{"id":16527,"date":"2025-02-18T06:58:46","date_gmt":"2025-02-18T05:58:46","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=16527"},"modified":"2025-02-18T07:20:39","modified_gmt":"2025-02-18T06:20:39","slug":"episode-334-gloria-davy-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/02\/18\/episode-334-gloria-davy-revisited\/","title":{"rendered":"Episode 334. Gloria Davy Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 334. Gloria Davy Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1437-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy.png\" alt=\"\" class=\"wp-image-16804\" style=\"width:527px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy.png 443w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-232x300.png 232w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I\u2019ve been wanting to revisit the legacy of the great African American soprano Gloria Davy (born in Brooklyn on 29 March 1931 and died in Gen\u00e8ve on 28 November 2012) for some time now. In the first year of the podcast, I devoted one of my very first Black History Month episodes to exploring her career, recordings, and legacy. At that time, however, I had not yet acquired a commercial recording central to her recorded output: a 1957 LP on London Records entitled, simply, <em>Concert Recital<\/em>, which featured the soprano, accompanied by Giorgio Favaretto, in a varied program of Purcell and Brahms songs, followed by two important twentieth century song cycles, Poulenc\u2019s 1939 cycle <em>Fian\u00e7ailles pour rire<\/em>, set to poems by his close friend Louise de Vilmorin, and Joaqu\u00edn Turina\u2019s 1918 cycle, <em>Poema en forma de canciones<\/em>. A few years after posting that episode, I finally got my hands on this ultra-rare recording, which I am thrilled to present here. Recordings of either or both of those song cycles in particular were rare at the time this recording was made, and recordings of the complete Turina cycle remain so. On this record I supplement this record with her first London\/Decca release from the year 1956, entitled simply <em>Gloria Davy Spirituals<\/em>. I have already played these recordings on the podcast, but they are always worth rehearing, especially because the spirituals, many of them quite off-the-beaten-path, are arranged and conducted by African American composer Julia Perry, who has only recently, particularly in the year of her centennial, been gaining the public exposure that she so richly deserves. In between I include additional examples of Gloria Davy in song, including excerpts from an early-career performance of Poulenc\u2019s <em>Caligrammes<\/em>, his final cycle of poems by Guillaume Apollinaire, as well as an obscure but rousingly rendered song by the Italian composer, conductor, pianist, and teacher Vittorio Maria Vanzo.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-CAMI-1961-1.jpg\" alt=\"\" class=\"wp-image-16820\" style=\"width:561px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-CAMI-1961-1.jpg 385w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-CAMI-1961-1-213x300.jpg 213w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Concert-Recital.jpg\" alt=\"\" class=\"wp-image-16808\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Concert-Recital.jpg 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Concert-Recital-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Concert-Recital-150x150.jpg 150w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p><em>Concert Recital<\/em>. Gloria Davy, soprano; Giorgio Favaretto, piano [1957]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"443\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-in-Zagreb.jpg\" alt=\"\" class=\"wp-image-16821\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-in-Zagreb.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-in-Zagreb-300x222.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Four Songs by Henry Purcell<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Not all my torments, Z. 400 (anonymous text)<\/li>\n\n\n\n<li>If music be the food of love, Z. 379 (text by Henry Heveningham)<\/li>\n\n\n\n<li>From rosy bow\u2019rs (<em>Don Quixote<\/em>, Z. 579\/9) (text by Thomas d\u2019Urfey)<\/li>\n\n\n\n<li>Man is for the woman made, Z. 605\/3 (text by Peter Anthony Motteux)<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"305\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-in-Karlsruhe-1967-1.jpg\" alt=\"\" class=\"wp-image-16819\" style=\"width:539px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-in-Karlsruhe-1967-1.jpg 305w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Gloria-Davy-in-Karlsruhe-1967-1-183x300.jpg 183w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><\/figure>\n<\/div>\n\n\n<p>Four Songs by Johannes Brahms<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Immer leiser wird mein Schlummer, Op. 105\/2 (poem by Hermann Lingg)<\/li>\n\n\n\n<li>Franz Kugler: St\u00e4ndchen, Op. 106\/1 (poem by Franz Kugler)<\/li>\n\n\n\n<li>Auf dem Kirchhofe, Op. 105\/4 (poem by Detlev von Liliencron)<\/li>\n\n\n\n<li>Wiegenlied, Op. 49\/4 (Traditional German, arr. Clemens Brentano, Achim von Arnim (verse 1), Georg Scherer (verse 2)<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Alvino-Misciano-in-Mahagonny.jpg\" alt=\"\" class=\"wp-image-16818\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Alvino-Misciano-in-Mahagonny.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Alvino-Misciano-in-Mahagonny-236x300.jpg 236w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Gloria Davy and Alvino Misciano in <em>Mahagonny<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Guillaume Apollinaire: <em>Caligrammes<\/em>, FP 140 [excerpts]. Gloria Davy, Donald Nold [live New York 04.XI.53]<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>II. Mutation<\/li>\n\n\n\n<li>III. Vers le sud<\/li>\n\n\n\n<li>IV. Il pleut<\/li>\n\n\n\n<li>V. La Gr\u00e2ce exil\u00e9e<\/li>\n\n\n\n<li>VI. Aussi bien que les cigales<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"702\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Van-Vechten-3-702x1024.jpg\" alt=\"\" class=\"wp-image-16822\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Van-Vechten-3-702x1024.jpg 702w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Van-Vechten-3-206x300.jpg 206w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Van-Vechten-3-768x1121.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Van-Vechten-3.jpg 1028w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Louise de Vilmorin: <em>Fian\u00e7ailles pour rire<\/em>, FP 101.