{"id":14969,"date":"2024-08-31T16:44:22","date_gmt":"2024-08-31T14:44:22","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14969"},"modified":"2024-08-31T16:44:24","modified_gmt":"2024-08-31T14:44:24","slug":"episode-285-edda-moser-reappraised","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/08\/31\/episode-285-edda-moser-reappraised\/","title":{"rendered":"Episode 285. Edda Moser Reappraised"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 285.  Edda Moser Reappraised<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1234-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"334\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Vitellia.jpg\" alt=\"\" class=\"wp-image-15114\" style=\"width:478px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Vitellia.jpg 334w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Vitellia-166x300.jpg 166w\" sizes=\"auto, (max-width: 334px) 100vw, 334px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Lately I have been doing a series of episodes on artists that in my opinion deserve a reassessment, a second glance, if you will. Edda Moser is almost universally regarded as the \u201cbest\u201d Queen of the Night that ever walked the earth. Certainly she is the most ominous and menacing, as well as the most monumental of voice and delivery. But there is a false narrative surrounding Frau Moser that over the course of her career, she lost control of her voice and pursued a repertoire that destroyed her voice. In this episode, I plead exactly the opposite: that Moser moved naturally and with dedicated assurance into the heavier roles of Strauss and Wagner, and that her voice from its origins displayed affinity for these more dramatic parts. Some of Edda Moser\u2019s earliest successes were in the stratospheric vocal compositions of Hans Werner Henze, in which she displayed a fearless and limitless virtuosity. During her long career, her roles spanned nearly the entire range of the soprano repertoire, everything from her supreme Mozart characterizations to Hanna Glawari to Nedda to Iphig\u00e9nie to Senta to Salome. Recently, some late-career live recordings of Edda Moser have appeared on the landscape, and instead of recycling one of my two previous Moser episodes, I have selected choice tidbits from these recordings, as well as more readily available material, that show Moser in all facets of her artistry, focusing on the epic, perhaps, but not overlooking her delicacy, sensitivity, pathos, charm, and delicious sense of humor. Guest singers heard on the episode include some of the finest baritones active during this period, including Siegmund Nimsgern, Hermann Prey, Gerd Feldhoff, Claudio Nicolai, and Robert Hale. Conductors include Heinrich Hollreiser, Riccardo Muti, Herbert Blomstedt, Lovro von Mata\u010di\u0107, Christoph von Dohn\u00e1nyi, Kent Nagano, and many others. Give this episode a listen and may find yourself agreeing with me that she is one of the supreme classical vocalists of the twentieth century.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-Hamburg.jpg\" alt=\"\" class=\"wp-image-15116\" style=\"width:598px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-Hamburg.jpg 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-Hamburg-218x300.jpg 218w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schickaneder: Ungl\u00fcckliche Tochter!&#8230; Der H\u00f6lle Rache kocht in meinem Herzen (<em>Die Zauberfl\u00f6te<\/em>). Edda Moser, Peter Maag, Orchestra of the Metropolitan Opera Orchestra [live New York 23.XII.72]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"771\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-771x1024.jpg\" alt=\"\" class=\"wp-image-15118\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-771x1024.jpg 771w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-226x300.jpg 226w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-768x1020.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-1157x1536.jpg 1157w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-1542x2048.jpg 1542w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-1600x2125.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Fancy-Earrings-scaled.jpg 1928w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Dich teure Halle (<em>Tannh\u00e4user<\/em>). Edda Moser, Peter Schneider, M\u00fcnchner Rundfunk Orchester [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"596\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Helmet-Hair-2.jpg\" alt=\"\" class=\"wp-image-15117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Helmet-Hair-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Helmet-Hair-2-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Helmet-Hair-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Hans Werner Henze, Ingeborg Bachmann: Wohin wir uns wenden im Gewitter der Rosen [Aria I] (<em>Nachtst\u00fccke und Arien<\/em>). Edda Moser, Christoph von Dohn\u00e1nyi, Rundfunk-Sinfonie-Orchester K\u00f6ln [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Henze-Bachmann.jpg\" alt=\"\" class=\"wp-image-15119\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Henze-Bachmann.jpg 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Henze-Bachmann-300x191.