{"id":15050,"date":"2024-09-17T15:46:59","date_gmt":"2024-09-17T13:46:59","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15050"},"modified":"2025-07-29T10:44:23","modified_gmt":"2025-07-29T08:44:23","slug":"episode-290-ileana-cotrubas-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/09\/17\/episode-290-ileana-cotrubas-revisited\/","title":{"rendered":"Episode 290. Ileana Cotruba\u0219 Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 290.  Ileana Cotruba\u0219 Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1256-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-39697d9b wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"457\" height=\"691\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Head-in-Hand.jpg\" alt=\"\" class=\"wp-image-15279\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Head-in-Hand.jpg 457w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Head-in-Hand-198x300.jpg 198w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">More than four years ago, I published my very first bonus episode on Patreon, which I offer here in a fancy new setting and with a wonderful new coda. When I first published an episode on the great Ileana Cotruba\u0219 in honor of her 81st birthday, I promised a bonus episode which would offer further examples of this treasurable artist\u2019s plangent and pathos-filled singing. This episode explores delves deeper into Cotruba\u0219\u2019s artistic legacy, examining roles that she took on later in her career, including Elisabetta in <em>Don Carlo<\/em>, Nedda in <em>Pagliacci<\/em>, Amelia in <em>Simon Boccanegra<\/em>, and Desdemona in <em>Otello<\/em>. In addition, I play excerpts of roles that lay somewhat outside of her normal repertoire, including Tatyana in <em>Yevgeny Onegin<\/em>, Konstanze in <em>Die Entf\u00fchrung aus dem Serail<\/em>, and Tytania in <em>A Midsummer Night\u2019s Dream<\/em>. This is followed by two extended live excerpts of her two greatest roles, Mim\u00ec in <em>La Boh\u00e8me<\/em> and Violetta in <em>La Traviata<\/em>. The entire episode is capped with an exquisite example of Cotruba\u0219 singing Bach, in anticipation of a new all-Bach episode at the end of the week.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size wp-block-paragraph\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"736\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Glam-Shot-Young.png\" alt=\"\" class=\"wp-image-15282\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Glam-Shot-Young.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Glam-Shot-Young-238x300.png 238w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">All tracks feature soprano Ileana Cotruba\u0219.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"789\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tytania-USE-1024x789.png\" alt=\"\" class=\"wp-image-15283\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tytania-USE-1024x789.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tytania-USE-300x231.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tytania-USE-768x592.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tytania-USE.png 1141w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Benjamin Britten, Peter Pears [after William Shakespeare]: Ill met by moonlight (<em>A Midsummer Night\u2019s Dream<\/em>). James Bowman, Bernard Haitink, London Philharmonic Orchestra [Glyndebourne 07.VII.81]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"755\" data-id=\"15290\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-2.png\" alt=\"\" class=\"wp-image-15290\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-2.png 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-2-210x300.png 210w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"536\" height=\"752\" data-id=\"15291\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-1.png\" alt=\"\" class=\"wp-image-15291\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-1.png 536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Konstanze-1-214x300.png 214w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wolfgang Amadeus Mozart, Gottlieb Stephanie [after Christoph Friedrich Bretzner]: Traurigkeit (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Lorin Maazel, Wiener Philharmoniker [Salzburg August 1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"977\" height=\"678\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tatyana-letter-writing.png\" alt=\"\" class=\"wp-image-15289\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tatyana-letter-writing.png 977w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tatyana-letter-writing-300x208.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Tatyana-letter-writing-768x533.png 768w\" sizes=\"auto, (max-width: 977px) 100vw, 977px\" \/><figcaption class=\"wp-element-caption\">As Tatyana<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pyotr Il\u2019yich Tchaikovsky [after Alexander Pushkin]: Kto ti, moi angeli khranitel (<em>Yevgeny Onegin<\/em>). Mark Ermler, Orchester der Wiener Staatsoper [live Wien IV.89]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"766\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Nedda.png\" alt=\"\" class=\"wp-image-15288\" style=\"width:629px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Nedda.png 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Nedda-201x300.png 201w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ruggero Leoncavallo: Nedda-Silvio Scene (<em>Pagliacci<\/em>). Wolfgang Sch\u00f6ne, \u00c1d\u00e1m Fischer, Orchester der Wiener Staatsoper [06.VI.85]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-BW-glamour.png\" alt=\"\" class=\"wp-image-15292\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-BW-glamour.png 525w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-BW-glamour-224x300.png 224w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giacomo Puccini, Giuseppe Adami [after Alfred Maria Willner, Heinz Reichert]: Chi il bel sogno di Doretta (<em>La Rondine<\/em>). Gregory Kunde, Bruno Bartoletti, Orchestra of the Lyric Opera of Chicago [November 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"698\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Elisabetta-1024x698.png\" alt=\"\" class=\"wp-image-15294\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Elisabetta-1024x698.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Elisabetta-300x204.