{"id":15642,"date":"2024-11-16T19:52:20","date_gmt":"2024-11-16T18:52:20","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15642"},"modified":"2024-11-16T20:13:46","modified_gmt":"2024-11-16T19:13:46","slug":"episode-307-francisco-araiza-in-song","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/11\/16\/episode-307-francisco-araiza-in-song\/","title":{"rendered":"Episode 307. Francisco Araiza in Song"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 307.  Francisco Araiza in Song<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"320\" height=\"30\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1322-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"471\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Sweater.png\" alt=\"\" class=\"wp-image-15875\" style=\"width:393px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Sweater.png 325w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Sweater-207x300.png 207w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In the first year of <em>Countermelody <\/em>I posted a tribute to to the Mexican tenor Francisco Araiza on the occasion of his 70th birthday. Four years later, that great artist is still with us, and, today, in continuation of my miniseries on Great Mexican Singers, I present a refurbished and expanded bonus episode that I first published three years ago featuring Araiza in art song. A number of live performances are interspersed amongst excerpts from two rare LPs from the mid-1980s: one, accompanied by Irwin Gage, of some rare Schubert <em>Lieder<\/em>; and the other, accompanied by Jean Lemaire, of French, Spanish, and Mexican art songs. These performances reveal a voice of great beauty supported by a solid technique which provides for seamless legato singing. Add to this near-perfect German diction and an often-probing textual acuity as well as profound musicality and one has all the ingredients that make up an exceptional intepreter of art song. Highlights include a live recording with Carlo Maria Giulini of an excerpt from Mahler\u2019s <em>Das Lied von der Erde<\/em>; the extended Schubert <em>Lied<\/em> \u201cViola;\u201d and three Mexican art songs by Blas Galindo and Manuel Ponce; as well as two bracing excerpts from Araiza\u2019s 1986 album of popular Mexican song.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"596\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fiesta.jpg\" alt=\"\" class=\"wp-image-15881\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fiesta.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fiesta-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fiesta-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Consuelo Vel\u00e1zquez: B\u00e9same mucho. Daniel Garc\u00eda Blanco, Sinfonico de Mariachi, Aguilas de America, Musicos del S.U.T.M. [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux.jpg\" alt=\"\" class=\"wp-image-15882\" style=\"width:516px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux.jpg 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux-206x300.jpg 206w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Adolf Friedrich von Schalk: St\u00e4ndchen, Op. 17\/2. Irwin Gage [live Salzburg 11 August 1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Schubert-cover.jpg\" alt=\"\" class=\"wp-image-15883\" style=\"width:469px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Schubert-cover.jpg 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Schubert-cover-230x300.jpg 230w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Tr\u00e4nenregen (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D.795\/10). Irwin Gage [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"361\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Recital.jpg\" alt=\"\" class=\"wp-image-15884\" style=\"width:599px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Recital.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Recital-300x212.jpg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Ungeduld (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D.795\/7). Irwin Gage [live Concertgebouw 11.II.86]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"401\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Cover2.jpg\" alt=\"\" class=\"wp-image-15885\" style=\"width:563px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Cover2.jpg 401w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Cover2-235x300.jpg 235w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Heinrich Heine: Aus alten M\u00e4rchen winkt es (<em>Dichterliebe<\/em>, Op. 48\/15). Jean Lemaire [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"354\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fingers.jpg\" alt=\"\" class=\"wp-image-15886\" style=\"width:545px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fingers.jpg 354w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Fingers-207x300.jpg 207w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Die Nebensonnen (<em>Winterreise<\/em>, D.911\/23). Jean Lemaire [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"465\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Strauss-1994.png\" alt=\"\" class=\"wp-image-15888\" style=\"width:627px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Strauss-1994.png 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Strauss-1994-300x234.png 300w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Otto Julius Bierbaum: Freundliche Vision, Op. 48\/1. Roberto Abbado, M\u00fcnchen Rundfunkorchester [live Richard Strauss Festival in Garmisch-Partenkirchen 1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"315\" height=\"428\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-older-portrait.png\" alt=\"\" class=\"wp-image-15887\" style=\"width:583px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-older-portrait.png 315w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-older-portrait-221x300.png 221w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><\/figure>\n<\/div>\n\n\n<p>Gustav Mahler, Hans Bethge [after Li Po]: Von der Jugend (<em>Das Lied von der Erde<\/em>). Carlo Maria Giulini, Wiener Philharmoniker [live 02.VIII.87]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Tux-1024x731.png\" alt=\"\" class=\"wp-image-15889\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Tux-1024x731.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Tux-300x214.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Tux-768x549.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Tux.png 1218w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Romain Bussine: Apr\u00e8s un r\u00eave, Op. 7\/1. Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"344\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Faust-maybe.jpg\" alt=\"\" class=\"wp-image-15890\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Faust-maybe.jpg 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Faust-maybe-300x202.jpg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p>Maurice Ravel, Paul Morand: Chanson \u00e9pique (<em>Don Quichotte \u00e0 Dulcin\u00e9e<\/em>, M.84\/2). Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux2.jpg\" alt=\"\" class=\"wp-image-15892\" style=\"width:596px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux2.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-Tux2-281x300.jpg 281w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n<\/div>\n\n\n<p>Manuel de Falla: Jota (<em>Siete canciones populares espa\u00f1olas<\/em>, No. 4). Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"358\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Handsome.jpg\" alt=\"\" class=\"wp-image-15891\" style=\"width:561px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Handsome.jpg 358w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Handsome-210x300.jpg 210w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Wolfgang von Goethe: Der S\u00e4nger, D.149. Irwin Gage [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Young.jpg\" alt=\"\" class=\"wp-image-15893\" style=\"width:552px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Young.jpg 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Young-193x300.jpg 193w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Karl Gottfried von Leitner: Drang in der Ferne, D.770. Irwin Gage [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-August.jpg\" alt=\"\" class=\"wp-image-15896\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-August.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-August-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-in-August-768x575.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Karl Gottfried von Leitner: Vor meiner Wiege, D.927. Irwin Gage [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"357\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Tamino.jpg\" alt=\"\" class=\"wp-image-15895\" style=\"width:552px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Tamino.jpg 357w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-as-Tamino-209x300.jpg 209w\" sizes=\"auto, (max-width: 357px) 100vw, 357px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Franz von Schober: Viola, D.786. Irwin Gage [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Hoffmann.jpg\" alt=\"\" class=\"wp-image-15897\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Hoffmann.jpg 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Hoffmann-208x300.jpg 208w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure>\n<\/div>\n\n\n<p>Blas Galindo, Alfonso del Rio: Arullo. Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"840\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-signed.jpg\" alt=\"\" class=\"wp-image-15898\" style=\"width:611px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-signed.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-signed-201x300.jpg 201w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Blas Galindo, Ruben M. Campos: Madre m\u00eda, cuando muera. Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"481\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-2016-with-mics.png\" alt=\"\" class=\"wp-image-15899\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-2016-with-mics.png 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-2016-with-mics-300x170.