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Henze-Bachmann-768x489.jpg 768w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><figcaption class=\"wp-element-caption\">Ingeborg Bachmann and Hans Werner Henze<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1019\" height=\"696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Pasticcio.jpg\" alt=\"\" class=\"wp-image-15120\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Pasticcio.jpg 1019w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Pasticcio-300x205.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Pasticcio-768x525.jpg 768w\" sizes=\"auto, (max-width: 1019px) 100vw, 1019px\" \/><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Nicola Francesco Haym: Chiudetevi miei lumi (<em>Admeto<\/em>). Edda Moser, Jean-Claude Malgoire, La Grande \u00c9curie et la Chambre du Roy [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"729\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Widow.jpg\" alt=\"\" class=\"wp-image-15121\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Widow.jpg 729w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Widow-214x300.jpg 214w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Viktor L\u00e9on, Leo Stein: Heia, M\u00e4del, aufgeschaut&#8230; Dummer, dummer Reitersmann (<em>Die lustige Witwe<\/em>). Edda Moser, Claudio Nicolai, Lovro von Mata\u010di\u0107, Zagreb Tamburitze Ensemble [Milano 25.I.80]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Claudio-Nicolai.jpg\" alt=\"\" class=\"wp-image-15122\" style=\"width:581px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Claudio-Nicolai.jpg 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Claudio-Nicolai-204x300.jpg 204w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Reaching-to-Sky-768x1024.jpg\" alt=\"\" class=\"wp-image-15123\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Reaching-to-Sky-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Reaching-to-Sky-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Reaching-to-Sky-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Reaching-to-Sky.jpg 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: Qual fiamma avea nel guardo&#8230; Stridono lass\u00f9 (<em>Pagliacci<\/em>). Edda Moser, Bruno Weil, Pf\u00e4lzische Philharmonie [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"478\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Page-Boy.png\" alt=\"\" class=\"wp-image-15124\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Page-Boy.png 735w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Page-Boy-300x195.png 300w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig Van Beethoven, Joseph Sonnleithner [after Jean-Nicolas Bouilly]: Komm, Hoffnung&#8230; Ich folg&#8217; dem innern Triebe (<em>Leonore<\/em>). Edda Moser, Herbert Blomstedt, Staatskapelle Dresden [1975]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Herbert-Blomstedt.jpg\" alt=\"\" class=\"wp-image-15125\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Herbert-Blomstedt.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Herbert-Blomstedt-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Herbert-Blomstedt-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Herbert-Blomstedt-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Herbert Blomstedt<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Iphigenie-Cinderblock-1024x574.png\" alt=\"\" class=\"wp-image-15126\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Iphigenie-Cinderblock-1024x574.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Iphigenie-Cinderblock-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Iphigenie-Cinderblock-768x431.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Iphigenie-Cinderblock.png 1478w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Christoph Willibald Gluck, Nicolas Fran\u00e7ois Guillard [after Euripedes]: \u00d4 malheureuse Iphig\u00e9nie! (<em>Iphig\u00e9nie en Tauride<\/em>). Edda Moser, Riccardo Muti, Orchestra e Coro del Maggio Musicale Fiorentino [live Firenze IV.81]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"634\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Houndstooth.jpg\" alt=\"\" class=\"wp-image-15127\" style=\"width:588px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Houndstooth.jpg 444w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Houndstooth-210x300.jpg 210w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hermann Hesse: Fr\u00fchling (<em>Vier letzte Lieder<\/em>). Edda Moser, Milan Horvat, ORF Sinfonieorchester [live Wien 01.X.