{"id":15992,"date":"2025-01-02T07:37:03","date_gmt":"2025-01-02T06:37:03","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15992"},"modified":"2025-01-04T14:54:49","modified_gmt":"2025-01-04T13:54:49","slug":"episode-321-anna-moffo-und-die-leichte-muse","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2025\/01\/02\/episode-321-anna-moffo-und-die-leichte-muse\/","title":{"rendered":"Episode 321. Anna Moffo und die leichte Muse"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 321.  Anna Moffo und die leichte Muse<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1381-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-1024x1024.jpg\" alt=\"\" class=\"wp-image-16379\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup-1600x1600.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-lieder-closeup.jpg 1823w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today\u2019s episode, \u201cAnna Moffo und die leichte Muse,\u201d continues the delicious theme of opera singers \u201cletting down their hair\u201d begun with \u201cHadley in Wien,\u201d and it also forms a complement and a supplement to the \u201cAnna Moffo Reappraised\u201d episode that I published exactly two years ago. Anna Moffo\u2019s recording career divides into three separate markets: Italy in the late 1950s and early 1960s; which overlapped with the US in the 1960s; and finally Germany in the 1970s and beyond. Each of these eras in the Moffo career was represented on disc in different ways: jazz arrangements of standards from the Great American Songbook in her rarest (and earliest) Italian recordings, followed by breathy Italian pop songs (some even composed by Moffo herself); early twentieth century Broadway operettas and MGM movie musicals in the US when her voice was at its peak; and Viennese operetta for the German-speaking market, as her vocal instrument became more fragile, while it still represented her finest work of that period. Each of these eras and genres is thoroughly explored in this episode. She is partnered in all of this repertoire by some impressive co-stars: Sergio Franchi, Ren\u00e9 Kollo, Rudolf Schock, and Robert Merrill as duet partners, with musical direction by Ennio Morricone, Henri Ren\u00e9, Lehman Engel, and Skitch Henderson. Recordings range from 1960 through 1983, with the vast majority coming from the 1960s. In spite of the vocal and technical frailty displayed in the later recordings, Moffo\u2019s ability to communicate in this repertoire never flagged. And of course throughout her entire career, no singer so consistently presented a more striking image of vocal and physical glamour than did Anna Moffo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"988\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-1024x988.jpg\" alt=\"\" class=\"wp-image-16418\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-1024x988.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-300x289.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-768x741.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-1536x1482.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1-1600x1544.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-1024x1009.jpg\" alt=\"\" class=\"wp-image-16380\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-1024x1009.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-768x757.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-1536x1514.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4-1600x1577.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-4.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Victor L\u00e9on, Leo Stein [English lyric by Adrian Ross]. Vilja (<em>The Merry Widow<\/em>). Anna Moffo, Skitch Henderson, RCA Victor Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"397\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-and-autumn-leaves.png\" alt=\"\" class=\"wp-image-16381\" style=\"width:469px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-and-autumn-leaves.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-and-autumn-leaves-227x300.png 227w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p>Unknown Composer: Andarmene. Anna Moffo [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall.jpg\" alt=\"\" class=\"wp-image-16382\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-300x295.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin: \u2019s Wonderful. Anna Moffo, Piero Umiliani e il suo complesso [Piero Umiliani, Gino Marinacci, Berto Pisano, Giuseppe Conte, Livio Cervellieri] [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup-755x1024.jpg\" alt=\"\" class=\"wp-image-16383\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup-755x1024.jpg 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup-221x300.jpg 221w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup-768x1042.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup-1132x1536.jpg 1132w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-first-operetta-album-closeup.jpg 1509w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Paul Knepler, Bela Jenbach: Liebe, du Himmel auf Erden (<em>Paganini<\/em>). Anna Moffo, Orchestra and chorus conducted by Hans Carste [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"539\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt-539x1024.jpg\" alt=\"\" class=\"wp-image-16384\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt-539x1024.jpg 539w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt-158x300.jpg 158w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt-768x1460.