{"id":14222,"date":"2024-06-06T22:45:36","date_gmt":"2024-06-06T20:45:36","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14222"},"modified":"2024-06-07T12:21:19","modified_gmt":"2024-06-07T10:21:19","slug":"episode-265-meet-hana-janku","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/06\/06\/episode-265-meet-hana-janku\/","title":{"rendered":"Episode 265. Meet Hana Jank\u016f"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 265.  Meet Hana Jank\u016f<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1157-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"948\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-Headdress.png\" alt=\"\" class=\"wp-image-14616\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-Headdress.png 630w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-Headdress-199x300.png 199w\" sizes=\"auto, (max-width: 630px) 100vw, 630px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Have you ever encountered a singer that no one has apparently heard of, yet once you have discovered them, you feel compelled to introduce them to practically everyone you know? I\u2019ve had this experience more than a few times over the past five years of producing weekly <em>Countermelody<\/em> episodes, and today I bring you another such singer: friends, meet Hana Jank\u016f, the Czech soprano who lived from 25 October 1940 to 28 April 1995. Her voice is one of steely brilliance that she can taper down to the slightest whisper of a pianissimo. As important as her extraordinary voice was her profoundly-felt and deeply-etched characterizations of all the roles she assumed. As a young music lover, Hana\u2019s aims were modest, but thanks to a voice teacher who recognized her gift, she moved from the chorus to a member of the ensemble at the Brno Opera before she was 20. Five years later in Bratislava, she first performed the role with which she would be most closely associated: Puccini\u2019s Turandot. Two short years later, after an arduous audition process, she sang the role at La Scala and became a star overnight. Her large repertoire also encompassed roles such Tosca, Gioconda, and Lady Macbeth, French and Russian operas as well as Mozart and Wagner roles, with a large smattering of roles by Czech composers as well, in particular Smetana and Dvo\u0159\u00e1k. Because of political unrest, she made the difficult decision to leave her native Czechoslovakia, performing instead throughout the world, including stints in the ensembles at the Deutsche Oper am Rhein in D\u00fcsseldorf and the Deutsche Oper Berlin. Ill health forced her to leave the opera stage prematurely, and she died of cancer in Vienna before she turned 55. Jank\u016f left very few commercial recordings, but I have been plumbing the internet for rare live recordings spanning her entire career, encompassing not only her legendary Italian roles, but also roles by Mozart, Gounod, and Othmar Schoeck, as well as a smattering of Czech repertoire. It is an honor to present to you the woman whom Birgit Nilsson dubbed the finest Turandot of her era and who was, as we shall hear, so much more as well! Vocal guest stars include Franco Corelli, Giorgio Merighi, Cornell MacNeil, Roland Hermann, William Holley, and Nad\u011b\u017eda Kniplov\u00e1.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"583\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-portrait.jpg\" alt=\"\" class=\"wp-image-14583\" style=\"width:627px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-portrait.jpg 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-portrait-241x300.jpg 241w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: In quest\u2019oscura notte&#8230; D\u2019amor sull\u2019ali rosee (<em>Il trovatore<\/em>). Hana Jank\u016f, Jan \u0160tych, Brno State Theatre Opera Orchestra [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"564\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Jan-Stych.jpg\" alt=\"\" class=\"wp-image-14612\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Jan-Stych.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Jan-Stych-300x212.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Jan-Stych-768x541.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Jan \u0160tych<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"814\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-fingers.png\" alt=\"\" class=\"wp-image-14584\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-fingers.png 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Turandot-fingers-230x300.png 230w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Carlo Gozzi]: In questa reggia (<em>Turandot<\/em>). Hana Jank\u016f, Jan \u0160tych, Brno State Theatre Opera Orchestra [1966]; Franco Corelli, Giuseppe Patan\u00e8, Orchestra e Coro dell\u2019Arena di Verona [live Verona 31.VII.75]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"540\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Corelli-as-Calaf-1974.jpg\" alt=\"\" class=\"wp-image-14606\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Corelli-as-Calaf-1974.jpg 540w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Corelli-as-Calaf-1974-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Corelli-as-Calaf-1974-150x150.jpg 150w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption class=\"wp-element-caption\">Franco Corelli as Calaf<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"762\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Czech-role-1024x762.png\" alt=\"\" class=\"wp-image-14585\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Czech-role-1024x762.