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-799x1024.jpg\" alt=\"\" class=\"wp-image-15128\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-799x1024.jpg 799w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-234x300.jpg 234w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-768x985.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-1198x1536.jpg 1198w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-1598x2048.jpg 1598w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner-1600x2051.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Another-Steiner.jpg 1986w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Heinrich Heine: Fr\u00fchlingsfeier, Op. 56\/5. Edda Moser, Irwin Gage [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Handsome-Autogramm.jpg\" alt=\"\" class=\"wp-image-15129\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Handsome-Autogramm.jpg 625w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Handsome-Autogramm-234x300.jpg 234w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Clemens von Brentano: Als mir dein Lied erklang (<em>Brentano-Lieder<\/em>, Op. 68\/4). Edda Moser, Irwin Gage [live Paris 07.X.79]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"983\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Salome.jpg\" alt=\"\" class=\"wp-image-15130\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Salome.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Edda-Salome-220x300.jpg 220w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Oscar Wilde [German translation by Hedwig Lachmann]: Jochanaan! Ich bin verliebt in deinen Leib (<em>Salome<\/em>). Edda Moser, Siegmund Nimsgern, Jean Dupouy, Kent Nagano, Orchestre de l&#8217;Op\u00e9ra National de Paris [live Paris 17.V.86]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Nimsgern-Jochanaan.png\" alt=\"\" class=\"wp-image-15131\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Nimsgern-Jochanaan.png 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Nimsgern-Jochanaan-218x300.png 218w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><figcaption class=\"wp-element-caption\">Siegmund Nimsgern<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"707\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Imperious.png\" alt=\"\" class=\"wp-image-15132\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Imperious.png 689w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Imperious-292x300.png 292w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal [after Sophocles]: Orest! Es r\u00fchrt sich niemand (<em>Elektra<\/em>). Edda Moser, Gerd Feldhoff, Ivan T\u00f6rzs, Mecklenburgische Staatskapelle Schwerin [live Schwerin XII.95]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"872\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gerd-Feldhoff.png\" alt=\"\" class=\"wp-image-15134\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gerd-Feldhoff.png 659w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gerd-Feldhoff-227x300.png 227w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><figcaption class=\"wp-element-caption\">Gerd Feldhoff<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"388\" height=\"363\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Dont-Fuck-with-Me-Fellas.png\" alt=\"\" class=\"wp-image-15135\" style=\"width:580px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Dont-Fuck-with-Me-Fellas.png 388w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Dont-Fuck-with-Me-Fellas-300x281.png 300w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Versank ich jetzt in wunderbares Tr\u00e4umen?&#8230; Wohl kenn ich Weibes heil&#8217;ge Pflichten (<em>Der fliegende Holl\u00e4nder<\/em>). Edda Moser, Robert Hale, Heinrich Hollreiser, Orchester der Deutschen Oper Berlin [live Berlin 15.I.1993]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"941\" height=\"811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Robert-Hale.png\" alt=\"\" class=\"wp-image-15136\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Robert-Hale.png 941w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Robert-Hale-300x259.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Robert-Hale-768x662.png 768w\" sizes=\"auto, (max-width: 941px) 100vw, 941px\" \/><figcaption class=\"wp-element-caption\">Robert Hale<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1263\" height=\"1567\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length.jpg\" alt=\"\" class=\"wp-image-15138\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length.jpg 1263w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length-242x300.jpg 242w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length-825x1024.jpg 825w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length-768x953.