{"id":14836,"date":"2024-08-19T04:27:16","date_gmt":"2024-08-19T02:27:16","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14836"},"modified":"2024-08-20T22:02:08","modified_gmt":"2024-08-20T20:02:08","slug":"episode-281-la-scottissima","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/08\/19\/episode-281-la-scottissima\/","title":{"rendered":"Episode 281. La Scottissima"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 281. La Scottissima<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1217-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1523\" height=\"1829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto.jpg\" alt=\"\" class=\"wp-image-14983\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto.jpg 1523w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto-250x300.jpg 250w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto-853x1024.jpg 853w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto-768x922.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Intense-Scotto-1279x1536.jpg 1279w\" sizes=\"auto, (max-width: 1523px) 100vw, 1523px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I began work on this episode on the one-year anniversary of the death of Renata Scotto, perhaps <em>the <\/em>most beloved of my many dearly-loved divas. But I have been thinking about and planning it ever since August 16, 2023. Now I am collected my thoughts on what made Scotto, in my opinion, one of the greatest artists of the past century. I break down her main repertoire into three groups (<em>bel canto<\/em>, Verdi, and <em>verismo <\/em>[including, however incorrectly, Puccini]); I describe her artistic and vocal training and her development into a powerful singing actress; I play her in duet with some of her most significant colleagues (including a few surprises); I assess her greatest roles and some of her surprising late-career assumptions; and I consider some of her most daring career risks (and the resultant flops and triumphs, sometimes in the same role!) I draw on a deep pool of mostly live recordings that reveal Scotto\u2019s musical and dramatic intelligence as I describe my own encounters with her live in performance, both in person and on the television screen. Throughout I have tried my best to capture the individuality and the fearlessness of the singer who most deeply influenced and affected me as my musical tastes were forming: La Scottissima, <em>my<\/em> diva.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lamp-Elegance-1.jpg\" alt=\"\" class=\"wp-image-14985\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lamp-Elegance-1.jpg 677w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lamp-Elegance-1-212x300.jpg 212w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Ferdinando Fontana [after Alfred de Musset]: D\u2019ogni dolor (<em>Edgar<\/em>). Renata Scotto, Eve Queler, Opera Orchestra of New York [live 13.IV.1977]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1533\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Bergonzi-Elisir.png\" alt=\"\" class=\"wp-image-15000\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Bergonzi-Elisir.png 1533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Bergonzi-Elisir-300x160.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Bergonzi-Elisir-1024x546.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Bergonzi-Elisir-768x410.png 768w\" sizes=\"auto, (max-width: 1533px) 100vw, 1533px\" \/><figcaption class=\"wp-element-caption\">Renata Scotto and Carlo Bergonzi in <em>L\u2019elisir d&#8217;amore<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Felice Romani [after Eug\u00e8ne Scribe]: Prendi, per me sei libero (<em>L\u2019elisir d\u2019amore<\/em>). Renata Scotto, Antonio Tonini [live Moscow 18.IX.64]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"625\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Sereni-Butterfly.jpg\" alt=\"\" class=\"wp-image-14987\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Sereni-Butterfly.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Sereni-Butterfly-259x300.jpg 259w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption class=\"wp-element-caption\">With Mario Sereni in <em>Madama Butterfly<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after David Belasco, John Luther Long]: Ancora un passo or via (<em>Madama Butterfly<\/em>) [excerpt]. Renata Scotto, George Schick, Metropolitan Opera Orchestra and Chorus [live New York 13.X.65]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"582\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Angelica.png\" alt=\"\" class=\"wp-image-14988\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Angelica.png 818w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Angelica-300x213.