{"id":16047,"date":"2025-01-05T22:52:56","date_gmt":"2025-01-05T21:52:56","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=16047"},"modified":"2025-01-05T23:38:58","modified_gmt":"2025-01-05T22:38:58","slug":"episode-322-margaret-marshall-sings-mozart","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/01\/05\/episode-322-margaret-marshall-sings-mozart\/","title":{"rendered":"Episode 322. Margaret Marshall Sings Mozart"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 322.  Margaret Marshall Sings Mozart<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1387-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"881\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Marshall-Radiant.png\" alt=\"\" class=\"wp-image-16444\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Marshall-Radiant.png 663w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Marshall-Radiant-226x300.png 226w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yesterday was the birthday of <em>Countermelody <\/em>favorite, the ravishing Scottish soprano Margaret Marshall. What better way to kick off Season Six of the podcast than with this tribute to Margaret. The more I listen to her, the more clearly I see her direct link with other great singers of the past, primarily Gundula Janowitz, Margaret Price, and Lisa Della Casa. The same coolness of timbre on the surface that barely conceals the beating heart underneath. The same impeccable musicianship and vocal flexibility (in fact, she more or less exceeds all three of her predecessors in that regard!) And the same affinity with the music of Mozart. I am not always the most passionate fan of Mozart, but lately I have been in just the mood for his music. So as I was doing my own private celebration of Margaret\u2019s birthday earlier this week, listening to favorites among her many recordings, I kept finding myself choosing her singing music of Mozart. I have put together today\u2019s program using selections from Mozart\u2019s early church music and oratorios; <em>Lieder<\/em>; concert arias; and opera arias. These selections cover twenty of the glory years of her career, from 1975 through 1995, and consistently display those qualities described above that made her one of the finest Mozart singers of the late twentieth century. Raise a glass to the Scottish songbird as you revel in these marvelous studio and live performances!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"493\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wolfie.jpg\" alt=\"\" class=\"wp-image-16433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wolfie.jpg 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wolfie-300x200.jpg 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>All tracks composed by Wolfgang Amadeus Mozart with Margaret Marshall, soprano and other performers as noted.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"410\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-in-suit.png\" alt=\"\" class=\"wp-image-16432\" style=\"width:616px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-in-suit.png 502w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-in-suit-300x245.png 300w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n<\/div>\n\n\n<p>Laudate Dominum (<em>Vesperae de Dominica<\/em>, K.321). George Guest, The Wren Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo-730x1024.jpg\" alt=\"\" class=\"wp-image-16434\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo-730x1024.jpg 730w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo-214x300.jpg 214w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo-768x1077.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo-1095x1536.jpg 1095w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Songbird-Photo.jpg 1460w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/figure>\n<\/div>\n\n\n<p>Vittorio Amedeo Cigna-Santi: Deh, non varcar quell\u2019onda [from \u201cAh, lo previdi,\u201d K. 272]. Hanns-Martin Schneidt, Saarl\u00e4ndische Rundfunk-Orchester [recorded 29.IV.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"879\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Tito-Manlio-recording-879x1024.jpg\" alt=\"\" class=\"wp-image-16435\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Tito-Manlio-recording-879x1024.jpg 879w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Tito-Manlio-recording-258x300.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Tito-Manlio-recording-768x895.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Tito-Manlio-recording.jpg 927w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/figure>\n<\/div>\n\n\n<p>Ignaz Anton Weiser: Ein ergrimmter L\u00f6we br\u00fcllet (<em>Die Schuldigkeit des ersten Gebots<\/em>, K. 35). Neville Marriner, Radio-Sinfonieorchester Stuttgart [1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"581\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wand-1024x581.png\" alt=\"\" class=\"wp-image-16436\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wand-1024x581.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wand-300x170.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wand-768x436.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Wand.png 1455w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">G\u00fcnter Wand<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Dulcissimum convivium (<em>Litaniae de venerabili altaris sacramento<\/em>), K. 243). G\u00fcnter Wand, Symphonieorchester des Bayerischen Rundfunks [live M\u00fcnchen 21.I.1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"496\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marriner.jpg\" alt=\"\" class=\"wp-image-16437\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marriner.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marriner-300x186.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marriner-768x476.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Neville Marriner<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Fulget amica dies&#8230; Tu virginum corona (<em>Exsultate, jubilate<\/em>, KV 165). Neville Marriner, Radio-Sinfonieorchester Stuttgart [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"669\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/In-Recital-1024x669.jpg\" alt=\"\" class=\"wp-image-16438\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/In-Recital-1024x669.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/In-Recital-300x196.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/In-Recital-768x502.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/In-Recital.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriele von Baumberg Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520. John Fraser [BBC studio recording 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"808\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-after-Munich-competition-1024x808.jpg\" alt=\"\" class=\"wp-image-16439\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-after-Munich-competition-1024x808.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-after-Munich-competition-300x237.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-after-Munich-competition-768x606.