{"id":15584,"date":"2024-11-22T17:46:18","date_gmt":"2024-11-22T16:46:18","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15584"},"modified":"2024-11-22T17:51:20","modified_gmt":"2024-11-22T16:51:20","slug":"episode-309-get-to-know-vera-soukupova","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/11\/22\/episode-309-get-to-know-vera-soukupova\/","title":{"rendered":"Episode 309. Get to Know V\u011bra Soukupov\u00e1"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 309. Get to Know V\u011bra Soukupov\u00e1<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1331-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"977\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Late-Album-Cover-1024x977.png\" alt=\"\" class=\"wp-image-15785\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Late-Album-Cover-1024x977.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Late-Album-Cover-300x286.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Late-Album-Cover-768x733.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Late-Album-Cover.png 1048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>As a supplement to my ongoing series on great contraltos, and as a contrast to another outstanding Czech singer, soprano Hana Jank\u016f, recently featured on the podcast, I have been actively planning for some time now this episode on Czech contralto <em>par excellence<\/em> V\u011bra Soukupov\u00e1, still with us after recently celebrating her 92nd birthday in April. As I dug deeper and deeper into this fascinating artist\u2019s recorded output, I was particularly taken by all the contemporary Czech work that she had sung and recorded and, in many cases, created. In this repertoire in particular, her voice leapt out at me, vivid and present, the musicianship profound, the vowel clarity astonishing, especially for a voice of such natural depth. This music and these performances deserve to be heard by a wider public. On this episode, I present stunning examples of the vocal and musical glory that <em>is <\/em>V\u011bra Soukupov\u00e1. I also offer a teaser for this week\u2019s bonus episode, which features the artist in magisterial recordings of song cycles by Mahler and Dvo\u0159\u00e1k, recorded in her prime in the mid-1960s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"483\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-glamour.jpg\" alt=\"\" class=\"wp-image-15787\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-glamour.jpg 704w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-glamour-300x206.jpg 300w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"482\" height=\"803\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Young-Tousled.jpg\" alt=\"\" class=\"wp-image-15797\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Young-Tousled.jpg 482w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Young-Tousled-180x300.jpg 180w\" sizes=\"auto, (max-width: 482px) 100vw, 482px\" \/><\/figure>\n<\/div>\n\n\n<p>Bohuslav Martin\u016f, Folk text: Rosi\u010dka [The Dew] (<em>Pisni\u010dky na jednu str\u00e1nku<\/em> [Songs on One Page], H. 294\/1). Josef P\u00e1len\u00ed\u010dek [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"741\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu-1.png\" alt=\"\" class=\"wp-image-15942\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu-1.png 732w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu-1-296x300.png 296w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><figcaption class=\"wp-element-caption\">Bohuslav Martin\u016f (1890 &#8211; 1959)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"709\" height=\"522\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Jezibaba.jpg\" alt=\"\" class=\"wp-image-15788\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Jezibaba.jpg 709w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Jezibaba-300x221.jpg 300w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: Stride la vampa (<em>Il trovatore<\/em>). Bohumil Gregor, Orchestra of the Prague National Theatre [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-exotic.jpg\" alt=\"\" class=\"wp-image-15789\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-exotic.jpg 694w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-exotic-300x235.jpg 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n<\/div>\n\n\n<p>Camille Saint-Sa\u00ebns, Ferdinand Lemaire: Amour, viens aider ma faiblesse (<em>Samson et Dalila<\/em>). Bohumil Gregor, Orchestra of the Prague National Theatre [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"912\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Grotesque.jpg\" alt=\"\" class=\"wp-image-15790\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Grotesque.jpg 