{"id":15643,"date":"2024-11-12T19:03:28","date_gmt":"2024-11-12T18:03:28","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15643"},"modified":"2024-11-15T15:39:40","modified_gmt":"2024-11-15T14:39:40","slug":"episode-306-oralia-dominguez-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/11\/12\/episode-306-oralia-dominguez-revisited\/","title":{"rendered":"Episode 306. Oralia Dom\u00ednguez Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 306.  Oralia Dom\u00ednguez Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1319-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-suit-768x1024.jpg\" alt=\"\" class=\"wp-image-15844\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-suit-768x1025.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-suit-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-suit.jpg 832w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today (for what I hope are obvious reasons) begins a short <em>Countermelody <\/em>series on a few of the greatest singers that Mexico, our neighbor to the south, has gifted to the world. Contralto Oralia Dom\u00ednguez (25 October 1925 &#8211; 25 November 2013) is famed for her collaborations with such musical giants as Maria Callas and Herbert von Karajan, but on her own terms, she ranks alongside those monumental true contraltos like Marian Anderson and Kathleen Ferrier. Though there is no question that she was under-recorded, she left a handful of classic commercial recordings, and a plethora of recorded live performances which an artist both technically grounded and fearless in expression, one whose legato singing exuded repose just as her phenomenal coloratura singing generates genuine excitement. I cannot say enough about this artist, who has rapidly become one of my very favorites! This episode, an expansion of a bonus episode I published a few years ago, features Dom\u00ednguez in extended operatic scenes by Cilea, Saint-Sa\u00ebns, and Monteverdi and in religious works by Verdi and Lili Boulanger as well as Spanish and Mexican songs, capped with some stunning vocalism in baroque works by Handel and Vivaldi. Vocal guest stars include the late great Antonietta Stella, Jon Vickers, Barry McDaniel, Luigi Ottolini, and the blazing hot verismo soprano Clara Petrella; conductors include Jean Fournet, Igor Markevitch, Alberto Zedda, Oliviero de Fabritiis, Herbert von Karajan, Fernando Previtali, Nicola Rescigno, Renato Cellini, and Leonard Bernstein. In other words, the \u201cbig guns,\u201d an indication of the enormity of the magisterial talent of Oralia Dom\u00ednguez.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose.png\" alt=\"\" class=\"wp-image-15850\" style=\"width:573px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose.png 355w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose-213x300.png 213w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Antonio Somma [after Eug\u00e8ne Scribe]: Re dell\u2019abisso, affrettati (<em>Un ballo in maschera<\/em>). Oralia Dom\u00ednguez, Renato Cellini, Orchestra and Chorus of the Palacio de la Bellas Artes, Mexico City [live 02.VIII.60]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"975\" height=\"751\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Verdi-Requiem-Screenshot-4-USE.png\" alt=\"\" class=\"wp-image-15866\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Verdi-Requiem-Screenshot-4-USE.png 975w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Verdi-Requiem-Screenshot-4-USE-300x231.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Verdi-Requiem-Screenshot-4-USE-768x592.png 768w\" sizes=\"auto, (max-width: 975px) 100vw, 975px\" \/><\/figure>\n<\/div>\n\n\n<p>Lili Boulanger: Mais la cl\u00e9mence est en toi (<em>Psaume CXXX<\/em> [<em>Du fond de l\u2019ab\u00eeme<\/em>]). Oralia Dom\u00ednguez, Igor Markevitch, Orchestre des Concerts Lamoureux [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"730\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Eboli.jpg\" alt=\"\" class=\"wp-image-15865\" style=\"width:600px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Eboli.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Eboli-205x300.jpg 205w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Joseph M\u00e9ry, Camille du Locle, Achille de Lauzi\u00e8res [Italian transation] [after Friedrich Schiller]: O don fatale (<em>Don Carlo<\/em>). Oralia Dom\u00ednguez, Nello Santi, Orchestre national de l\u2019ORTF [live Paris 03.IV.65]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"903\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Album-Cover-Photo.png\" alt=\"\" class=\"wp-image-15864\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Album-Cover-Photo.png 903w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Album-Cover-Photo-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Album-Cover-Photo-768x514.png 768w\" sizes=\"auto, (max-width: 903px) 100vw, 903px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini, Cesare Sterbini [after Pierre Beaumarchais]: Una voce poco fa (<em>Il barbiere di Siviglia<\/em>). Oralia Dom\u00ednguez, Richard Kraus, Radio-Symphonie-Orchester Berlin [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"399\" height=\"607\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-Shadow.png\" alt=\"\" class=\"wp-image-15863\" style=\"width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-Shadow.png 399w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-in-Shadow-197x300.png 197w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Antonio Marchi [after Ludovico Ariosti]: \u00c8 gelosia (<em>Alcina<\/em>). Oralia Dom\u00ednguez, Nicola Rescigno, Orchestra del Teatro La Fenice di Venezia [live 02.1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"376\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Hollywood-Epic.png\" alt=\"\" class=\"wp-image-15862\" style=\"width:514px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Hollywood-Epic.png 376w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Hollywood-Epic-226x300.png 226w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi, Giacomo Cassetti: Veni, veni, me sequere (<em>Juditha Triumphans<\/em>). Oralia Dom\u00ednguez, Alberto Zedda, Orchestra da Camera dell\u2019Angelicum [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"958\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-ORTF-Screenshot-2.png\" alt=\"\" class=\"wp-image-15867\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-ORTF-Screenshot-2.png 958w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-ORTF-Screenshot-2-300x223.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-ORTF-Screenshot-2-768x572.png 768w\" sizes=\"auto, (max-width: 958px) 100vw, 958px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano (after Antonio Garc\u00eda Guti\u00e9rrez): Mal reggendo (<em>Il trovatore<\/em>). Oralia Dom\u00ednguez, Luigi Ottolini, Fernando Previtali, Orchestra del Teatro Col\u00f3n, Buenos Aires [live 11.VIII.63]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"353\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Amneris-with-a-veil.png\" alt=\"\" class=\"wp-image-15861\" style=\"width:584px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Amneris-with-a-veil.png 353w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Amneris-with-a-veil-212x300.png 212w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni [after Auguste Mariette and Temistocle Solera]: Sacerdoti, compiste un delitto (<em>Aida<\/em>). Oralia Dom\u00ednguez, Norman Scott, Franco Capuana, Orchestra e Coro del Teatro La Fenice [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"347\" height=\"479\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-studio-portrait.png\" alt=\"\" class=\"wp-image-15860\" style=\"width:600px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-studio-portrait.png 347w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-studio-portrait-217x300.png 217w\" sizes=\"auto, (max-width: 347px) 100vw, 347px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Agnus Dei (<em>Messa da Requiem<\/em>). Oralia Dom\u00ednguez, Antonietta Stella, Herbert von Karajan, Wiener Symphoniker, Wiener Singverein [live Wien 26.XI.54]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"395\" height=\"442\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Principessa.jpg\" alt=\"\" class=\"wp-image-15859\" style=\"width:568px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Principessa.jpg 395w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Principessa-268x300.jpg 268w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/figure>\n<\/div>\n\n\n<p>Francesco Cilea, Arturo Colauti (after Eug\u00e8ne Scribe, Ernest Legouv\u00e9): Aprite, apritemi, Signora (<em>Adriana Lecouvreur<\/em>). Oralia Dom\u00ednguez, Clara Petrella, Oliviero de Fabritiis, Orquesta del Palacio de la Bellas Artes [live Mexico City 27.VI.51]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"316\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Dalila-TRIMMED.png\" alt=\"\" class=\"wp-image-15858\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Dalila-TRIMMED.png 631w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Dalila-TRIMMED-300x150.png 300w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/figure>\n<\/div>\n\n\n<p>Camille Saint-Sa\u00ebns, Ferdinand Lemaire: Mon coeur s\u2019ouvre \u00e0 ta voix (<em>Samson et Dalila<\/em>). Oralia Dom\u00ednguez, Jon Vickers, Jean Fournet, Netherlands Radio Orchestra [live Netherlands 1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"361\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-hands.png\" alt=\"\" class=\"wp-image-15857\" style=\"width:585px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-hands.png 361w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-hands-217x300.png 217w\" sizes=\"auto, (max-width: 361px) 100vw, 361px\" \/><\/figure>\n<\/div>\n\n\n<p>Salvador Moreno, Ram\u00f3n Gaya: Al silencio. Oralia Dom\u00ednguez, Ir\u00e8ne A\u00eftoff [ORTF 10.VI.59]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"499\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose-1.png\" alt=\"\" class=\"wp-image-15856\" style=\"width:526px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose-1.png 355w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-column-pose-1-213x300.png 213w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi [edited Bruno Maderna], Alessandro Striggio: Ahi! caso acerbo (<em>L\u2019Orfeo<\/em>). Oralia Dom\u00ednguez, Barry McDaniel, Bruno Maderna, Utrecht Symphony Orchestra [live Amsterdam 17.VI.67]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"412\" height=\"618\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Back.png\" alt=\"\" class=\"wp-image-15855\" style=\"width:583px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Back.png 412w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Back-200x300.png 200w\" sizes=\"auto, (max-width: 412px) 100vw, 412px\" \/><\/figure>\n<\/div>\n\n\n<p>Fernando Obradors: Del cabello m\u00e1s sutil [Anonymous text]. Oralia Dom\u00ednguez, Ir\u00e8ne A\u00eftoff [ORTF 10.VI.59]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"663\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Karajans-Erda.png\" alt=\"\" class=\"wp-image-15852\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Karajans-Erda.png 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-Karajans-Erda-285x300.png 285w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Wie alles war, weiss ich (<em>Das Rheingold<\/em>). Oralia Dom\u00ednguez, Herbert von Karajan, Berliner Philharmoniker [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"504\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-close-with-pearls.png\" alt=\"\" class=\"wp-image-15853\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-close-with-pearls.png 770w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-close-with-pearls-300x196.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-close-with-pearls-768x503.png 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi, Giacomo Cassetti: Vivat in pace (<em>Juditha Triumphans<\/em>). Oralia Dom\u00ednguez, Alberto Zedda, Orchestra da Camera dell\u2019Angelicum [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"455\" height=\"654\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-suppliant.png\" alt=\"\" class=\"wp-image-15854\" style=\"width:613px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-suppliant.png 455w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Dominguez-suppliant-209x300.png 209w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/figure>\n<\/div>\n\n\n<p>Gustav Mahler, folk text collected and revised by Clemens Brentano, Achim von Arnim: Urlicht (<em>Symphony No. 2, \u2018Resurrection\u201d<\/em>). Oralia Dom\u00ednguez, Leonard Bernstein, Orchestre National de la RTF [live Paris 13.XI.58]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 306. Oralia Dom\u00ednguez Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM Today (for what I hope are obvious reasons) begins a short&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15849,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3614,5823,3273,2261,6551,5137,5806,1263,2260,808,1],"tags":[2315,143,437,4620,3843,4534,4901,1326,1186,6946,349,6096,73,33,2316,6164,1646,333,4548,4632,2876,2896,164,6950,3222,6953,114,207,1297,1242,6952,115,348,563,1794,353,4765,6753,6951,1923,1703,6949,168,4139,6954,4583,6948,1967,3318,486,4641,6947,332],"class_list":["post-15643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-canadian-singers","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-great-contraltos","category-great-tenors","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-uncategorized","tag-achim-von-arnim","tag-adriana-lecouvreur","tag-aida","tag-alberto-zedda","tag-antonietta-stella","tag-antonio-ghislanzoni","tag-antonio-somma","tag-antonio-vivaldi","tag-barry-mcdaniel","tag-bruno-maderna","tag-camille-saint-saens","tag-cesare-sterbini","tag-clara-petrella","tag-claudio-monteverdi","tag-clemens-brentano","tag-das-rheingold","tag-des-knaben-wunderhorn","tag-don-carlo","tag-eugene-scribe","tag-ferdinand-lemaire","tag-fernando-obradors","tag-fernando-previtali","tag-francesco-cilea","tag-franco-capuana","tag-friedrich-schiller","tag-giacomo-cassetti","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-gustav-mahler","tag-herbert-von-karajan","tag-igor-markevitch","tag-il-barbiere-di-siviglia","tag-il-trovatore","tag-irene-aitoff","tag-jean-fournet","tag-jon-vickers","tag-lorfeo","tag-lili-boulanger","tag-luigi-ottolini","tag-nello-santi","tag-nicola-rescigno","tag-norman-scott","tag-oliviero-de-fabritiis","tag-oralia-dominguez","tag-paul-kletzti","tag-pierre-beaumarchais","tag-ramon-gaya","tag-renato-cellini","tag-richard-kraus","tag-richard-wagner","tag-salvador-moreno","tag-samson-et-dalia","tag-un-ballo-in-maschera"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Oralia-Autograph-TRIMMED-300x160.