{"id":15215,"date":"2024-09-27T18:22:19","date_gmt":"2024-09-27T16:22:19","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15215"},"modified":"2024-12-14T01:03:30","modified_gmt":"2024-12-14T00:03:30","slug":"episode-293-the-mysterious-mara-coleva","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/09\/27\/episode-293-the-mysterious-mara-coleva\/","title":{"rendered":"Episode 293. The Mysterious Mara Coleva"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 293.  The Mysterious Mara Coleva<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1269-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"932\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Mara-Coleva.png\" alt=\"\" class=\"wp-image-15365\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Mara-Coleva.png 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Mara-Coleva-193x300.png 193w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The Bulgarian soprano Mara Coleva (12 March 1922 &#8211; 22 October 2014) was a vital and versatile singer, the majority of whose career took place in Italy in the 1950s through the very early sixties. Her most prominent and readily-accessible recordings are all for the RAI (Radio-Televisione Italiana), including the role of Silvana in a 1955 recording from Milano and two Martini &amp; Rossi-sponsored RAI concerts, one in Milano in 1957, and the other in Roma in 1961. These recordings reveal an artist with a well-schooled voice with a powerful dramatic sense, but one whose life remains to a great extent shrouded in mystery. It is an enormous thrill and privilege to present this great (if virtually unknown) artist in repertoire ranging from Rossini, Catalani, Cilea, Verdi, and twentieth-century Italian composers Ottorino Respighi and Lodovico Rocca. The episode ends with Coleva in a surprising and superbly-sung rendition of Agata\u2019s big scena from <em>Il franco cacciatore<\/em> (better known as Weber\u2019s <em>Der Freisch\u00fctz<\/em>!)<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Respighi-1024x576.jpg\" alt=\"\" class=\"wp-image-15368\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Respighi-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Respighi-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Respighi-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Respighi.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ottorino Respighi<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ottorino Respighi, Claudio Guastalla [after Hans Wiers-Jenssen]: Donna, tu sai l\u2019accusa&#8230; Non per malia, per empito d\u2019amore (<em>La Fiamma<\/em>). Nicola Zaccaria, Francesco Molinari-Pradelli. Orchestra e Coro di Milano della RAI [07.VIII.55]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"510\" height=\"751\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Nicola-Zaccaria.png\" alt=\"\" class=\"wp-image-15367\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Nicola-Zaccaria.png 510w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Nicola-Zaccaria-204x300.png 204w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ludovico-Rocca.png\" alt=\"\" class=\"wp-image-15369\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ludovico-Rocca.png 571w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ludovico-Rocca-207x300.png 207w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><figcaption class=\"wp-element-caption\">Ludovico Rocca<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Lodovico Rocca, Eligio Possenti [after Alexander Ostrovsky]: \u00c8 quasi notte, Signore (<em>L\u2019uragono<\/em>). Paolo Montarsolo, Massimo Freccia, Orchestra di Roma della RAI [24.XI.60]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"871\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Paolo-Montarsolo.png\" alt=\"\" class=\"wp-image-15370\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Paolo-Montarsolo.png 746w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Paolo-Montarsolo-257x300.png 257w\" sizes=\"auto, (max-width: 746px) 100vw, 746px\" \/><figcaption class=\"wp-element-caption\">Paolo Montarsolo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"938\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-Tosca.png\" alt=\"\" class=\"wp-image-15371\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-Tosca.png 669w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-Tosca-214x300.png 214w\" sizes=\"auto, (max-width: 669px) 100vw, 669px\" \/><figcaption class=\"wp-element-caption\">Coleva as Tosca<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francesco Cilea, Arturo Colautti [after Eug\u00e8ne Scribe and Ernest Legouv\u00e9]: Io son l\u2019umile ancella (<em>Adriana Lecouvreur<\/em>). Bruno Rigacci, Orchestra Sinfonica di Roma della RAI [04.XII.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Catalani-791x1024.png\" alt=\"\" class=\"wp-image-15373\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Catalani-791x1024.png 791w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Catalani-232x300.png 232w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Catalani-768x994.