{"id":15783,"date":"2024-11-30T17:46:17","date_gmt":"2024-11-30T16:46:17","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15783"},"modified":"2024-12-02T20:44:30","modified_gmt":"2024-12-02T19:44:30","slug":"episode-311-ina-souez","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/11\/30\/episode-311-ina-souez\/","title":{"rendered":"Episode 311. Ina Souez"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 311.  Ina Souez<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1340-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"623\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-with-flower.jpg\" alt=\"\" class=\"wp-image-15962\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-with-flower.jpg 623w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-with-flower-234x300.jpg 234w\" sizes=\"auto, (max-width: 623px) 100vw, 623px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Because we American expats in Germany often celebrate Thanksgiving on the weekend after our compatriots in the US, I offer you today a second Thanksgiving episode, this one featuring the extraordinary Ina Souez (1903 \u2013 1992), one of the few Native American singers to achieve worldwide fame on the operatic stage. (For those of you who are unaware, November is Native American Heritage Month). Though her career was truncated by world events, Souez\u2019s place in the history of recorded sound is assured by virtue of her participation in the series of Mozart operas as produced by HMV in the mid-1930s as souvenirs of the first seasons of the Glyndebourne Festival. Indeed, one could argue that her Fiordiligi remains the standard by which all other interpreters are judged. This episode also includes recordings from both ends of Souez\u2019s career, as it were, including an extraordinarily rare yet impressive and touching 1957 recording of Souez singing arias and songs long after her active career had ended. The episode also features Souez in near-definitive recordings from both <em>Ernani<\/em> and <em>La Boh\u00e8me<\/em>, the latter particularly appropriate as we just recently observed the 100th anniversary of the death of Giacomo Puccini. Finally, this episode also serves as a memorial to Souez, who died 32 years ago this coming week.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1016\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-1024x1016.jpg\" alt=\"\" class=\"wp-image-15968\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-1024x1016.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-768x762.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-1536x1523.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy-1600x1587.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Folder-Copy.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>All tracks feature Ina Souez, soprano<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"864\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Fiordiligili-864x1024.png\" alt=\"\" class=\"wp-image-15970\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Fiordiligili-864x1024.png 864w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Fiordiligili-253x300.png 253w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Fiordiligili-768x910.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Fiordiligili.png 894w\" sizes=\"auto, (max-width: 864px) 100vw, 864px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Come scoglio (<em>Cos\u00ec fan tutte<\/em>). Fritz Busch, Glyndebourne Festival Orchestra [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"645\" height=\"815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Webster-Booth.png\" alt=\"\" class=\"wp-image-15971\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Webster-Booth.png 645w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Webster-Booth-237x300.png 237w\" sizes=\"auto, (max-width: 645px) 100vw, 645px\" \/><figcaption class=\"wp-element-caption\">Webster Booth, one of the singers on the Light Opera Group recording<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Luigi Denza: Funiculi, funicula. HMV Light Opera Group [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"636\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Alberto-Erede.png\" alt=\"\" class=\"wp-image-15972\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Alberto-Erede.png 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Alberto-Erede-236x300.png 236w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Alberto Erede<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: S\u00ec, mi chiamano Mim\u00ec (<em>La boh\u00e8me<\/em>). Alberto Erede, London Philharmonic Orchestra [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"572\" height=\"735\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Busch-Souez-Baccaloni.png\" alt=\"\" class=\"wp-image-15983\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Busch-Souez-Baccaloni.png 572w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Busch-Souez-Baccaloni-233x300.png 233w\" sizes=\"auto, (max-width: 572px) 100vw, 572px\" \/><figcaption class=\"wp-element-caption\">Fritz Busch, Ina Souez, and Salvatore Baccaloni<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Bisogna aver coraggio&#8230; Protegga il giusto cielo (<em>Don Giovanni<\/em>). Luise Helletsgruber, Koloman von P\u00e1taky, John Brownlee, Salvatore Baccaloni, Fritz Busch, Glyndebourne Festival Orchestra [1936]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"690\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Helletsgruber.jpg\" alt=\"\" class=\"wp-image-15973\" style=\"width:492px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Helletsgruber.jpg 444w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Helletsgruber-193x300.jpg 193w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><figcaption class=\"wp-element-caption\">Luise Helletsgruber<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"461\" height=\"752\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Koloman-von-Pataky.png\" alt=\"\" class=\"wp-image-15974\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Koloman-von-Pataky.png 461w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Koloman-von-Pataky-184x300.png 184w\" sizes=\"auto, (max-width: 