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt-808x1536.jpg 808w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-in-operetta-miniskirt.jpg 1077w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><\/figure>\n<\/div>\n\n\n<p>Nacio Herb Brown, Earl K. Brent: Love Is Where You Find It (<em>The Kissing Bandit<\/em>). Anna Moffo, Skitch Henderson, RCA Victor Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-jeans-685x1024.png\" alt=\"\" class=\"wp-image-16385\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-jeans-685x1024.png 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-jeans-201x300.png 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-jeans.png 722w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin: Embraceable You. Anna Moffo, Piero Umiliani e il suo complesso [Piero Umiliani, Gino Marinacci, Berto Pisano, Giuseppe Conte, Livio Cervellieri] [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-1.jpg\" alt=\"\" class=\"wp-image-16386\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-1.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-1-300x294.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Irving Berlin: Cheek to Cheek. Anna Moffo, Trio Franco Pisano [Franco Pisano, Berto Pisano, Sergio Conti, Gino Marinacci] [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup-477x1024.jpg\" alt=\"\" class=\"wp-image-16387\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup-477x1024.jpg 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup-140x300.jpg 140w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup-768x1650.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup-715x1536.jpg 715w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-loving-cup.jpg 953w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><\/figure>\n<\/div>\n\n\n<p>Irving Berlin: Blue Skies. Anna Moffo, Trio Franco Pisano [Franco Pisano, Berto Pisano, Sergio Conti, Gino Marinacci] [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"802\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Pink-and-Glam.png\" alt=\"\" class=\"wp-image-16388\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Pink-and-Glam.png 865w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Pink-and-Glam-300x278.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Pink-and-Glam-768x712.png 768w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/figure>\n<\/div>\n\n\n<p>Gino Paoli: Senza fine [The Phoenix Love Theme]. Anna Moffo [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"702\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Una-storia-damore-still-1024x702.png\" alt=\"\" class=\"wp-image-16389\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Una-storia-damore-still-1024x702.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Una-storia-damore-still-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Una-storia-damore-still-768x526.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Una-storia-damore-still.png 1351w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Gino Paoli, Sergio Bardotti: Un fiore \u00e8 nato. Anna Moffo, Ennio Morricone e la sua Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-2.jpg\" alt=\"\" class=\"wp-image-16390\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Anna Moffo, Mario Lanfranchi: Amore sulla Costa Azzurra. Anna Moffo, Billy Smith e la sua Orchestra [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-3.jpg\" alt=\"\" class=\"wp-image-16391\" style=\"width:626px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-3.jpg 597w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-3-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-3-150x150.jpg 150w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure>\n<\/div>\n\n\n<p>Gianni Ferrio, Antonio Amurri: Un bacio. Anna Moffo, Orchestra conducted by Gianni Ferrio [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Sexpot.jpg\" alt=\"\" class=\"wp-image-16392\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Sexpot.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Sexpot-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Sexpot-150x150.jpg 150w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II, Carl Haffner and Richard Gen\u00e9e after Henri Meilhac and Ludovic Hal\u00e9vy: Mein Herr Marquis (<em>Die Fledermaus<\/em>). Anna Moffo, Orchestra arranged and conducted by Hagen Galaitis, Erich Werner [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"580\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-Copy.jpg\" alt=\"\" class=\"wp-image-16409\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-Copy.jpg 584w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-Copy-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-Copy-150x150.jpg 150w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Lincke, Heinrich Bolten-Baeckers: Schl\u00f6sser, die im Monde liegen (<em>Frau Luna<\/em>). Anna Moffo, Orchestra and Chorus arranged and conducted by Hagen Galaitis, Erich Werner [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"303\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Arms-Out-TRIMMED-1.png\" alt=\"\" class=\"wp-image-16416\" style=\"width:620px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Arms-Out-TRIMMED-1.png 642w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Arms-Out-TRIMMED-1-300x142.png 300w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Victor Leon, Leo Stein: Vilja-Lied (<em>Die lustige Witwe<\/em>). Anna Moffo, Orchestra and chorus conducted by Hans Carste [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"862\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-1024x862.jpg\" alt=\"\" class=\"wp-image-16396\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-1024x862.