{"id":14637,"date":"2024-07-05T19:15:47","date_gmt":"2024-07-05T17:15:47","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14637"},"modified":"2024-07-05T19:15:49","modified_gmt":"2024-07-05T17:15:49","slug":"episode-270-eleanor-steber-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/07\/05\/episode-270-eleanor-steber-revisited\/","title":{"rendered":"Episode 270. Eleanor Steber Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 270.  Eleanor Steber Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1178-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-arched-eyebrow.jpg\" alt=\"\" class=\"wp-image-14780\" style=\"width:601px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-arched-eyebrow.jpg 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-arched-eyebrow-244x300.jpg 244w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><figcaption class=\"wp-element-caption\">The Supreme Court has done <em><strong>what<\/strong><\/em> to our democracy?<\/figcaption><\/figure>\n<\/div>\n\n\n<p>I sat in my apartment in Berlin on the Fourth of July wondering how, after the events of this past Monday, I can possibly pay tribute to our nation as it \u201ccelebrated\u201d its birthday. Then it hit me: since I would never in a million years produce an episode of patriotic musical material, why not pay tribute to a great American singer instead? I had already been planning an upcoming bonus episode on <em>ELEANOR STEBER<\/em>, the singer I consider to be one of the greatest (if not <em>the<\/em> greatest) soprano that our country has ever produced! Nearly two years ago, with the help of my dear friend Michelle Oesterle, who was Eleanor\u2019s step-daughter, I produced an episode dedicated to her; today\u2019s episode will not delve so much into the (still-controversial) person that Eleanor was, but rather offer a cross-section, over the course of more than 40 years, of the wide variety of styles and repertoire in which Steber excelled. Who else could traverse a range of repertoire from Rodgers and Hammerstein to Mozart, Rameau to Wagner, Berlioz to Romberg with such ease and joyful authority? Not only do I explore her longevity, I explore her unparalleled prowess as a vocal technician; as well as her well-documented bad treatment by the Metropolitan Opera and its then-general manager, Rudolf Bing. I also look at the recordings that Steber and her then-husband, Michelle\u2019s father, produced on their own ST\/AND label in the early sixties, and then hear Steber sing some quintessentially American music from classic musicals. Along the way, I consider some serious topics, including betrayal, alcoholism, and the power of embedded memory. Finally, I consider the possibility that Eleanor Steber\u2019s celebrated portrayal of Minnie in <em>La fanciulla del West<\/em> might just offer a possible solution for the divisiveness and political turmoil in which our country currently finds itself. Featured guest singers on the episode include Nelson Eddy, Brian Sullivan, Rosalind Elias, and Jussi Bj\u00f6rling; musical collaborators include Dimitri Mitropoulos, Igor Kipnis, Allen Rogers, Fritz Stiedry, and her frequent concert and radio collaborators Howard Barlow and Edwin Biltcliffe.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"585\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Special.jpg\" alt=\"\" class=\"wp-image-14754\" style=\"width:624px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Special.jpg 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Special-248x300.jpg 248w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/figure>\n<\/div>\n\n\n<p>John Stafford Smith, Francis Scott Key: The Star-Spangled Banner. Eleanor Steber [live New York 1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"1023\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Eleanor-Steber-Young.jpg\" alt=\"\" class=\"wp-image-14755\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Eleanor-Steber-Young.jpg 656w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Eleanor-Steber-Young-192x300.jpg 192w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, \u00c9douard Guinand: L\u2019ann\u00e9e en vain chasse l\u2019ann\u00e9e [Air de Lia] (<em>L\u2019enfant prodigue<\/em>). Eleanor Steber, unknown pianist [03.X.38]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-older-smiling.jpg\" alt=\"\" class=\"wp-image-14757\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-older-smiling.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-older-smiling-300x203.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-older-smiling-768x519.