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Angelica-768x546.png 768w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giovacchino Forzano: Addio, buone sorelle, addio, addio&#8230; Ah! son dannata (<em>Suor Angelica<\/em>). Renata Scotto, Sixten Ehrling, Metropolitan Opera Orchestra and Chorus [live 22.I.1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"819\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Very-Young-Renata.jpg\" alt=\"\" class=\"wp-image-14991\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Very-Young-Renata.jpg 526w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Very-Young-Renata-193x300.jpg 193w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure>\n<\/div>\n\n\n<p>Amilcare Ponchielli, Arrigo Boito [as Tobia Gorrio, after Victor Hugo]: Voce di donna o d\u2019angelo (<em>La Gioconda<\/em>). Renata Scotto, unknown pianist [1948]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"522\" height=\"887\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Mercedes-Llopart.png\" alt=\"\" class=\"wp-image-14992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Mercedes-Llopart.png 522w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Mercedes-Llopart-177x300.png 177w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Henri Murger]: Mi chiamano Mim\u00ec (<em>La Boh\u00e8me<\/em>). Mercedes Llopart [ca. 1913]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Young-Blonde-Renata.jpg\" alt=\"\" class=\"wp-image-14995\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Young-Blonde-Renata.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Young-Blonde-Renata-208x300.jpg 208w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Pietro Mascagni, Giovacchino Forzano [after Ouida (Marie Louise de la Ram\u00e9e)]: Flammen, perdonami (<em>Lodoletta<\/em>). Renata Scotto, Corrado Benvenuti, Orchestra Lirica Cetra [ca. 1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"739\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Pavarotti-Lucia.jpg\" alt=\"\" class=\"wp-image-14996\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Pavarotti-Lucia.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Pavarotti-Lucia-229x300.jpg 229w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Scotto and Pavarotti in <em>Lucia di Lammermoor<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Salvadore Cammarano [after Walter Scott]: Spargi d\u2019amaro piano [Mad Scene] (<em>Lucia di Lammermoor<\/em>). Renata Scotto, Giangiacomo Guelfi, Agostino Ferrin. Claudio Abbado, Orchestra e Coro del Teatro alla Scala di Milano [live 12.VII.1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Renatina-as-Norma.png\" alt=\"\" class=\"wp-image-14997\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Renatina-as-Norma.png 676w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Renatina-as-Norma-211x300.png 211w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n<\/div>\n\n\n<p>Vincenzo Bellini, Felice Romani: Casta diva (<em>Norma<\/em>). Renata Scotto, Fulvio Vernizzi, Radio Filharmonisch Orkest, Groot Omroepkoor [live Amsterdam 23.VI.1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"777\" data-id=\"14998\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Gilda.jpg\" alt=\"\" class=\"wp-image-14998\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Gilda.jpg 763w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Gilda-295x300.jpg 295w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"775\" height=\"1024\" data-id=\"14999\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Pavarotti-as-Duca-775x1024.png\" alt=\"\" class=\"wp-image-14999\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Pavarotti-as-Duca-775x1024.png 775w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Pavarotti-as-Duca-227x300.png 227w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Pavarotti-as-Duca-768x1014.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Pavarotti-as-Duca.png 798w\" sizes=\"auto, (max-width: 775px) 100vw, 775px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo]: \u00c8 il sol dell\u2019anima (<em>Rigoletto<\/em>). Renata Scotto, Luciano Pavarotti, Carlo Maria Giulini, Orchestra del Teatro Comunale di Firenze [live 19.XI.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"416\" data-id=\"15005\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/ScottoButterflyA.jpg\" alt=\"\" class=\"wp-image-15005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/ScottoButterflyA.jpg 325w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/ScottoButterflyA-234x300.jpg 234w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"1024\" data-id=\"15001\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/John-Alexander-Pinkerton-720x1024.png\" alt=\"\" class=\"wp-image-15001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/John-Alexander-Pinkerton-720x1024.png 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/John-Alexander-Pinkerton-211x300.png 211w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/John-Alexander-Pinkerton.png 