{"id":14970,"date":"2024-09-08T00:39:14","date_gmt":"2024-09-07T22:39:14","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14970"},"modified":"2024-09-15T12:16:04","modified_gmt":"2024-09-15T10:16:04","slug":"episode-287-meet-hugo-hasslo","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/09\/08\/episode-287-meet-hugo-hasslo\/","title":{"rendered":"Episode 287. Meet Hugo Hasslo"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 287.  Meet Hugo Hasslo<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1242-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"781\" height=\"539\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-at-Home.png\" alt=\"\" class=\"wp-image-15187\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-at-Home.png 781w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-at-Home-300x207.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-at-Home-768x530.png 768w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Unless by some miracle you know him already, the Swedish baritone Hugo Hasslo (1911 \u2013 1994), is almost certainly the greatest baritone you never heard of. I discovered him entirely by accident years ago when Tower Records was going out of business and I, like a jackal picking the carcass of an unfortunate water buffalo, grabbed up scads of opera and vocal CDs that other customers \/ scavengers had passed over. The second that I heard Hasslo\u2019s voice, I knew I had discovered vocal gold. Initially it was the voice that impressed me the most: clarion yet dark-timbred, solid from bass-baritonal low range to an almost <em>Heldentenor<\/em>-like top (I was later to discover that Hasslo had dabbled in tenor repertoire, going so far as to sing Cavaradossi on stage!) But it was when I discovered a live 1959 recording of Hasslo singing the title role of <em>Rigoletto<\/em> with his home company, the Royal Swedish Opera, that I encountered his true greatness: here was a Rigoletto that combined the sheer animal power of a Bastianini with the dramatic insight of a Gobbi with an unmatched humanity and compassion for the character. And to think that, with few exceptions, his career, like that of a handful of other Swedish baritones from that era, was based almost entirely in Sweden, and at the Royal Opera, where he sang from 1940 to 1964. Here is a baritone considered by many cognoscenti to be perhaps the finest Swedish baritone that ever lived, a compleat artist, represented however by only a smattering of studio, live, and television recordings, which it is my honor to share with you. Welcome to the Hugo Hasslo Fan Club!<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"451\" height=\"688\" data-id=\"15205\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Ballo.png\" alt=\"\" class=\"wp-image-15205\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Ballo.png 451w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Ballo-197x300.png 197w\" sizes=\"auto, (max-width: 451px) 100vw, 451px\" \/><figcaption class=\"wp-element-caption\">Anckarstr\u00f6m in <em>Ballo<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"595\" data-id=\"15208\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Britz-Hertsberg-Gertrud-Wettegren-Hugo-Hasslo-in-The-Consul.png\" alt=\"\" class=\"wp-image-15208\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Britz-Hertsberg-Gertrud-Wettegren-Hugo-Hasslo-in-The-Consul.png 462w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Britz-Hertsberg-Gertrud-Wettegren-Hugo-Hasslo-in-The-Consul-233x300.png 233w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><figcaption class=\"wp-element-caption\">With Gertrud P\u00e5lson-Wettergren and Brita Hertsberg in <em>The Consul<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"447\" height=\"638\" data-id=\"15197\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Extreme-Collar.png\" alt=\"\" class=\"wp-image-15197\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Extreme-Collar.png 447w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Extreme-Collar-210x300.png 210w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"1016\" data-id=\"15202\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Figaro-or-such-1.jpg\" alt=\"\" class=\"wp-image-15202\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Figaro-or-such-1.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Figaro-or-such-1-213x300.jpg 213w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Figaro<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"447\" height=\"646\" data-id=\"15207\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-in-The-Warm-Landers-at-Skansen.png\" alt=\"\" class=\"wp-image-15207\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-in-The-Warm-Landers-at-Skansen.png 447w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-in-The-Warm-Landers-at-Skansen-208x300.png 208w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><figcaption class=\"wp-element-caption\">In <em>V\u00e4rml\u00e4nningarna<\/em> [The Warmlanders], a folk play with music by Fredrik Dahlfren and Andreas Randel<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"457\" height=\"625\" data-id=\"15200\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Macbeth.png\" alt=\"\" class=\"wp-image-15200\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Macbeth.png 457w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Macbeth-219x300.png 219w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><figcaption class=\"wp-element-caption\">Macbeth<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"601\" data-id=\"15198\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Marcello.png\" alt=\"\" class=\"wp-image-15198\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Marcello.png 391w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Marcello-195x300.png 195w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><figcaption class=\"wp-element-caption\">Marcello<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"567\" data-id=\"15199\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Pagliacci.png\" alt=\"\" class=\"wp-image-15199\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Pagliacci.png 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Pagliacci-243x300.png 243w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption class=\"wp-element-caption\">Tonio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"781\" height=\"1024\" data-id=\"15203\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Papageno-1-781x1024.jpg\" alt=\"\" class=\"wp-image-15203\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Papageno-1-781x1024.jpg 781w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Papageno-1-229x300.jpg 229w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Papageno-1-768x1007.