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-300x252.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-768x646.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-1536x1292.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs-1600x1346.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-in-wig-with-boobs.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II: Fr\u00fchlingsstimmen-Walzer. Anna Moffo, Orchestra conducted by Hans Carste [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-1017x1024.jpg\" alt=\"\" class=\"wp-image-16419\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-1017x1024.jpg 1017w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-768x774.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-1525x1536.jpg 1525w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3-1600x1612.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-insert-3.jpg 2033w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich K\u00e1lm\u00e1n, Julius Brammer, Alfred Gr\u00fcnwald: H\u00f6re ich Zigeunergeigen (<em>Gr\u00e4fin Mariza<\/em>). Anna Moffo, Orchestra and chorus conducted by Hans Carste [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"581\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Csardasfurstin.jpg\" alt=\"\" class=\"wp-image-16400\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Csardasfurstin.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Csardasfurstin-300x291.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich K\u00e1lm\u00e1n, Leo Stein, Bela Jenbach: Wetterleuchten tut es \u00f6fters&#8230; M\u00e4dchen gibt es wunderfeine (<em>Die Cs\u00e1rd\u00e1sf\u00fcrstin<\/em>). Anna Moffo, Ren\u00e9 Kollo, Bert Grund, Symphonieorchester Graunke, Zigeuner-Orchester [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"833\" height=\"626\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Schock.png\" alt=\"\" class=\"wp-image-16401\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Schock.png 833w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Schock-300x225.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Schock-768x577.png 768w\" sizes=\"auto, (max-width: 833px) 100vw, 833px\" \/><\/figure>\n<\/div>\n\n\n<p>Karl Mill\u00f6cker, Friedrich Zell [Camillo Walzel], Richard Gen\u00e9e: Mit der Liebe Fessel binden (<em>Der Bettelstudent<\/em>). Anna Moffo, Rudolf Schock, Werner Schmidt-Boelcke, Berliner Symphoniker [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-amongst-riches-768x1024.jpg\" alt=\"\" class=\"wp-image-16402\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-amongst-riches-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-amongst-riches-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-amongst-riches-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-amongst-riches.jpg 1536w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Karl Mill\u00f6cker, Theo Mackeben: Es lockt die Nacht (<em>Die Dubarry<\/em>). Anna Moffo, Rudolf Schock, Werner Schmidt-Boelcke, Berliner Symphoniker [1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-1024x1009.jpg\" alt=\"\" class=\"wp-image-16407\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-1024x1009.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-768x756.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-1536x1513.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-2048x2017.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Folder-Copy-1600x1576.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"792\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-1024x792.jpg\" alt=\"\" class=\"wp-image-16405\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-1024x792.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-300x232.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-768x594.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-1536x1188.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood-1600x1237.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-as-Natalie-Wood.jpg 1915w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: People Will Say We\u2019re in Love (<em>Oklahoma!<\/em>). Anna Moffo, Rudolf Schock, Werner Eisbrenner, Berliner Symphoniker, Peter-Cornehlsen-Chor [1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1004\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-1024x1004.jpg\" alt=\"\" class=\"wp-image-16408\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-1024x1004.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-300x294.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-768x753.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-1536x1506.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-2048x2008.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-5-1600x1569.