759w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">John Alexander as Pinkerton<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after David Belasco, John Luther Long]: Vogliatemi bene (<em>Madama Butterfly<\/em>). Renata Scotto, John Alexander, George Schick, Metropolitan Opera Orchestra and Chorus [live New York 13.X.1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"356\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Kraus.jpg\" alt=\"\" class=\"wp-image-15002\" style=\"width:570px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Kraus.jpg 356w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Kraus-237x300.jpg 237w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption class=\"wp-element-caption\">Renata Scotto and Alfredo Kraus<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Philippe Gille, Henri Meilhac [after Abb\u00e9 Pr\u00e9vost]: Ah, perfide Manon&#8230; N\u2019est-ce plus ma main (<em>Manon<\/em>). Renata Scotto, Alfredo Kraus, Julius Rudel, Orchestra of the Lyric Opera of Chicago [live 28.XI.83]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Moldoveanu-Fiammifero-Tabarro-1.jpg\" alt=\"\" class=\"wp-image-15003\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Moldoveanu-Fiammifero-Tabarro-1.jpg 899w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Moldoveanu-Fiammifero-Tabarro-1-300x240.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Moldoveanu-Fiammifero-Tabarro-1-768x614.jpg 768w\" sizes=\"auto, (max-width: 899px) 100vw, 899px\" \/><figcaption class=\"wp-element-caption\">Renata Scotto and Vasile Moldoveanu in <em>Il tabarro<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Didier Gold]: Dimmi, perch\u00e8 gli hai chiesto (<em>Il tabarro<\/em>). Renata Scotto, Vasile Moldoveanu, James Levine, Orchestra of the Metropolitan Opera [live 14.XI.1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"992\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Vickers-Scotto-Otello-1.jpg\" alt=\"\" class=\"wp-image-15004\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Vickers-Scotto-Otello-1.jpg 992w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Vickers-Scotto-Otello-1-300x218.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Vickers-Scotto-Otello-1-768x557.jpg 768w\" sizes=\"auto, (max-width: 992px) 100vw, 992px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Arrigo Boito [after William Shakespeare]: Esterrefatta fisso (<em>Otello<\/em>). Renata Scotto, Jon Vickers, James Levine, Metropolitan Opera Orchestra [live New York 25.IX.78]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Trovatore-652x1024.png\" alt=\"\" class=\"wp-image-15006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Trovatore-652x1024.png 652w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Trovatore-191x300.png 191w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Trovatore.png 688w\" sizes=\"auto, (max-width: 652px) 100vw, 652px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: D\u2019amor sull\u2019ali rosee (<em>Il trovatore<\/em>). Renata Scotto, Jes\u00fas L\u00f3pez Cobos, Orchestre de l\u2019Op\u00e9ra National de Paris [live Paris 18.I.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"371\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Beniamino-Prior-Ballo-Dallas-1978.jpg\" alt=\"\" class=\"wp-image-15007\" style=\"width:606px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Beniamino-Prior-Ballo-Dallas-1978.jpg 453w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Beniamino-Prior-Ballo-Dallas-1978-300x246.jpg 300w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><figcaption class=\"wp-element-caption\">Scotto and Beniamino Prior in <em>Un ballo in maschera<\/em>, Dallas 1978<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Antonio Somma [after Eug\u00e8ne Scribe]: Ma dall\u2019arido stelo divulsa (<em>Un ballo in maschera<\/em>). Ma dall\u2019arido stelo divulsa (<em>Un ballo in maschera<\/em>). Renata Scotto, Nello Santi, Hamburgisches Staatsorchester [live Hamburg 17.VI.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-1024x595.png\" alt=\"\" class=\"wp-image-15008\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-1024x595.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-300x174.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-768x446.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-1536x893.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri-1600x930.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Vespri.png 1825w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Eug\u00e8ne Scribe, Charles Duveyrier [Italian version by Ettore Caimi]: Arrigo, ah, parli a un core (<em>I vespri siciliani<\/em>). Riccardo Muti, Orchestra del Maggio Musicale Fiorentino [live Firenze 13.V.78]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Svelte-Renata-with-Mink-1979-1.jpg\" alt=\"\" class=\"wp-image-15018\" style=\"width:618px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Svelte-Renata-with-Mink-1979-1.