{"id":14101,"date":"2024-03-25T06:52:02","date_gmt":"2024-03-25T05:52:02","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14101"},"modified":"2024-03-25T09:38:12","modified_gmt":"2024-03-25T08:38:12","slug":"episode-253-randall-scarlata-introduces-gerard-souzay","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/03\/25\/episode-253-randall-scarlata-introduces-gerard-souzay\/","title":{"rendered":"Episode 253. Randall Scarlata Introduces G\u00e9rard Souzay"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-controls=\"mega-menu-primary\" aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 253.   Randall Scarlata Introduces G\u00e9rard Souzay<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1080-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14101&#038;title=Episode%20253.%20Randall%20Scarlata%20Introduces%20G%C3%A9rard%20Souzay\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a 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c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14101&#038;description=Episode%20253.%20Randall%20Scarlata%20Introduces%20G%C3%A9rard%20Souzay\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14101&#038;subject=Episode%20253.%20Randall%20Scarlata%20Introduces%20G%C3%A9rard%20Souzay\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14101&#038;title=Episode%20253.%20Randall%20Scarlata%20Introduces%20G%C3%A9rard%20Souzay\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-coblocks-buttons\"><div class=\"wp-block-coblocks-buttons__inner flex-align-left\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-at-the-Water-844x1024.png\" alt=\"\" class=\"wp-image-14209\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-at-the-Water-844x1024.png 844w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-at-the-Water-247x300.png 247w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-at-the-Water-768x932.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-at-the-Water.png 890w\" sizes=\"auto, (max-width: 844px) 100vw, 844px\" \/><\/figure>\n<\/div>\n\n\n<p>The French baritone G\u00e9rard Souzay was born&nbsp;G\u00e9rard Tisserand&nbsp;on 8 December 1918 and died in Antibes on 17 August 2004. This episode celebrates his 101st birthday by exploring his recorded legacy, with particular emphasis on his earliest recordings. Repertoire by Jaime Ovalle, C\u00e9sar Franck, Robert Schumann, Franz Schubert, Maurice Ravel, Henry Purcell, and&nbsp;Claude Debussy (including an excerpt from his 1955 radio performance of Golaud in&nbsp;<em>Pell\u00e9as et M\u00e9lisande<\/em>). We also hear performances by his teachers and mentors Claire Croiza, Vanni-Marcoux, Pierre Bernac, and Lotte Lehmann, as well as his sister,&nbsp;Genevi\u00e8ve Touraine. I make my best effort to argue the case of Souzay&#8217;s artistic importance, his continuing significance, and the unique qualities of his artistry. <\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"578\" height=\"570\" data-id=\"2697\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover.jpg\" alt=\"\" class=\"wp-image-2697\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover.jpg 578w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover-300x296.jpg 300w\" sizes=\"auto, (max-width: 578px) 100vw, 578px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img 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https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 491px) 100vw, 491px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"484\" data-id=\"2700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-3.jpg\" alt=\"\" class=\"wp-image-2700\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-3.jpg 480w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-3-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-3-150x150.jpg 150w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"484\" height=\"493\" data-id=\"2701\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-4.jpg\" alt=\"\" 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src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1.jpg\" alt=\"\" class=\"wp-image-2703\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1-300x292.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"600\" data-id=\"2704\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover2.jpg\" alt=\"\" class=\"wp-image-2704\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover2.jpg 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover2-293x300.jpg 293w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"445\" height=\"442\" data-id=\"2705\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-1.jpg\" alt=\"\" class=\"wp-image-2705\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-1.jpg 445w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-1-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 445px) 100vw, 445px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"928\" data-id=\"2706\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/DorumsgaardOriginalCover.jpg\" alt=\"\" class=\"wp-image-2706\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/DorumsgaardOriginalCover.jpg 929w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/DorumsgaardOriginalCover-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/DorumsgaardOriginalCover-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/DorumsgaardOriginalCover-768x767.jpg 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"595\" data-id=\"2707\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/LisztOriginalCover.jpg\" alt=\"\" class=\"wp-image-2707\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/LisztOriginalCover.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/LisztOriginalCover-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/LisztOriginalCover-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"297\" data-id=\"2708\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-5.jpg\" alt=\"\" class=\"wp-image-2708\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-5.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-5-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"593\" data-id=\"2711\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1-1.jpg\" alt=\"\" class=\"wp-image-2711\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover1-1-300x297.