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: Alleluia (<em>Exsultate, jubilate<\/em>, K. 165). Eleanor Steber, Robert K. Evans [live Graz 04.VIII.79]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"411\" height=\"650\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-1940-George-Kossuth.jpg\" alt=\"\" class=\"wp-image-14758\" style=\"width:578px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-1940-George-Kossuth.jpg 411w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-1940-George-Kossuth-190x300.jpg 190w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin, DuBose Heyward: Summertime (<em>Porgy and Bess<\/em>). Eleanor Steber, David Broekman and His Orchestra [<em>Your Home Front Reporter<\/em> broadcast, 29.IX.1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Manon-come-hither.jpg\" alt=\"\" class=\"wp-image-14759\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Manon-come-hither.jpg 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Manon-come-hither-239x300.jpg 239w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><figcaption class=\"wp-element-caption\">Steber as Manon<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gioachino Rossini, Cesare Sterbini [after Pierre Beaumarchais]: Una voce poco fa (<em>Il barbiere di Siviglia<\/em>). Eleanor Steber, unknown conductor and orchestra [01.II.1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-maybe-Violetta.jpg\" alt=\"\" class=\"wp-image-14760\" style=\"width:518px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-maybe-Violetta.jpg 416w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-maybe-Violetta-208x300.jpg 208w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas <em>fils<\/em>]: Ah, fors\u2019\u00e8 lui&#8230; Sempre libera (<em>La traviata<\/em>). Eleanor Steber, Orchestra conducted by Wifrid Pelletier [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"672\" height=\"931\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Young.png\" alt=\"\" class=\"wp-image-14761\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Young.png 672w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Young-217x300.png 217w\" sizes=\"auto, (max-width: 672px) 100vw, 672px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi]: Signore, ascolta (<em>Turandot<\/em>) [sung in English]. Eleanor Steber, unknown conductor and orchestra [live 11.VIII.1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"948\" height=\"1024\" data-id=\"14763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Brian-Sullivan-Lohengrin-948x1024.png\" alt=\"\" class=\"wp-image-14763\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Brian-Sullivan-Lohengrin-948x1024.png 948w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Brian-Sullivan-Lohengrin-278x300.png 278w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Brian-Sullivan-Lohengrin-768x829.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Brian-Sullivan-Lohengrin.png 1000w\" sizes=\"auto, (max-width: 948px) 100vw, 948px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"887\" data-id=\"14762\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elsa-Loh.png\" alt=\"\" class=\"wp-image-14762\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elsa-Loh.png 718w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elsa-Loh-243x300.png 243w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Richard Wagner: Drum wolle stets den Zweifel meiden&#8230; Hilf Gott, was muss ich h\u00f6ren? (<em>Lohengrin<\/em>). Eleanor Steber, Brian Sullivan, Fritz Stiedry, Metropolitan Opera Orchestra [live New York 11.IV.1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Arabella-2.jpg\" alt=\"\" class=\"wp-image-14764\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Arabella-2.jpg 483w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Arabella-2-242x300.jpg 242w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><figcaption class=\"wp-element-caption\">Steber as Strauss and Hofmannsthal&#8217;s Arabella<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Ist mein Liebster dahin? (<em>Die Frau ohne Schatten<\/em>). Eleanor Steber, Edwin Biltcliffe [live Carnegie Hall 10.X.1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Vanessa-1.jpg\" alt=\"\" class=\"wp-image-14765\" style=\"width:620px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Vanessa-1.jpg 484w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Vanessa-1-242x300.jpg 242w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><\/figure>\n<\/div>\n\n\n<p>Samuel Barber, Gian Carlo Menotti: Our arms entwined, my hands in his [Skating Aria] (<em>Vanessa<\/em>). Eleanor Steber, Rosalind Elias, Dimitri Mitropoulos, Wiener Philharmoniker [live Salzburg 16.VIII.58]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elias-1024x569.png\" alt=\"\" class=\"wp-image-14766\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elias-1024x569.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elias-300x167.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elias-768x427.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Elias.png 1432w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-recital.jpg\" alt=\"\" class=\"wp-image-14767\" style=\"width:611px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-recital.