{"id":15807,"date":"2024-12-02T21:09:05","date_gmt":"2024-12-02T20:09:05","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15807"},"modified":"2024-12-02T23:54:42","modified_gmt":"2024-12-02T22:54:42","slug":"episode-312-john-reardon-revisited-world-aids-day-2024","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/12\/02\/episode-312-john-reardon-revisited-world-aids-day-2024\/","title":{"rendered":"Episode 312. John Reardon Revisited (World AIDS Day 2024)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 312.  John Reardon Revisited (World AIDS Day 2024)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1345-https-countermelody-blubrry-net-feed-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-683x1024.jpg\" alt=\"\" class=\"wp-image-15996\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-683x1024.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-768x1152.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-1024x1536.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon.jpg 1067w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yesterday was World AIDS Day and many of the people I admire and follow on various social media platforms made beautiful and heartfelt posts in commemoration of this day and all the many souls that have been lost over the decades to this hideous disease. I want to weigh in today with my own tribute: to the exceptional American baritone John Reardon, who died of this disease in 1988 at the age of 58. This is an expanded version of a bonus episode I published more than four years ago which constituted a deep exploration of his recorded legacy, in both live or studio recordings, of musical, opera (especially contemporary works), and art song. You\u2019ll hear guest contributions from the two Judys, (Raskin and Blegen; sorry, no Garland today), as well as Jo Sullivan, Beverly Wolff, Anja Silja, Evelyn Lear, and James McCracken, conducted by Leonard Bernstein, Thomas Beecham, Sarah Caldwell, Erich Leinsdorf, Frederic Waldman, Lehman Engel, Jorge Mester, as well as that great stage director Bliss Hebert doing a guest turn tickling the ivories in two song cycles. If you listen extra closely, you may even hear a line or two from Beverly Sills, Robert Merrill, Cesare Siepi, and Jussi Bj\u00f6rling! The episode also includes a birthday tribute to Maria Callas and, as a memorial to all who succumbed to AIDS, \u201cWhen Angels Cry,\u201d a song by Janis Ian.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"889\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Callas-in-Japan-889x1024.jpg\" alt=\"\" class=\"wp-image-16000\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Callas-in-Japan-889x1024.jpg 889w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Callas-in-Japan-261x300.jpg 261w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Callas-in-Japan-768x884.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Callas-in-Japan.jpg 1216w\" sizes=\"auto, (max-width: 889px) 100vw, 889px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: S\u00ec, mi chiamano Mim\u00ec (<em>La boh\u00e8me<\/em>). Maria Callas, Robert Sutherland) [live Tokyo 27.X.74]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-1024x763.jpg\" alt=\"\" class=\"wp-image-16001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-1024x763.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-300x224.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-768x572.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-1536x1145.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-2048x1526.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Janis-Ian-1600x1192.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Janis Ian: When Angels Cry [1995]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"677\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Thomas-Beecham.jpg\" alt=\"\" class=\"wp-image-16003\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Thomas-Beecham.jpg 453w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Thomas-Beecham-201x300.jpg 201w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><figcaption class=\"wp-element-caption\">Thomas Beecham<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: Or vi dir\u00f2 (<em>La boh\u00e8me<\/em>). John Reardon, Jussi Bj\u00f6rling, Robert Merrill, Giorgio Tozzi, Thomas Beecham, RCA Victor Orchestra [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"175\" height=\"253\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Siepi-Giovanni2.png\" alt=\"\" class=\"wp-image-16004\" style=\"width:524px;height:auto\"\/><figcaption class=\"wp-element-caption\">Cesare Siepi as Don Giovanni<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte, English version by W.H. Auden, Chester Kallman: Ho capito, signor, s\u00ec (<em>Don Giovanni<\/em>). John Reardon, Judith Raskin, Cesare Siepi, James Pease, Peter Herman Adler, NBC Opera Orchestra [first telecast 10 April 1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Musical-America-ad.jpg\" alt=\"\" class=\"wp-image-16005\" style=\"width:599px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Musical-America-ad.jpg 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Musical-America-ad-220x300.jpg 220w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, James Harris (after John Milton): Mirth, admit me to thy crew (<em>L\u2019Allegro ed il Penseroso<\/em>). John Reardon, Frederic Waldman, Musica \u00c6terna Orchestra [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Judy-Raskin.png\" alt=\"\" class=\"wp-image-16007\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Judy-Raskin.png 643w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Judy-Raskin-236x300.png 236w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><figcaption class=\"wp-element-caption\">Judith Raskin<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Joseph Haydn, Gottfried van Swieten: Der tauende Morgen (<em>Die Sch\u00f6pfung<\/em>). John Reardon, Judith Raskin, Leonard Bernstein, New York Philharmonic [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"375\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-as-Papageno.jpg\" alt=\"\" class=\"wp-image-16008\" style=\"width:603px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-as-Papageno.jpg 474w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/John-Reardon-as-Papageno-300x237.jpg 300w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><figcaption class=\"wp-element-caption\">John Reardon as Papageno<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hoffmannsthal: Lieben, Hassen, Hoffen, Zagen (<em>Ariadne auf Naxos<\/em>). John Reardon, Beverly Sills, Carole Bogard, Erich Leinsdorf, Boston Symphony Orchestra [live telecast 1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rieti.png\" alt=\"\" class=\"wp-image-16009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rieti.png 562w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rieti-222x300.png 222w\" sizes=\"auto, (max-width: 562px) 100vw, 562px\" \/><figcaption class=\"wp-element-caption\">Vittorio Rieti<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Vittorio Rieti: <em>Quattro liriche italiane<\/em>. John Reardon, Bliss Hebert [1967]. I. E per un bel cantar (anon); II. La non vuol esser pi\u00f9 mia (Angiolo Poliziano); III. E lo mio cor s\u2019inchina (anon); IV. Canti ognun (Angiolo Poliziano). John Reardon, Bliss Hebert [1967]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"441\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Bliss-Hebert.jpg\" alt=\"\" class=\"wp-image-16010\" style=\"width:510px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Bliss-Hebert.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Bliss-Hebert-204x300.jpg 204w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Bliss Hebert<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"686\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Blegen.png\" alt=\"\" class=\"wp-image-16011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Blegen.png 686w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Blegen-245x300.png 245w\" sizes=\"auto, (max-width: 686px) 100vw, 686px\" \/><figcaption class=\"wp-element-caption\">Judith Blegen<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gian Carlo Menotti: A nice mess you\u2019ve gotten me into (<em>The Old Maid and the Thief<\/em>). John Reardon, Judith Blegen, Jorge Mester, Orchestra del Teatro Verdi di Trieste [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Labyrinth-Still-1024x685.png\" alt=\"\" class=\"wp-image-16012\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Labyrinth-Still-1024x685.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Labyrinth-Still-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Labyrinth-Still-768x513.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Labyrinth-Still.png 1110w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gian Carlo Menotti: I have lost the key (<em>Labyrinth<\/em>). John Reardon, Beverly Wolff, Herbert Grossman, NBC Opera Orchestra [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"577\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-recording.jpg\" alt=\"\" class=\"wp-image-16013\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-recording.jpg 577w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-recording-211x300.jpg 211w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><\/figure>\n<\/div>\n\n\n<p>Lukas Foss, Gian Carlo Menotti: Introductions and Good-Byes. John Reardon, Leonard Bernstein, New York Philharmonic, Choral Arts Society [live Carnegie Hall 7 May 1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"638\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Black-Tux.png\" alt=\"\" class=\"wp-image-16044\" style=\"width:566px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Black-Tux.png 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Black-Tux-251x300.png 251w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure>\n<\/div>\n\n\n<p>Jule Styne, Betty Comden, Adolph Green: I Know about Love (<em>Do Re Mi<\/em>). John Reardon, Orchestra conducted by Lehman Engel [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"839\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Jo-Sullivan.jpg\" alt=\"\" class=\"wp-image-16015\" style=\"width:621px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Jo-Sullivan.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Jo-Sullivan-215x300.jpg 215w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Jo Sullivan<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Alan Jay Lerner: I Remember It Well (cut from <em>Love Life<\/em>). John Reardon, Jo Sullivan, Orchestra conducted by Denis Deal [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"828\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Young-Autograph.png\" alt=\"\" class=\"wp-image-16043\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Young-Autograph.png 667w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Young-Autograph-242x300.png 242w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Reif, T.S. Eliot: <em>Five Finger Exercises<\/em>. I. Lines to Ralph Hodgson, Esqr.; II. Lines to a Persian Cat; III. Lines to a Yorkshire Terrier; IV. Lines to a Duck in the Park; V. Lines to Mr. Eliot. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"824\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Anja-Silja-Lulu.png\" alt=\"\" class=\"wp-image-16017\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Anja-Silja-Lulu.png 654w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Anja-Silja-Lulu-238x300.png 238w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><figcaption class=\"wp-element-caption\">Anja Silja as Lulu<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Alban Berg [after Frank Wedekind]: Das mein Lebensabend (<em>Lulu<\/em>). John Reardon, Anja Silja, Christoph von Dohn\u00e1nyi [live San Francisco November 1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"442\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Silja-as-Lulu.jpg\" alt=\"\" class=\"wp-image-16016\" style=\"width:588px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Silja-as-Lulu.jpg 442w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Silja-as-Lulu-221x300.jpg 