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Papageno-1.jpg 1024w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/><figcaption class=\"wp-element-caption\">Papageno<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"630\" data-id=\"15201\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Sharpless.png\" alt=\"\" class=\"wp-image-15201\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Sharpless.png 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Sharpless-220x300.png 220w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><figcaption class=\"wp-element-caption\">Sharpless<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"657\" data-id=\"15206\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Margit-Jonsson-in-The-Warm-Landers-at-Skansen.png\" alt=\"\" class=\"wp-image-15206\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Margit-Jonsson-in-The-Warm-Landers-at-Skansen.png 462w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Margit-Jonsson-in-The-Warm-Landers-at-Skansen-211x300.png 211w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><figcaption class=\"wp-element-caption\">with Margit Jonsson in <em>V\u00e4rml\u00e4nningarna<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"656\" data-id=\"15196\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trov.png\" alt=\"\" class=\"wp-image-15196\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trov.png 464w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trov-212x300.png 212w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><figcaption class=\"wp-element-caption\">Di Luna<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"677\" data-id=\"15204\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Einar-Andersson-in-Cosi.png\" alt=\"\" class=\"wp-image-15204\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Einar-Andersson-in-Cosi.png 466w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Einar-Andersson-in-Cosi-206x300.png 206w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><figcaption class=\"wp-element-caption\">With Einar Andersson in <em>Cos\u00ec fan tutte<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"617\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Hoffmann.png\" alt=\"\" class=\"wp-image-15188\" style=\"width:552px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Hoffmann.png 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Hoffmann-229x300.png 229w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Jacques Offenbach, Michel Carr\u00e9, Jules Barbier [after ETA Hoffmann]: Scintille, diamant (<em>Les contes d\u2019Hoffmann<\/em>) [sung in Swedish]. Hugo Hasslo, Nils Grevillius, Stockholm Radio Orchestra [1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"710\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-iconic-headshot.png\" alt=\"\" class=\"wp-image-15189\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-iconic-headshot.png 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-iconic-headshot-199x300.png 199w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Gunnar Wennerberg, arr. David Wikander: G\u00f6ren portarna h\u00f6ga [Psalm 24]. Hugo Hasslo, Henry Lindroth [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"593\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Sven-Nilsson-in-Pasquale.png\" alt=\"\" class=\"wp-image-15190\" style=\"width:519px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Sven-Nilsson-in-Pasquale.png 452w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-and-Sven-Nilsson-in-Pasquale-229x300.png 229w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><figcaption class=\"wp-element-caption\">Hasslo as Malatesta and Sven Nilsson in the title role of <em>Don Pasquale<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Salvadore Cammarano [after Lockroy (n\u00e9 Joseph-Philippe Simon), Edmon Badon]: Bella e di sol vestita (<em>Maria di Rohan<\/em>). Hugo Hasslo [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"575\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Henriette-Guermandt-de-la-Berg-in-Zauberflote.png\" alt=\"\" class=\"wp-image-15191\" style=\"width:551px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Henriette-Guermandt-de-la-Berg-in-Zauberflote.png 456w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Henriette-Guermandt-de-la-Berg-in-Zauberflote-238x300.png 238w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><figcaption class=\"wp-element-caption\">Hugo Hasslo and Henriette Guermandt-de la Berg in <em>Die Zauberfl\u00f6te<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Der Vogelf\u00e4nger bin ich ja (<em>Die Zauberfl\u00f6te<\/em>) [sung in Swedish]. Hugo Hasslo, Herbert Sandberg, Stockholm Royal Orchestra [1944]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"891\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Jurinac.jpg\" alt=\"\" class=\"wp-image-15174\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Jurinac.