{"id":16107,"date":"2025-01-14T19:12:34","date_gmt":"2025-01-14T18:12:34","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=16107"},"modified":"2025-01-15T03:40:34","modified_gmt":"2025-01-15T02:40:34","slug":"episode-324-margaret-price-in-trauer-und-trost","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/01\/14\/episode-324-margaret-price-in-trauer-und-trost\/","title":{"rendered":"Episode 324. Margaret Price in Trauer und Trost"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 324.  Margaret Price in Trauer und Trost<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1394-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"489\" height=\"423\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Margaret-and-Tree.jpg\" alt=\"\" class=\"wp-image-16492\" style=\"width:621px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Margaret-and-Tree.jpg 489w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Margaret-and-Tree-300x260.jpg 300w\" sizes=\"auto, (max-width: 489px) 100vw, 489px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today\u2019s episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"349\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Poetic-Price.jpg\" alt=\"\" class=\"wp-image-16495\" style=\"width:554px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Poetic-Price.jpg 349w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Poetic-Price-209x300.jpg 209w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><\/figure>\n<\/div>\n\n\n<p>Enrique Granados, Fernando Periquet: \u00a1Oh, muerte cruel! [La Maja dolorosa I] (<em>Tonadillas<\/em>, No. 9). Margaret Price, James Lockhart [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Autograph.jpg\" alt=\"\" class=\"wp-image-16496\" style=\"width:620px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Autograph.jpg 554w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Autograph-227x300.jpg 227w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Welsh, arr. Grace Williams: Bugeilio\u2019r Gwenith Gwyn. Margaret Price, James Lockhart [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1014\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price-1014x1024.jpg\" alt=\"\" class=\"wp-image-16519\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price-1014x1024.jpg 1014w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price-297x300.jpg 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price-768x776.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Brahms-Price.jpg 1122w\" sizes=\"auto, (max-width: 1014px) 100vw, 1014px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Traditional German: Vergangen ist mir Gl\u00fcck und Heil, Op. 48\/6. Margaret Price, Graham Johnson [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"534\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Dignified.jpg\" alt=\"\" class=\"wp-image-16503\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Dignified.jpg 534w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Dignified-190x300.jpg 190w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Luigi Balestra [after Johann Wolfgang von Goethe]: Chi i bei d\u00ec m\u2019adduce ancora. Margaret Price, Geoffrey Parsons [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Butch.jpg\" alt=\"\" class=\"wp-image-16517\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Butch.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Butch-300x288.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Die Nebensonnen (<em>Winterreise<\/em>, D.911\/23). Margaret Price, Thomas Dewey [1997]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Furrowed-Brow.jpg\" alt=\"\" class=\"wp-image-16507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Furrowed-Brow.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Furrowed-Brow-221x300.jpg 221w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Joseph von Eichendorff: Wehmut (<em>Liederkreis<\/em>, Op. 39\/9). Margaret Price, Graham Johnson [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Another-Autograph.jpg\" alt=\"\" class=\"wp-image-16506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Another-Autograph.jpg 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Another-Autograph-300x218.jpg 300w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure>\n<\/div>\n\n\n<p>Sergei Rachmaninov, Alexander Pushkin: Ne poi, krasavitsa [Oh, do not sing to me again], Op. 4\/4. Margaret Price, James Lockhart [live, Edinburgh 31.VIII.1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-and-Lockhart.jpg\" alt=\"\" class=\"wp-image-16504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-and-Lockhart.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-and-Lockhart-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption class=\"wp-element-caption\">Margaret Price and James Lockhart<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Ludwig Gotthard Kosegarten: Schwanengesang, D.744. Margaret Price, James Lockhart [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"262\" height=\"254\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-in-Red.jpg\" alt=\"\" class=\"wp-image-16505\" style=\"width:518px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Peter Cornelius: from the <em>Trauer und Trost<\/em> cycle: Andenken, Ein Ton, (Op. 3\/2&amp;3). Margaret Price, Graham Johnson [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"726\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Thule-726x1024.png\" alt=\"\" class=\"wp-image-16513\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Thule-726x1024.png 726w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Thule-213x300.png 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Thule.png 766w\" sizes=\"auto, (max-width: 726px) 100vw, 726px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Wolfgang von Goethe: Der K\u00f6nig in Thule, D.367. Margaret Price, Geoffrey Parsons. [live Paris, Th\u00e9\u00e2tre des Champs-Elys\u00e9es 25.I.1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"486\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Donna-Anna.jpg\" alt=\"\" class=\"wp-image-16514\" style=\"width:554px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Donna-Anna.jpg 340w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Donna-Anna-210x300.jpg 210w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Greek, arr. Maurice Ravel: L\u00e0-bas, vers l\u2019\u00e9glise (<em>Cinq<\/em> <em>m\u00e9lodies populaires grecques<\/em>, No. 2). Margaret Price, James Lockhart [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"323\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Boccanegra-Maybe.jpg\" alt=\"\" class=\"wp-image-16520\" style=\"width:583px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Boccanegra-Maybe.jpg 323w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Boccanegra-Maybe-213x300.jpg 213w\" sizes=\"auto, (max-width: 323px) 100vw, 323px\" \/><\/figure>\n<\/div>\n\n\n<p>Felix Mendelssohn, Heinrich Heine: Gruss, Op. 19a\/5. Margaret Price, Graham Johnson [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Autograph-746x1024.png\" alt=\"\" class=\"wp-image-16516\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Autograph-746x1024.png 746w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Autograph-219x300.png 219w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Autograph-768x1054.