{"id":14821,"date":"2024-07-27T04:22:38","date_gmt":"2024-07-27T02:22:38","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14821"},"modified":"2024-07-28T14:40:13","modified_gmt":"2024-07-28T12:40:13","slug":"episode-275-margaret-tynes-listeners-favorites","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/07\/27\/episode-275-margaret-tynes-listeners-favorites\/","title":{"rendered":"Episode 275. Margaret Tynes (Listeners\u2019 Favorites)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 275.  Margaret Tynes (Listeners\u2019 Favorites)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1198-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated-817x1024.jpg\" alt=\"\" class=\"wp-image-7002\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated-817x1024.jpg 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated-768x962.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Divan-Seated.jpg 1120w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>On March 7, 2024, the legendary African American soprano Margaret Tynes died at the age of 104. During the second season of <em>Countermelody<\/em>, I featured the singer, who at the time was a mere 101 years old, on one of my Black History Month episodes. She was a unique artist, fearlessly forging her own musical, dramatic, and vocal path, aided and abetted by a strong voice with a powerful top register. Though she made a number of significant appearances in her homeland earlier in her career (including a televised appearance in Duke Ellington\u2019s jazz suite, <em>A Drum Is a Woman<\/em>), her later successes were focused primarily in Europe, where she was particularly celebrated for her extraordinary Salome, with which she created a sensation in Spoleto in 1961, and her Lady Macbeth. Excerpts from all of these and more are featured on this episode, which also includes spirituals and Creole folk songs, as well as arias and duets from <em>Aida<\/em>, <em>Carmen<\/em>,and <em>Porgy and Bess<\/em>. Guest artists include LeVern Hutcherson, most remembered today for his appearances on stage and screen in <em>Porgy<\/em>, and George Shirley, the first African American tenor to sing at the Metropolitan Opera.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"635\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad.jpg\" alt=\"\" class=\"wp-image-7008\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad.jpg 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-print-ad-228x300.jpg 228w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual: Ev\u2019rytime I Feel the Spirit. Margaret Tynes, P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton.jpg\" alt=\"\" class=\"wp-image-7005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton.jpg 594w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Joya-Sherrill-Duke-Ellinton-300x239.jpg 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><figcaption class=\"wp-element-caption\">Joya Sherrill, Duke Ellington, and Margaret Tynes in <em>A Drum Is a Woman <\/em>(1956).<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Duke Ellington, Billy Strayhorn: A Drum Is a Woman [Part One]. Margaret Tynes, Duke Ellington and His Orchestra [1956]<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1014\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-1024x1014.jpg\" alt=\"\" class=\"wp-image-7019\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-1024x1014.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover-768x760.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/A-Drum-Is-a-Woman-cover.jpg 1404w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands.jpg\" alt=\"\" class=\"wp-image-7009\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Hands-208x300.jpg 208w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Summertime (<em>Porgy and Bess<\/em>). Margaret Tynes, Orchestra conducted by Warren Edward Vincent [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"623\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock.jpg\" alt=\"\" class=\"wp-image-7007\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Brock-260x300.jpg 260w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption class=\"wp-element-caption\">Brock Peters (1927 &#8211; 2005)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: I wants to stay here&#8230; I loves you, Porgy (<em>Porgy and Bess<\/em>). Margaret Tynes, Brock Peters, Paul Belanger, Opera Society Orchestra [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"734\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson.jpg\" alt=\"\" class=\"wp-image-7006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/LeVern-Hutcherson-245x300.jpg 245w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">LeVern Hutcherson (1905 &#8211; 1969)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Gershwin, DuBose Heyward, Ira Gershwin: Porgy, I\u2019s your woman now (<em>Porgy and Bess<\/em>). Margaret Tynes, LeVern Hutcherson, Orchestra conducted by Warren Edward Vincent [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"552\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest.png\" alt=\"\" class=\"wp-image-7010\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest.png 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-in-Budapest-300x242.png 300w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Margaret Tynes in Budapest<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi: L\u2019insana parola, o Numi (<em>Aida<\/em>). Margaret