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"327\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-glam-autograph.jpg\" alt=\"\" class=\"wp-image-16404\" style=\"width:520px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-glam-autograph.jpg 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Anna-Moffo-glam-autograph-245x300.jpg 245w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Strauss II, Friedrich Zell [Camillo Walzel], Richard Gen\u00e9e [English language version by Lesley Storm, Dudley Glass]: Wishing on a Waltz (<em>A Night in Venice<\/em>). Anna Moffo, Stanley Grover, Lehman Engel, RCA Victor Symphony Orchestra [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"409\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Bangs.png\" alt=\"\" class=\"wp-image-16403\" style=\"width:589px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Bangs.png 409w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Bangs-181x300.png 181w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/figure>\n<\/div>\n\n\n<p>Sigmund Romberg, Oscar Hammerstein II, Otto Harbach; Romance (<em>The Desert Song<\/em>). Anna Moffo, The Beecham Promenade Orchestra and Chorus [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"1074\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Hooded.png\" alt=\"\" class=\"wp-image-16393\" style=\"width:623px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Hooded.png 792w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Hooded-221x300.png 221w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Hooded-755x1024.png 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Hooded-768x1041.png 768w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Wright, George Forrest [after Edvard Grieg]: Strange Music (<em>Song of Norway<\/em>). Anna Moffo, Skitch Henderson, RCA Victor Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4-1024x1024.jpg\" alt=\"\" class=\"wp-image-16406\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-4.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Victor Schertzinger, Gus Kahn: One Night of Love (from the film of the same title). Anna Moffo, Skitch Henderson, RCA Victor Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"622\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Older-1024x622.png\" alt=\"\" class=\"wp-image-16410\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Older-1024x622.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Older-300x182.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Older-768x467.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Older.png 1196w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Sigmund Romberg, Rida Johnson Young: Will You Remember? [Sweetheart] (<em>Maytime<\/em>). Anna Moffo, Robert Merrill, Thomas Fulton, Metropolitan Opera Orchestra [live 22.X.83]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-6.jpg\" alt=\"\" class=\"wp-image-16411\" style=\"width:610px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-6.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-6-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/AlbumArtSmall-6-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>No\u00ebl Coward: I\u2019ll See You Again (<em>Bitter Sweet<\/em>). Anna Moffo, Sergio Franchi, Orchestra arranged and conducted by Henri Ren\u00e9 [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1001\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-1024x1001.jpg\" alt=\"\" class=\"wp-image-16412\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-1024x1001.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-300x293.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-768x751.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-1536x1502.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2-1600x1564.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-Insert-2.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Oscar Hammerstein II: You Are Love (<em>Show Boat<\/em>). Anna Moffo, Sergio Franchi, Orchestra arranged and conducted by Henri Ren\u00e9 [1963]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 321. Anna Moffo und die leichte Muse SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s episode, \u201cAnna Moffo und die leichte Muse,\u201d&hellip;<\/p>\n","protected":false},"author":1,"featured_media":16415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[2109,1076,5137,1073,5806,808,1470,2755,2806],"tags":[7165,4860,411,4868,7162,7166,7167,4869,7168,7169,7170,7171,7172,3380,6520,7173,7174,330,1452,2178,5417,7175,7176,7158,2072,1396,4870,7177,7178,7179,4673,240,7180,4861,7181,3672,4072,1397,608,7182,749,2031,7183,1050,6515,7184,7185,3673,4866,2516,1527,5198,7186,927,4250,7150,3388,7187,7188,4865,645,6802,928,6102,322,7189,644,7190,7191,4336,239,3432,2076,7192,7193,7194,4204,7195,7196,7161,7197,3534],"class_list":["post-15992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-broadway-and-musicals","category-crossover","category-great-tenors","category-holiday-music","category-listeners-favorites","category-needle-drop","category-operetta","category-pop-icons","category-twentieth-century-music","tag-adrian-ross","tag-alfred-grunwald","tag-anna-moffo","tag-antonio-amurri","tag-bela-jenbach","tag-bert-grund","tag-berto-pisano","tag-billy-smith","tag-butter-sweet","tag-camillo-walzel","tag-carl-haffner","tag-die-csardasfurstin","tag-die-dubarry","tag-die-fledermaus","tag-die-lustige-witwe","tag-dudley-glass","tag-earl-k-brent","tag-edvard-grieg","tag-emmerich-kalman","tag-ennio-morricone","tag-erich-werner","tag-franco-pisano","tag-frau-luna","tag-friedrich-zell","tag-george-forrest","tag-george-gershwin","tag-gianni-ferrio","tag-gino-marinacci","tag-gino-paoli","tag-giuseppe-conte","tag-grafin-mariza","tag-gus-kahn","tag-hagen-galaitis","tag-hans-carste","tag-heinrich-bolten-baeckers","tag-henri-meilhac","tag-henri-rene","tag-ira-gershwin","tag-irving-berlin","tag-jerome-kern-show-boat","tag-johann-strauss-ii","tag-julius-brammer","tag-karl-millocker","tag-lehman-engel","tag-leo-stein","tag-lesley-storm","tag-livio-cervellieri","tag-ludovic-halevy","tag-mario-lanfranchi","tag-nacio-herb-brown","tag-noel-coward","tag-oklahoma","tag-one-night-of-love","tag-oscar-hammerstein-ii","tag-otto-harbach","tag-paganini","tag-paul-knepler","tag-paul-lincke","tag-peter-cornehlsen","tag-piero-umiliani","tag-rene-kollo","tag-richard-genee","tag-richard-rodgers","tag-rida-johnson-young","tag-robert-merrill","tag-robert-weight","tag-rudolf-schock","tag-sergio-bardotti","tag-sergio-conti","tag-sergio-franchi","tag-sigmund-romberg","tag-skitch-henderson","tag-song-of-norway","tag-stanley-grover","tag-the-desert-song","tag-the-kissing-bandit","tag-the-merry-widow","tag-theo-mackeben","tag-thomas-fulton","tag-victor-leon","tag-victor-scherzinger","tag-werner-eisbrenner"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2025\/01\/Moffo-at-Disco-RETRIMMED-300x149.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/holiday-music\/\" class=\"advgb-post-tax-term\">Holiday Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Holiday Music<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adrian Ross<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio Amurri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bela Jenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bert Grund<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Berto Pisano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Billy Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Butter Sweet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Camillo Walzel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carl Haffner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Cs\u00e1rd\u00e1sf\u00fcrstin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Dubarry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Fledermaus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die lustige Witwe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dudley Glass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Earl K. Brent<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ennio Morricone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erich Werner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franco Pisano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frau Luna<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Zell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Forrest<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gianni Ferrio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gino Marinacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gino Paoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Conte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gus Kahn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hagen Galaitis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Carste<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Bolten-Baeckers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Ren\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Irving Berlin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerome Kern Show Boat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Strauss II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Brammer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl Mill\u00f6cker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leo Stein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lesley Storm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Livio Cervellieri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mario Lanfranchi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nacio Herb Brown<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">No\u00ebl Coward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oklahoma!<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">One Night of Love<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otto Harbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paganini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Knepler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Lincke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Cornehlsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Piero Umiliani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ren\u00e9 Kollo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Gen\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rida Johnson Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Merrill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Weight<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rudolf Schock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergio Bardotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergio Conti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergio Franchi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sigmund Romberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Skitch Henderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Song of Norway<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stanley Grover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Desert Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Kissing