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"577\" data-id=\"2712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover-2.jpg\" alt=\"\" class=\"wp-image-2712\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover-2-300x289.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"2717\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-11.jpg\" alt=\"\" class=\"wp-image-2717\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-11.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-11-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-11-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" data-id=\"2713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-2.jpg\" alt=\"\" class=\"wp-image-2713\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-2.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"553\" height=\"548\" data-id=\"2714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-8.jpg\" alt=\"\" class=\"wp-image-2714\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-8.jpg 553w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-8-300x297.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-8-150x150.jpg 150w\" sizes=\"auto, (max-width: 553px) 100vw, 553px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"444\" height=\"450\" data-id=\"2715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-9.jpg\" alt=\"\" class=\"wp-image-2715\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-9.jpg 444w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-9-296x300.jpg 296w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"432\" data-id=\"2716\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-10.jpg\" alt=\"\" class=\"wp-image-2716\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-10.jpg 430w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-10-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-10-150x150.jpg 150w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"2709\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-6.jpg\" alt=\"\" class=\"wp-image-2709\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-6.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-6-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-6-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"298\" data-id=\"2710\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-7.jpg\" alt=\"\" class=\"wp-image-2710\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-7.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Folder-7-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"574\" data-id=\"2696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3.jpg\" alt=\"\" class=\"wp-image-2696\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3.jpg 605w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/OriginalCover3-300x285.jpg 300w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Some original jacket covers. And yes, I have them all, though most are CD reissues and not the original LPs.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-Scarlata-682x1024.jpg\" alt=\"\" class=\"wp-image-14198\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-Scarlata-682x1024.jpg 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-Scarlata-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-Scarlata-768x1153.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-Scarlata.jpg 1000w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n<\/div>\n\n\n<p>Benjamin C. S. Boyle, Paul Val\u00e9ry: Les pas (Le passage des r\u00eaves, No. 2). Randall Scarlata, Laura Ward [2017]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"830\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Benjamin-C.S.-Boyle.png\" alt=\"\" class=\"wp-image-14210\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Benjamin-C.S.-Boyle.png 544w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Benjamin-C.S.-Boyle-197x300.png 197w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption class=\"wp-element-caption\">Benjamin C.S. Boyle<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-and-Gerard.jpg\" alt=\"\" class=\"wp-image-14199\" style=\"width:609px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-and-Gerard.jpg 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Randall-and-Gerard-174x300.jpg 174w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><figcaption class=\"wp-element-caption\">G\u00e9rard Souzay and Randall Scarlata<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay.png\" alt=\"\" class=\"wp-image-14193\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay.png 535w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-231x300.png 231w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure>\n<\/div>\n\n\n<p>Antoine Bo\u00ebsset:&nbsp;Cachez, beaux yeux (arr. Arne D\u00f8rumsgaard). G\u00e9rard Souzay, Jacqueline Bonneau. [1953]. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"300\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Jacqueline-Bonneau.jpg\" alt=\"\" class=\"wp-image-2613\"\/><figcaption class=\"wp-element-caption\">Jacqueline Robin-Bonneau<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Along with <strong><a aria-label=\"Ir\u00e8ne A\u00eftoff (opens in a new tab)\" href=\"https:\/\/www.medici.tv\/en\/documentaries\/irene-aitoff-the-great-lady\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ir\u00e8ne A\u00eftoff<\/a><\/strong> and Janine Reiss, Jacqueline Robin-Bonneau was one of the most important French collaborative pianists of the 20th century. If you understand French, I recommend listening to <strong><a aria-label=\"this radio interview with her son Christian (opens in a new tab)\" href=\"http:\/\/www.idfm98.fr\/christian-bonneau-raconte-jacqueline-robin-bonneau-pianiste-concertiste-internationale\/\" target=\"_blank\" rel=\"noreferrer noopener\">this 2016 radio interview with her son Christian<\/a><\/strong> in which he discusses his mother.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"341\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-307.png\" alt=\"\" class=\"wp-image-2691\" style=\"width:475px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-307.png 487w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-307-300x210.png 300w\" sizes=\"auto, (max-width: 487px) 100vw, 487px\" \/><figcaption class=\"wp-element-caption\">His name was Mickey.