Tynes, P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"723\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African.jpg\" alt=\"\" class=\"wp-image-7011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-African-207x300.jpg 207w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Or che d\u2019amore (<em>Aida<\/em>). Margaret Tynes, P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"719\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan.jpg\" alt=\"\" class=\"wp-image-7030\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-and-Fan-209x300.jpg 209w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Georges Bizet: En vain pour \u00e9viter [Card Scene] (<em>Carmen<\/em>). Margaret Tynes, Unknown conductor and orchestra<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"853\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes.jpg\" alt=\"\" class=\"wp-image-7014\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Gorgeous-Tynes-211x300.jpg 211w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Battista Pergolesi: Cujus animam gementem (<em>Stabat Mater<\/em>). Margaret Tynes, Massimo Bruni, Prague Chamber Orchestra [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965.jpg\" alt=\"\" class=\"wp-image-7025\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965.jpg 328w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-1965-213x300.jpg 213w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><\/figure>\n<\/div>\n\n\n<p>Giovanni Battista Pergolesi: O quam tristis et afflicta (<em>Stabat Mater<\/em>). Margaret Tynes, Anita Turner-Butler, Massimo Bruni, Prague Chamber Orchestra [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi.jpg\" alt=\"\" class=\"wp-image-7013\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Pergolesi-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"367\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older.jpg\" alt=\"\" class=\"wp-image-7015\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older.jpg 367w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Little-Older-202x300.jpg 202w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Creole:&nbsp; Creole Nursery Song [Dans\u00e9, Conni, Conn\u00e9]; Creole Lullaby [Fais dodo]. Margaret Tynes, J\u00e1nos Gyulai Gaal, Hungarian Radio Orchestra [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals.jpg\" alt=\"\" class=\"wp-image-7016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Spirituals-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"415\" height=\"544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George.png\" alt=\"\" class=\"wp-image-7017\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George.png 415w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/George-229x300.png 229w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><figcaption class=\"wp-element-caption\">George Shirley (born 18 April 1934)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss: Ah! Herrlich! Wundervoll! (<em>Salome<\/em>). Margaret Tynes, George Shirley, Lili Chookasian, Thomas Schippers, Orchestra Filarmonica del Teatro Verdi di Trieste [live Spoleto 30 June 1961]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"454\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian.jpg\" alt=\"\" class=\"wp-image-7018\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Lili-Chookasian-300x227.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Lili Chookasian (1921 &#8211; 2012)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"880\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome.jpg\" alt=\"\" class=\"wp-image-7020\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome.jpg 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Salome-208x300.jpg 208w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss: Du sprachst b\u00f6se Worte gegen mich (<em>Salome<\/em>). Margaret Tynes, P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover.jpg\" alt=\"\" class=\"wp-image-7029\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Qualiton-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile.jpg\" alt=\"\" class=\"wp-image-7028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Side-Eyed-Smile-208x300.jpg 208w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss: H\u00e4ttest du mich angeseh\u2019n (<em>Salome<\/em>). Margaret Tynes, George Shirley, Lili Chookasian, Thomas Schippers, Orchestra Filarmonica del Teatro Verdi di Trieste [live Spoleto 30 June 1961]<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"518\" height=\"350\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers.jpg\" alt=\"\" class=\"wp-image-7021\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers.jpg 518w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Schippers-300x203.jpg 300w\" sizes=\"auto, (max-width: 518px) 100vw, 518px\" \/><figcaption class=\"wp-element-caption\">Thomas Schippers (1930 &#8211; 1977)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"722\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask.jpg\" alt=\"\" class=\"wp-image-7024\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Tynes-Mask-208x300.jpg 208w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi: Gran Scena del Sonnambulismo (<em>Macbeth<\/em>). Margaret Tynes, P\u00e1l Varga, Orchestra of the Budapest Philharmonic Society [1962]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2.jpg\" alt=\"\" class=\"wp-image-7026\" style=\"width:638px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/02\/Margaret-Tynes-Nora-Holt-William-Warfield2-300x224.