461px) 100vw, 461px\" \/><figcaption class=\"wp-element-caption\">Koloman von P\u00e1taky<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Era gi\u00e0 alquanto&#8230; Or sai chi l&#8217;onore (<em>Don Giovanni<\/em>). Koloman von P\u00e1taky, Fritz Busch, Glyndebourne Festival Orchestra [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Lore-Fischer-711x1024.png\" alt=\"\" class=\"wp-image-15975\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Lore-Fischer-711x1024.png 711w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Lore-Fischer-208x300.png 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Lore-Fischer.png 746w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><figcaption class=\"wp-element-caption\">Lore Fischer<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Recordare, Jesu pie (<em>Messa da Requiem<\/em>). Lore Fischer, Carl Schuricht, Concertgebouw Orchestra [live Amsterdam 02.XI.39]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Carl-Schuricht.jpg\" alt=\"\" class=\"wp-image-15990\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Carl-Schuricht.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Carl-Schuricht-300x227.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Carl Schuricht<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"736\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Purv-Pullen.png\" alt=\"\" class=\"wp-image-15976\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Purv-Pullen.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Purv-Pullen-246x300.png 246w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><figcaption class=\"wp-element-caption\">Purv Pullen (AKA Dr. Horatio Q. Birdbath)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Luigi Arditi [arr. Spike Jones, Eddie Brandt]: Ill Barkio [Il Bacio]. Dr. Horatio Q. Birdbath (canine obbligato), Spike Jones and His City Slickers [1949]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"353\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Loyd-Simpson.jpeg\" alt=\"\" class=\"wp-image-15977\" style=\"width:495px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Loyd-Simpson.jpeg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Loyd-Simpson-212x300.jpeg 212w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Loyd Simpson<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Edvard Grieg, Friedrich Martin von Bodenstedt: Ein Traum, Op. 48\/6. Loyd Simpson [1957]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"727\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-in-Studio-1024x727.png\" alt=\"\" class=\"wp-image-15985\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-in-Studio-1024x727.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-in-Studio-300x213.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-in-Studio-768x545.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-in-Studio.png 1030w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"751\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri-751x1024.jpg\" alt=\"\" class=\"wp-image-15978\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri-751x1024.jpg 751w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri-220x300.jpg 220w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri-768x1047.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri-1127x1536.jpg 1127w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ada-Negri.jpg 1233w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><figcaption class=\"wp-element-caption\">Ada Negri<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ottorino Respighi, Ada Negri: Nebbie, P.64. Loyd Simpson [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-sideeye-737x1024.jpg\" alt=\"\" class=\"wp-image-15979\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-sideeye-737x1024.jpg 737w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-sideeye-216x300.jpg 216w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-sideeye-768x1067.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-sideeye.jpg 776w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/figure>\n<\/div>\n\n\n<p>Ottorino Respighi, Carlo Zangarini: Invito alla danza, P. 67. Loyd Simpson [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"475\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Niles.jpg\" alt=\"\" class=\"wp-image-15981\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Niles.jpg 718w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Niles-300x198.jpg 300w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><figcaption class=\"wp-element-caption\">John Jacob Niles<\/figcaption><\/figure>\n<\/div>\n\n\n<p>John Jacob Niles: Go &#8216;Way from My Window. Loyd Simpson [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Older.png\" alt=\"\" class=\"wp-image-15980\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Older.png 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-Older-247x300.png 247w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi]: Tu, che di gel sei cinta (<em>Turandot<\/em>). Loyd Simpson [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"593\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/AlbumArtSmall-Copy.jpg\" alt=\"\" class=\"wp-image-15982\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/AlbumArtSmall-Copy.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/AlbumArtSmall-Copy-300x297.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo]: Surta \u00e8 la notte&#8230; Ernani, involami (<em>Ernani<\/em>). Alberto Erede, London Philharmonic Orchestra [1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"728\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-as-Nedda.png\" alt=\"\" class=\"wp-image-15984\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-as-Nedda.png 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ina-Souez-as-Nedda-220x300.png 220w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><figcaption class=\"wp-element-caption\">Souez as Nedda in <em>Pagliacci<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Oscar Straus, Stanislaus Stange: My Hero (<em>The Chocolate Soldier<\/em>) [1933]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Autographs-1024x542.png\" alt=\"\" class=\"wp-image-15986\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Autographs-1024x542.