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Uncategorized<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Uncategorized<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Achim von Arnim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Alberto Zedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Antonietta Stella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Antonio Somma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Antonio Vivaldi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Barry McDaniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Bruno Maderna<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Camille Saint-Saens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Cesare Sterbini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Clara Petrella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Clemens Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Das Rheingold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Don Carlo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Ferdinand Lemaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Fernando Obradors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Fernando Previtali<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Francesco Cilea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Franco Capuana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Giacomo Cassetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Igor Markevitch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Ir\u00e8ne A\u00eftoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Jon Vickers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">L\u2019Orfeo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Lili Boulanger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Luigi Ottolini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Nello Santi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Nicola Rescigno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Norman Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Oliviero de Fabritiis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Oralia Dominguez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Paul Kletzti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Ram\u00f3n Gaya<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Renato Cellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Richard Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Salvador Moreno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Samson et Dalia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/uncategorized\/\" class=\"advgb-post-tax-term\">Un ballo in maschera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Achim von Arnim<\/span>","<span class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Alberto Zedda<\/span>","<span class=\"advgb-post-tax-term\">Antonietta Stella<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/span>","<span class=\"advgb-post-tax-term\">Antonio Somma<\/span>","<span class=\"advgb-post-tax-term\">Antonio Vivaldi<\/span>","<span class=\"advgb-post-tax-term\">Barry McDaniel<\/span>","<span class=\"advgb-post-tax-term\">Bruno Maderna<\/span>","<span class=\"advgb-post-tax-term\">Camille Saint-Saens<\/span>","<span class=\"advgb-post-tax-term\">Cesare Sterbini<\/span>","<span class=\"advgb-post-tax-term\">Clara Petrella<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Clemens Brentano<\/span>","<span class=\"advgb-post-tax-term\">Das Rheingold<\/span>","<span class=\"advgb-post-tax-term\">Des Knaben Wunderhorn<\/span>","<span class=\"advgb-post-tax-term\">Don Carlo<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Lemaire<\/span>","<span class=\"advgb-post-tax-term\">Fernando Obradors<\/span>","<span class=\"advgb-post-tax-term\">Fernando Previtali<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cilea<\/span>","<span class=\"advgb-post-tax-term\">Franco Capuana<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Cassetti<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Igor Markevitch<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Ir\u00e8ne A\u00eftoff<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">Jon Vickers<\/span>","<span class=\"advgb-post-tax-term\">L\u2019Orfeo<\/span>","<span class=\"advgb-post-tax-term\">Lili Boulanger<\/span>","<span class=\"advgb-post-tax-term\">Luigi Ottolini<\/span>","<span class=\"advgb-post-tax-term\">Nello Santi<\/span>","<span class=\"advgb-post-tax-term\">Nicola Rescigno<\/span>","<span class=\"advgb-post-tax-term\">Norman Scott<\/span>","<span class=\"advgb-post-tax-term\">Oliviero de Fabritiis<\/span>","<span class=\"advgb-post-tax-term\">Oralia Dominguez<\/span>","<span class=\"advgb-post-tax-term\">Paul Kletzti<\/span>","<span class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/span>","<span class=\"advgb-post-tax-term\">Ram\u00f3n Gaya<\/span>","<span class=\"advgb-post-tax-term\">Renato Cellini<\/span>","<span class=\"advgb-post-tax-term\">Richard Kraus<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Salvador Moreno<\/span>","<span class=\"advgb-post-tax-term\">Samson et Dalia<\/span>","<span class=\"advgb-post-tax-term\">Un ballo in maschera<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 12\/11\/2024","modified":"Updated on 15\/11\/2024"},"absolute_dates_time":{"created":"Posted on 12\/11\/2024 19:03","modified":"Updated on 15\/11\/2024 15:39"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15643"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15643\/revisions"}],"predecessor-version":[{"id":15868,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15643\/revisions\/15868"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15849"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}