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Grotesque-193x300.jpg 193w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Zden\u011bk Fibich, Otakar Hostinsk\u00fd [after Friedrich Schiller]: V\u00e1m \u00fatl\u00fd ml\u00e1d\u00ed v\u011bk ji\u017e kalil spor (<em>Nev\u011bsta Messinsk\u00e1<\/em> [The Bride of Messina]). Vaclav Z\u00edtek, Zdenek Ko\u0161ler, Orchestra of the National Theatre in Prague [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Kabelac-708x1024.jpg\" alt=\"\" class=\"wp-image-15791\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Kabelac-708x1024.jpg 708w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Kabelac-207x300.jpg 207w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Kabelac-768x1110.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Kabelac.jpg 879w\" sizes=\"auto, (max-width: 708px) 100vw, 708px\" \/><figcaption class=\"wp-element-caption\">Miloslav Kabel\u00e1\u010d (1908 &#8211; 1979)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Miloslav Kabel\u00e1\u010d, Traditional folk poetry: Haj\u00ed, haj\u00ed, hajink\u00e9 (<em>\u0160est ukol\u00e9bavek<\/em> [Six Cradle Songs], Op. 29\/3). Martin Turnovsk\u00fd, Instrumental Ensemble [Milan Munclinger, Alois Rybin, Ji\u0159\u00ed Baxa, Jaroslav Motl\u00edk, Franti\u0161ek Sl\u00e1ma, Zden\u011bk Benda], Women of the Prague Radio Chorus [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"658\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Stare-Povesti-Ceske.png\" alt=\"\" class=\"wp-image-15792\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Stare-Povesti-Ceske.png 892w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Stare-Povesti-Ceske-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Stare-Povesti-Ceske-768x567.png 768w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/><figcaption class=\"wp-element-caption\">A still from the 1964 film, <em>Star\u00e9 Pov\u011bsti \u010cesk\u00e9<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>V\u00e1clav Trojan: Luck\u00e1 v\u00e1lka [The Battle of Lutsk] (from the film <em>Star\u00e9 Pov\u011bsti \u010cesk\u00e9<\/em> [Ancient Czech Legends]). Bohumil Gregor, Orchestra of the Prague National Theatre [1964]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vaclav-Trojan-1907-1983.png\" alt=\"\" class=\"wp-image-15936\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vaclav-Trojan-1907-1983.png 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vaclav-Trojan-1907-1983-300x256.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vaclav-Trojan-1907-1983-768x655.png 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption class=\"wp-element-caption\">V\u00e1clav Trojan (1907 &#8211; 1983)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Recital-676x1024.jpg\" alt=\"\" class=\"wp-image-15795\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Recital-676x1024.jpg 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Recital-198x300.jpg 198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Recital.jpg 691w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/div>\n\n\n<p>Bohuslav Martin\u016f, Folk text: Vesel\u00e1 diev\u010da [The Merry Girl] (<em>Nov\u00fd \u0160pal\u00ed\u010dek<\/em> [New Anthology], H. 288\/4). Josef P\u00e1len\u00ed\u010dek [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"741\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu.png\" alt=\"\" class=\"wp-image-15794\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu.png 732w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Martinu-296x300.png 296w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><figcaption class=\"wp-element-caption\">Bohuslav Martin\u016f (1890 &#8211; 1959)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bohuslav Martin\u016f, Folk text: Prosba [Entreaty] (<em>Nov\u00fd \u0160pal\u00ed\u010dek<\/em> [New Anthology], H.288\/2). Josef P\u00e1len\u00ed\u010dek [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"309\" height=\"429\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Palenicek.jpg\" alt=\"\" class=\"wp-image-15793\" style=\"width:547px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Palenicek.jpg 309w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Palenicek-216x300.jpg 216w\" sizes=\"auto, (max-width: 309px) 100vw, 309px\" \/><figcaption class=\"wp-element-caption\">Josef P\u00e1leni\u010dek (1914-1991)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bohuslav Martin\u016f, Folk text: Hl\u00e1sn\u00fd [The Night Watchman] (<em>Pisni\u010dky na dv\u011b str\u00e1nky<\/em> [Songs on Two Pages], H.302\/4). Josef P\u00e1len\u00ed\u010dek [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"668\" height=\"840\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Flipped.jpg\" alt=\"\" class=\"wp-image-15798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Flipped.jpg 668w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Flipped-239x300.jpg 239w\" sizes=\"auto, (max-width: 668px) 100vw, 668px\" \/><\/figure>\n<\/div>\n\n\n<p>Josef Bohuslav Foerster, Gustav Falke: Und die Kugel traf (<em>Drei Lieder aus der Kriegszeit<\/em>, Op. 97\/1). Ji\u0159\u00ed Pokorn\u00fd [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"759\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Hanus-1024x759.png\" alt=\"\" class=\"wp-image-15799\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Hanus-1024x759.