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Autographs-300x159.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Autographs-768x406.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Autographs.png 1180w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Glyndebourne autographs: Roy Henderson, Heddle Nash, Irene Eisinger, Ina Souez<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 311. Ina Souez SOCIAL SHARE SUBSCRIPTION PLATFORM Because we American expats in Germany often celebrate Thanksgiving on the weekend&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,5823,2476,2398,1072,1659,2260,808,1470,6189,4801,3272,427,5138],"tags":[3736,6981,4157,2676,6350,6349,44,1068,6985,330,4266,4535,5218,2246,94,4610,4759,207,6986,6979,2094,3336,6989,418,6988,870,6982,6983,1949,4758,6991,6987,506,3520,4611,6990,6984,6980,4862,1092,3735,34],"class_list":["post-15783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-forgotten-divas","category-giacomo-puccini","category-giuseppe-verdi","category-in-memoriam","category-interview","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-rescue-mission","category-singers-in-old-age","category-singers-of-color","category-verismo","category-wolfgang-amadeus-mozart","tag-ada-negri","tag-albert-erede","tag-alberto-erede","tag-carl-schuricht","tag-carlo-gozzi","tag-carlo-zangarini","tag-cosi-fan-tutte","tag-don-giovanni","tag-eddie-brandt","tag-edvard-grieg","tag-ernani","tag-francesco-maria-piave","tag-friedrich-martin-von-bodenstedt","tag-fritz-busch","tag-giacomo-puccini","tag-giuseppe-adami","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-horatio-q-birdbath","tag-ina-souez","tag-john-brownlee","tag-john-jacob-niles","tag-koloman-von-pataky","tag-la-boheme","tag-lore-fischer","tag-lorenzo-da-ponte","tag-loyd-simpson","tag-luigi-arditi","tag-luigi-denza","tag-luigi-illica","tag-luise-helletsgruber","tag-messa-da-requiem","tag-oscar-straus","tag-ottorino-respighi","tag-renato-simoni","tag-salvatore-baccaloni","tag-spike-jones","tag-stanislaus-stange","tag-the-chocolate-soldier","tag-turandot","tag-victor-hugo","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Souez-TRIMMED-1-300x152.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ada Negri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Albert Erede<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alberto Erede<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carl Schuricht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Gozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Zangarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eddie Brandt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edvard Grieg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ernani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Martin von Bodenstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz Busch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Horatio Q. Birdbath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ina Souez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Brownlee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Jacob Niles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Koloman von P\u00e1taky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lore Fischer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Loyd Simpson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Arditi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Denza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luise Helletsgruber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Messa da Requiem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oscar Straus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvatore Baccaloni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Spike Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stanislaus Stange<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">The Chocolate Soldier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Ada Negri<\/span>","<span class=\"advgb-post-tax-term\">Albert Erede<\/span>","<span class=\"advgb-post-tax-term\">Alberto Erede<\/span>","<span class=\"advgb-post-tax-term\">Carl Schuricht<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi<\/span>","<span class=\"advgb-post-tax-term\">Carlo Zangarini<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Eddie Brandt<\/span>","<span class=\"advgb-post-tax-term\">Edvard Grieg<\/span>","<span class=\"advgb-post-tax-term\">Ernani<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Martin von Bodenstedt<\/span>","<span class=\"advgb-post-tax-term\">Fritz Busch<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Horatio Q. Birdbath<\/span>","<span class=\"advgb-post-tax-term\">Ina Souez<\/span>","<span class=\"advgb-post-tax-term\">John Brownlee<\/span>","<span class=\"advgb-post-tax-term\">John Jacob Niles<\/span>","<span class=\"advgb-post-tax-term\">Koloman von P\u00e1taky<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">Lore Fischer<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Loyd Simpson<\/span>","<span class=\"advgb-post-tax-term\">Luigi Arditi<\/span>","<span class=\"advgb-post-tax-term\">Luigi Denza<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Luise Helletsgruber<\/span>","<span class=\"advgb-post-tax-term\">Messa da Requiem<\/span>","<span class=\"advgb-post-tax-term\">Oscar Straus<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Salvatore Baccaloni<\/span>","<span class=\"advgb-post-tax-term\">Spike Jones<\/span>","<span class=\"advgb-post-tax-term\">Stanislaus Stange<\/span>","<span class=\"advgb-post-tax-term\">The Chocolate Soldier<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 30\/11\/2024","modified":"Updated on 02\/12\/2024"},"absolute_dates_time":{"created":"Posted on 30\/11\/2024 17:46","modified":"Updated on 02\/12\/2024 20:44"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15783"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15783\/revisions"}],"predecessor-version":[{"id":15991,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15783\/revisions\/15991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15965"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}