{"id":15467,"date":"2024-10-31T18:56:59","date_gmt":"2024-10-31T17:56:59","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15467"},"modified":"2024-10-31T19:31:15","modified_gmt":"2024-10-31T18:31:15","slug":"episode-303-everything-must-change","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/10\/31\/episode-303-everything-must-change\/","title":{"rendered":"Episode 303. Everything Must Change"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 303.  Everything Must Change<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1306-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1418\" height=\"1080\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Casual-Smile.png\" alt=\"\" class=\"wp-image-15742\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Casual-Smile.png 1418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Casual-Smile-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Casual-Smile-1024x780.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Casual-Smile-768x585.png 768w\" sizes=\"auto, (max-width: 1418px) 100vw, 1418px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Something a little outside of the normal scope of <em>Countermelody<\/em> for today\u2019s episode:<\/p>\n\n\n\n<p>Earlier this year I published a bonus episode on the fascinating singer\/songwriter Benard Ighner (1945-2017) and his modern-day standard \u201cEverything Must Change.\u201d The song has had a profound effect on me ever since I heard the version by the great Oleta Adams on her 1990 solo debut album, <em>Circle of One<\/em>. At the time I assumed that Oleta herself had written it, but I came to discover that it was penned by Ighner and first recorded by Quincy Jones on his 1974 album, <em>Body Heat<\/em>, and that since then many, many pop and jazz singers of the past fifty years have covered the song. All these different versions have both delighted and fascinated (as well as occasionally mystified and frustrated) me. The song itself is both fatalistic and hopeful, which is exactly the place I find myself as Election Day in the US approaches. Intrigued by both the song and its composer, I dug deeper and discovered all I could about Benard Ighner. An autodidactic musical polymath, Ighner rubbed shoulders with some of the greatest pop and jazz musicians of his time, and not <em>just<\/em> the hundreds of singers and instrumentalists who have jumped on the \u201cEverything Must Change\u201d bandwagon! This song brings out either the very best or the very worst of those who interpret it. In choosing my favorite versions, I have veered toward those who embrace understatement rather than vocal caterwauling and children\u2019s choruses. The episode begins with examples of Ighner\u2019s early work from the late sixties and early seventies, including pseudonymous encounters with Dizzy Gillespie (as Benard Ito) and Lalo Schifrin (as Alexander Saint Charles); proceeding through songs he wrote and produced for Shirley Bassey, Marlena Shaw, and Carmen McRae; as well as two excerpts from his solo album, a one-off 1978 Japanese release entitled <em>Little Dreamer<\/em>. We then hear ten different versions of the song, including, among others, Nina Simone, June Christy, Peggy Lee, Sarah Vaughan, Minako Yoshida (sung to her own Japanese translation), a recent magisterial live performance by Oleta Adams, and, even Ighner himself, who, alongside his other many musical talents, possessed a velvety baritone voice of exceptional beauty, poise, and power.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"402\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Hippie-Shirt.jpg\" alt=\"\" class=\"wp-image-15745\" style=\"width:604px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Hippie-Shirt.jpg 402w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Hippie-Shirt-201x300.jpg 201w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><\/figure>\n<\/div>\n\n\n<p>May this episode provide hope, courage, and insight for all of those who do believe that we can overcome the mad popularity-contest antics of this election cycle and lean toward a future in which morality and hope can still prove to be guiding principles.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"644\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Headshot.png\" alt=\"\" class=\"wp-image-15710\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Headshot.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Headshot-300x189.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Headshot-768x483.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat-1024x1024.jpg\" alt=\"\" class=\"wp-image-15712\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Body-Heat.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: Everything Must Change. Benard Ighner with Quincy Jones [from the 1974 Quincy Jones album <em>Body Heat<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"737\" height=\"732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Dizzy-Gillespie.png\" alt=\"\" class=\"wp-image-15713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Dizzy-Gillespie.png 737w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Dizzy-Gillespie-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Dizzy-Gillespie-150x150.png 150w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><figcaption class=\"wp-element-caption\">Dizzy Gillespie<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Dizzy Gillespie: Con alma. Benard Ighner (as Benard Ito), arranged by Benny Carter [1967 single]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"729\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Schifrin-Piano-1024x729.png\" alt=\"\" class=\"wp-image-15714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Schifrin-Piano-1024x729.