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Elisabetta-768x523.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Elisabetta.png 1397w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Joseph M\u00e9ry, Camille du Locle [after Friedrich Schiller; Italian translation by Achille de Lauzi\u00e8res]: Di qual amor, di tant\u2019amor (<em>Don Carlo<\/em>). Luis Lima, Bernard Haitink, Orchestra of the Royal Opera Covent Garden [April 1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"466\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Anxious-1.jpg\" alt=\"\" class=\"wp-image-15293\" style=\"width:629px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Anxious-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Anxious-1-300x233.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Francesco Maria Piave, Arrigo Boito [after Antonio Garc\u00eda Guti\u00e9rrez]: Come in quest\u2019ora bruna (<em>Simon Boccanegra<\/em>). Gabor \u00d6tv\u00f6s, Orchestra del Teatro San Carlo [Napoli 1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-1024x757.jpg\" alt=\"\" class=\"wp-image-15303\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-1024x757.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-300x222.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-768x568.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-1536x1136.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta-1600x1183.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Dying-Violetta.jpg 1604w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Arrigo Boito [after William Shakespeare]: Willow Song; Ave Maria (<em>Otello<\/em>). Mabel Perelstein, Antoni Ros-Marb\u00e0, Orquesta del Gran Teatro del Liceo [Barcelona 13.IV.88]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"754\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Carreras-Boheme.jpg\" alt=\"\" class=\"wp-image-15295\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Carreras-Boheme.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Carreras-Boheme-224x300.jpg 224w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">with Jos\u00e9 Carreras in <em>La Boh\u00e8me<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: Mim\u00ec-Marcello Scene (<em>La Boh\u00e8me<\/em>). Brent Ellis, Silvio Varviso, San Francisco Opera Orchestra [San Francisco 10.XI.78]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Pavarotti-Boheme.jpg\" alt=\"\" class=\"wp-image-15304\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Pavarotti-Boheme.jpg 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Pavarotti-Boheme-223x300.jpg 223w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><figcaption class=\"wp-element-caption\">with Luciano Pavarotti in <em>La Boh\u00e8me<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"493\" height=\"884\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Aragall-Traviata.jpg\" alt=\"\" class=\"wp-image-15296\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Aragall-Traviata.jpg 493w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Aragall-Traviata-167x300.jpg 167w\" sizes=\"auto, (max-width: 493px) 100vw, 493px\" \/><figcaption class=\"wp-element-caption\">with Giacomo Aragall in <em>La Traviata<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas <em>fils<\/em>]: Follie, follie&#8230; Sempre libera (<em>La Traviata<\/em>). Hora Andreescu, George Enescu Philharmonic Orchestra [Bucharest VI.90]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Violetta-hands-685x1024.jpg\" alt=\"\" class=\"wp-image-15298\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Violetta-hands-685x1024.jpg 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Violetta-hands-201x300.jpg 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Violetta-hands-768x1148.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Violetta-hands.jpg 777w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas <em>fils<\/em>]: Madimagella Val\u00e9ry?&#8230; Amami, Alfredo (<em>La Traviata<\/em>). Piero Cappuccilli, Alfredo Kraus, Trudy Hines, Bruno Bartoletti, Lyric Opera of Chicago Orchestra [Chicago 26.IX.75]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"531\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Kraus-1.jpg\" alt=\"\" class=\"wp-image-15300\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Kraus-1.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Kraus-1-300x207.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">with Alfredo Kraus<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"586\" height=\"795\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-in-colorful-dress.png\" alt=\"\" class=\"wp-image-15297\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-in-colorful-dress.png 586w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-in-colorful-dress-221x300.png 221w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Johann Sebastian Bach: Komm, mein Herz steht dir offen (<em>Wer mich liebet, der wird mein Wort halten<\/em>, BWV 74). Ileana Cotrubas, Helmut Winschermann, Deutsche Bachsolisten [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1013\" height=\"747\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Older-in-Recital.png\" alt=\"\" class=\"wp-image-15302\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Older-in-Recital.png 1013w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Older-in-Recital-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Cotrubas-Older-in-Recital-768x566.png 768w\" sizes=\"auto, (max-width: 1013px) 100vw, 1013px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 290. Ileana Cotruba\u0219 Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM More than four years ago, I published my very first