Bandit<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Merry Widow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Theo Mackeben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Fulton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor L\u00e9on<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor Scherzinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Werner Eisbrenner<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adrian Ross<\/span>","<span class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Antonio Amurri<\/span>","<span class=\"advgb-post-tax-term\">Bela Jenbach<\/span>","<span class=\"advgb-post-tax-term\">Bert Grund<\/span>","<span class=\"advgb-post-tax-term\">Berto Pisano<\/span>","<span class=\"advgb-post-tax-term\">Billy Smith<\/span>","<span class=\"advgb-post-tax-term\">Butter Sweet<\/span>","<span class=\"advgb-post-tax-term\">Camillo Walzel<\/span>","<span class=\"advgb-post-tax-term\">Carl Haffner<\/span>","<span class=\"advgb-post-tax-term\">Die Cs\u00e1rd\u00e1sf\u00fcrstin<\/span>","<span class=\"advgb-post-tax-term\">Die Dubarry<\/span>","<span class=\"advgb-post-tax-term\">Die Fledermaus<\/span>","<span class=\"advgb-post-tax-term\">Die lustige Witwe<\/span>","<span class=\"advgb-post-tax-term\">Dudley Glass<\/span>","<span class=\"advgb-post-tax-term\">Earl K. Brent<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Ennio Morricone<\/span>","<span class=\"advgb-post-tax-term\">Erich Werner<\/span>","<span class=\"advgb-post-tax-term\">Franco Pisano<\/span>","<span class=\"advgb-post-tax-term\">Frau Luna<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Zell<\/span>","<span class=\"advgb-post-tax-term\">George Forrest<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Gianni Ferrio<\/span>","<span class=\"advgb-post-tax-term\">Gino Marinacci<\/span>","<span class=\"advgb-post-tax-term\">Gino Paoli<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Conte<\/span>","<span class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/span>","<span class=\"advgb-post-tax-term\">Gus Kahn<\/span>","<span class=\"advgb-post-tax-term\">Hagen Galaitis<\/span>","<span class=\"advgb-post-tax-term\">Hans Carste<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Bolten-Baeckers<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Ren\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Irving Berlin<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern Show Boat<\/span>","<span class=\"advgb-post-tax-term\">Johann Strauss II<\/span>","<span class=\"advgb-post-tax-term\">Julius Brammer<\/span>","<span class=\"advgb-post-tax-term\">Karl Mill\u00f6cker<\/span>","<span class=\"advgb-post-tax-term\">Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">Leo Stein<\/span>","<span class=\"advgb-post-tax-term\">Lesley Storm<\/span>","<span class=\"advgb-post-tax-term\">Livio Cervellieri<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Mario Lanfranchi<\/span>","<span class=\"advgb-post-tax-term\">Nacio Herb Brown<\/span>","<span class=\"advgb-post-tax-term\">No\u00ebl Coward<\/span>","<span class=\"advgb-post-tax-term\">Oklahoma!<\/span>","<span class=\"advgb-post-tax-term\">One Night of Love<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Otto Harbach<\/span>","<span class=\"advgb-post-tax-term\">Paganini<\/span>","<span class=\"advgb-post-tax-term\">Paul Knepler<\/span>","<span class=\"advgb-post-tax-term\">Paul Lincke<\/span>","<span class=\"advgb-post-tax-term\">Peter Cornehlsen<\/span>","<span class=\"advgb-post-tax-term\">Piero Umiliani<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9 Kollo<\/span>","<span class=\"advgb-post-tax-term\">Richard Gen\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Rida Johnson Young<\/span>","<span class=\"advgb-post-tax-term\">Robert Merrill<\/span>","<span class=\"advgb-post-tax-term\">Robert Weight<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Schock<\/span>","<span class=\"advgb-post-tax-term\">Sergio Bardotti<\/span>","<span class=\"advgb-post-tax-term\">Sergio Conti<\/span>","<span class=\"advgb-post-tax-term\">Sergio Franchi<\/span>","<span class=\"advgb-post-tax-term\">Sigmund Romberg<\/span>","<span class=\"advgb-post-tax-term\">Skitch Henderson<\/span>","<span class=\"advgb-post-tax-term\">Song of Norway<\/span>","<span class=\"advgb-post-tax-term\">Stanley Grover<\/span>","<span class=\"advgb-post-tax-term\">The Desert Song<\/span>","<span class=\"advgb-post-tax-term\">The Kissing Bandit<\/span>","<span class=\"advgb-post-tax-term\">The Merry Widow<\/span>","<span class=\"advgb-post-tax-term\">Theo Mackeben<\/span>","<span class=\"advgb-post-tax-term\">Thomas Fulton<\/span>","<span class=\"advgb-post-tax-term\">Victor L\u00e9on<\/span>","<span class=\"advgb-post-tax-term\">Victor Scherzinger<\/span>","<span class=\"advgb-post-tax-term\">Werner Eisbrenner<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 02\/01\/2025","modified":"Updated on 04\/01\/2025"},"absolute_dates_time":{"created":"Posted on 02\/01\/2025 07:37","modified":"Updated on 04\/01\/2025 14:54"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15992"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15992\/revisions"}],"predecessor-version":[{"id":16421,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15992\/revisions\/16421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/16415"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}