessen S\u00fcndenbecher jetzt voll ist? [Salome \u2013 Jokanaan Scene] (<em>Salome<\/em>). Norman Bailey, Montserrat Caball\u00e9, Wies\u0142aw Ochman, Julius Rudel, Barcelona Symphony Orchestra [live Madrid 17 May 1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"737\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Arlene-Saunders.png\" alt=\"\" class=\"wp-image-17126\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Arlene-Saunders.png 636w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Arlene-Saunders-259x300.png 259w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Josef Gregor [after Hugo von Hofmannsthal]: Es segne dir\u2019s der gr\u00f6\u00dfte der G\u00f6tter (<em>Die Liebe der Danae<\/em>). Norman Bailey, Arlene Saunders, Charles Mackerras, BBC Symphony Orchestra [live 20.IV.80]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"779\" data-id=\"17127\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Margaret-Curphey-Evchen.png\" alt=\"\" class=\"wp-image-17127\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Margaret-Curphey-Evchen.png 607w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Margaret-Curphey-Evchen-234x300.png 234w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><figcaption class=\"wp-element-caption\">Margaret Curphey, Ann Robson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"820\" data-id=\"17128\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Seated-Sachs.png\" alt=\"\" class=\"wp-image-17128\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Seated-Sachs.png 632w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Seated-Sachs-231x300.png 231w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Richard Wagner [English version by Frederick Jameson, revised by Norman Feasey and Gordon Kember]: Good evening, Master [Gut\u2019n Abend, Meister] (<em>The Mastersingers of Nuremberg<\/em>). Norman Bailey, Margaret Curphey, Ann Robson, Reginald Goodall, Orchestra of the Sadler\u2019s Wells Opera [live London 18.IX.68]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"771\" data-id=\"17129\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchman.png\" alt=\"\" class=\"wp-image-17129\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchman.png 554w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchman-216x300.png 216w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" data-id=\"17130\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchperson-1024x690.png\" alt=\"\" class=\"wp-image-17130\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchperson-1024x690.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchperson-300x202.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchperson-768x517.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-Dutchperson.png 1214w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Richard Wagner: Wirst du des Vaters Wahl nicht schelten (<em>Der fliegende Holl\u00e4nder<\/em>). Norman Bailey, Carol Neblett, William Wildermann, Anton Guadagno, Orchestra of the Connecticut Opera [live Hartford, 12.03.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-1024x576.png\" alt=\"\" class=\"wp-image-17131\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-1536x864.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett-1600x900.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Neblett.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Carol Neblett<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"511\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/As-Wotan-at-ENO.jpg\" alt=\"\" class=\"wp-image-17132\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/As-Wotan-at-ENO.jpg 680w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/As-Wotan-at-ENO-300x225.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Loge, her! (<em>Die Walk\u00fcre<\/em>). Norman Bailey, Otto Klemperer, New Philharmonia Orchestra [1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"799\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Young-Klemperer.png\" alt=\"\" class=\"wp-image-17133\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Young-Klemperer.png 665w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Young-Klemperer-250x300.png 250w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 342. Norman Bailey Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM The British bass-baritone Norman Bailey (23 March 1933 \u2013 15 September&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[2398,2399,1072,5806,2260,808,2329,1470,6189,2257,2328,2806],"tags":[7416,4460,1330,1484,2443,487,1331,983,1977,7411,653,416,4291,1609,207,6602,3760,648,2302,1792,7414,6704,363,4619,7412,7408,1501,3238,2295,2404,576,3253,329,1269,7410,3369,239,7415,5121,7413,7409],"class_list":["post-16803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-rescue-mission","category-richard-strauss","category-richard-wagner","category-twentieth-century-music","tag-ann-robson","tag-anton-guadagno","tag-arlene-saunders","tag-carol-neblett","tag-charles-mackerras","tag-der-fliegende-hollander","tag-die-liebe-der-danae","tag-die-meistersinger-von-nurnberg","tag-die-walkure","tag-dorothy-donnelly","tag-eduard-morike","tag-falstaff","tag-galina-vishnevskaya","tag-geoffrey-parsons","tag-giuseppe-verdi","tag-hilaire-belloc","tag-hugo-von-hofmannsthal","tag-hugo-wolf","tag-james-lockhart","tag-john-constable","tag-john-owen-edwards","tag-josef-gregor","tag-julius-rudel","tag-macbeth","tag-margaret-curphey","tag-mark-elder","tag-montserrat-caballe","tag-norman-bailey","tag-otto-klemperer","tag-peter-warlock","tag-ralph-vaughan-williams","tag-reginald-goodall","tag-richard-strauss","tag-robert-louis-stevenson","tag-robin-stapleton","tag-salome","tag-sigmund-romberg","tag-the-student-prince","tag-wieslaw-ochman","tag-william-barnes","tag-william-wildermann"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/03\/Bailey-ENO-Sachs-TRIMMED-300x154.