bonus&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,2261,2476,2398,2399,5137,1074,1603,8033,5806,2260,808,425,2806,4980,427,5138],"tags":[4383,4551,2233,3518,5548,5279,47,6575,5118,77,305,2150,1885,1090,4550,6580,1611,877,4535,3222,6576,94,4610,4759,207,6579,6577,6137,1617,6022,6573,448,5085,298,4549,418,1500,4758,1071,6574,3941,704,2795,4290,1913,70,1886,2301,6572,2600,34,6578,876],"class_list":["post-15050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-great-tenors","category-happy-birthday","category-ileana-cotrubas","category-johann-sebastian-bach","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-ruggero-leoncavallo","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-a-midsummer-nights-dream","tag-achille-de-lauzieres","tag-adam-fischer","tag-alexander-pushkin","tag-alexandre-dumas-fils","tag-alfred-maria-willner","tag-alfredo-kraus","tag-antoni-ros-marba","tag-antonio-garcia-gutierrez","tag-arrigo-boito","tag-benjamin-britten","tag-bernard-haitink","tag-brent-ellis","tag-bruno-bartoletti","tag-camille-du-locle","tag-christoph-friedrich-bretzner","tag-die-entfuhrung-aus-dem-serail","tag-eugene-onegin","tag-francesco-maria-piave","tag-friedrich-schiller","tag-gabor-otvos","tag-giacomo-puccini","tag-giuseppe-adami","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-gottlieb-stephanie","tag-gregory-kunde","tag-heinz-reichert","tag-helmut-winschermann","tag-henri-murger","tag-hora-andreescu","tag-ileana-cotrubas","tag-james-bowman","tag-johann-sebastian-bach","tag-joseph-mery","tag-la-boheme","tag-la-rondine","tag-luigi-illica","tag-luis-lima","tag-mabel-perelstein","tag-mark-ermler","tag-pagliacci","tag-peter-pears","tag-piero-cappuccilli","tag-pyotr-ilyich-tchaikovsky-2","tag-ruggero-leoncavallo","tag-silvio-varviso","tag-simon-boccanegra","tag-trudy-hines","tag-william-shakespeare","tag-wolfgang-amadeus-mozart","tag-wolfgang-schone","tag-yevgeny-onegin"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ileana-smiling-with-70s-hair-300x122.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ileana-cotrubas\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ruggero-leoncavallo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">A Midsummer Night\u2019s Dream<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Achille de Lauzi\u00e8res<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c1d\u00e1m Fischer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Maria Willner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antoni Ros-Marb\u00e0<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bernard Haitink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Brent Ellis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bruno Bartoletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Camille du Locle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christoph Friedrich Bretzner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugene Onegin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gabor \u00d6tv\u00f6s<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gottlieb Stephanie<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gregory Kunde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz Reichert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Helmut Winschermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hora Andreescu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ileana Cotrubas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Bowman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La rondine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luis Lima<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mabel Perelstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mark Ermler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Pears<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Piero Cappuccilli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Silvio Varviso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Simon Boccanegra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Trudy Hines<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Sch\u00f6ne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Yevgeny Onegin<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Midsummer Night\u2019s Dream<\/span>","<span class=\"advgb-post-tax-term\">Achille de Lauzi\u00e8res<\/span>","<span class=\"advgb-post-tax-term\">\u00c1d\u00e1m Fischer<\/span>","<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfred Maria Willner<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Antoni Ros-Marb\u00e0<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Bernard Haitink<\/span>","<span class=\"advgb-post-tax-term\">Brent Ellis<\/span>","<span class=\"advgb-post-tax-term\">Bruno Bartoletti<\/span>","<span class=\"advgb-post-tax-term\">Camille du Locle<\/span>","<span class=\"advgb-post-tax-term\">Christoph Friedrich Bretzner<\/span>","<span class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/span>","<span class=\"advgb-post-tax-term\">Eugene Onegin<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Gabor \u00d6tv\u00f6s<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gottlieb Stephanie<\/span>","<span class=\"advgb-post-tax-term\">Gregory Kunde<\/span>","<span class=\"advgb-post-tax-term\">Heinz Reichert<\/span>","<span class=\"advgb-post-tax-term\">Helmut Winschermann<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Hora Andreescu<\/span>","<span class=\"advgb-post-tax-term\">Ileana Cotrubas<\/span>","<span class=\"advgb-post-tax-term\">James Bowman<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">La rondine<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Luis Lima<\/span>","<span class=\"advgb-post-tax-term\">Mabel Perelstein<\/span>","<span class=\"advgb-post-tax-term\">Mark Ermler<\/span>","<span class=\"advgb-post-tax-term\">Pagliacci<\/span>","<span class=\"advgb-post-tax-term\">Peter Pears<\/span>","<span class=\"advgb-post-tax-term\">Piero Cappuccilli<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Silvio Varviso<\/span>","<span class=\"advgb-post-tax-term\">Simon Boccanegra<\/span>","<span class=\"advgb-post-tax-term\">Trudy Hines<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sch\u00f6ne<\/span>","<span class=\"advgb-post-tax-term\">Yevgeny Onegin<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 12 months ago"},"absolute_dates":{"created":"Posted on 17\/09\/2024","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 17\/09\/2024 15:46","modified":"Updated on 29\/07\/2025 10:44"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15050","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15050"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15050\/revisions"}],"predecessor-version":[{"id":15305,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15050\/revisions\/15305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15280"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15050"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15050"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}