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Queen-full-length-1238x1536.jpg 1238w\" sizes=\"auto, (max-width: 1263px) 100vw, 1263px\" \/><\/figure>\n<\/div>\n\n\n<p>Engelbert Humperdinck, Adelheid Wette [after Jakob and Wilhelm Grimm]: Doch erst muss mir die Gretel dran&#8230; Hurr, hopp, hopp, hopp! (<em>H\u00e4nsel und Gretel<\/em>). Edda Moser, Heinz Wallberg, G\u00fcrzenich Orchester K\u00f6ln [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"743\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Mod.png\" alt=\"\" class=\"wp-image-15139\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Mod.png 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Mod-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Mod-150x150.png 150w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n<\/div>\n\n\n<p>Eugen d\u2019Albert, August Ernst von Steigentesch: Ich h\u00f6rte singen&#8230; Sei z\u00e4rtlich, lieber Mann (<em>Die Abreise<\/em>). Edda Moser, Hermann Prey, Janos Kulka, Philharmonia Hungarica [1978]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Konstanze.jpg\" alt=\"\" class=\"wp-image-15137\" style=\"width:536px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Konstanze.jpg 344w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-Konstanze-159x300.jpg 159w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 285. Edda Moser Reappraised SOCIAL SHARE SUBSCRIPTION PLATFORM Lately I have been doing a series of episodes on artists&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2891,3273,2261,2399,2260,808,1470,4722,2257,2328,2806,4980,427,5138],"tags":[6516,6512,3150,153,3033,6514,487,6520,1612,2247,517,4328,2402,6508,6513,6509,1448,280,6523,2720,6510,6373,1197,2252,2227,4780,4019,584,3760,3348,3374,1173,3371,3331,3266,6524,6435,5268,3042,6515,4779,2909,328,2248,6521,6518,3372,704,3028,6525,1704,329,486,6517,70,3369,3688,6511,2353,700,6519,34],"class_list":["post-14969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-comic-relief","category-french-opera","category-full-figured-baroque","category-great-baritones","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-richard-strauss","category-richard-wagner","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-adelheid-wette","tag-bruno-weil","tag-christoph-von-dohnanyi","tag-christoph-willibald-gluck","tag-claudio-nicolai","tag-clemens-von-brentano","tag-der-fliegende-hollander","tag-die-lustige-witwe","tag-die-zauberflote","tag-edda-moser","tag-elektra","tag-emanuel-schikaneder","tag-engelbert-humperdinck","tag-ernst-von-steigentesch","tag-eugen-dalbert","tag-euripedes","tag-franz-lehar","tag-george-frideric-handel","tag-gerd-feldhoff","tag-hans-werner-henze","tag-hansel-und-gretel","tag-hedwig-lachmann","tag-heinrich-heine","tag-heinrich-hollreiser","tag-heinz-wallberg","tag-herbert-blomstedt","tag-hermann-hesse","tag-hermann-prey","tag-hugo-von-hofmannsthal","tag-ingeborg-bachmann","tag-iphigenie-en-tauride","tag-irwin-gage","tag-ivan-torzs","tag-janos-kulka","tag-jean-dupouy","tag-jean-claude-malgoir","tag-jean-nicolas-bouilly","tag-joseph-sonnleithner","tag-kent-nagano","tag-leo-stein","tag-leonore-beethoven","tag-lovro-von-matacic","tag-ludwig-van-beethoven","tag-milan-horvat","tag-nicola-francesco-haym","tag-nicolas-francois-guillard-2","tag-oscar-wilde","tag-pagliacci","tag-peter-maag","tag-peter-schneider","tag-riccardo-muti","tag-richard-strauss","tag-richard-wagner","tag-robert-hale","tag-ruggero-leoncavallo","tag-salome","tag-siegmund-nimsgern","tag-sophocles","tag-tannhauser","tag-vier-letzte-lieder","tag-viktor-leon","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Moser-with-Rose-TRIMMED-300x143.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Adelheid Wette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bruno Weil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claudio Nicolai<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Clemens von Brentano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die lustige Witwe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edda Moser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Elektra<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Engelbert Humperdinck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ernst von Steigentesch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Euripedes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerd Feldhoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans Werner Henze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">H\u00e4nsel und Gretel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hedwig Lachmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Hollreiser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz Wallberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Herbert Blomstedt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Hesse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Irwin Gage<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Dupouy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean-Claude Malgoir<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean-Nicolas Bouilly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Kent Nagano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leo Stein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leonore (Beethoven)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lovro von Mata\u010di\u0107<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Milan Horvat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicola Francesco Haym<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicolas Fran\u00e7ois Guillard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oscar Wilde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Maag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Schneider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Hale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Siegmund Nimsgern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sophocles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Viktor L\u00e9on<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adelheid Wette<\/span>","<span class=\"advgb-post-tax-term\">Bruno Weil<\/span>","<span class=\"advgb-post-tax-term\">Christoph von Dohn\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Claudio Nicolai<\/span>","<span class=\"advgb-post-tax-term\">Clemens von Brentano<\/span>","<span class=\"advgb-post-tax-term\">Der fliegende Holl\u00e4nder<\/span>","<span class=\"advgb-post-tax-term\">Die lustige Witwe<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Edda Moser<\/span>","<span class=\"advgb-post-tax-term\">Elektra<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Engelbert Humperdinck<\/span>","<span class=\"advgb-post-tax-term\">Ernst von Steigentesch<\/span>","<span class=\"advgb-post-tax-term\">Eugen d\u2019Albert<\/span>","<span class=\"advgb-post-tax-term\">Euripedes<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gerd Feldhoff<\/span>","<span class=\"advgb-post-tax-term\">Hans Werner Henze<\/span>","<span class=\"advgb-post-tax-term\">H\u00e4nsel und Gretel<\/span>","<span class=\"advgb-post-tax-term\">Hedwig Lachmann<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Hollreiser<\/span>","<span class=\"advgb-post-tax-term\">Heinz Wallberg<\/span>","<span class=\"advgb-post-tax-term\">Herbert Blomstedt<\/span>","<span class=\"advgb-post-tax-term\">Hermann Hesse<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Ingeborg Bachmann<\/span>","<span class=\"advgb-post-tax-term\">Iphig\u00e9nie en Tauride<\/span>","<span class=\"advgb-post-tax-term\">Irwin Gage<\/span>","<span class=\"advgb-post-tax-term\">Ivan T\u00f6rzs<\/span>","<span class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/span>","<span class=\"advgb-post-tax-term\">Jean Dupouy<\/span>","<span class=\"advgb-post-tax-term\">Jean-Claude Malgoir<\/span>","<span class=\"advgb-post-tax-term\">Jean-Nicolas Bouilly<\/span>","<span class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/span>","<span class=\"advgb-post-tax-term\">Kent Nagano<\/span>","<span class=\"advgb-post-tax-term\">Leo Stein<\/span>","<span class=\"advgb-post-tax-term\">Leonore (Beethoven)<\/span>","<span class=\"advgb-post-tax-term\">Lovro von Mata\u010di\u0107<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Milan Horvat<\/span>","<span class=\"advgb-post-tax-term\">Nicola Francesco Haym<\/span>","<span class=\"advgb-post-tax-term\">Nicolas Fran\u00e7ois Guillard<\/span>","<span class=\"advgb-post-tax-term\">Oscar Wilde<\/span>","<span class=\"advgb-post-tax-term\">Pagliacci<\/span>","<span class=\"advgb-post-tax-term\">Peter Maag<\/span>","<span class=\"advgb-post-tax-term\">Peter Schneider<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Hale<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Salome<\/span>","<span class=\"advgb-post-tax-term\">Siegmund Nimsgern<\/span>","<span class=\"advgb-post-tax-term\">Sophocles<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Viktor L\u00e9on<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 31\/08\/2024","modified":"Updated on 31\/08\/2024"},"absolute_dates_time":{"created":"Posted on 31\/08\/2024 16:44","modified":"Updated on 31\/08\/2024 16:44"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14969"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14969\/revisions"}],"predecessor-version":[{"id":15141,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14969\/revisions\/15141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/15113"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}