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ann Robson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton Guadagno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arlene Saunders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carol Neblett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Mackerras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Liebe der Danae<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Walk\u00fcre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dorothy Donnelly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Falstaff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Galina Vishnevskaya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hilaire Belloc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Lockhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Constable<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Owen Edwards<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josef Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Macbeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Margaret Curphey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mark Elder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Norman Bailey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otto Klemperer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Warlock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Vaughan Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Reginald Goodall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Louis Stevenson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robin Stapleton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sigmund Romberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Student Prince<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Barnes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Wildermann<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Ann Robson<\/span>","<span class=\"advgb-post-tax-term\">Anton Guadagno<\/span>","<span class=\"advgb-post-tax-term\">Arlene Saunders<\/span>","<span class=\"advgb-post-tax-term\">Carol Neblett<\/span>","<span class=\"advgb-post-tax-term\">Charles Mackerras<\/span>","<span class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/span>","<span class=\"advgb-post-tax-term\">Die Liebe der Danae<\/span>","<span class=\"advgb-post-tax-term\">Die Meistersinger von N\u00fcrnberg<\/span>","<span class=\"advgb-post-tax-term\">Die Walk\u00fcre<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Donnelly<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Falstaff<\/span>","<span class=\"advgb-post-tax-term\">Galina Vishnevskaya<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hilaire Belloc<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">James Lockhart<\/span>","<span class=\"advgb-post-tax-term\">John Constable<\/span>","<span class=\"advgb-post-tax-term\">John Owen Edwards<\/span>","<span class=\"advgb-post-tax-term\">Josef Gregor<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Macbeth<\/span>","<span class=\"advgb-post-tax-term\">Margaret Curphey<\/span>","<span class=\"advgb-post-tax-term\">Mark Elder<\/span>","<span class=\"advgb-post-tax-term\">Montserrat Caball\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Norman Bailey<\/span>","<span class=\"advgb-post-tax-term\">Otto Klemperer<\/span>","<span class=\"advgb-post-tax-term\">Peter Warlock<\/span>","<span class=\"advgb-post-tax-term\">Ralph Vaughan Williams<\/span>","<span class=\"advgb-post-tax-term\">Reginald Goodall<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Louis Stevenson<\/span>","<span class=\"advgb-post-tax-term\">Robin Stapleton<\/span>","<span class=\"advgb-post-tax-term\">Salome<\/span>","<span class=\"advgb-post-tax-term\">Sigmund Romberg<\/span>","<span class=\"advgb-post-tax-term\">The Student Prince<\/span>","<span class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/span>","<span class=\"advgb-post-tax-term\">William Barnes<\/span>","<span class=\"advgb-post-tax-term\">William Wildermann<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 17\/03\/2025","modified":"Updated on 17\/03\/2025"},"absolute_dates_time":{"created":"Posted on 17\/03\/2025 20:54","modified":"Updated on 17\/03\/2025 21:05"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=16803"}],"version-history":[{"count":1,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16803\/revisions"}],"predecessor-version":[{"id":17134,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16803\/revisions\/17134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/17106"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=16803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=16803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=16803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}