221w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><figcaption class=\"wp-element-caption\">Anja Silja as Lulu<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"541\" height=\"849\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Lear.jpg\" alt=\"\" class=\"wp-image-16018\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Lear.jpg 541w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Lear-191x300.jpg 191w\" sizes=\"auto, (max-width: 541px) 100vw, 541px\" \/><figcaption class=\"wp-element-caption\">Evelyn Lear and John Reardon in <em>Mourning Becomes Electra<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Marvin David Levy, Henry Butler [after Eugene O\u2019Neill]: Forgive me, Lavinia (<em>Mourning Becomes Electra<\/em>). John Reardon, Evelyn Lear, Zubin Mehta [live New York April 1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"786\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Sarah-Caldwell-786x1024.jpg\" alt=\"\" class=\"wp-image-16019\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Sarah-Caldwell-786x1024.jpg 786w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Sarah-Caldwell-230x300.jpg 230w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Sarah-Caldwell-768x1000.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Sarah-Caldwell.jpg 800w\" sizes=\"auto, (max-width: 786px) 100vw, 786px\" \/><figcaption class=\"wp-element-caption\">Sarah Caldwell<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Arrigo Boito [after William Shakespeare]: Era la notte&#8230; S\u00ec, pel ciel (<em>Otello<\/em>). John Reardon, James McCracken, Sarah Caldwell, Opera Company of Boston [live Boston 31 May 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"770\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Noel-Regney-1024x770.png\" alt=\"\" class=\"wp-image-16020\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Noel-Regney-1024x770.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Noel-Regney-300x226.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Noel-Regney-768x578.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Noel-Regney.png 1166w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Noel Regney and his daughter (1971)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Noel Regney, English text after Heinrich Hoffmann: Pauline and the Matches (<em>Slovenly Peter<\/em>). John Reardon, Karl Paul Reichert, Stuttgart Kammermusiker [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"324\" height=\"497\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Mid-Seventies-Handsome.png\" alt=\"\" class=\"wp-image-16021\" style=\"width:536px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Mid-Seventies-Handsome.png 324w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Mid-Seventies-Handsome-196x300.png 196w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/figure>\n<\/div>\n\n\n<p>John Kander, Fred Ebb: Wine and Peaches (cut from <em>The Rink<\/em>). John Reardon, unknown performing forces [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Stache-788x1024.png\" alt=\"\" class=\"wp-image-16022\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Stache-788x1024.png 788w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Stache-231x300.png 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Stache-768x997.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Stache.png 810w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/figure>\n<\/div>\n\n\n<p>Harvey Schmidt, Tom Jones: The Room Is Full of You (<em>Colette Collage<\/em>). John Reardon, arranged and conducted by Arthur Siegel [1985]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"789\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-789x1024.jpg\" alt=\"\" class=\"wp-image-16023\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-789x1024.jpg 789w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-231x300.jpg 231w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-768x996.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-1184x1536.jpg 1184w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-1578x2048.jpg 1578w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-1600x2076.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Schmidt-n-Jones-scaled.jpg 1973w\" sizes=\"auto, (max-width: 789px) 100vw, 789px\" \/><figcaption class=\"wp-element-caption\">Tom Jones and Harvey Schmidt<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"879\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-cute-autograph.png\" alt=\"\" class=\"wp-image-16045\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-cute-autograph.png 669w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-cute-autograph-228x300.png 228w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Hundley: Postcard from Spain. John Reardon, Bliss Hebert [1967]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Richard-Hundley_1966-1-1024x576.jpg\" alt=\"\" class=\"wp-image-16026\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Richard-Hundley_1966-1-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Richard-Hundley_1966-1-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Richard-Hundley_1966-1-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Richard-Hundley_1966-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Richard Hundley<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Contemporary-Art-Songs.jpg\" alt=\"\" class=\"wp-image-16024\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Contemporary-Art-Songs.