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-recital-240x300.jpg 240w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n<\/div>\n\n\n<p>Jean-Philippe Rameau, text after Giovanni Battista Guarini: Charmant Amour, sous ta puissance (<em>Le Berger fid\u00e8le<\/em>, RTC 24). Eleanor Steber, Igor Kipnis Baroque Ensemble [Igor Kipnis, Sonya Monsoff, Lilla Kalman, Bernard Zaslav, Sterling Hunkins] [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"476\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Mitropoulos.jpg\" alt=\"\" class=\"wp-image-14768\" style=\"width:598px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Mitropoulos.jpg 476w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Mitropoulos-238x300.jpg 238w\" sizes=\"auto, (max-width: 476px) 100vw, 476px\" \/><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz, Th\u00e9ophile Gautier: Au cimeti\u00e8re (<em>Les nuits d\u2019\u00e9t\u00e9<\/em>, Op. 6\/5). Eleanor Steber, Dimitri Mitropoulos, New York Philharmonic [live New York 04.IV.53]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"763\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-with-fur-and-pendant.jpg\" alt=\"\" class=\"wp-image-14769\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-with-fur-and-pendant.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-with-fur-and-pendant-236x300.jpg 236w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Tomlinson Griffes, Rupert Brooke: Waikiki (<em>Three Poems<\/em>, Op. 9\/2). Eleanor Steber, Edwin Biltcliffe [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"617\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-Philly-concert.jpg\" alt=\"\" class=\"wp-image-14770\" style=\"width:636px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-Philly-concert.jpg 617w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-after-Philly-concert-300x292.jpg 300w\" sizes=\"auto, (max-width: 617px) 100vw, 617px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Paul Heyse [after Juan L\u00f3pez de \u00dabeda]: Ach, des Knaben Augen (<em>Spanisches Liederbuch<\/em>). Eleanor Steber, Edwin Biltcliffe [live New York 07.XII.74]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"338\" height=\"556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-in-recital.jpg\" alt=\"\" class=\"wp-image-14771\" style=\"width:574px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-in-recital.jpg 338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-in-recital-182x300.jpg 182w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/figure>\n<\/div>\n\n\n<p>Alfred Bachelet, Eug\u00e8ne Ad\u00e9nis-Colombeau: Ch\u00e8re nuit. Eleanor Steber, Allen Rogers [live Boston 20.IV.75]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"621\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Divided-Head-1952.jpg\" alt=\"\" class=\"wp-image-14772\" style=\"width:604px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Divided-Head-1952.jpg 475w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Divided-Head-1952-229x300.jpg 229w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure>\n<\/div>\n\n\n<p>Thomas Hastings, Augustus Toplady: Rock of Ages. Eleanor Steber, Edwin Biltcliffe [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"1015\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-dolled-up.jpg\" alt=\"\" class=\"wp-image-14773\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-dolled-up.jpg 777w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-dolled-up-230x300.jpg 230w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-dolled-up-768x1003.jpg 768w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><\/figure>\n<\/div>\n\n\n<p>Frederick Flaxington Harker: God Shall Wipe Away All Tears. Eleanor Steber, Edwin Biltcliffe [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1011\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/James-Melton.png\" alt=\"\" class=\"wp-image-14778\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/James-Melton.png 788w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/James-Melton-234x300.png 234w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/James-Melton-768x985.png 768w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: People Will Say We\u2019re in Love (<em>Oklahoma!<\/em>). Eleanor Steber, James Melton, Al Goodman Orchestra [1943]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Nelson-Eddy-Bowtie.jpg\" alt=\"\" class=\"wp-image-14779\" style=\"width:638px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Nelson-Eddy-Bowtie.jpg 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Nelson-Eddy-Bowtie-225x300.jpg 225w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/figure>\n<\/div>\n\n\n<p>Sigmund Romberg, Oscar Hammerstein II: Lover, Come Back to Me (<em>The New Moon<\/em>). Eleanor Steber, Nelson Eddy, Orchestra conducted by Leon Arnaud [1950]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"542\" height=\"758\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-as-Mother-Abbess.png\" alt=\"\" class=\"wp-image-14781\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-as-Mother-Abbess.png 542w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-as-Mother-Abbess-215x300.png 215w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><figcaption class=\"wp-element-caption\">Eleanor Steber as the Mother Abbess in NYCO&#8217;s <em>Sound of Music<\/em> production<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frank Loesser: Lovelier than ever (<em>Where\u2019s Charley?