{"id":15020,"date":"2024-09-10T14:42:49","date_gmt":"2024-09-10T12:42:49","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=15020"},"modified":"2024-09-12T11:59:56","modified_gmt":"2024-09-12T09:59:56","slug":"episode-288-teresa-zylis-gara-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/09\/10\/episode-288-teresa-zylis-gara-revisited\/","title":{"rendered":"Episode 288. Teresa \u017bylis-Gara Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 288.  Teresa \u017bylis-Gara Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1248-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"986\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-TZG-1.jpg\" alt=\"\" class=\"wp-image-15218\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-TZG-1.jpg 678w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-TZG-1-206x300.jpg 206w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Today I revisit the life, career, and sumptuous voice of the great Polish soprano Teresa \u017bylis-Gara, who died three years ago on 28 August 2021 at the age of 91. The soprano was for the most part shockingly under-recorded, so I have scoured the internet for examples of her live in performance, and unearthed examples of her singing Wagner, Massenet, Puccini, Verdi, Strauss, Giordano, Mozart, and Berlioz with some divine tenorial counterparts including Franco Bonisolli, Jos\u00e9 Carreras, Luciano Pavarotti, John Alexander, Alfredo Kraus, Wies\u0142aw Ochman, Peter Lindroos, and Piero Visconti. I know I am not the only one who revels in the rich velvety timbre of Mme. \u017bylis-Gara, and each of the tenors heard alongside her presents her versatile voice in a different facet of its beauty.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"825\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Elsa.png\" alt=\"\" class=\"wp-image-15221\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Elsa.png 531w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Elsa-193x300.png 193w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Dich, teure Halle (<em>Tannh\u00e4user<\/em>). Teresa \u017bylis-Gara, Orchestra conducted by James Levine [live New York 03.III.84]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-640x1024.jpeg\" alt=\"\" class=\"wp-image-15220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-640x1024.jpeg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-188x300.jpeg 188w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-768x1228.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-960x1536.jpeg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta-1280x2048.jpeg 1280w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-as-Violetta.jpeg 1563w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas <em>fils<\/em>]: Un d\u00ec felice, eterea (<em>La traviata<\/em>). Teresa \u017bylis-Gara, Wies\u0142aw Ochman, Jacek Kaspszyk, Orkiestra Opery Pozna\u0144skiej [Orchestra of the Pozna\u0144 Opera] [live Pozna\u0144 10.XII.77]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ochman-730x1024.jpg\" alt=\"\" class=\"wp-image-15238\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ochman-730x1024.jpg 730w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ochman-214x300.jpg 214w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ochman-768x1077.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Ochman.jpg 787w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption class=\"wp-element-caption\">Wies\u0142aw Ochman<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"380\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Another-iconic-one.png\" alt=\"\" class=\"wp-image-15222\" style=\"width:608px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Another-iconic-one.png 380w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Another-iconic-one-206x300.png 206w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Ach, ich f\u00fchl\u2019s (<em>Die Zauberfl\u00f6te<\/em>). Teresa \u017bylis-Gara, Orchestra conducted by Stanislaw Skrowaczewski [live New York 17.I.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"502\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/At-Makeup-Table.jpg\" alt=\"\" class=\"wp-image-15225\" style=\"width:606px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/At-Makeup-Table.jpg 766w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/At-Makeup-Table-300x197.jpg 300w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: O soave fanciulla (<em>La boh\u00e8me<\/em>). Teresa \u017bylis-Gara, Luciano Pavarotti, Orchestra conducted by Leif Segerstam [live New York 09.III.74]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"557\" height=\"560\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Pavarotti-squint-eyed.jpg\" alt=\"\" class=\"wp-image-15239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Pavarotti-squint-eyed.jpg 557w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Pavarotti-squint-eyed-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Pavarotti-squint-eyed-150x150.jpg 150w\" sizes=\"auto, (max-width: 557px) 100vw, 557px\" \/><figcaption class=\"wp-element-caption\">Luciano Pavarotti<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-Headshot.png\" alt=\"\" class=\"wp-image-15224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-Headshot.png 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Early-Headshot-208x300.png 208w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giovacchino Forzano: Senza mamma (<em>Suor Angelica<\/em>). Teresa \u017bylis-Gara, Orchestra conducted by James Levine [live New York 26.II.77]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Butterfly.jpg\" alt=\"\" class=\"wp-image-15226\" style=\"width:592px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Butterfly.jpg 335w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Butterfly-212x300.jpg 212w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after David Belasco, John Henry Long]: Vogliatemi bene (<em>Madama Butterfly<\/em>). Teresa \u017bylis-Gara, John Alexander, Orchestra conducted by Richard Woitach [live New York 03.IV.