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. La Dame d\u2019Andr\u00e9<\/li>\n\n\n\n<li>II. Dans l\u2019herbe<\/li>\n\n\n\n<li>III. Il vole<\/li>\n\n\n\n<li>IV. Mon cadavre est doux comme un gant<\/li>\n\n\n\n<li>V. Violon<\/li>\n\n\n\n<li>VI. Fleurs<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"878\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy.jpg\" alt=\"\" class=\"wp-image-16817\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-219x300.jpg 219w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Joaqu\u00edn Turina, Ram\u00f2n de Campoamor: <em>Poema en forma de canciones<\/em>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>I. Dedicatoria [piano solo]<\/li>\n\n\n\n<li>II. Nunca olvida<\/li>\n\n\n\n<li>III. Cantares<\/li>\n\n\n\n<li>IV. Los dos miedos<\/li>\n\n\n\n<li>V. Los locas por amor<\/li>\n<\/ul>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Painting.png\" alt=\"\" class=\"wp-image-16815\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Painting.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-and-Painting-217x300.png 217w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Vittorio Maria Vanzo: Alceta. Gloria Davy, Giorgio Favaretto [live Siena 27.VII.60]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"569\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Vanzo.png\" alt=\"\" class=\"wp-image-16807\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Vanzo.png 430w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Vanzo-227x300.png 227w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><figcaption class=\"wp-element-caption\">Vittoria Maria Vanzo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Spirituals.jpg\" alt=\"\" class=\"wp-image-16805\" style=\"width:580px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Spirituals.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Spirituals-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Spirituals-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p><em>Gloria Davy Spirituals<\/em>. Arranged and conducted by Julia Perry [1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"868\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Julia-Perry.png\" alt=\"\" class=\"wp-image-16806\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Julia-Perry.png 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Julia-Perry-221x300.png 221w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption class=\"wp-element-caption\">Julia Parry<\/figcaption><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li>Let Us Break Bread Together on Our Knees<\/li>\n\n\n\n<li>On My Journey<\/li>\n\n\n\n<li>Sister Mary Had-a But One Child<\/li>\n\n\n\n<li>Hold the Wind<\/li>\n\n\n\n<li>Eagle\u2019s Wings<\/li>\n\n\n\n<li>You Must Have that True Religion<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"806\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Media-Star-1-806x1024.png\" alt=\"\" class=\"wp-image-16811\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Media-Star-1-806x1024.png 806w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Media-Star-1-236x300.png 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Media-Star-1-768x976.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-Media-Star-1.png 835w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 334. Gloria Davy Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM I\u2019ve been wanting to revisit the legacy of the great African&hellip;<\/p>\n","protected":false},"author":1,"featured_media":16809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,7296,7295,5823,5806,6486,2260,808,3272,6119,2806],"tags":[2315,5316,2316,1646,4607,7305,7310,895,544,7304,7303,1013,998,2195,7306,255,3999,3997,863,999,898,7308,7302,3998,430,7307,7309],"class_list":["post-16527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-black-history-month","category-black-history-month-2025","category-forgotten-divas","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-singers-of-color","category-spirituals","category-twentieth-century-music","tag-achim-von-arnim","tag-caligrammes","tag-clemens-brentano","tag-des-knaben-wunderhorn","tag-detlev-von-liliencron","tag-don-quixote","tag-donald-nold","tag-fiancailles-pour-rire","tag-francis-poulenc","tag-franz-kugler","tag-georg-scherer","tag-giorgio-favaretto","tag-gloria-davy","tag-guillaume-apollinaire","tag-henry-heveningham","tag-henry-purcell","tag-hermann-lingg","tag-joaquin-turina","tag-johannes-brahms","tag-julia-perry","tag-louise-de-vilmorin","tag-peter-anthony-motteux","tag-poema-en-forma-de-canciones","tag-ramon-de-campoamor","tag-spirituals","tag-thomas-durfey","tag-vittorio-maria-vanzo"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/02\/Davy-DG-trimmed-300x175.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month\/\" class=\"advgb-post-tax-term\">Black History Month<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2025\/\" class=\"advgb-post-tax-term\">Black History Month 2025<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/spirituals\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Black History Month<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2025<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Caligrammes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Detlev von Liliencron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Quixote<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Donald Nold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fian\u00e7ailles pour rire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Kugler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Scherer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giorgio Favaretto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gloria Davy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Guillaume Apollinaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Heveningham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Lingg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julia Perry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louise de Vilmorin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Anthony Motteux<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Poema en forma de canciones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ram\u00f3n de Campoamor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas d\u2019Urfey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vittorio Maria Vanzo<\/a>"],"unlinked":["<span 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Purcell<\/span>","<span class=\"advgb-post-tax-term\">Hermann Lingg<\/span>","<span class=\"advgb-post-tax-term\">Joaqu\u00edn Turina<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Julia Perry<\/span>","<span class=\"advgb-post-tax-term\">Louise de Vilmorin<\/span>","<span class=\"advgb-post-tax-term\">Peter Anthony Motteux<\/span>","<span class=\"advgb-post-tax-term\">Poema en forma de canciones<\/span>","<span class=\"advgb-post-tax-term\">Ram\u00f3n de Campoamor<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Thomas d\u2019Urfey<\/span>","<span class=\"advgb-post-tax-term\">Vittorio Maria Vanzo<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 18\/02\/2025","modified":"Updated on 18\/02\/2025"},"absolute_dates_time":{"created":"Posted on 18\/02\/2025 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