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-after-Munich-competition.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Christian Felix Weisse: Der Zauberer, K. 472. John Fraser [BBC studio recording 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Smiling-730x1024.png\" alt=\"\" class=\"wp-image-16440\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Smiling-730x1024.png 730w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Smiling-214x300.png 214w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Smiling-768x1077.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Young-Smiling.png 770w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Wolfgang von Goethe: Das Veilchen, K. 476. John Fraser [BBC studio recording 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Youthful-836x1024.png\" alt=\"\" class=\"wp-image-16441\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Youthful-836x1024.png 836w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Youthful-245x300.png 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Youthful-768x940.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Youthful.png 882w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/figure>\n<\/div>\n\n\n<p>Pietro Metastasio: Non curo l\u2019affetto, K. 74b. Leopold Hager, Orchestre Philharmonique de Radio France [Paris 1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Feathered-Hair.png\" alt=\"\" class=\"wp-image-16442\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Feathered-Hair.png 572w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Feathered-Hair-225x300.png 225w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><\/figure>\n<\/div>\n\n\n<p>Gianbattisto Varesco: Alme belle, che vedete [from \u201cNon temer, amato bene,\u201d KV 490]. Ralf Weikert, Mozarteum-Orchester Salzburg [live 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"310\" height=\"472\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Headshot.png\" alt=\"\" class=\"wp-image-16443\" style=\"width:541px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Headshot.png 310w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Headshot-197x300.png 197w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/figure>\n<\/div>\n\n\n<p>Unknown librettist [after Carlo Goldoni]: Voi avete un cor fedele, K. 217. G\u00fcnter Kehr, Saarl\u00e4ndisches Rundfunk-Orchester [recorded 16.I.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-794x1024.jpg\" alt=\"\" class=\"wp-image-16445\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-794x1024.jpg 794w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret-768x991.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Young-Margaret.jpg 837w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/figure>\n\n\n\n<p>Pietro Metastasio: Misera, dove son?, K. 369. G\u00fcnter Wand, K\u00f6lner Rundfunk-Sinfonie-Orchester [live K\u00f6ln 13.VI.1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"611\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Mozartean-1024x611.png\" alt=\"\" class=\"wp-image-16447\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Mozartean-1024x611.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Mozartean-300x179.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Mozartean-768x458.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Mozartean.png 1290w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Petrosellini [after Rainieri de\u2019 Calzabigi]: Vorrei punirti, indegno (<em>La finta giardiniera<\/em>). Friedemann Layer, Orchestre National de Montepellier [live Montpellier 17 July 1995]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Screenshot-981.png\" alt=\"\" class=\"wp-image-16448\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Screenshot-981.png 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Screenshot-981-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Screenshot-981-768x586.png 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><figcaption class=\"wp-element-caption\">Margaret Marshall, Rolando Panerai, and Ann Murray in <em>Cos\u00ec fan tutte <\/em>(Salzburg 1983)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Lorenzo da Ponte: Se questo mio core mai cangia desio (<em>Cos\u00ec fan tutte<\/em>). Ann Murray, Riccardo Muti, Wiener Philharmoniker [live Salzburg 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"911\" height=\"720\" data-id=\"16449\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Ferrando.jpg\" alt=\"\" class=\"wp-image-16449\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Ferrando.jpg 911w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Ferrando-300x237.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Ferrando-768x607.jpg 768w\" sizes=\"auto, (max-width: 911px) 100vw, 911px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"983\" height=\"680\" data-id=\"16456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-2.png\" alt=\"\" class=\"wp-image-16456\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-2.png 983w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-2-300x208.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-2-768x531.png 768w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"993\" height=\"671\" data-id=\"16458\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-3.png\" alt=\"\" class=\"wp-image-16458\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-3.png 993w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-3-300x203.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-3-768x519.png 768w\" sizes=\"auto, (max-width: 993px) 100vw, 993px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"676\" data-id=\"16457\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-1.png\" alt=\"\" class=\"wp-image-16457\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-1.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-1-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-1-768x528.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"919\" height=\"720\" data-id=\"16450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-1.jpg\" alt=\"\" class=\"wp-image-16450\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-1.jpg 919w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-1-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-1-768x602.jpg 768w\" sizes=\"auto, (max-width: 919px) 100vw, 919px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"947\" height=\"720\" data-id=\"16453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-2.jpg\" alt=\"\" class=\"wp-image-16453\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-2.jpg 947w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-2-300x228.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-2-768x584.jpg 768w\" sizes=\"auto, (max-width: 947px) 100vw, 947px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"904\" height=\"695\" data-id=\"16454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-3.jpg\" alt=\"\" class=\"wp-image-16454\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-3.jpg 904w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-3-300x231.