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-2016-with-mics-768x435.png 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure>\n<\/div>\n\n\n<p>Manuel Ponce, Luis Gonzaga Urbina: \u00a1Aleluya!. Jean Lemaire [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-with-Medals.jpg\" alt=\"\" class=\"wp-image-15894\" style=\"width:561px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-with-Medals.jpg 340w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-with-Medals-199x300.jpg 199w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n<p>Agust\u00edn Lara: Granada. Daniel Garc\u00eda Blanco, Sinfonico de Mariachi, Aguilas de America, Musicos del S.U.T.M. [1986]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 307. Francisco Araiza in Song SOCIAL SHARE SUBSCRIPTION PLATFORM In the first year of Countermelody I posted a tribute&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15876,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,5137,2314,1074,5806,6486,2260,808,4722,3272,2806],"tags":[6960,1991,6957,6955,1622,3425,2241,1298,3121,2767,1446,46,101,1228,588,1297,1197,1173,2223,1137,6614,6961,2651,6956,545,3546,4149,329,548,4697,6959,6958,4130,862,861],"class_list":["post-15642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-great-tenors","category-gustav-mahler","category-happy-birthday","category-listeners-favorites","category-melodie","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-singers-of-color","category-twentieth-century-music","tag-adolf-friedrich-von-schalk","tag-agustin-lara","tag-alfonso-del-rio","tag-blas-galindo","tag-carlo-maria-giulini","tag-consuelo-velazquez","tag-daniel-garcia-blanco","tag-das-lied-von-der-erde","tag-dichterliebe","tag-die-schone-mullerin","tag-don-quichotte-a-dulcinee","tag-francisco-araiza","tag-franz-schubert","tag-franz-von-schober","tag-gabriel-faure","tag-gustav-mahler","tag-heinrich-heine","tag-irwin-gage","tag-jean-lemaire","tag-johann-wolfgang-von-goethe","tag-karl-gottfried-von-leitner","tag-luis-gonzaga-urbina","tag-manuel-de-falla","tag-manuel-ponce","tag-maurice-ravel","tag-otto-julius-bierbaum","tag-paul-morand","tag-richard-strauss","tag-robert-schumann","tag-roberto-abbado","tag-romain-bussine","tag-ruben-m-campos","tag-siete-canciones-populares-espanolas","tag-wilhelm-muller","tag-winterreise"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Araiza-Denim-TRIMMED-300x156.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/melodie\/\" class=\"advgb-post-tax-term\">M\u00e9lodie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">M\u00e9lodie<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adolf Friedrich von Schalk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Agust\u00edn Lara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfonso del Rio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Blas Galindo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Consuelo Velazquez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Daniel Garc\u00eda Blanco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Das Lied von der Erde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dichterliebe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz von Schober<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Irwin Gage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean Lemaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karl Gottfried von Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luis Gonzaga Urbina<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manuel de Falla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manuel Ponce<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otto Julius Bierbaum<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Morand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roberto Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Romain Bussine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ruben M. Campos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Winterreise<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolf Friedrich von Schalk<\/span>","<span class=\"advgb-post-tax-term\">Agust\u00edn Lara<\/span>","<span class=\"advgb-post-tax-term\">Alfonso del Rio<\/span>","<span class=\"advgb-post-tax-term\">Blas Galindo<\/span>","<span class=\"advgb-post-tax-term\">Carlo Maria Giulini<\/span>","<span class=\"advgb-post-tax-term\">Consuelo Velazquez<\/span>","<span class=\"advgb-post-tax-term\">Daniel Garc\u00eda Blanco<\/span>","<span class=\"advgb-post-tax-term\">Das Lied von der Erde<\/span>","<span class=\"advgb-post-tax-term\">Dichterliebe<\/span>","<span class=\"advgb-post-tax-term\">Die sch\u00f6ne M\u00fcllerin<\/span>","<span class=\"advgb-post-tax-term\">Don Quichotte \u00e0 Dulcin\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Franz von Schober<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Irwin Gage<\/span>","<span class=\"advgb-post-tax-term\">Jean Lemaire<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Karl Gottfried von Leitner<\/span>","<span class=\"advgb-post-tax-term\">Luis Gonzaga Urbina<\/span>","<span class=\"advgb-post-tax-term\">Manuel de Falla<\/span>","<span class=\"advgb-post-tax-term\">Manuel Ponce<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Otto Julius Bierbaum<\/span>","<span class=\"advgb-post-tax-term\">Paul Morand<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Roberto Abbado<\/span>","<span class=\"advgb-post-tax-term\">Romain Bussine<\/span>","<span class=\"advgb-post-tax-term\">Ruben M. Campos<\/span>","<span class=\"advgb-post-tax-term\">Siete canciones populares espa\u00f1olas<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Winterreise<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 16\/11\/2024","modified":"Updated on 16\/11\/2024"},"absolute_dates_time":{"created":"Posted on 16\/11\/2024 19:52","modified":"Updated on 16\/11\/2024 20:13"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15642"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15642\/revisions"}],"predecessor-version":[{"id":15900,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15642\/revisions\/15900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15876"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}