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Czech-role-300x223.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Czech-role-768x572.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Czech-role.png 1111w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Bed\u0159ich Smetana, Josef Wenzig [Czech translation by Erv\u00edn \u0160pindler]: A hle! Te\u010f v mlh\u00e1ch sotva utvo\u0159en\u00fdch (<em>Libu\u0161e<\/em>). Hana Jank\u016f, Franti\u0161ek J\u00edlek, Opera Orchestra and Chorus of the State Theater in Brno [live Brno 1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"632\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Tosca.jpg\" alt=\"\" class=\"wp-image-14608\" style=\"width:618px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Tosca.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-Tosca-214x300.jpg 214w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Victorien Sardou]: Non la sospiri la nostra casetta (<em>Tosca<\/em>). Hana Jank\u016f, Gaetano Bardini, Brno State Theatre Opera Orchestra, unknown conductor [live 1960s]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Gaetano-Bardini.jpg\" alt=\"\" class=\"wp-image-14600\" style=\"width:604px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Gaetano-Bardini.jpg 440w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Gaetano-Bardini-220x300.jpg 220w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><figcaption class=\"wp-element-caption\">Gaetano Bardini<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-795x1024.jpg\" alt=\"\" class=\"wp-image-14582\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-795x1024.jpg 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-768x990.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku.jpg 1192w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Jules Barbier, Michel Carr\u00e9 [after Michel Carr\u00e9 and Johann Wolfgang von Goethe). Les grands seigneurs ont seuls des airs&#8230; Ah! Je ris de me voir si belle (<em>Faust<\/em>) [sung in Czech]. Hana Jank\u016f, Oldrich Pipek, Brno State Theatre Opera Orchestra [live 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Kniplova-1024x757.png\" alt=\"\" class=\"wp-image-14590\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Kniplova-1024x757.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Kniplova-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Kniplova-768x568.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Kniplova.png 1117w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Nad\u011b\u017eda Kniplov\u00e1<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bed\u0159ich Smetana, Josef Wenzig [Czech translation by Erv\u00edn \u0160pindler]: \u00d3 nehroz, \u00f3 nehroz mi, \u00f3 brat\u0159e! (<em>Dalibor<\/em>). Hana Jank\u016f, Nad\u011b\u017eda Kniplov\u00e1, Jaroslav Krombholc, Orchestra of the National Theatre in Prague [1967]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"822\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Nadezda-Kniplova.png\" alt=\"\" class=\"wp-image-14597\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Nadezda-Kniplova.png 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Nadezda-Kniplova-213x300.png 213w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Marenka-Jiri-Olejnicek-Jenik.jpg\" alt=\"\" class=\"wp-image-14591\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Marenka-Jiri-Olejnicek-Jenik.jpg 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Marenka-Jiri-Olejnicek-Jenik-300x225.jpg 300w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Hana Jank\u016f (Ma\u0159enka) and Ji\u0159\u00ed Olejn\u00ed\u010dek (Jen\u00edk) in Smetana&#8217;s <em>The Bartered Bride<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Bed\u0159ich Smetana, Josef Wenzig [Czech translation Ervin \u0160pindler] Jak je mi [How confused I feel!] (<em>Dalibor<\/em>). Hana Janku, Jir\u00ed Pinkas, Brno State Theatre Opera Orchestra [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"710\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turandot.jpg\" alt=\"\" class=\"wp-image-14594\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turandot.jpg 710w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turandot-300x216.jpg 300w\" sizes=\"auto, (max-width: 710px) 100vw, 710px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte [after Pierre Beaumarchais]: Porgi, amor (<em>Le nozze di Figaro<\/em>) [sung in Czech]. Hana Jank\u016f, unidentified conductor and orchestra [live 1960s]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"712\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot-712x1024.jpg\" alt=\"\" class=\"wp-image-14592\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot-712x1024.jpg 712w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot-208x300.jpg 208w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot-768x1105.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot-1067x1536.jpg 1067w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyerdot.jpg 1423w\" sizes=\"auto, (max-width: 712px) 100vw, 712px\" \/><\/figure>\n<\/div>\n\n\n<p>Anton\u00edn Dvo\u0159\u00e1k, Jaroslav Vrchlick\u00fd [after Torquato Tasso]: Za \u0161t\u00edhlou gazelou [Behind the gazelle] (<em>Armida<\/em>). Hana Jank\u016f, Franti\u0161ek J\u00edlek, Brno State Theatre Opera Orchestra [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"901\" height=\"761\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Turandot-Catania-1974-Janku-Amedeo-Zambon.jpg\" alt=\"\" class=\"wp-image-14593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Turandot-Catania-1974-Janku-Amedeo-Zambon.jpg 901w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Turandot-Catania-1974-Janku-Amedeo-Zambon-300x253.