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Schifrin-Piano-300x213.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Schifrin-Piano-768x547.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Schifrin-Piano.png 1224w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Benard Ighner, Lalo Schifrin: No More Lies, Girl (<em>Dirty Harry<\/em>). Benard Ighner (as Alexander Saint Charles), arranged and conducted Lalo Schifrin [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Rock-Requiem.jpg\" alt=\"\" class=\"wp-image-15715\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Rock-Requiem.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Rock-Requiem-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Rock-Requiem-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Lalo Schifrin: Tract (<em>Rock Requiem<\/em> [for the Dead in the Southeast Asia War]). Benard Ighner (as Alexander Saint Charles), Instrumental Ensemble arranged and conducted by Lalo Schifrin [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"831\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Bassey-Nobody.png\" alt=\"\" class=\"wp-image-15717\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Bassey-Nobody.png 831w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Bassey-Nobody-300x289.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Bassey-Nobody-768x740.png 768w\" sizes=\"auto, (max-width: 831px) 100vw, 831px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: Davy. Shirley Bassey, Benard Ighner, arranged and conducted by Gene Page [from her 1974 album <em>Nobody Does It Like Me<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch-1024x1024.jpg\" alt=\"\" class=\"wp-image-15718\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shaw-Bitch.jpg 1134w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: Loving You Was Like a Party. Marlena Shaw, arranged by Benard Ighner [from her 1974 album, <em>Who Is This Bitch, Anyway?<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Carmen-Music.png\" alt=\"\" class=\"wp-image-15719\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Carmen-Music.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Carmen-Music-150x150.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: You Know Who You Are. Carmen McRae, arranged, orchestrated and conducted by Roger Kellaway [from her 1975 album <em>I Am Music<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer.jpg\" alt=\"\" class=\"wp-image-15721\" style=\"width:646px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: It\u2019s The Same Old Story. Benard Ighner [from his 1978 album <em>Little Dreamer<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"906\" height=\"754\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Benard-Ighner.png\" alt=\"\" class=\"wp-image-15722\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Benard-Ighner.png 906w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Benard-Ighner-300x250.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Benard-Ighner-768x639.png 768w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner: Everything Must Change (10 versions):<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-1024x604.png\" alt=\"\" class=\"wp-image-15744\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-1024x604.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-300x177.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-768x453.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-1536x906.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot-1600x944.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Dramatic-Headshot.png 1830w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"520\" height=\"870\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Handsome-70s.png\" alt=\"\" class=\"wp-image-15748\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Handsome-70s.png 520w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-Handsome-70s-179x300.png 179w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/figure>\n<\/div>\n\n\n<p>Benard Ighner, arranged and conducted by Byron Olson (from his 1978 album <em>Little Dreamer<\/em>)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"567\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-BackCover.jpg\" alt=\"\" class=\"wp-image-15723\" style=\"width:642px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-BackCover.jpg 567w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-BackCover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Little-Dreamer-BackCover-150x150.jpg 150w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-1024x1024.jpg\" alt=\"\" class=\"wp-image-15724\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel-1600x1600.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Paul-van-Kessel.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul van Kessel, Charly Zastrow [live Netherlands, Theater De Storm 12.XII.20]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Randy.jpg\" alt=\"\" class=\"wp-image-15725\" style=\"width:646px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Randy.jpg 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Randy-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Randy-150x150.jpg 150w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p>Randy Crawford, produced by Stewart Levine [title track from her 1976 album, <em>Everything Must Change<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Minako.jpg\" alt=\"\" class=\"wp-image-15726\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Minako.