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Hanus-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Hanus-768x569.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Hanus.png 1457w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jan Hanu\u0161 (1915 &#8211; 2004)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jan Hanu\u0161, William Shakespeare [Czech translation by Jan Vladislav]: O smrti [On Death] (<em>Sonets<\/em>, No. 4). Alfr\u00e9d Hole\u010dek [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Petr-Eben.png\" alt=\"\" class=\"wp-image-15800\" style=\"width:495px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Petr-Eben.png 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Petr-Eben-212x300.png 212w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><figcaption class=\"wp-element-caption\">Petr Eben (1929 &#8211; 2007)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Petr Eben, text from the T\u0159ebo\u0148 manuscript, 14th century: Noci mil\u00e1 [Sweet Nights] (<em>\u0160estero piesn\u00ed milostn\u00fdch<\/em> [Six Medieval Love Songs], No. 1). Petr Eben [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"543\" height=\"775\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vera-Baby.png\" alt=\"\" class=\"wp-image-15801\" style=\"width:624px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vera-Baby.png 543w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vera-Baby-210x300.png 210w\" sizes=\"auto, (max-width: 543px) 100vw, 543px\" \/><\/figure>\n<\/div>\n\n\n<p>Petr Eben, Anna Akhmatova [Czech translation by Marie Mar\u010danov\u00e1]: Anno Domini MCMXXI (<em>P\u00edsn\u011b nelaskav\u00e9<\/em> [Loveless Songs], No. 5). Viola section of the Prague Chamber Orchestra [Vladim\u00edr Kl\u00e1r, Jan Koutn\u00fd, Karel M\u00e1lek, Sob\u011bslav Soukup, Jaroslav Motl\u00edk, Karel \u0158eh\u00e1k] [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vackar.jpg\" alt=\"\" class=\"wp-image-15803\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vackar.jpg 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vackar-296x300.jpg 296w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><figcaption class=\"wp-element-caption\">Tom\u00e1\u0161 Va\u010dk\u00e1\u0159 (1945 &#8211; 1963)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Tom\u00e1\u0161 Va\u010dk\u00e1\u0159, Anonymous student text: Jak r\u00e1d bych zas v\u011b\u0159il slov\u016fm [How I&#8217;d like to believe in words again] (<em>T\u0159i Dopisy D\u00edvk\u00e1m<\/em> [Three Letters to the Girls], No. 3). Jind\u0159ich Rohan, Prague Symphony Orchestra [1968] <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"959\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jiri-Pauer-1919-2007.png\" alt=\"\" class=\"wp-image-15804\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jiri-Pauer-1919-2007.png 959w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jiri-Pauer-1919-2007-300x188.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jiri-Pauer-1919-2007-768x481.png 768w\" sizes=\"auto, (max-width: 959px) 100vw, 959px\" \/><figcaption class=\"wp-element-caption\">Ji\u0159\u00ed Pauer (1919 &#8211; 2007)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ji\u0159\u00ed Pauer, Gaspara Stampa: M\u00e1m, t\u011b\u017ek\u00fd osud, m\u00e1m [My fate is hard, is hard] (<em>Canto triste<\/em>, No. 2). V\u00e1clav Neumann, Czech Philharmonic Orchestra [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vladimir-Sommer.jpg\" alt=\"\" class=\"wp-image-15926\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vladimir-Sommer.