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Turandot-Catania-1974-Janku-Amedeo-Zambon-768x649.jpg 768w\" sizes=\"auto, (max-width: 901px) 100vw, 901px\" \/><figcaption class=\"wp-element-caption\">With Amedeo Zambon in <em>Turandot<\/em>, Catania, 1974<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Pyotr Il\u2019yich Tchaikovsky, Modest Tchaikovsky [after Alexander Pushkin]: \u0423\u0436 \u043f\u043b\u043e\u043d\u043e\u0447\u044c \u0431\u043b\u0438\u0437\u0438\u0442\u0441\u044f [It is already midnight] (<em>Pique Dame<\/em>) [sung in Czech]. Hana Jank\u016f, Jan \u0160tych, Brno State Theatre Opera Orchestra [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"586\" height=\"877\" data-id=\"14598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Carol-Smith.png\" alt=\"\" class=\"wp-image-14598\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Carol-Smith.png 586w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Carol-Smith-200x300.png 200w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><figcaption class=\"wp-element-caption\">Carol Smith<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"733\" data-id=\"14599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hermann-again.png\" alt=\"\" class=\"wp-image-14599\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hermann-again.png 428w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hermann-again-175x300.png 175w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><figcaption class=\"wp-element-caption\">Roland Hermann<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Othmar Schoeck [after Heinrich von Kleist]: Mein Will\u2019 ist, ihr zu tun (<em>Penthesilea<\/em>). Hana Jank\u016f, Carol Smith, Roland Hermann, Zden\u011bk M\u00e1cal, K\u00f6lner Rundfunk-Sinfonie-Orchester [live Luzern 08.IX.73]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"824\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Macal.png\" alt=\"\" class=\"wp-image-14611\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Macal.png 659w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Macal-240x300.png 240w\" sizes=\"auto, (max-width: 659px) 100vw, 659px\" \/><figcaption class=\"wp-element-caption\">Zden\u011bk M\u00e1cal<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot-750x1024.jpg\" alt=\"\" class=\"wp-image-14586\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot-750x1024.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot-220x300.jpg 220w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot-768x1049.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot-1124x1536.jpg 1124w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-again-as-Turandot.jpg 1499w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Carlo Gozzi]: Straniero, ascolta! [Riddle Scene] (<em>Turandot<\/em>). Hana Jank\u016f, Giorgio Merighi, Teresa \u017bylis-Gara, Barry McDaniel, William Wu, Zubin Mehta, Orchester und Chor der Deutschen Oper Berlin [live 22.VI.75]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"877\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Giorgio-Merighi.png\" alt=\"\" class=\"wp-image-14604\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Giorgio-Merighi.png 622w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Giorgio-Merighi-213x300.png 213w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><figcaption class=\"wp-element-caption\">Giorgio Merighi<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"439\" height=\"609\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Gioconda.jpg\" alt=\"\" class=\"wp-image-14610\" style=\"width:578px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Gioconda.jpg 439w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Gioconda-216x300.jpg 216w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/figure>\n<\/div>\n\n\n<p>Amilcare Ponchielli, Arrigo Boito [as Tobia Gorrio, after Victor Hugo]: Ora posso morir&#8230; Or farmi pi\u00f9 gaia (<em>La Gioconda<\/em>). Hana Jank\u016f, Cornell MacNeil, Francesco Molinari-Pradelli, Orchestra dell\u2019Arena di Verona [live Verona 04.VIII.73]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"579\" height=\"760\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Cornell-MacNeil.png\" alt=\"\" class=\"wp-image-14613\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Cornell-MacNeil.png 579w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Cornell-MacNeil-229x300.png 229w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><figcaption class=\"wp-element-caption\">Cornell MacNeil<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1020\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-1024x1020.jpg\" alt=\"\" class=\"wp-image-14601\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-1024x1020.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-768x765.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-1536x1530.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot-1600x1594.