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Minako-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Minako-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Minako Yoshida [translation and vocal], orchestrated and arranged by Susumu Arima, produced by Kunihiko Murai [from her 1975 album <em>Minako<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"569\" height=\"566\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Nina-Baltimore.jpg\" alt=\"\" class=\"wp-image-15727\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Nina-Baltimore.jpg 569w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Nina-Baltimore-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Nina-Baltimore-150x150.jpg 150w\" sizes=\"auto, (max-width: 569px) 100vw, 569px\" \/><\/figure>\n<\/div>\n\n\n<p>Nina Simone [from her 1978 album <em>Baltimore<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"591\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/June-Christz.jpg\" alt=\"\" class=\"wp-image-15728\" style=\"width:637px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/June-Christz.jpg 594w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/June-Christz-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/June-Christz-150x150.jpg 150w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/figure>\n<\/div>\n\n\n<p>June Christy, Lou Levy, Jack Sheldon, Bob Cooper, Frank Rosolino, Bob Daugherty, Shelly Manne [from her 1977 album <em>Impromptu<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shirley-May-the-Music.jpg\" alt=\"\" class=\"wp-image-15729\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shirley-May-the-Music.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shirley-May-the-Music-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Shirley-May-the-Music-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Shirley Horn, George Mesterhazy, Ed Howard, Steve Williams [from her 2003 album <em>May the Music Never End<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Peggy-Live-in-London.jpg\" alt=\"\" class=\"wp-image-15730\" style=\"width:639px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Peggy-Live-in-London.jpg 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Peggy-Live-in-London-295x300.jpg 295w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n<\/div>\n\n\n<p>Peggy Lee, produced by Ken Barnes [live London Palladium 13.III.1977, from her 2015 release <em>Peggy Lee Live in London<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Oleta.jpg\" alt=\"\" class=\"wp-image-15731\" style=\"width:643px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Oleta.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Oleta-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Oleta-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Oleta Adams, Bremer Philharmoniker [live Seeb\u00fchne Bremen 01.VII.22]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"577\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Sarah-Vaughan.jpg\" alt=\"\" class=\"wp-image-15732\" style=\"width:637px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Sarah-Vaughan.jpg 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Sarah-Vaughan-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Sarah-Vaughan-150x150.jpg 150w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure>\n<\/div>\n\n\n<p>Sarah Vaughan, Carl Schroeder, Jimmy Cobb, Walter Booker [live Ronnie Scott&#8217;s, London June 1977, from her 1979 album <em>Ronnie Scott\u2019s Presents Sarah Vaughan Live, Volume 2<\/em>]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-722x1024.jpg\" alt=\"\" class=\"wp-image-15733\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-722x1024.jpg 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner-211x300.jpg 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Ighner.jpg 761w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 303. Everything Must Change SOCIAL SHARE SUBSCRIPTION PLATFORM Something a little outside of the normal scope of Countermelody for&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15740,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1626,5824,5823,2399,6551,1072,5806,1263,2260,808,2755,4801,3272,2806,2550],"tags":[6887,6865,6886,971,6877,6879,6884,6866,3085,6883,6885,6872,6864,6878,6871,6876,6867,6874,6869,6892,6888,6875,6890,6891,284,2826,6882,5173,3300,6881,6269,6880,6889,6870,6873,6893,6868],"class_list":["post-15467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-singers","category-black-history-month-2024","category-forgotten-divas","category-great-baritones","category-great-contraltos","category-in-memoriam","category-listeners-favorites","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-pop-icons","category-singers-in-old-age","category-singers-of-color","category-twentieth-century-music","category-voiceless-wonders","tag-alexander-saint-charles","tag-benard-ighner","tag-benard-ito","tag-benny-carter","tag-bob-cooper","tag-bob-daugherty","tag-byron-olson","tag-carl-schroeder","tag-carmen-mcrae","tag-charly-zastrow","tag-dizzy-gillespie","tag-ed-howard","tag-everything-must-change","tag-frank-rololino","tag-george-mesterhazy","tag-jack-sheldon","tag-jimmy-cobb","tag-june-christy","tag-ken-barnes","tag-kunihiko-murai","tag-lalo-schifrin","tag-lou-levy","tag-marlena-shaw","tag-minako-yoshida","tag-nina-simone","tag-oleta-adams","tag-paul-van-kessel","tag-peggy-lee","tag-quincy-jones","tag-randy-crawford","tag-sarah-vaughan","tag-shelly-manne","tag-shirley-bassey","tag-shirley-horhn","tag-steve-williams","tag-susumu-arima","tag-walter-booker"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/10\/Benard-Singing-TRIMMED-300x125.