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vladimir-Sommer-225x300.jpg 225w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption class=\"wp-element-caption\">Vladimir Sommer (1921 &#8211; 1997)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Vladimir Sommer, Cesare Pavese: P\u0159ijde smrt a bude m\u00edt tv\u00e9 o\u010di [Death will come and he will have your eyes] (<em>Vocal Symphony<\/em>, Third Movement). V\u00e1clav Neumann, Czech Philharmonic Orchestra [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"442\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jaroslav-Kricka-1882-1969.png\" alt=\"\" class=\"wp-image-15929\" style=\"width:526px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jaroslav-Kricka-1882-1969.png 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Jaroslav-Kricka-1882-1969-224x300.png 224w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><figcaption class=\"wp-element-caption\">Jaroslav K\u0159i\u010dka (1882 &#8211; 1969)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jaroslav K\u0159i\u010dka, Konstantin Balmont: Albatros (<em>Severn\u00ed noci<\/em> [Northern Nights], Op. 19\/1). Zden\u011bk Ko\u0161ler, Czech Philharmonic Orchestra [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"749\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ilja-Hurnik-1922-2013-1024x749.png\" alt=\"\" class=\"wp-image-15935\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ilja-Hurnik-1922-2013-1024x749.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ilja-Hurnik-1922-2013-300x219.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ilja-Hurnik-1922-2013-768x562.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ilja-Hurnik-1922-2013.png 1180w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ilja Hurn\u00edk (1922 &#8211; 2013)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ilja Hurn\u00edk, Song of Solomon [translated Jaroslav Seifert]: Finale (<em>\u0160ulamit<\/em> [The Shulamite], No. 5). Martin Turnovsk\u00fd, Czech Philharmonic Orchestra [1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"871\" height=\"862\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Milos-Vacek-1928-2012.png\" alt=\"\" class=\"wp-image-15932\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Milos-Vacek-1928-2012.png 871w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Milos-Vacek-1928-2012-300x297.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Milos-Vacek-1928-2012-768x760.png 768w\" sizes=\"auto, (max-width: 871px) 100vw, 871px\" \/><figcaption class=\"wp-element-caption\">Milo\u0161 Vacek (1928 &#8211; 2012)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Milo\u0161 Vacek, Na\u010fa Mauerov\u00e1: from <em>Hled\u00e1m t\u011b, kr\u00e1so<\/em> [I Seek You, Beauty]<\/p>\n\n\n\n<p>No. 3: Ml\u010den\u00ed [Silence]. Bohum\u00edr Li\u0161ka, Pilsen Radio Orchestra [1979]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"931\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Looking-Out.jpg\" alt=\"\" class=\"wp-image-15933\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Looking-Out.jpg 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Looking-Out-220x300.jpg 220w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>No. 4: Hled\u00e1m t\u011b, kr\u00e1so [I Seek You, Beauty]. Vladim\u00edr V\u00e1lek, Prague Chamber Orchestra [live 03.XI.78]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"874\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ivan-Moravec-1930-2015.png\" alt=\"\" class=\"wp-image-15928\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ivan-Moravec-1930-2015.png 639w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Ivan-Moravec-1930-2015-219x300.png 219w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption class=\"wp-element-caption\">Ivan Moravec (1930 &#8211; 2015)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Anton\u00edn Dvo\u0159\u00e1k, Czech translations of Biblical texts from the Kralice Bible: Oblak a mr\u00e1kota jest v\u016fkol N\u011bho [Clouds and darkness] (<em>Biblick\u00e9 p\u00edsn\u011b<\/em> [Biblical Songs], Op. 99\/1. Ivan Moravec [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"330\" height=\"510\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vitezslav-Nezval-1900-1958.png\" alt=\"\" class=\"wp-image-15934\" style=\"width:542px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vitezslav-Nezval-1900-1958.png 330w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Vitezslav-Nezval-1900-1958-194x300.png 194w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><figcaption class=\"wp-element-caption\">V\u00edt\u011bzslav Nezval (1900 &#8211; 1958)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ivan \u0158ez\u00e1\u010d, V\u00edt\u011bzslav Nezval: Tich\u00e1 hodina [A Quiet Hour] (<em>\u010cty\u0159i P\u00edsn\u011b<\/em> [Four Songs on Nezval], No. 4). Alfr\u00e9d Hole\u010dek [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"621\" height=\"940\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Erda.jpg\" alt=\"\" class=\"wp-image-15937\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Erda.jpg 