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Catalani.png 817w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><figcaption class=\"wp-element-caption\">Alfredo Catalani<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Alfredo Catalani, Luigi Illica: Ebben? ne andr\u00f2 lontana (<em>La Wally<\/em>). Bruno Rigacci, Orchestra Sinfonica di Roma della RAI [04.XII.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Simonetto.jpg\" alt=\"\" class=\"wp-image-15375\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Simonetto.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Simonetto-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alfredo-Simonetto-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Alfredo Simonetto<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Marco Praga, Domenico Oliva [after Abb\u00e9 Pr\u00e9vost]: Sola, perduta, abbandonata (<em>Manon Lescaut<\/em>). Alfredo Simonetto, Orchestra Sinfonica di Milano della RAI [09.XII.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Guglielmo-Tell.jpg\" alt=\"\" class=\"wp-image-15376\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Guglielmo-Tell.jpg 454w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Guglielmo-Tell-191x300.jpg 191w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini, Victor-Joseph \u00c9tienne de Jouy, Hippolyte Bis [after Friedrich Schiller; Italian version by Caliso Bassi]: S\u2019allontanano alfin&#8230; Selva opaca (<em>Guglielmo Tell<\/em>). Bruno Rigacci, Orchestra Sinfonica di Roma della RAI [recitativo, 04.XII.61]; Alfredo Simonetto, Orchestra Sinfonica di Milano della RAI [aria, 09.XII.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"833\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Forza.png\" alt=\"\" class=\"wp-image-15378\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Forza.png 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Forza-212x300.png 212w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after \u00c1ngel de Saavedra]: Pace, pace, mio Dio (<em>La forza del destino<\/em>). Bruno Rigacci, Orchestra Sinfonica di Roma della RAI [04.XII.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Sofia-Loren-as-Aida.jpg\" alt=\"\" class=\"wp-image-15379\" style=\"width:608px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Sofia-Loren-as-Aida.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Sofia-Loren-as-Aida-202x300.jpg 202w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni: Qui Radames verr\u00e0&#8230; O patria mia (<em>Aida<\/em>). Alfredo Simonetto, Orchestra Sinfonica di Milano della RAI [Milano 09.XII.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"954\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-possibly-as-Jenufa.png\" alt=\"\" class=\"wp-image-15374\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-possibly-as-Jenufa.png 695w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-possibly-as-Jenufa-219x300.png 219w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><figcaption class=\"wp-element-caption\">Coleva possibly as Jenufa, a role she sang in Italian with great success<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Carl Mario von Weber, Johann Friedrich Kind [after August Apel, Friedrich Laun; Italian translation by Franco Faccio]: Ah, che non giunge il sonno&#8230; Piano, piano, canto pio [Wie nahte mir der Schlummer&#8230; Leise, leise, fromme Weise] (<em>Il franco cacciatore<\/em> [<em>Der Freisch\u00fctz<\/em>]). Alfredo Simonetto, Orchestra Sinfonica di Milano della RAI [09.XII.57]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"271\" height=\"377\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Il-Franco-Cacciatore.jpg\" alt=\"\" class=\"wp-image-15380\" style=\"width:526px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Il-Franco-Cacciatore.jpg 271w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Il-Franco-Cacciatore-216x300.jpg 216w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 293. The Mysterious Mara Coleva SOCIAL SHARE SUBSCRIPTION PLATFORM The Bulgarian soprano Mara Coleva (12 March 1922 &#8211; 22&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[3207,1701,5823,2476,2398,1072,2260,808,2329,2806,4980,427],"tags":[4009,143,437,6645,159,2791,6532,4534,6646,6652,6639,6650,2308,4592,2309,6370,6642,6647,4548,164,4535,3761,6654,6653,3222,94,114,207,156,157,4593,6649,6655,6651,5660,1110,1099,6641,4758,1069,4578,6369,6640,6644,3520,6643,6648],"class_list":["post-15215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-iron-curtain","category-bel-canto","category-forgotten-divas","category-giacomo-puccini","category-giuseppe-verdi","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","tag-abbe-prevost","tag-adriana-lecouvreur","tag-aida","tag-alexander-ostrovsky","tag-alfredo-catalani","tag-alfredo-simonetto","tag-angel-de-saavedra","tag-antonio-ghislanzoni","tag-arturo-colautti","tag-august-apel","tag-bruno-rigacci","tag-caliso-bassi","tag-carl-maria-von-weber","tag-claudio-guastalla","tag-der-freischutz","tag-domenico-oliva","tag-eligio-possenti","tag-ernest-legouve","tag-eugene-scribe","tag-francesco-cilea","tag-francesco-maria-piave","tag-francesco-molinari-pradelli","tag-franco-faccio","tag-friedrich-laun","tag-friedrich-schiller","tag-giacomo-puccini","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-guglielmo-tell","tag-guillaume-tell","tag-hans-wiers-jenssen","tag-hippolyte-bis","tag-il-franco-cacciatore","tag-johann-friedrich-kind","tag-la-fiamma","tag-la-forza-del-destino","tag-la-wally","tag-lodovico-rocca","tag-luigi-illica","tag-manon-lescaut","tag-mara-coleva","tag-marco-praga","tag-massimo-freccia","tag-nicola-zaccaria","tag-ottorino-respighi","tag-paolo-montarsolo","tag-victor-joseph-etienne-de-jouy"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Coleva-TRIMMED-300x160.