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-normal-headshot.jpg 1797w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Leo\u0161 Jan\u00e1\u010dek [after Gabriela Preissov\u00e1]: Co chv\u00edla [What a moment!] (<em>Jen\u016ffa<\/em> [<em>Jej\u00ed pastorky\u0148a<\/em>]). Hana Janku, Jan \u0160tych, Brno State Theatre Opera Orchestra [live Brno 1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"516\" height=\"875\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/William-Holley.png\" alt=\"\" class=\"wp-image-14596\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/William-Holley.png 516w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/William-Holley-177x300.png 177w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><figcaption class=\"wp-element-caption\">William Holley<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Victorien Sardou]: from <em>Tosca<\/em>. Hana Jank\u016f, William Holley, Karl V\u00fcllings, Wolf Appel, Giuseppe Patan\u00e8, D\u00fcsseldorfer Symphoniker, Duisburger Philharmoniker [live D\u00fcsseldorf 30.VI.1970]: <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Tosca-768x1024.jpg\" alt=\"\" class=\"wp-image-14587\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Tosca-768x1023.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Tosca-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Tosca-1153x1536.jpg 1153w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Tosca.jpg 1350w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Senti, l\u2019ora \u00e8 vicina&#8230; Amaro sol per te m\u2019era il morire<\/p>\n\n\n\n<p>Presto, su! Mario! Mario! Su, presto, andiam!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Turandot-Imrich-Jakubek-Calaf-Bratislava-1965.jpg\" alt=\"\" class=\"wp-image-14595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Turandot-Imrich-Jakubek-Calaf-Bratislava-1965.jpg 1000w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Turandot-Imrich-Jakubek-Calaf-Bratislava-1965-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Turandot-Imrich-Jakubek-Calaf-Bratislava-1965-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Hana-Janku-Turandot-Imrich-Jakubek-Calaf-Bratislava-1965-768x768.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Jank\u016f&#8217;s first <em>Turandot<\/em>, with Imrich Jakubek as Calaf, Bratislava 1965<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 265. Meet Hana Jank\u016f SOCIAL SHARE SUBSCRIPTION PLATFORM Have you ever encountered a singer that no one has apparently&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[3207,1701,5823,3273,2476,2398,2399,5137,1072,2260,808,2329,4980,427,5138],"tags":[3518,197,2188,5118,77,1186,2990,6196,6200,6195,6208,6207,3761,142,4532,6193,6212,94,6197,4610,4759,1705,207,1497,6213,6214,5836,348,6194,5194,6203,4967,6205,6206,6191,1327,871,510,6211,870,4758,3916,6209,6210,2999,6199,4583,4794,1913,6201,4850,1309,6204,453,3735,151,6190,6198,6192,34,6202,2249],"class_list":["post-14222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-iron-curtain","category-bel-canto","category-forgotten-divas","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-baritones","category-great-tenors","category-in-memoriam","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-alexander-pushkin","tag-amilcare-ponchielli","tag-antonin-dvorak","tag-antonio-garcia-gutierrez","tag-arrigo-boito","tag-barry-mcdaniel","tag-bedrich-smetana","tag-carlo-gozzi-turandot","tag-carol-smith","tag-cornell-macneil","tag-dalibor","tag-ervin-spindler","tag-francesco-molinari-pradelli","tag-franco-corelli","tag-frantisek-jilek","tag-gabriela-preissova","tag-gaetano-bardini","tag-giacomo-puccini","tag-giorgio-merighi","tag-giuseppe-adami","tag-giuseppe-giacosa","tag-giuseppe-patane","tag-giuseppe-verdi","tag-hana-janku","tag-hana-svobodova","tag-hana-svobodova-janku","tag-heinrich-von-kleist","tag-il-trovatore","tag-jan-stych","tag-jaroslav-krombholc","tag-jaroslav-vrchlicky","tag-jenufa","tag-jiri-pinkas","tag-josef-wenzig","tag-karl-vullings","tag-la-gioconda","tag-le-nozze-di-figaro","tag-leos-janacek","tag-libuse","tag-lorenzo-da-ponte","tag-luigi-illica","tag-modest-tchaikovsky","tag-nadezda-kniplova","tag-oldrich-pipek","tag-othmar-schoeck","tag-penthesilea","tag-pierre-beaumarchais","tag-pique-dame","tag-pyotr-ilyich-tchaikovsky-2","tag-roland-hermann","tag-salvadore-cammarano","tag-teresa-zylis-gara","tag-torquato-tasso","tag-tosca","tag-victor-hugo","tag-victorien-sardou","tag-william-holley","tag-william-wu","tag-wolf-appel","tag-wolfgang-amadeus-mozart","tag-zdenek-macal","tag-zubin-mehta"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/06\/Janku-as-Turnyourdot-TRIMMED-300x141.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexander Pushkin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arrigo Boito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Barry McDaniel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bed\u0159ich Smetana<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carlo Gozzi Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Carol Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cornell MacNeil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dalibor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Erv\u00edn \u0160pindler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franco Corelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franti\u0161ek J\u00edlek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gabriela Preissov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gaetano Bardini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giorgio Merighi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hana Jank\u016f<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hana Svobodov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hana