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Jurinac-190x300.jpg 190w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky [after Alexander Pushkin]: Ach, Herr Onegin, mir scheint, wir sah\u2019n uns fr\u00fcher schon (<em>EugenOnegin<\/em>). Hugo Hasslo, Sena Jurinac, Wilhelm Sch\u00fcchter, Sinfonieorchester des NDR [live Hamburg 11.IX.52]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"534\" height=\"546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Older-Headshot.png\" alt=\"\" class=\"wp-image-15192\" style=\"width:594px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Older-Headshot.png 534w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Older-Headshot-293x300.png 293w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"836\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Joel-Berglund.png\" alt=\"\" class=\"wp-image-15175\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Joel-Berglund.png 602w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Joel-Berglund-216x300.png 216w\" sizes=\"auto, (max-width: 602px) 100vw, 602px\" \/><figcaption class=\"wp-element-caption\">Joel Berglund<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Camille du Locle, Joseph M\u00e9ry [after Friedrich Schiller]: O signor, di Fiandra arrivo (<em>Don Carlos<\/em>) [sung in Swedish]. Hugo Hasslo, Joel Berglund, Sixten Ehrling, Orchestra of the Swedish Royal Opera [live 1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"622\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trovatore.png\" alt=\"\" class=\"wp-image-15193\" style=\"width:602px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trovatore.png 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Trovatore-221x300.png 221w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"779\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-as-Rigoletto-1024x779.png\" alt=\"\" class=\"wp-image-15176\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-as-Rigoletto-1024x779.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-as-Rigoletto-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-as-Rigoletto-768x584.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-as-Rigoletto.png 1372w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas]: Cortigiani, vil razza dannata (<em>Rigoletto<\/em>). Hugo Hasslo, Sixten Ehrling, Orchestra and Chorus of the Royal Opera, Stockholm [live 18.I.59]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"714\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Michele-714x1024.png\" alt=\"\" class=\"wp-image-15177\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Michele-714x1024.png 714w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Michele-209x300.png 209w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Michele.png 740w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><figcaption class=\"wp-element-caption\">Hasslo as John Sorel in <em>The Medium<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Didier Gold]: Nulla! Silenzio! (<em>Il tabarro<\/em>) [sung in Swedish]. Hugo Hasslo, Nils Grevillius, Stockholms Filharmoniska Orkester [1956 television production]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"641\" height=\"879\" data-id=\"15178\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Birgit-Nordin.jpg\" alt=\"\" class=\"wp-image-15178\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Birgit-Nordin.jpg 641w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Birgit-Nordin-219x300.jpg 219w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"576\" data-id=\"15194\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Barbiere.png\" alt=\"\" class=\"wp-image-15194\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Barbiere.png 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Barbiere-239x300.png 239w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Gioachino Rossini, Cesare Sterbini [after Pierre Beaumarchais]: Dunque io son (<em>Il barbiere di Siviglia<\/em>) [sung in Swedish]. Hugo Hasslo, Birgit Nordin, Ferenc Koltay, Orchestra of the Royal Opera Stockholm [live 1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"463\" height=\"624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Singing.png\" alt=\"\" class=\"wp-image-15195\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Singing.png 463w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Singing-223x300.png 223w\" sizes=\"auto, (max-width: 463px) 100vw, 463px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm Stenhammar, Bo Bergman: Adagio (<em>Fem s\u00e5nger av Bo Bergman<\/em>, Op. 20\/5). Hugo Hasslo, Stig Westerberg, Swedish Radio Symphony Orchestra [live 09.XII.59]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1369\" height=\"1044\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elderly-Hasslo-2.png\" alt=\"\" class=\"wp-image-15181\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elderly-Hasslo-2.png 1369w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elderly-Hasslo-2-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elderly-Hasslo-2-1024x781.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Elderly-Hasslo-2-768x586.png 768w\" sizes=\"auto, (max-width: 1369px) 100vw, 1369px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"642\" height=\"864\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Mai-Zetterling-in-1946-film.png\" alt=\"\" class=\"wp-image-15185\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Mai-Zetterling-in-1946-film.png 642w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hugo-Hasslo-and-Mai-Zetterling-in-1946-film-223x300.png 223w\" sizes=\"auto, (max-width: 642px) 100vw, 642px\" \/><figcaption class=\"wp-element-caption\">Hugo Hasslo and Mai Zetterling in the 1946 film <em>Driver dagg faller regn<\/em> [Sunshine Follows Rain]<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 287. Meet Hugo Hasslo SOCIAL SHARE SUBSCRIPTION PLATFORM Unless by some miracle you know him already, the Swedish