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Contemporary-Art-Songs-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Contemporary-Art-Songs-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"625\" data-id=\"16033\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/JR-Boy.gif\" alt=\"\" class=\"wp-image-16033\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"387\" height=\"471\" data-id=\"16036\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Papageno.png\" alt=\"\" class=\"wp-image-16036\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Papageno.png 387w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Papageno-246x300.png 246w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"400\" data-id=\"16030\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-70s-Suitcoat.jpg\" alt=\"\" class=\"wp-image-16030\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-70s-Suitcoat.jpg 260w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-70s-Suitcoat-195x300.jpg 195w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"746\" data-id=\"16031\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Escamillo.jpg\" alt=\"\" class=\"wp-image-16031\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Escamillo.jpg 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Escamillo-237x300.jpg 237w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"731\" data-id=\"16034\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Mercutio.jpg\" alt=\"\" class=\"wp-image-16034\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Mercutio.jpg 590w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-as-Mercutio-242x300.jpg 242w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"352\" height=\"449\" data-id=\"16029\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-with-Stache-1.jpg\" alt=\"\" class=\"wp-image-16029\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-with-Stache-1.jpg 352w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-with-Stache-1-235x300.jpg 235w\" sizes=\"auto, (max-width: 352px) 100vw, 352px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"16032\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-on-Mister-Rogers-1024x576.jpg\" alt=\"\" class=\"wp-image-16032\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-on-Mister-Rogers-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-on-Mister-Rogers-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-on-Mister-Rogers-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-on-Mister-Rogers.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"696\" data-id=\"16037\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rogers-Reardon-Tiger-1.jpg\" alt=\"\" class=\"wp-image-16037\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rogers-Reardon-Tiger-1.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rogers-Reardon-Tiger-1-300x204.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Rogers-Reardon-Tiger-1-768x522.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 312. John Reardon Revisited (World AIDS Day 2024) SOCIAL SHARE SUBSCRIPTION PLATFORM Yesterday was World AIDS Day and many&hellip;<\/p>\n","protected":false},"author":1,"featured_media":16006,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2109,2891,1076,2261,1625,2476,2398,2399,1072,1659,5806,1263,2260,808,2329,2755,6189,2257,2806,4980,5138],"tags":[1958,1473,1635,7001,6992,462,77,4200,1957,371,3610,3136,6995,321,3150,6996,4196,7000,1017,3054,2174,4285,280,94,1968,1016,4759,207,4423,6999,6022,3145,3156,3760,1686,7002,1105,2057,2175,2084,3155,2530,525,1169,1872,281,6998,1040,418,1050,972,870,4758,2737,410,3146,1063,6993,4197,4854,329,322,5759,3144,5105,6997,4303,2756,6994,2733,2600,34,2249],"class_list":["post-15807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-broadway-and-musicals","category-comic-relief","category-crossover","category-full-figured-baroque","category-gay-pride","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-interview","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-pop-icons","category-rescue-mission","category-richard-strauss","category-twentieth-century-music","category-twentieth-century-opera","category-wolfgang-amadeus-mozart","tag-adolph-green","tag-alan-jay-lerner","tag-alban-berg","tag-angiolo-poliziano","tag-anja-silja","tag-ariadne-auf-naxos","tag-arrigo-boito","tag-arthur-siegel","tag-betty-comden","tag-beverly-sills","tag-beverly-wolff","tag-bliss-hebert","tag-carole-bogard","tag-cesare-siepi","tag-christoph-von-dohnanyi","tag-colette-collage","tag-denis-deal","tag-der-struwwelpeter","tag-erich-leinsdorf","tag-evelyn-lear","tag-fred-ebb","tag-frederic-waldman","tag-george-frideric-handel","tag-giacomo-puccini","tag-gian-carlo-menotti","tag-giorgio-tozzi","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-harvey-schmidt","tag-heinrich-hoffmann","tag-henri-murger","tag-henry-butler","tag-herbert-grossman","tag-hugo-von-hofmannsthal","tag-james-mccracken","tag-james-pease","tag-janis-ian","tag-jo-sullivan","tag-john-kander","tag-john-reardon","tag-jorge-mester","tag-joseph-haydn","tag-judith-blegen","tag-judith-raskin","tag-jule-styne","tag-jussi-bjorling","tag-karl-paul-reichert","tag-kurt-weill","tag-la-boheme","tag-lehman-engel","tag-leonard-bernstein","tag-lorenzo-da-ponte","tag-luigi-illica","tag-lukas-foss","tag-maria-callas","tag-marvin-david-levy","tag-otello","tag-paul-reif","tag-peter-herman-adler","tag-richard-hundley","tag-richard-strauss","tag-robert-merrill","tag-robert-sutherland","tag-sarah-caldwell","tag-t-s-eliot","tag-the-rink","tag-thomas-beecham","tag-tom-jones","tag-vittorio-rieti","tag-w-h-auden","tag-william-shakespeare","tag-wolfgang-amadeus-mozart","tag-zubin-mehta"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/12\/Reardon-Autogramm-TRIMMED-300x150.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gay-pride\/\" class=\"advgb-post-tax-term\">Gay Pride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Gay Pride<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Adolph Green<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Angiolo Poliziano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anja Silja<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arthur Siegel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Betty Comden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Beverly Sills<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Beverly Wolff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bliss Hebert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carole Bogard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cesare Siepi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Colette Collage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Denis