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"805\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alexander.png\" alt=\"\" class=\"wp-image-15237\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alexander.png 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Alexander-254x300.png 254w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><figcaption class=\"wp-element-caption\">John Alexander<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Glamorous.jpg\" alt=\"\" class=\"wp-image-15227\" style=\"width:609px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Glamorous.jpg 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Glamorous-198x300.jpg 198w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz Auguste Barbier, L\u00e9on de Wailly [after the memoirs of Benvenuto Cellini]: \u00d4 Teresa, vous que j\u2019aime plus que ma vie (<em>Benvenuto Cellini<\/em>). Teresa \u017bylis-Gara, Franco Bonisolli, Wolfgang Brendel, Seiji Ozawa, Orchestra di Roma della RAI [live Rome 08.V.73]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"740\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bonisolli.png\" alt=\"\" class=\"wp-image-15236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bonisolli.png 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bonisolli-300x231.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Bonisolli-768x592.png 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Franco Bonisolli in all his heterosexual studliness<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"784\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Manon.png\" alt=\"\" class=\"wp-image-15228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Manon.png 558w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Manon-214x300.png 214w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: Pardonnez-moi&#8230; N\u2019est-ce plus ma main (<em>Manon<\/em>). Teresa \u017bylis-Gara, Alfredo Kraus, Jean Fournet, Lyric Opera of Chicago Orchestra [live Chicago 29.IX.73]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Kraus.jpg\" alt=\"\" class=\"wp-image-15235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Kraus.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Kraus-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Kraus-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Alfredo Kraus<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Teresa-and-A-Very-Spacial-Candlestick.jpg\" alt=\"\" class=\"wp-image-15229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Teresa-and-A-Very-Spacial-Candlestick.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Teresa-and-A-Very-Spacial-Candlestick-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Teresa-and-A-Very-Spacial-Candlestick-768x480.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Somma [after Eug\u00e8ne Scribe]: Teco io sto (<em>Un ballo in maschera<\/em>). Teresa \u017bylis-Gara, Piero Visconti, Gianluigi Gelmetti, Orchestre National de France [live Paris 1985]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Visconti.png\" alt=\"\" class=\"wp-image-15234\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Visconti.png 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Visconti-217x300.png 217w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><figcaption class=\"wp-element-caption\">Piero Visconti<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"895\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Fave.png\" alt=\"\" class=\"wp-image-15230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Fave.png 656w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Fave-220x300.png 220w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: .Ich wei\u00df, so ist es dort, wohin du mich f\u00fchrest (<em>Ariadne auf Naxos<\/em>). Teresa \u017bylis-Gara, Peter Lindroos, Maryann Polsinelli, Marie Th\u00e9r\u00e8se Keller, Elizabeth Whitehouse, Berislav Klobu\u010dar, Orchestre Philharmonique de Nice [live Nice 1986]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"859\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Lindroos.png\" alt=\"\" class=\"wp-image-15233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Lindroos.png 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Lindroos-209x300.png 209w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><figcaption class=\"wp-element-caption\">Peter Lindroos<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"774\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Head-On.png\" alt=\"\" class=\"wp-image-15231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Head-On.png 774w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Head-On-227x300.png 227w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-Head-On-768x1016.png 768w\" sizes=\"auto, (max-width: 774px) 100vw, 774px\" \/><\/figure>\n<\/div>\n\n\n<p>Umberto Giordano, Luigi Illica: Vicino a te (<em>Andrea Ch\u00e9nier<\/em>). Teresa \u017bylis-Gara, Jos\u00e9 Carreras, Gianfranco Masini, Beethoven Orchester Bonn [live Bonn 11.II.85]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"732\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Carreras-1024x732.jpg\" alt=\"\" class=\"wp-image-15232\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Carreras-1024x732.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Carreras-300x215.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Carreras-768x549.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Carreras.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jos\u00e9 Carreras<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"477\" data-id=\"15246\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Desdemona-again.png\" alt=\"\" class=\"wp-image-15246\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Desdemona-again.png 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Desdemona-again-243x300.png 243w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"406\" height=\"500\" data-id=\"15243\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elvira.jpg\" alt=\"\" class=\"wp-image-15243\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elvira.jpg 406w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elvira-244x300.jpg 244w\" sizes=\"auto, (max-width: 406px) 100vw, 406px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1000\" data-id=\"15247\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Iconic-Headshot.jpg\" alt=\"\" class=\"wp-image-15247\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Iconic-Headshot.jpg 734w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Iconic-Headshot-220x300.jpg 220w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"753\" data-id=\"15244\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tatyana.jpg\" alt=\"\" class=\"wp-image-15244\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tatyana.jpg 535w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tatyana-213x300.jpg 213w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"842\" data-id=\"15245\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tosca.jpg\" alt=\"\" class=\"wp-image-15245\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tosca.jpg 801w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tosca-285x300.jpg 285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Tosca-768x807.jpg 768w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1000\" data-id=\"15249\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-More-Leopard.jpg\" alt=\"\" class=\"wp-image-15249\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-More-Leopard.