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Svelte-Renata-with-Mink-1979-1-236x300.jpg 236w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg, Marie Pappenheim: Da kommt ein Licht! (<em>Erwartung<\/em>). Renata Scotto, Spiris Argiris, Orchestra dell\u2019Accademia Nationale di Santa Cecilia di Roma [live Roma 30.I.94]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"955\" height=\"623\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Voix.jpg\" alt=\"\" class=\"wp-image-15011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Voix.jpg 955w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Voix-300x196.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Voix-768x501.jpg 768w\" sizes=\"auto, (max-width: 955px) 100vw, 955px\" \/><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Jean Cocteau: Moi, m\u00e9chante?&#8230; All\u00f4! C\u2019est vous, Joseph? C\u2019est Madame. (<em>La voix humaine<\/em>). Renata Scotto, Josep Pons, Orquestra Simf\u00f2nica del Gran Teatre del Liceu [live Barcelona 27.III.96]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"960\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gioconda-Botticelli-Scotto.jpg\" alt=\"\" class=\"wp-image-15009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gioconda-Botticelli-Scotto.jpg 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Gioconda-Botticelli-Scotto-236x300.jpg 236w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure>\n<\/div>\n\n\n<p>Amilcare Ponchielli, Arrigo Boito [as Tobia Gorrio, after Victor Hugo]: Ecco il velen di Laura (<em>La Gioconda<\/em>). Renata Scotto, Luciano Pavarotti, Bruno Bartoletti, Orchestra of the San Francisco Opera [live San Francisco 21.IX.1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"918\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-1984.jpg\" alt=\"\" class=\"wp-image-15013\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-1984.jpg 918w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-1984-300x223.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-1984-768x571.jpg 768w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave, Andrea Maffei [after William Shakespeare]: Una macchia \u00e8 qui tutt\u2019ora (<em>Macbeth<\/em>). Renata Scotto, Loretta di Franco, Richard Vernon, James Levine, Metropolitan Opera Orchestra [live telecast Radio City Music Hall 18.III.1984]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1008\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady.jpg\" alt=\"\" class=\"wp-image-15014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Lady-768x968.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"981\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Floating-Autograph.jpg\" alt=\"\" class=\"wp-image-14986\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Floating-Autograph.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Floating-Autograph-235x300.jpg 235w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Mi trad\u00ec quell\u2019alma ingrata (<em>Don Giovanni<\/em>). Renata Scotto, John Wustman [live Hunter College, New York 01.XI.70]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"911\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Troyanos-Scotto-norma-1024x911.png\" alt=\"\" class=\"wp-image-15012\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Troyanos-Scotto-norma-1024x911.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Troyanos-Scotto-norma-300x267.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Troyanos-Scotto-norma-768x683.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Troyanos-Scotto-norma.png 1214w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Vincenzo Bellini, Felice Romani: Mira, o Norma (<em>Norma<\/em>). Renata Scotto, Tatiana Troyanos, Francesco Molinari-Pradelli, Orchester der Wiener Staatsoper [live 18.VI.1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"870\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-RCA.png\" alt=\"\" class=\"wp-image-15015\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-RCA.png 604w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-RCA-208x300.png 208w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/figure>\n<\/div>\n\n\n<p>Licinio Refice, Emidio Mucci: Io salgo; ecco i giardini di luce (<em>Cecilia<\/em>). Renata Scotto, Angelo Campori, The Sacred Music Society at Avery Fisher Hall [live New York 13.XII.1976]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 281. La Scottissima SOCIAL SHARE SUBSCRIPTION PLATFORM I began work on this episode on the one-year anniversary of