Deal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der Struwwelpeter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Erich Leinsdorf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Evelyn Lear<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fred Ebb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frederic Waldman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giorgio Tozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Harvey Schmidt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henry Butler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Herbert Grossman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James McCracken<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Pease<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Janis Ian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jo Sullivan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Kander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Reardon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jorge Mester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph Haydn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Judith Blegen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Judith Raskin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jule Styne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jussi Bjorling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Paul Reichert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lukas Foss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maria Callas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marvin David Levy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Reif<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Herman Adler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Hundley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Merrill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Sutherland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sarah Caldwell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">T.S. Eliot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">The Rink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Thomas Beecham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tom Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vittorio Rieti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">W.H. Auden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zubin Mehta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolph Green<\/span>","<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Angiolo Poliziano<\/span>","<span class=\"advgb-post-tax-term\">Anja Silja<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Arthur Siegel<\/span>","<span class=\"advgb-post-tax-term\">Betty Comden<\/span>","<span class=\"advgb-post-tax-term\">Beverly Sills<\/span>","<span class=\"advgb-post-tax-term\">Beverly Wolff<\/span>","<span class=\"advgb-post-tax-term\">Bliss Hebert<\/span>","<span class=\"advgb-post-tax-term\">Carole Bogard<\/span>","<span class=\"advgb-post-tax-term\">Cesare Siepi<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Colette Collage<\/span>","<span class=\"advgb-post-tax-term\">Denis Deal<\/span>","<span class=\"advgb-post-tax-term\">Der Struwwelpeter<\/span>","<span class=\"advgb-post-tax-term\">Erich Leinsdorf<\/span>","<span class=\"advgb-post-tax-term\">Evelyn Lear<\/span>","<span class=\"advgb-post-tax-term\">Fred Ebb<\/span>","<span class=\"advgb-post-tax-term\">Frederic Waldman<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Tozzi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Harvey Schmidt<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Henry Butler<\/span>","<span class=\"advgb-post-tax-term\">Herbert Grossman<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">James McCracken<\/span>","<span class=\"advgb-post-tax-term\">James Pease<\/span>","<span class=\"advgb-post-tax-term\">Janis Ian<\/span>","<span class=\"advgb-post-tax-term\">Jo Sullivan<\/span>","<span class=\"advgb-post-tax-term\">John Kander<\/span>","<span class=\"advgb-post-tax-term\">John Reardon<\/span>","<span class=\"advgb-post-tax-term\">Jorge Mester<\/span>","<span class=\"advgb-post-tax-term\">Joseph Haydn<\/span>","<span class=\"advgb-post-tax-term\">Judith Blegen<\/span>","<span class=\"advgb-post-tax-term\">Judith Raskin<\/span>","<span class=\"advgb-post-tax-term\">Jule Styne<\/span>","<span class=\"advgb-post-tax-term\">Jussi Bjorling<\/span>","<span class=\"advgb-post-tax-term\">Karl Paul Reichert<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Lukas Foss<\/span>","<span class=\"advgb-post-tax-term\">Maria Callas<\/span>","<span class=\"advgb-post-tax-term\">Marvin David Levy<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Paul Reif<\/span>","<span class=\"advgb-post-tax-term\">Peter Herman Adler<\/span>","<span class=\"advgb-post-tax-term\">Richard Hundley<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Merrill<\/span>","<span class=\"advgb-post-tax-term\">Robert Sutherland<\/span>","<span class=\"advgb-post-tax-term\">Sarah Caldwell<\/span>","<span class=\"advgb-post-tax-term\">T.S. Eliot<\/span>","<span class=\"advgb-post-tax-term\">The Rink<\/span>","<span class=\"advgb-post-tax-term\">Thomas Beecham<\/span>","<span class=\"advgb-post-tax-term\">Tom Jones<\/span>","<span class=\"advgb-post-tax-term\">Vittorio Rieti<\/span>","<span class=\"advgb-post-tax-term\">W.H. Auden<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zubin Mehta<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 02\/12\/2024","modified":"Updated on 02\/12\/2024"},"absolute_dates_time":{"created":"Posted on 02\/12\/2024 21:09","modified":"Updated on 02\/12\/2024 23:54"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15807"}],"version-history":[{"count":7,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15807\/revisions"}],"predecessor-version":[{"id":16046,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15807\/revisions\/16046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/16006"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}