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2024\/\" class=\"advgb-post-tax-term\">Black History Month 2024<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-contraltos\/\" class=\"advgb-post-tax-term\">Great Contraltos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2024<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Contraltos<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Alexander Saint Charles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benard Ighner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benard Ito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Benny Carter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bob Cooper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Bob Daugherty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Byron Olson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Carl Schroeder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Carmen McRae<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Charly Zastrow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Dizzy Gillespie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ed Howard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Everything Must Change<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Frank Rololino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">George Mesterhazy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jack Sheldon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Jimmy Cobb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">June Christy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Ken Barnes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Kunihiko Murai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lalo Schifrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Lou Levy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Marlena Shaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Minako Yoshida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Nina Simone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Oleta Adams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Paul van Kessel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Peggy Lee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Quincy Jones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Randy Crawford<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Sarah Vaughan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Shelly Manne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Shirley Bassey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Shirley Horhn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Steve Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Susumu Arima<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Walter Booker<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Saint Charles<\/span>","<span class=\"advgb-post-tax-term\">Benard Ighner<\/span>","<span class=\"advgb-post-tax-term\">Benard Ito<\/span>","<span class=\"advgb-post-tax-term\">Benny Carter<\/span>","<span class=\"advgb-post-tax-term\">Bob Cooper<\/span>","<span class=\"advgb-post-tax-term\">Bob Daugherty<\/span>","<span class=\"advgb-post-tax-term\">Byron Olson<\/span>","<span class=\"advgb-post-tax-term\">Carl Schroeder<\/span>","<span class=\"advgb-post-tax-term\">Carmen McRae<\/span>","<span class=\"advgb-post-tax-term\">Charly Zastrow<\/span>","<span class=\"advgb-post-tax-term\">Dizzy Gillespie<\/span>","<span class=\"advgb-post-tax-term\">Ed Howard<\/span>","<span class=\"advgb-post-tax-term\">Everything Must Change<\/span>","<span class=\"advgb-post-tax-term\">Frank Rololino<\/span>","<span class=\"advgb-post-tax-term\">George Mesterhazy<\/span>","<span class=\"advgb-post-tax-term\">Jack Sheldon<\/span>","<span class=\"advgb-post-tax-term\">Jimmy Cobb<\/span>","<span class=\"advgb-post-tax-term\">June Christy<\/span>","<span class=\"advgb-post-tax-term\">Ken Barnes<\/span>","<span class=\"advgb-post-tax-term\">Kunihiko Murai<\/span>","<span class=\"advgb-post-tax-term\">Lalo Schifrin<\/span>","<span class=\"advgb-post-tax-term\">Lou Levy<\/span>","<span class=\"advgb-post-tax-term\">Marlena Shaw<\/span>","<span class=\"advgb-post-tax-term\">Minako Yoshida<\/span>","<span class=\"advgb-post-tax-term\">Nina Simone<\/span>","<span class=\"advgb-post-tax-term\">Oleta Adams<\/span>","<span class=\"advgb-post-tax-term\">Paul van Kessel<\/span>","<span class=\"advgb-post-tax-term\">Peggy Lee<\/span>","<span class=\"advgb-post-tax-term\">Quincy Jones<\/span>","<span class=\"advgb-post-tax-term\">Randy Crawford<\/span>","<span class=\"advgb-post-tax-term\">Sarah Vaughan<\/span>","<span class=\"advgb-post-tax-term\">Shelly Manne<\/span>","<span class=\"advgb-post-tax-term\">Shirley Bassey<\/span>","<span class=\"advgb-post-tax-term\">Shirley Horhn<\/span>","<span class=\"advgb-post-tax-term\">Steve Williams<\/span>","<span class=\"advgb-post-tax-term\">Susumu Arima<\/span>","<span class=\"advgb-post-tax-term\">Walter Booker<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 1 year ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 31\/10\/2024","modified":"Updated on 31\/10\/2024"},"absolute_dates_time":{"created":"Posted on 31\/10\/2024 18:56","modified":"Updated on 31\/10\/2024 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