the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14975,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1701,3614,3273,2476,2398,5137,1072,1660,1263,2260,808,1672,4801,4980,427,5138],"tags":[47,197,4547,6470,5118,4901,6463,786,77,6469,368,4270,6181,1068,6467,2471,6468,4548,343,5222,3761,544,2834,376,1170,94,6465,4610,4759,3672,6022,1088,209,348,1676,1683,911,2898,387,6366,461,353,6471,433,363,2237,418,1327,1738,58,224,870,1685,354,4758,4619,135,434,5216,6464,1923,385,1063,6466,4008,59,144,1704,4850,2339,6472,145,1629,332,3008,3735,62,1233,2600,34],"class_list":["post-14836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bel-canto","category-canadian-singers","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-in-memoriam","category-ira-siff","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-renata-scotto","category-singers-in-old-age","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-alfredo-kraus","tag-amilcare-ponchielli","tag-andrea-maffei","tag-angelo-campori","tag-antonio-garcia-gutierrez","tag-antonio-somma","tag-antonio-tonini","tag-arnold-schoenberg","tag-arrigo-boito","tag-charles-duveyrier","tag-claudio-abbado","tag-david-belasco","tag-didier-gold","tag-don-giovanni","tag-emidio-mucci","tag-erwartung","tag-ettore-caimi","tag-eugene-scribe","tag-eve-queler","tag-felice-romani","tag-francesco-molinari-pradelli","tag-francis-poulenc","tag-fulvio-vernizzi","tag-gaetano-donizetti","tag-george-schick","tag-giacomo-puccini","tag-gioavacchino-forzano","tag-giuseppe-adami","tag-giuseppe-giacosa","tag-henri-meilhac","tag-henri-murger","tag-i-vespri-siciliani","tag-il-tabarro","tag-il-trovatore","tag-ira-siff","tag-james-levine","tag-jean-cocteau","tag-jesus-lopez-cobos","tag-john-alexander","tag-john-luther-long","tag-john-wustman","tag-jon-vickers","tag-josep-pons","tag-jules-massenet","tag-julius-rudel","tag-lelisir-damore-2","tag-la-boheme","tag-la-gioconda","tag-la-voix-humaine","tag-licinio-refice","tag-lodoletta","tag-lorenzo-da-ponte","tag-lucia-di-lammermoor","tag-luciano-pavarotti","tag-luigi-illica","tag-macbeth","tag-madama-butterfly","tag-manon","tag-marie-pappenheim","tag-mercedes-llopart","tag-nello-santi","tag-norma","tag-otello","tag-ouida","tag-philippe-gille","tag-pietro-mascagni","tag-renata-scotto","tag-riccardo-muti","tag-salvadore-cammarano","tag-sixten-ehrling","tag-spiris-argiris","tag-suor-angelica","tag-tatiana-troyanos","tag-un-ballo-in-maschera","tag-vasile-moldoveanu","tag-victor-hugo","tag-vincenzo-bellini","tag-walter-scott","tag-william-shakespeare","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/08\/Scotto-Angelica-TRIMMED-300x136.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/canadian-singers\/\" class=\"advgb-post-tax-term\">Canadian Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ira-siff\/\" class=\"advgb-post-tax-term\">Ira Siff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/renata-scotto\/\" class=\"advgb-post-tax-term\">Renata Scotto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Canadian Singers<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Ira Siff<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Renata Scotto<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Maffei<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Angelo Campori<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Somma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Tonini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Duveyrier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claudio Abbado<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Belasco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Didier Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emidio Mucci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Erwartung<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ettore Caimi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eve Queler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Felice Romani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fulvio Vernizzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Schick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioavacchino Forzano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">I vespri siciliani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il tabarro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ira Siff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Levine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean Cocteau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jesus Lopez-Cobos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Luther Long<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Wustman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jon Vickers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josep Pons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L\u2019elisir d\u2019amore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Gioconda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La voix humaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Licinio