baritone&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3273,2476,2398,2399,1072,2260,808,2329,4722,5138],"tags":[6552,379,6558,875,4550,6096,6559,1612,6560,6432,6561,6562,6563,6553,3222,376,94,6156,4610,207,6554,6564,6565,6566,99,115,209,98,4549,6567,4020,2228,6568,6569,4021,6555,6556,6570,3129,6557,4583,1913,325,4850,2243,2339,3519,3735,6571,6107,5485,34,876],"class_list":["post-14970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-orchestral-songs","category-wolfgang-amadeus-mozart","tag-art-song","tag-bel-canto","tag-birgit-nordin","tag-bo-bergman","tag-camille-du-locle","tag-cesare-sterbini","tag-david-wikander","tag-die-zauberflote","tag-don-carlos","tag-e-t-a-hoffmann","tag-edmon-badon","tag-eugen-onegin","tag-ferenc-koltay","tag-french-opera","tag-friedrich-schiller","tag-gaetano-donizetti","tag-giacomo-puccini","tag-gioachino-rossini","tag-giuseppe-adami","tag-giuseppe-verdi","tag-great-baritones","tag-gunnar-wennerberg","tag-henry-lindroth","tag-herbert-sandberg","tag-hugo-hasslo","tag-il-barbiere-di-siviglia","tag-il-tabarro","tag-jacques-offenbach","tag-joseph-mery","tag-joseph-philippe-simon","tag-jules-barbier","tag-les-contes-dhoffmann","tag-lockroy","tag-maria-di-rohan","tag-michel-carre","tag-music-for-a-world-in-crisis-series","tag-needle-drop","tag-nils-grevillius","tag-opera-in-translation","tag-orchestral-songsalexander-pushkin","tag-pierre-beaumarchais","tag-pyotr-ilyich-tchaikovsky-2","tag-rigoletto","tag-salvadore-cammarano","tag-sena-jurinac","tag-sixten-ehrling","tag-stig-westerberg","tag-victor-hugo","tag-wilhelm-schikaneder","tag-wilhelm-schuchter","tag-wilhelm-stenhammar","tag-wolfgang-amadeus-mozart","tag-yevgeny-onegin"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/09\/Hasslo-Making-up-TRIMMED-300x162.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">bel canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Birgit Nordin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bo Bergman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Camille du Locle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cesare Sterbini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Wikander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Carlos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">E.T.A. Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edmon Badon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugen Onegin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferenc Koltay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioachino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gunnar Wennerberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henry Lindroth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Herbert Sandberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Hasslo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il tabarro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jacques Offenbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph-Philippe Simon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lockroy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maria di Rohan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis Series<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nils Grevillius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Orchestral SongsAlexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sena Jurinac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sixten Ehrling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stig Westerberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilhelm Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilhelm Stenhammar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Yevgeny Onegin<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">bel canto<\/span>","<span class=\"advgb-post-tax-term\">Birgit Nordin<\/span>","<span class=\"advgb-post-tax-term\">Bo Bergman<\/span>","<span class=\"advgb-post-tax-term\">Camille du Locle<\/span>","<span class=\"advgb-post-tax-term\">Cesare Sterbini<\/span>","<span class=\"advgb-post-tax-term\">David Wikander<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Don Carlos<\/span>","<span class=\"advgb-post-tax-term\">E.T.A. Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Edmon Badon<\/span>","<span class=\"advgb-post-tax-term\">Eugen Onegin<\/span>","<span class=\"advgb-post-tax-term\">Ferenc Koltay<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gioachino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Gunnar Wennerberg<\/span>","<span class=\"advgb-post-tax-term\">Henry Lindroth<\/span>","<span class=\"advgb-post-tax-term\">Herbert Sandberg<\/span>","<span class=\"advgb-post-tax-term\">Hugo Hasslo<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Il tabarro<\/span>","<span class=\"advgb-post-tax-term\">Jacques Offenbach<\/span>","<span class=\"advgb-post-tax-term\">Joseph M\u00e9ry<\/span>","<span class=\"advgb-post-tax-term\">Joseph-Philippe Simon<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Les Contes d\u2019Hoffmann<\/span>","<span class=\"advgb-post-tax-term\">Lockroy<\/span>","<span class=\"advgb-post-tax-term\">Maria di Rohan<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis Series<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Nils Grevillius<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Orchestral SongsAlexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Rigoletto<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Sena Jurinac<\/span>","<span class=\"advgb-post-tax-term\">Sixten Ehrling<\/span>","<span class=\"advgb-post-tax-term\">Stig Westerberg<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Stenhammar<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Yevgeny Onegin<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 08\/09\/2024","modified":"Updated on 15\/09\/2024"},"absolute_dates_time":{"created":"Posted on 08\/09\/2024 00:39","modified":"Updated on 15\/09\/2024 12:16"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14970"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14970\/revisions"}],"predecessor-version":[{"id":15214,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14970\/revisions\/15214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15209"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}