<\/em>). Eleanor Steber, Pembroke Davenport, New York City Light Opera Orchestra and Chorus [live City Center 04.VI.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"444\" data-id=\"14776\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Bjorling.webp\" alt=\"\" class=\"wp-image-14776\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Bjorling.webp 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Bjorling-300x278.webp 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"820\" height=\"1024\" data-id=\"14777\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Fancy-Collar.jpg\" alt=\"\" class=\"wp-image-14777\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Fancy-Collar.jpg 820w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Fancy-Collar-240x300.jpg 240w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Fancy-Collar-768x959.jpg 768w\" sizes=\"auto, (max-width: 820px) 100vw, 820px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Sigmund Romberg, Rida Johnson Young: Will You Remember? [Sweetheart] (<em>Maytime<\/em>). Eleanor Steber, Jussi Bj\u00f6rling, Harold Barlow, Voice of Firestone Orchestra [<em>Voice of Firestone<\/em> broadcast, 03.I.1946]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1018\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-1024x1018.jpg\" alt=\"\" class=\"wp-image-14775\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-1024x1018.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-768x763.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-1536x1527.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-2048x2036.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/AlbumArtSmall-1600x1590.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Katscher, Buddy DeSylva: When Day Is Done. Eleanor Steber, Al Vann, Barron Smith, Edwin Biltcliffe [1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Minnie-card.jpg\" alt=\"\" class=\"wp-image-14749\" style=\"width:594px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Minnie-card.jpg 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Steber-Minnie-card-244x300.jpg 244w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Guelfo Civinini, Carlo Zangarini [after David Belasco]: So perch\u00e8 sei svenuta\u2026 Tre assi e un paio! (<em>La fanciulla del West<\/em>). Eleanor Steber, Giangiacomo Guelfi, Dimitri Mitropoulos, Orchestra del Maggio Musicale Fiorentino [live Firenze 06.VI.1954]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Minnie-in-Dressing-Room-1024x685.jpg\" alt=\"\" class=\"wp-image-14774\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Minnie-in-Dressing-Room-1024x685.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Minnie-in-Dressing-Room-300x201.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Minnie-in-Dressing-Room-768x513.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Minnie-in-Dressing-Room.jpg 1077w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Calling all cowboys to come to the aid of our country!<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 270. Eleanor Steber Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM I sat in my apartment in Berlin on the Fourth of&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,2109,1076,3273,2261,2476,2398,5137,1074,1072,2260,808,4510,2329,1470,4722,6189,2257,2328,4801,2806,4980,427,5138],"tags":[6335,6331,5548,60,894,6337,6332,6344,634,3437,6350,6349,6096,2442,501,4270,6351,2907,2147,2639,882,4257,1125,3827,4535,6354,2051,6336,4272,1396,94,1968,6330,6156,6106,4610,207,6348,310,3760,648,4501,115,1397,629,3260,6353,6340,281,884,222,1066,3738,6343,2345,6333,238,5198,927,3491,4220,4583,414,4611,928,329,486,6102,6352,3436,6346,6341,745,239,6342,6339,6345,3648,6338,1092,6347,6334,4325,34],"class_list":["post-14637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-broadway-and-musicals","category-crossover","category-french-opera","category-full-figured-baroque","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-happy-birthday","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-nyco-divas","category-opera-in-translation","category-operetta","category-orchestral-songs","category-rescue-mission","category-richard-strauss","category-richard-wagner","category-singers-in-old-age","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-al-goodman","tag-al-vann","tag-alexandre-dumas-fils","tag-alfred-bachelet","tag-allen-rogers","tag-augustus-toplady","tag-barron-smith","tag-bernard-zaslav","tag-brian-sullivan","tag-buddy-desylva","tag-carlo-gozzi","tag-carlo-zangarini","tag-cesare-sterbini","tag-charles-tomlinson-griffes","tag-claude-debussy","tag-david-belasco","tag-david-broekman","tag-die-frau-ohne-schatten","tag-dimitri-mitropoulos","tag-dubose-heyward","tag-edouard-guinand","tag-edwin-biltcliffe","tag-eleanor-steber","tag-eugene-adenis-colombeau","tag-francesco-maria-piave","tag-francis-scott-key","tag-frank-loesser","tag-frederick-flaxington-harker","tag-fritz-stiedry","tag-george-gershwin","tag-giacomo-puccini","tag-gian-carlo-menotti","tag-giangiacom-guelfi","tag-gioachino-rossini","tag-giovanni-battista-guarini","tag-giuseppe-adami","tag-giuseppe-verdi","tag-guelfo-civinini","tag-hector-berlioz","tag-hugo-von-hofmannsthal","tag-hugo-wolf","tag-igor-kipnis","tag-il-barbiere-di-siviglia","tag-ira-gershwin","tag-james-melton","tag-jean-philippe-rameau","tag-john-stafford-smith","tag-juan-lopez-de-ubeda","tag-jussi-bjorling","tag-lenfant-prodigue","tag-la-fanciulla-del-west","tag-la-traviata","tag-les-nuits-dete","tag-lilla-kalman","tag-lohengrin","tag-maytime-romberg-harold-barlow","tag-nelson-eddy","tag-oklahoma","tag-oscar-hammerstein-ii","tag-paul-heyse","tag-pembroke-davenport","tag-pierre-beaumarchais","tag-porgy-and-bess","tag-renato-simoni","tag-richard-rodgers","tag-richard-strauss","tag-richard-wagner","tag-rida-johnson-young","tag-robert-k-evans","tag-robert-katscher","tag-rosalind-elias","tag-rupert-brooke","tag-samuel-barber","tag-sigmund-romberg","tag-sonya-monsoff","tag-spanisches-liederbuch","tag-sterling-hunkins","tag-theophile-gautier","tag-thomas-hastings","tag-turandot","tag-vanessa-barber","tag-wheres-charley","tag-wilfrid-pelletier","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/07\/Eleanor-Steber-older-glam-TRIMMED-300x187.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/rescue-mission\/\" class=\"advgb-post-tax-term\">Rescue Mission<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Rescue Mission<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Al Goodman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Al Vann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Bachelet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Allen Rogers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Augustus Toplady<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Barron Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bernard Zaslav<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Brian Sullivan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Buddy DeSylva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Gozzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Zangarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cesare Sterbini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Tomlinson Griffes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Belasco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Broekman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Frau ohne Schatten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">DuBose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">\u00c9douard Guinand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Edwin Biltcliffe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eleanor Steber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eug\u00e8ne Ad\u00e9nis-Colombeau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francis Scott Key<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frank Loesser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frederick Flaxington Harker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz Stiedry<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giangiacom Guelfi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioachino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Battista Guarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Guelfo Civinini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Igor Kipnis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">James Melton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jean-Philippe Rameau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Stafford Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Juan L\u00f3pez de \u00dabeda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jussi Bjorling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">L&#039;enfant prodigue<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Fanciulla del West<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Les nuits d\u2019\u00e9t\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lilla Kalman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lohengrin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maytime (Romberg). Harold Barlow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nelson Eddy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oklahoma!<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Heyse<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pembroke Davenport<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rida Johnson Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert K. Evans<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Katscher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rosalind Elias<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rupert Brooke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sigmund Romberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sonya Monsoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Spanisches Liederbuch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sterling Hunkins<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Thomas Hastings<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vanessa (Barber)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Where\u2019s Charley?