621w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Erda-198x300.jpg 198w\" sizes=\"auto, (max-width: 621px) 100vw, 621px\" \/><figcaption class=\"wp-element-caption\">As Erda<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 309. Get to Know V\u011bra Soukupov\u00e1 SOCIAL SHARE SUBSCRIPTION PLATFORM As a supplement to my ongoing series on great&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,5823,3273,6551,5806,1263,2260,808,4722,2806],"tags":[6901,6931,6918,2188,5118,6975,527,6909,5190,349,6911,4632,6933,3222,6913,207,5575,348,6907,6060,6899,6926,6921,6927,6905,6924,6916,6932,6912,6919,6928,6929,6922,6925,6906,6914,6930,6903,6937,6904,6936,6917,4850,352,6923,6915,6170,6938,6059,6900,6920,6910,6902,2600,6934,6935,6908],"class_list":["post-15584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-forgotten-divas","category-french-opera","category-great-contraltos","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","tag-alfred-holecek","tag-alois-rybin","tag-anna-akhmatova","tag-antonin-dvorak","tag-antonio-garcia-gutierrez","tag-biblicke-pisne","tag-bohumil-gregor","tag-bohumir-liska","tag-bohuslav-martinu","tag-camille-saint-saens","tag-cesare-pavese","tag-ferdinand-lemaire","tag-frantisek-slama","tag-friedrich-schiller","tag-gaspar-stamp","tag-giuseppe-verdi","tag-gustav-falke","tag-il-trovatore","tag-ilja-hurnik","tag-ivan-moravec","tag-ivan-rezac","tag-jan-hanus","tag-jan-koutny","tag-jan-vladislav","tag-jaroslav-kricka","tag-jaroslav-motlik","tag-jindrich-rohan","tag-jiri-baxa","tag-jiri-pauer","tag-jiri-pokorny","tag-josef-bohuslav-foerster","tag-josef-palenicek","tag-karel-malek","tag-karel-rehak","tag-konstantin-balmont","tag-martin-turnovsky","tag-milan-munclinger","tag-milos-vacek","tag-miloslav-kabelac","tag-nada-mauerova","tag-otakar-hostinsky","tag-petr-eben","tag-salvadore-cammarano","tag-samson-et-dalila","tag-sobeslav-soukup","tag-tomas-vackar","tag-vaclav-neumann","tag-vaclav-zitek","tag-vera-soukupova","tag-vitezslav-nezval","tag-vladimir-klar","tag-vladimir-sommer","tag-vladimir-valek","tag-william-shakespeare","tag-zdenek-benda","tag-zdenek-fibich","tag-zdenek-kosler"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/11\/Soukupova-Looking-Out-TRIMMED-300x189.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfr\u00e9d Hole\u010dek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alois Rybin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Akhmatova<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Biblick\u00e9 p\u00edsn\u011b<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohumil Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohum\u00edr Li\u0161ka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bohuslav Martin\u016f<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Camille Saint-Saens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cesare Pavese<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ferdinand Lemaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franti\u0161ek Sl\u00e1ma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gaspar Stamp<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustav Falke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ilja Hurn\u00edk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan Moravec<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivan \u0158ez\u00e1\u010d<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jan Hanu\u0161<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jan Koutn\u00fd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jan Vladislav<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jaroslav K\u0159i\u010dka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jaroslav Motl\u00edk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jind\u0159ich Rohan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ji\u0159\u00ed Baxa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ji\u0159\u00ed Pauer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ji\u0159\u00ed Pokorn\u00fd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josef Bohuslav Foerster<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Josef P\u00e1len\u00ed\u010dek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karel M\u00e1lek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karel \u0158eh\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Konstantin Balmont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Martin Turnovsk\u00fd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Milan Munclinger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Milo\u0161 Vacek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Miloslav Kabel\u00e1\u010d<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Na\u010fa