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alexander Ostrovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfredo Catalani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Alfredo Simonetto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Arturo Colautti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">August Apel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Bruno Rigacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Caliso Bassi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carl Maria von Weber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Claudio Guastalla<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Domenico Oliva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eligio Possenti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ernest Legouv\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Cilea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franco Faccio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Friedrich Laun<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Guglielmo Tell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Guillaume Tell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hans Wiers-Jenssen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hippolyte Bis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Il franco cacciatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Johann Friedrich Kind<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Fiamma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La forza del destino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">La Wally<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lodovico Rocca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Manon Lescaut<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Mara Coleva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Marco Praga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Massimo Freccia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Nicola Zaccaria<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ottorino Respighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paolo Montarsolo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Victor-Joseph \u00c9tienne de Jouy<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Prevost<\/span>","<span class=\"advgb-post-tax-term\">Adriana Lecouvreur<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Alexander Ostrovsky<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Catalani<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Simonetto<\/span>","<span class=\"advgb-post-tax-term\">\u00c1ngel de Saavedra<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/span>","<span class=\"advgb-post-tax-term\">Arturo Colautti<\/span>","<span class=\"advgb-post-tax-term\">August Apel<\/span>","<span class=\"advgb-post-tax-term\">Bruno Rigacci<\/span>","<span class=\"advgb-post-tax-term\">Caliso Bassi<\/span>","<span class=\"advgb-post-tax-term\">Carl Maria von Weber<\/span>","<span class=\"advgb-post-tax-term\">Claudio Guastalla<\/span>","<span class=\"advgb-post-tax-term\">Der Freisch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Domenico Oliva<\/span>","<span class=\"advgb-post-tax-term\">Eligio Possenti<\/span>","<span class=\"advgb-post-tax-term\">Ernest Legouv\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cilea<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/span>","<span class=\"advgb-post-tax-term\">Franco Faccio<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Laun<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Guglielmo Tell<\/span>","<span class=\"advgb-post-tax-term\">Guillaume Tell<\/span>","<span class=\"advgb-post-tax-term\">Hans Wiers-Jenssen<\/span>","<span class=\"advgb-post-tax-term\">Hippolyte Bis<\/span>","<span class=\"advgb-post-tax-term\">Il franco cacciatore<\/span>","<span class=\"advgb-post-tax-term\">Johann Friedrich Kind<\/span>","<span class=\"advgb-post-tax-term\">La Fiamma<\/span>","<span class=\"advgb-post-tax-term\">La forza del destino<\/span>","<span class=\"advgb-post-tax-term\">La Wally<\/span>","<span class=\"advgb-post-tax-term\">Lodovico Rocca<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Manon Lescaut<\/span>","<span class=\"advgb-post-tax-term\">Mara Coleva<\/span>","<span class=\"advgb-post-tax-term\">Marco Praga<\/span>","<span class=\"advgb-post-tax-term\">Massimo Freccia<\/span>","<span class=\"advgb-post-tax-term\">Nicola Zaccaria<\/span>","<span class=\"advgb-post-tax-term\">Ottorino Respighi<\/span>","<span class=\"advgb-post-tax-term\">Paolo Montarsolo<\/span>","<span class=\"advgb-post-tax-term\">Victor-Joseph \u00c9tienne de Jouy<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 1 year ago"},"absolute_dates":{"created":"Posted on 27\/09\/2024","modified":"Updated on 14\/12\/2024"},"absolute_dates_time":{"created":"Posted on 27\/09\/2024 18:22","modified":"Updated on 14\/12\/2024 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