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Autograph.png 779w\" sizes=\"auto, (max-width: 746px) 100vw, 746px\" \/><\/figure>\n\n\n\n<p>Robert Schumann, Friedrich R\u00fcckert: Aus den \u00f6stlichen Rosen (<em>Myrthen<\/em>, Op. 25\/25). Margaret Price, Thomas Dewey [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-1.jpg\" alt=\"\" class=\"wp-image-16515\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-1.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-1-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p>Robert Schumann, Johann Wolfgang von Goethe: So la\u00dft mich scheinen (<em>Wilhelm-Meister-Lieder<\/em>, Op. 98a\/9). Margaret Price, Thomas Dewey [1995]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"520\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/08-Margaret-Price.jpg\" alt=\"\" class=\"wp-image-16512\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/08-Margaret-Price.jpg 780w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/08-Margaret-Price-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/08-Margaret-Price-768x512.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/figure>\n<\/div>\n\n\n<p>Philip Cannon, anonymous French text [translated Jacqueline Laidlaw]: La bien aim\u00e9e (<em>Cinq chansons de femme<\/em>, No. 5). Margaret Price, Maria Korchinska [BBC recording, 15.XII.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Upward-Glance.jpg\" alt=\"\" class=\"wp-image-16525\" style=\"width:568px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Upward-Glance.jpg 224w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Upward-Glance-192x300.jpg 192w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Hermann Allmers: Feldeinsamkeit, Op. 86\/2. Margaret Price, James Lockhart [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"329\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-looking-like-Marguerite.jpeg\" alt=\"\" class=\"wp-image-16521\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-looking-like-Marguerite.jpeg 607w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-looking-like-Marguerite-300x163.jpeg 300w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Gesang Weylas (<em>M\u00f6rike-Lieder<\/em>, No. 46). Margaret Price, Graham Johnson [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"316\" height=\"452\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Norma.png\" alt=\"\" class=\"wp-image-16508\" style=\"width:522px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Norma.png 316w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Norma-210x300.png 210w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Friedrich Leopold zu Stolberg-Stolberg: Die Mutter Erde, D.788. Margaret Price, Wolfgang Sawallisch [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"749\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Katsaris-1024x749.png\" alt=\"\" class=\"wp-image-16511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Katsaris-1024x749.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Katsaris-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Katsaris-768x562.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Katsaris.png 1053w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Franz Liszt, Ferdinand Freiligrath: O Lieb, solang du lieben kannst, S.298. Margaret Price, Cyprien Katsaris [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Strauss-Cover.jpg\" alt=\"\" class=\"wp-image-16509\" style=\"width:565px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Strauss-Cover.jpg 344w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Strauss-Cover-229x300.jpg 229w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Richard Dehmel: Befreit, Op. 39\/4. Margaret Price, Wolfgang Sawallisch [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Smiling-on-White-Background.jpg\" alt=\"\" class=\"wp-image-16510\" style=\"width:622px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Smiling-on-White-Background.jpg 546w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Smiling-on-White-Background-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Smiling-on-White-Background-150x150.jpg 150w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure>\n<\/div>\n\n\n<p>Alban Berg, Peter Altenberg: Hier ist Friede (<em>Altenberg-Lieder<\/em>, Op. 4\/5). Margaret Price, Claudio Abbadio, London Symphony Orchestra [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"327\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Verdi-Cover-TRIMMED.jpg\" alt=\"\" class=\"wp-image-16518\" style=\"width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Verdi-Cover-TRIMMED.jpg 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Price-Verdi-Cover-TRIMMED-300x275.jpg 300w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hermann Hesse: September (<em>Vier letzte Lieder<\/em>). Margaret Price, Neville Marriner, Orchestre National de France [live Paris, Th\u00e9\u00e2tre des Champs-Elys\u00e9es 08.IV.81]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Price-at-Night.jpg\" alt=\"\" class=\"wp-image-16497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Price-at-Night.jpg 694w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Price-at-Night-300x263.jpg 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n<\/div>\n\n\n<p>Gustav Mahler, Friedrich R\u00fcckert: Ich bin der Welt abhanden gekommen (<em>R\u00fcckert-Lieder<\/em>). Margaret Price, Wolfgang G\u00f6nnenwein, Orchester