Mauerov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Otakar Hostinsk\u00fd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Petr Eben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samson et Dalila<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sob\u011bslav Soukup<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tom\u00e1\u0161 Va\u010dk\u00e1\u0159<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">V\u00e1clav Neumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vaclav Z\u00edtek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">V\u011bra Soukupov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">V\u00edt\u011bzslav Nezval<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vladim\u00edr Kl\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vladimir Sommer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vladim\u00edr V\u00e1lek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zden\u011bk Benda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zden\u011bk Fibich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Zden\u011bk Ko\u0161ler<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfr\u00e9d Hole\u010dek<\/span>","<span class=\"advgb-post-tax-term\">Alois Rybin<\/span>","<span class=\"advgb-post-tax-term\">Anna Akhmatova<\/span>","<span class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Biblick\u00e9 p\u00edsn\u011b<\/span>","<span class=\"advgb-post-tax-term\">Bohumil Gregor<\/span>","<span class=\"advgb-post-tax-term\">Bohum\u00edr Li\u0161ka<\/span>","<span class=\"advgb-post-tax-term\">Bohuslav Martin\u016f<\/span>","<span class=\"advgb-post-tax-term\">Camille Saint-Saens<\/span>","<span class=\"advgb-post-tax-term\">Cesare Pavese<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Lemaire<\/span>","<span class=\"advgb-post-tax-term\">Franti\u0161ek Sl\u00e1ma<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Gaspar Stamp<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Falke<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Ilja Hurn\u00edk<\/span>","<span class=\"advgb-post-tax-term\">Ivan Moravec<\/span>","<span class=\"advgb-post-tax-term\">Ivan \u0158ez\u00e1\u010d<\/span>","<span class=\"advgb-post-tax-term\">Jan Hanu\u0161<\/span>","<span class=\"advgb-post-tax-term\">Jan Koutn\u00fd<\/span>","<span class=\"advgb-post-tax-term\">Jan Vladislav<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav K\u0159i\u010dka<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav Motl\u00edk<\/span>","<span class=\"advgb-post-tax-term\">Jind\u0159ich Rohan<\/span>","<span class=\"advgb-post-tax-term\">Ji\u0159\u00ed Baxa<\/span>","<span class=\"advgb-post-tax-term\">Ji\u0159\u00ed Pauer<\/span>","<span class=\"advgb-post-tax-term\">Ji\u0159\u00ed Pokorn\u00fd<\/span>","<span class=\"advgb-post-tax-term\">Josef Bohuslav Foerster<\/span>","<span class=\"advgb-post-tax-term\">Josef P\u00e1len\u00ed\u010dek<\/span>","<span class=\"advgb-post-tax-term\">Karel M\u00e1lek<\/span>","<span class=\"advgb-post-tax-term\">Karel \u0158eh\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Konstantin Balmont<\/span>","<span class=\"advgb-post-tax-term\">Martin Turnovsk\u00fd<\/span>","<span class=\"advgb-post-tax-term\">Milan Munclinger<\/span>","<span class=\"advgb-post-tax-term\">Milo\u0161 Vacek<\/span>","<span class=\"advgb-post-tax-term\">Miloslav Kabel\u00e1\u010d<\/span>","<span class=\"advgb-post-tax-term\">Na\u010fa Mauerov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Otakar Hostinsk\u00fd<\/span>","<span class=\"advgb-post-tax-term\">Petr Eben<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Samson et Dalila<\/span>","<span class=\"advgb-post-tax-term\">Sob\u011bslav Soukup<\/span>","<span class=\"advgb-post-tax-term\">Tom\u00e1\u0161 Va\u010dk\u00e1\u0159<\/span>","<span class=\"advgb-post-tax-term\">V\u00e1clav Neumann<\/span>","<span class=\"advgb-post-tax-term\">Vaclav Z\u00edtek<\/span>","<span class=\"advgb-post-tax-term\">V\u011bra Soukupov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">V\u00edt\u011bzslav Nezval<\/span>","<span class=\"advgb-post-tax-term\">Vladim\u00edr Kl\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Vladimir Sommer<\/span>","<span class=\"advgb-post-tax-term\">Vladim\u00edr V\u00e1lek<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Zden\u011bk Benda<\/span>","<span class=\"advgb-post-tax-term\">Zden\u011bk Fibich<\/span>","<span class=\"advgb-post-tax-term\">Zden\u011bk Ko\u0161ler<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 22\/11\/2024","modified":"Updated on 22\/11\/2024"},"absolute_dates_time":{"created":"Posted on 22\/11\/2024 17:46","modified":"Updated on 22\/11\/2024 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