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Margaret Tynes (1919 &#8211; 2024), Nora Holt (1885 &#8211; 1974), William Warfield (1920 &#8211; 2002)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 275. Margaret Tynes (Listeners\u2019 Favorites) SOCIAL SHARE SUBSCRIPTION PLATFORM On March 7, 2024, the legendary African American soprano Margaret&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,5824,1076,5823,3273,2261,2398,1072,5806,2260,808,2257,3272,6119,2806,4980],"tags":[5756,437,2696,4534,2707,2701,2700,2639,1592,4535,1396,2263,350,1321,207,6373,1397,6372,2703,2693,4619,2163,6374,2698,3372,2697,2706,414,329,3369,430,2699,372,2708,2600],"class_list":["post-14821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-black-history-month-2024","category-crossover","category-forgotten-divas","category-french-opera","category-full-figured-baroque","category-giuseppe-verdi","category-in-memoriam","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","category-singers-of-color","category-spirituals","category-twentieth-century-music","category-twentieth-century-opera","tag-a-drum-is-a-woman","tag-aida","tag-anita-turner-butler","tag-antonio-ghislanzoni","tag-billy-strayhorn","tag-brock-peters","tag-creole-folk-songs","tag-dubose-heyward","tag-duke-ellington","tag-francesco-maria-piave","tag-george-gershwin","tag-george-shirley","tag-georges-bizet","tag-giovanni-battista-pergolesi","tag-giuseppe-verdi","tag-hedwig-lachmann","tag-ira-gershwin","tag-janos-gyulai-gaal","tag-levern-hutcherson","tag-lili-chookasian","tag-macbeth","tag-margaret-tynes","tag-mariette-bey","tag-massimo-bruni","tag-oscar-wilde","tag-pal-varga","tag-paul-belanger","tag-porgy-and-bess","tag-richard-strauss","tag-salome","tag-spirituals","tag-stabat-mater-pergolesi","tag-thomas-schippers","tag-warren-edward-vincent","tag-william-shakespeare"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/MTynes-TRIMMED-300x143.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2024\/\" class=\"advgb-post-tax-term\">Black History Month 2024<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/spirituals\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2024<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">A Drum Is a Woman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Anita Turner-Butler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Billy Strayhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Brock Peters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Creole Folk Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">DuBose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Duke Ellington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">George Shirley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hedwig Lachmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">J\u00e1nos Gyulai Gaal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">LeVern Hutcherson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Lili Chookasian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Macbeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Margaret Tynes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Mariette Bey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Massimo Bruni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Oscar Wilde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">P\u00e1l Varga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Paul Belanger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Salome<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Thomas Schippers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Warren Edward Vincent<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">A Drum Is a Woman<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Anita Turner-Butler<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/span>","<span class=\"advgb-post-tax-term\">Billy Strayhorn<\/span>","<span class=\"advgb-post-tax-term\">Brock Peters<\/span>","<span class=\"advgb-post-tax-term\">Creole Folk Songs<\/span>","<span class=\"advgb-post-tax-term\">DuBose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Duke Ellington<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">George Shirley<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hedwig Lachmann<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">J\u00e1nos Gyulai Gaal<\/span>","<span class=\"advgb-post-tax-term\">LeVern Hutcherson<\/span>","<span class=\"advgb-post-tax-term\">Lili Chookasian<\/span>","<span class=\"advgb-post-tax-term\">Macbeth<\/span>","<span class=\"advgb-post-tax-term\">Margaret Tynes<\/span>","<span class=\"advgb-post-tax-term\">Mariette Bey<\/span>","<span class=\"advgb-post-tax-term\">Massimo Bruni<\/span>","<span class=\"advgb-post-tax-term\">Oscar Wilde<\/span>","<span class=\"advgb-post-tax-term\">P\u00e1l Varga<\/span>","<span class=\"advgb-post-tax-term\">Paul Belanger<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Salome<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Stabat Mater (Pergolesi)<\/span>","<span class=\"advgb-post-tax-term\">Thomas Schippers<\/span>","<span class=\"advgb-post-tax-term\">Warren Edward Vincent<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 27\/07\/2024","modified":"Updated on 28\/07\/2024"},"absolute_dates_time":{"created":"Posted on 27\/07\/2024 04:22","modified":"Updated on 28\/07\/2024 14:40"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14821"}],"version-history":[{"count":4,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14821\/revisions"}],"predecessor-version":[{"id":14828,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14821\/revisions\/14828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/14826"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}