Svobodov\u00e1-Jank\u016f<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich von Kleist<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jan \u0160tych<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jaroslav Krombholc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jaroslav Vrchlick\u00fd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jen\u016ffa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jir\u00ed Pinkas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josef Wenzig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl V\u00fcllings<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Gioconda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leos Janacek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Libu\u0161e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Modest Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nad\u011b\u017eda Kniplov\u00e1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Oldrich Pipek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Othmar Schoeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Penthesilea<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pique-Dame<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Roland Hermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Torquato Tasso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tosca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Victorien Sardou<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Holley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Wu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolf Appel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zden\u011bk M\u00e1cal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zubin Mehta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alexander Pushkin<\/span>","<span class=\"advgb-post-tax-term\">Amilcare Ponchielli<\/span>","<span class=\"advgb-post-tax-term\">Anton\u00edn Dvo\u0159\u00e1k<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Arrigo Boito<\/span>","<span class=\"advgb-post-tax-term\">Barry McDaniel<\/span>","<span class=\"advgb-post-tax-term\">Bed\u0159ich Smetana<\/span>","<span class=\"advgb-post-tax-term\">Carlo Gozzi Turandot<\/span>","<span class=\"advgb-post-tax-term\">Carol Smith<\/span>","<span class=\"advgb-post-tax-term\">Cornell MacNeil<\/span>","<span class=\"advgb-post-tax-term\">Dalibor<\/span>","<span class=\"advgb-post-tax-term\">Erv\u00edn \u0160pindler<\/span>","<span class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/span>","<span class=\"advgb-post-tax-term\">Franco Corelli<\/span>","<span class=\"advgb-post-tax-term\">Franti\u0161ek J\u00edlek<\/span>","<span class=\"advgb-post-tax-term\">Gabriela Preissov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Bardini<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Merighi<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Patan\u00e8<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Hana Jank\u016f<\/span>","<span class=\"advgb-post-tax-term\">Hana Svobodov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Hana Svobodov\u00e1-Jank\u016f<\/span>","<span class=\"advgb-post-tax-term\">Heinrich von Kleist<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Jan \u0160tych<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav Krombholc<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav Vrchlick\u00fd<\/span>","<span class=\"advgb-post-tax-term\">Jen\u016ffa<\/span>","<span class=\"advgb-post-tax-term\">Jir\u00ed Pinkas<\/span>","<span class=\"advgb-post-tax-term\">Josef Wenzig<\/span>","<span class=\"advgb-post-tax-term\">Karl V\u00fcllings<\/span>","<span class=\"advgb-post-tax-term\">La Gioconda<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Leos Janacek<\/span>","<span class=\"advgb-post-tax-term\">Libu\u0161e<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Modest Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Nad\u011b\u017eda Kniplov\u00e1<\/span>","<span class=\"advgb-post-tax-term\">Oldrich Pipek<\/span>","<span class=\"advgb-post-tax-term\">Othmar Schoeck<\/span>","<span class=\"advgb-post-tax-term\">Penthesilea<\/span>","<span class=\"advgb-post-tax-term\">Pierre Beaumarchais<\/span>","<span class=\"advgb-post-tax-term\">Pique-Dame<\/span>","<span class=\"advgb-post-tax-term\">Pyotr Il\u2019yich Tchaikovsky<\/span>","<span class=\"advgb-post-tax-term\">Roland Hermann<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Teresa \u017bylis-Gara<\/span>","<span class=\"advgb-post-tax-term\">Torquato Tasso<\/span>","<span class=\"advgb-post-tax-term\">Tosca<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Victorien Sardou<\/span>","<span class=\"advgb-post-tax-term\">William Holley<\/span>","<span class=\"advgb-post-tax-term\">William Wu<\/span>","<span class=\"advgb-post-tax-term\">Wolf Appel<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zden\u011bk M\u00e1cal<\/span>","<span class=\"advgb-post-tax-term\">Zubin Mehta<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 06\/06\/2024","modified":"Updated on 07\/06\/2024"},"absolute_dates_time":{"created":"Posted on 06\/06\/2024 22:45","modified":"Updated on 07\/06\/2024 12:21"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14222"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14222\/revisions"}],"predecessor-version":[{"id":14619,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14222\/revisions\/14619"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/14602"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}