der Ludwigsburger Schlo\u00dffestspiele [live Ludwigsburg 1988]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"425\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Maggie-and-Doggies.jpg\" alt=\"\" class=\"wp-image-16523\" style=\"width:609px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Maggie-and-Doggies.jpg 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Maggie-and-Doggies-300x262.jpg 300w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 324. Margaret Price in Trauer und Trost SOCIAL SHARE SUBSCRIPTION PLATFORM These days I find myself in a pensive,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":16493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3132,2398,2314,5806,2294,2260,808,4722,2257,2806],"tags":[1635,3518,368,7211,653,1449,1644,7210,7219,800,101,7213,1231,1609,207,3549,6067,1297,1197,4609,4019,648,7215,2302,7217,863,7212,7218,5590,1637,7216,545,2528,3511,2405,7214,3391,329,548,2193,3861,700,3214,698],"class_list":["post-16107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-franz-schubert","category-giuseppe-verdi","category-gustav-mahler","category-listeners-favorites","category-margaret-price","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-richard-strauss","category-twentieth-century-music","tag-alban-berg","tag-alexander-pushkin","tag-claudio-abbado","tag-cyprien","tag-eduard-morike","tag-enrique-granados","tag-felix-mendelssohn","tag-ferdinand-freiligrath","tag-fernando-periquet","tag-franz-liszt","tag-franz-schubert","tag-friedrich-leopold-zu-stolberg-stolberg","tag-friedrich-ruckert","tag-geoffrey-parsons","tag-giuseppe-verdi","tag-grace-williams","tag-graham-johnson","tag-gustav-mahler","tag-heinrich-heine","tag-hermann-allmers","tag-hermann-hesse","tag-hugo-wolf","tag-jacqueline-laidlaw","tag-james-lockhart","tag-johann-wolfang-von-goethe","tag-johannes-brahms","tag-katsaris","tag-ludwig-gotthard-kosegarten","tag-luigi-balestra","tag-margaret-price","tag-maria-korchinska","tag-maurice-ravel","tag-neville-marriner","tag-peter-altenberg","tag-peter-cornelius","tag-philip-cannon","tag-richard-dehmel","tag-richard-strauss","tag-robert-schumann","tag-sergei-rachmaninov","tag-thomas-dewey","tag-vier-letzte-lieder","tag-wolfgang-gonnenwein","tag-wolfgang-sawallisch"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Operatic-Margaret-TRIMMED-300x183.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/margaret-price\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cyprien<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Enrique Granados<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Felix Mendelssohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ferdinand Freiligrath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fernando Periquet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Liszt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Leopold zu Stolberg-Stolberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Grace Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Graham Johnson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Allmers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Hesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacqueline Laidlaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Lockhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Katsaris<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludwig Gotthard Kosegarten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luigi Balestra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Korchinska<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Neville Marriner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Altenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Cornelius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philip Cannon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Dehmel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergei Rachmaninov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Dewey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Claudio Abbado<\/span>","<span class=\"advgb-post-tax-term\">Cyprien<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Enrique Granados<\/span>","<span class=\"advgb-post-tax-term\">Felix Mendelssohn<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Freiligrath<\/span>","<span class=\"advgb-post-tax-term\">Fernando Periquet<\/span>","<span class=\"advgb-post-tax-term\">Franz Liszt<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Leopold zu Stolberg-Stolberg<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Grace Williams<\/span>","<span class=\"advgb-post-tax-term\">Graham Johnson<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Hermann Allmers<\/span>","<span class=\"advgb-post-tax-term\">Hermann Hesse<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Jacqueline Laidlaw<\/span>","<span class=\"advgb-post-tax-term\">James Lockhart<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Katsaris<\/span>","<span class=\"advgb-post-tax-term\">Ludwig Gotthard Kosegarten<\/span>","<span class=\"advgb-post-tax-term\">Luigi Balestra<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Maria Korchinska<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Neville Marriner<\/span>","<span class=\"advgb-post-tax-term\">Peter Altenberg<\/span>","<span class=\"advgb-post-tax-term\">Peter Cornelius<\/span>","<span class=\"advgb-post-tax-term\">Philip Cannon<\/span>","<span class=\"advgb-post-tax-term\">Richard Dehmel<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Sergei Rachmaninov<\/span>","<span class=\"advgb-post-tax-term\">Thomas Dewey<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang G\u00f6nnenwein<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 14\/01\/2025","modified":"Updated on 15\/01\/2025"},"absolute_dates_time":{"created":"Posted on 14\/01\/2025 19:12","modified":"Updated on 15\/01\/2025 03:40"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=16107"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16107\/revisions"}],"predecessor-version":[{"id":16526,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16107\/revisions\/16526"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/16493"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=16107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=16107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=16107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}