Refice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lodoletta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luciano Pavarotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Macbeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Madama Butterfly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marie Pappenheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mercedes Llopart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nello Santi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Norma<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Otello<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ouida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Philippe Gille<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Mascagni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Renata Scotto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sixten Ehrling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Spiris Argiris<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Suor Angelica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tatiana Troyanos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Un ballo in maschera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vasile Moldoveanu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Walter Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/span>","<span class=\"advgb-post-tax-term\">Andrea Maffei<\/span>","<span class=\"advgb-post-tax-term\">Angelo Campori<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Antonio Somma<\/span>","<span class=\"advgb-post-tax-term\">Antonio Tonini<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Charles Duveyrier<\/span>","<span class=\"advgb-post-tax-term\">Claudio Abbado<\/span>","<span class=\"advgb-post-tax-term\">David Belasco<\/span>","<span class=\"advgb-post-tax-term\">Didier Gold<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Emidio Mucci<\/span>","<span class=\"advgb-post-tax-term\">Erwartung<\/span>","<span class=\"advgb-post-tax-term\">Ettore Caimi<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Scribe<\/span>","<span class=\"advgb-post-tax-term\">Eve Queler<\/span>","<span class=\"advgb-post-tax-term\">Felice Romani<\/span>","<span class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Fulvio Vernizzi<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">George Schick<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gioavacchino Forzano<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">I vespri siciliani<\/span>","<span class=\"advgb-post-tax-term\">Il tabarro<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Ira Siff<\/span>","<span class=\"advgb-post-tax-term\">James Levine<\/span>","<span class=\"advgb-post-tax-term\">Jean Cocteau<\/span>","<span class=\"advgb-post-tax-term\">Jesus Lopez-Cobos<\/span>","<span class=\"advgb-post-tax-term\">John Alexander<\/span>","<span class=\"advgb-post-tax-term\">John Luther Long<\/span>","<span class=\"advgb-post-tax-term\">John Wustman<\/span>","<span class=\"advgb-post-tax-term\">Jon Vickers<\/span>","<span class=\"advgb-post-tax-term\">Josep Pons<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">L\u2019elisir d\u2019amore<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">La Gioconda<\/span>","<span class=\"advgb-post-tax-term\">La voix humaine<\/span>","<span class=\"advgb-post-tax-term\">Licinio Refice<\/span>","<span class=\"advgb-post-tax-term\">Lodoletta<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/span>","<span class=\"advgb-post-tax-term\">Luciano Pavarotti<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Macbeth<\/span>","<span class=\"advgb-post-tax-term\">Madama Butterfly<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Marie Pappenheim<\/span>","<span class=\"advgb-post-tax-term\">Mercedes Llopart<\/span>","<span class=\"advgb-post-tax-term\">Nello Santi<\/span>","<span class=\"advgb-post-tax-term\">Norma<\/span>","<span class=\"advgb-post-tax-term\">Otello<\/span>","<span class=\"advgb-post-tax-term\">Ouida<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille<\/span>","<span class=\"advgb-post-tax-term\">Pietro Mascagni<\/span>","<span class=\"advgb-post-tax-term\">Renata Scotto<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Sixten Ehrling<\/span>","<span class=\"advgb-post-tax-term\">Spiris Argiris<\/span>","<span class=\"advgb-post-tax-term\">Suor Angelica<\/span>","<span class=\"advgb-post-tax-term\">Tatiana Troyanos<\/span>","<span class=\"advgb-post-tax-term\">Un ballo in maschera<\/span>","<span class=\"advgb-post-tax-term\">Vasile Moldoveanu<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Walter Scott<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"1","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 19\/08\/2024","modified":"Updated on 20\/08\/2024"},"absolute_dates_time":{"created":"Posted on 19\/08\/2024 04:27","modified":"Updated on 20\/08\/2024 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