<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilfrid Pelletier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Al Goodman<\/span>","<span class=\"advgb-post-tax-term\">Al Vann<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfred Bachelet<\/span>","<span class=\"advgb-post-tax-term\">Allen Rogers<\/span>","<span class=\"advgb-post-tax-term\">Augustus Toplady<\/span>","<span class=\"advgb-post-tax-term\">Barron Smith<\/span>","<span class=\"advgb-post-tax-term\">Bernard Zaslav<\/span>","<span class=\"advgb-post-tax-term\">Brian Sullivan<\/span>","<span class=\"advgb-post-tax-term\">Buddy DeSylva<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi<\/span>","<span class=\"advgb-post-tax-term\">Carlo Zangarini<\/span>","<span class=\"advgb-post-tax-term\">Cesare Sterbini<\/span>","<span class=\"advgb-post-tax-term\">Charles Tomlinson Griffes<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">David Belasco<\/span>","<span class=\"advgb-post-tax-term\">David Broekman<\/span>","<span class=\"advgb-post-tax-term\">Die Frau ohne Schatten<\/span>","<span class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/span>","<span class=\"advgb-post-tax-term\">DuBose Heyward<\/span>","<span class=\"advgb-post-tax-term\">\u00c9douard Guinand<\/span>","<span class=\"advgb-post-tax-term\">Edwin Biltcliffe<\/span>","<span class=\"advgb-post-tax-term\">Eleanor Steber<\/span>","<span class=\"advgb-post-tax-term\">Eug\u00e8ne Ad\u00e9nis-Colombeau<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Francis Scott Key<\/span>","<span class=\"advgb-post-tax-term\">Frank Loesser<\/span>","<span class=\"advgb-post-tax-term\">Frederick Flaxington Harker<\/span>","<span class=\"advgb-post-tax-term\">Fritz Stiedry<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Giangiacom Guelfi<\/span>","<span class=\"advgb-post-tax-term\">Gioachino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Guarini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Guelfo Civinini<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Igor Kipnis<\/span>","<span class=\"advgb-post-tax-term\">Il barbiere di Siviglia<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">James Melton<\/span>","<span class=\"advgb-post-tax-term\">Jean-Philippe Rameau<\/span>","<span class=\"advgb-post-tax-term\">John Stafford Smith<\/span>","<span class=\"advgb-post-tax-term\">Juan L\u00f3pez de \u00dabeda<\/span>","<span class=\"advgb-post-tax-term\">Jussi Bjorling<\/span>","<span class=\"advgb-post-tax-term\">L&#039;enfant prodigue<\/span>","<span class=\"advgb-post-tax-term\">La Fanciulla del West<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Les nuits d\u2019\u00e9t\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Lilla Kalman<\/span>","<span class=\"advgb-post-tax-term\">Lohengrin<\/span>","<span class=\"advgb-post-tax-term\">Maytime (Romberg). Harold Barlow<\/span>","<span class=\"advgb-post-tax-term\">Nelson Eddy<\/span>","<span class=\"advgb-post-tax-term\">Oklahoma!<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Paul Heyse<\/span>","<span class=\"advgb-post-tax-term\">Pembroke Davenport<\/span>","<span class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Rida Johnson Young<\/span>","<span class=\"advgb-post-tax-term\">Robert K. Evans<\/span>","<span class=\"advgb-post-tax-term\">Robert Katscher<\/span>","<span class=\"advgb-post-tax-term\">Rosalind Elias<\/span>","<span class=\"advgb-post-tax-term\">Rupert Brooke<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">Sigmund Romberg<\/span>","<span class=\"advgb-post-tax-term\">Sonya Monsoff<\/span>","<span class=\"advgb-post-tax-term\">Spanisches Liederbuch<\/span>","<span class=\"advgb-post-tax-term\">Sterling Hunkins<\/span>","<span class=\"advgb-post-tax-term\">Th\u00e9ophile Gautier<\/span>","<span class=\"advgb-post-tax-term\">Thomas Hastings<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Vanessa (Barber)<\/span>","<span class=\"advgb-post-tax-term\">Where\u2019s Charley?<\/span>","<span class=\"advgb-post-tax-term\">Wilfrid Pelletier<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 05\/07\/2024","modified":"Updated on 05\/07\/2024"},"absolute_dates_time":{"created":"Posted on 05\/07\/2024 19:15","modified":"Updated on 05\/07\/2024 19:15"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14637"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14637\/revisions"}],"predecessor-version":[{"id":14783,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14637\/revisions\/14783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/14750"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}