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-More-Leopard-204x300.jpg 204w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"773\" data-id=\"15248\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-over-the-shoulder.png\" alt=\"\" class=\"wp-image-15248\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-over-the-shoulder.png 608w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/TZG-over-the-shoulder-236x300.png 236w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 288. Teresa \u017bylis-Gara Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM Today I revisit the life, career, and sumptuous voice of the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[5823,3273,2476,2398,5137,1072,2260,808,2257,2328,4980,427,5138],"tags":[6371,5548,47,216,4901,462,6541,4459,4613,4270,1612,4328,4548,4535,1061,94,6535,2531,4759,207,310,3672,6022,3760,3216,1683,1794,387,5549,1509,433,1884,1066,2930,6540,354,4758,434,6537,4008,6538,329,486,3619,2464,6539,2353,1309,1482,150,332,5121,34,6536],"class_list":["post-15020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forgotten-divas","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","category-richard-wagner","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-abbe-prevost-2","tag-alexandre-dumas-fils","tag-alfredo-kraus","tag-andrea-chenier","tag-antonio-somma","tag-ariadne-auf-naxos","tag-auguste-barbier","tag-benvenuto-cellini","tag-berislav-klobucar","tag-david-belasco","tag-die-zauberflote","tag-emanuel-schikaneder","tag-eugene-scribe","tag-francesco-maria-piave","tag-franco-bonisolli","tag-giacomo-puccini","tag-gianfranco-masini","tag-gianluigi-gelmetti","tag-giuseppe-giacosa","tag-giuseppe-verdi","tag-hector-berlioz","tag-henri-meilhac","tag-henri-murger","tag-hugo-von-hofmannsthal","tag-jacek-kaspszyk","tag-james-levine","tag-jean-fournet","tag-john-alexander","tag-john-henry-long","tag-jose-carreras","tag-jules-massenet","tag-la-boheme-2","tag-la-traviata","tag-leif-segerstam","tag-leon-de-wailly","tag-luciano-pavarotti","tag-luigi-illica","tag-manon","tag-peter-lindroos","tag-philippe-gille","tag-piero-visconti","tag-richard-strauss","tag-richard-wagner","tag-richard-woitach","tag-seiji-ozawa","tag-stanislaw-skrowaczewski","tag-tannhauser","tag-teresa-zylis-gara","tag-teresa-zylis-gara-2","tag-umberto-giordano","tag-un-ballo-in-maschera","tag-wieslaw-ochman","tag-wolfgang-amadeus-mozart","tag-wolfgang-brendel"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Smiling-Teresa-TRIMMED-300x176.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Abb\u00e9 Pr\u00e9vost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Somma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Auguste Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Benvenuto Cellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Belasco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franco Bonisolli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gianfranco Masini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jacek Kaspszyk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Fournet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Henry Long<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boh\u00e8me<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leif Segerstam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u00e9on de Wailly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Lindroos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Piero Visconti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Woitach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Seiji Ozawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stanislaw Skrowaczewski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Teresa Zylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Umberto Giordano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Un ballo in maschera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Brendel<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Abb\u00e9 Pr\u00e9vost<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/span>","<span class=\"advgb-post-tax-term\">Antonio Somma<\/span>","<span class=\"advgb-post-tax-term\">Ariadne auf Naxos<\/span>","<span class=\"advgb-post-tax-term\">Auguste Barbier<\/span>","<span class=\"advgb-post-tax-term\">Benvenuto Cellini<\/span>","<span class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/span>","<span class=\"advgb-post-tax-term\">David Belasco<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Franco Bonisolli<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gianfranco Masini<\/span>","<span class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Jacek Kaspszyk<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">Jean Fournet<\/span>","<span class=\"advgb-post-tax-term\">John Alexander<\/span>","<span class=\"advgb-post-tax-term\">John Henry Long<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">La Boh\u00e8me<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Leif Segerstam<\/span>","<span class=\"advgb-post-tax-term\">L\u00e9on de Wailly<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Peter Lindroos<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Piero Visconti<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Richard Woitach<\/span>","<span class=\"advgb-post-tax-term\">Seiji Ozawa<\/span>","<span class=\"advgb-post-tax-term\">Stanislaw Skrowaczewski<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">Teresa Zylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">Umberto Giordano<\/span>","<span class=\"advgb-post-tax-term\">Un ballo in maschera<\/span>","<span class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Brendel<\/span>"]}},"comment_count":"2","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 10\/09\/2024","modified":"Updated on 12\/09\/2024"},"absolute_dates_time":{"created":"Posted on 10\/09\/2024 14:42","modified":"Updated on 12\/09\/2024 11:59"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=15020"}],"version-history":[{"count":3,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15020\/revisions"}],"predecessor-version":[{"id":15250,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/15020\/revisions\/15250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15216"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=15020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=15020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=15020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}