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Araiza-3-768x590.jpg 768w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"578\" height=\"530\" data-id=\"16451\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-1.jpg\" alt=\"\" class=\"wp-image-16451\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-1.jpg 578w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-1-300x275.jpg 300w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"669\" data-id=\"16452\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-2.jpg\" alt=\"\" class=\"wp-image-16452\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-2.jpg 854w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-2-300x235.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Marshall-Fiordiligi-2-768x602.jpg 768w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"672\" data-id=\"16455\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-4.png\" alt=\"\" class=\"wp-image-16455\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-4.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-4-300x205.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Araiza-Marshall-4-768x524.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Lorenzo da Ponte: L\u2019abito di Guglielmo sar\u00e0 buono per me&#8230; Fra gli amplessi (<em>Cos\u00ec fan tutte<\/em>). Margaret Marshall, Francisco Araiza, Riccardo Muti, Wiener Philharmoniker [live Salzburg 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"600\" data-id=\"16459\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-1.jpg\" alt=\"\" class=\"wp-image-16459\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-1.jpg 428w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-1-214x300.jpg 214w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"761\" data-id=\"16460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Birthday.png\" alt=\"\" class=\"wp-image-16460\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Birthday.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Birthday-238x300.png 238w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Lorenzo da Ponte: E Susanna non vien&#8230; Dove sono (<em>Le nozze di Figaro<\/em>). Riccardo Muti, Orchestra del Teatro alla Scala di Milano [live Milano 1982]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-Liceu-1-725x1024.jpg\" alt=\"\" class=\"wp-image-16461\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-Liceu-1-725x1024.jpg 725w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-Liceu-1-213x300.jpg 213w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Countess-Liceu-1.jpg 765w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 322. Margaret Marshall Sings Mozart SOCIAL SHARE SUBSCRIPTION PLATFORM Yesterday was the birthday of Countermelody favorite, the ravishing Scottish&hellip;<\/p>\n","protected":false},"author":1,"featured_media":16427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,5137,1074,5806,1263,2260,808,4722,5138],"tags":[2537,7198,6826,44,7199,46,686,6827,7204,7201,7202,2533,4895,7200,1137,2527,3354,871,3353,870,2526,2528,3575,7203,2226,1704,34],"class_list":["post-16047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-great-tenors","category-happy-birthday","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-wolfgang-amadeus-mozart","tag-ann-murray","tag-carlo-goldoni","tag-christian-felix-weisse","tag-cosi-fan-tutte","tag-exsultate-jubilate","tag-francisco-araiza","tag-friedemann-layer","tag-gabriele-von-baumberg","tag-george-guest","tag-gianbattisto-varesco","tag-giuseppe-petrosellini","tag-gunter-kehr","tag-gunter-wand","tag-hanns-martin-schneidt","tag-johann-wolfgang-von-goethe","tag-john-fraser","tag-la-finta-giardiniera","tag-le-nozze-di-figaro","tag-leopold-hager","tag-lorenzo-da-ponte","tag-margaret-marshall","tag-neville-marriner","tag-pietro-metastasio","tag-rainieri-de-calzabigi","tag-ralf-weikert","tag-riccardo-muti","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Margaret-Supplication-300x139.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ann Murray<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Goldoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christian Felix Weisse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Exsultate jubilate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedemann Layer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gabriele von Baumberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Guest<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gianbattisto Varesco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Petrosellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">G\u00fcnter Kehr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">G\u00fcnter Wand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hanns-Martin Schneidt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Fraser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La finta giardiniera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leopold Hager<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Neville Marriner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rainieri de\u2019 Calzabigi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ralf Weikert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Ann Murray<\/span>","<span class=\"advgb-post-tax-term\">Carlo Goldoni<\/span>","<span class=\"advgb-post-tax-term\">Christian Felix Weisse<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Exsultate jubilate<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Friedemann Layer<\/span>","<span class=\"advgb-post-tax-term\">Gabriele von Baumberg<\/span>","<span class=\"advgb-post-tax-term\">George Guest<\/span>","<span class=\"advgb-post-tax-term\">Gianbattisto Varesco<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Petrosellini<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnter Kehr<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnter Wand<\/span>","<span class=\"advgb-post-tax-term\">Hanns-Martin Schneidt<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">John Fraser<\/span>","<span class=\"advgb-post-tax-term\">La finta giardiniera<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Leopold Hager<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Margaret Marshall<\/span>","<span class=\"advgb-post-tax-term\">Neville Marriner<\/span>","<span class=\"advgb-post-tax-term\">Pietro Metastasio<\/span>","<span class=\"advgb-post-tax-term\">Rainieri de\u2019 Calzabigi<\/span>","<span class=\"advgb-post-tax-term\">Ralf Weikert<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 05\/01\/2025","modified":"Updated on 05\/01\/2025"},"absolute_dates_time":{"created":"Posted on 05\/01\/2025 22:52","modified":"Updated on 05\/01\/2025 23:38"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=16047"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16047\/revisions"}],"predecessor-version":[{"id":16462,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/16047\/revisions\/16462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/16427"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=16047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=16047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=16047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}