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc, Louise de Vilmorin: Fleurs (<em>Fian\u00e7ailles pour rire<\/em>). Genevi\u00e8ve Touraine, soprano; Francis Poulenc, piano.  Touraine (1903-1982) was Souzay&#8217;s elder sister. Among her other contributions, she created the referenced Poulenc cycle in 1942 and recorded it (again with the composer) several years later. In all my online digging, I have yet to find an actual photograph of Mme. Touraine, so I offer instead a picture of Poulenc and his doggie, as well as the cover of the 1955 US issue on the Haydn Society label of the recording in question.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"453\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine.jpg\" alt=\"\" class=\"wp-image-14187\" style=\"width:545px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine.jpg 255w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine-169x300.jpg 169w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><figcaption class=\"wp-element-caption\">Genevi\u00e8ve Touraine<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"449\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Ovalle.jpg\" alt=\"\" class=\"wp-image-14188\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Ovalle.jpg 449w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Ovalle-225x300.jpg 225w\" sizes=\"auto, (max-width: 449px) 100vw, 449px\" \/><figcaption class=\"wp-element-caption\">Jaime Ovalle (1894-1955)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jaime Ovalle: Azul\u00e3o.  G\u00e9rard Souzay, Dalton Baldwin. Recorded 1958; originally issued on <em>World of Song<\/em> (Capitol Records SG-7224 \/ <em>Songs of Many Lands <\/em>HMV ALP 1709). As with so many of Souzay&#8217;s greatest recordings, I get very emotional listening to this. How he can take a song of such simplicity and by the most subtle of means transform it into a transcendent experience is a gift granted to very few artists. If you can listen to this without weeping, you&#8217;re a stronger woman than I am!<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:123px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"468\" height=\"684\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine.png\" alt=\"\" class=\"wp-image-14189\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine.png 468w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Touraine-205x300.png 205w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n<\/div>\n\n\n<p>Henry Purcell: My Dearest, My Fairest (Genevi\u00e8ve Touraine, soprano;   G\u00e9rard Souzay, baritone; Ir\u00e8ne A\u00eftoff). Recorded 1949, Bo\u00eete \u00e0 Musique&nbsp;BAM 77. My copy of this is from a long-deleted double-CD on the Lys label entitled <em>Fr\u00e8re et S\u0153ur en musique<\/em> which also includes some of Souzay and Touraine&#8217;s rarest solo material.<\/p>\n\n\n\n<div style=\"height:135px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"855\" height=\"432\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Bernac-Poulenc.jpg\" alt=\"\" class=\"wp-image-14190\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Bernac-Poulenc.jpg 855w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Bernac-Poulenc-300x152.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Bernac-Poulenc-768x388.jpg 768w\" sizes=\"auto, (max-width: 855px) 100vw, 855px\" \/><figcaption class=\"wp-element-caption\">Pierre Bernac and Francis Poulenc<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Gounod: Viens, les gazons sont verts. Pierre Bernac, baritone; Francis Poulenc, piano. From a BBC recording first broadcast on 9 October 1957 and reissued on <em><strong><a rel=\"noreferrer noopener\" aria-label=\"The Essential Pierre Bernac (opens in a new tab)\" href=\"https:\/\/testament.co.uk\/pierre-bernac.html\" target=\"_blank\">The Essential Pierre Bernac<\/a><\/strong><\/em> (Testament Records SBT 3161).<\/p>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"711\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Croiza-1.jpg\" alt=\"\" class=\"wp-image-14194\" style=\"width:623px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Croiza-1.jpg 393w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Croiza-1-166x300.jpg 166w\" sizes=\"auto, (max-width: 393px) 100vw, 393px\" \/><figcaption class=\"wp-element-caption\">Claire Croiza as Charlotte in <em>Werther<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Francis Poulenc: Le dromadaire (<em>Le bestiaire<\/em>). Claire Croiza, Francis Poulenc.  Recorded April 1928, Columbia D15041. Claire Croiza (1882-1946) was a singer of enormous importance. In the first part of her career, she sang an enormous operatic repertoire, yet of all her recordings, made between 1927 and 1936, the only opera excerpt she recorded was her very first: Genevi\u00e8ve&#8217;s scene from <em>Pell\u00e9as et M\u00e9lisande. <\/em>Far more significant from our perspective, are her recordings of the most important contemporary French composers (including Poulenc, Roussel, Milhaud, and Honegger), many of which she created. <strong><a aria-label=\"Her complete recorded output has been reissued on the Marston label (opens in a new tab)\" href=\"https:\/\/www.marstonrecords.com\/products\/croiza\" target=\"_blank\" rel=\"noreferrer noopener\">Her complete recorded output has been reissued on the Marston label<\/a><\/strong>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"579\" data-id=\"14196\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/vanni-marcoux-basso-baritono-1.jpg\" alt=\"\" class=\"wp-image-14196\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/vanni-marcoux-basso-baritono-1.jpg 419w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/vanni-marcoux-basso-baritono-1-217x300.jpg 217w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Vanni-Marcoux<\/figcaption><\/figure>\n\n\n\n<p>Claude Debussy: Une grande innocence (<em>Pell\u00e9as et M\u00e9lisande<\/em>). Vanni-Marcoux (Golaud); Piero Coppola, conductor. Recorded 6 October 1927. I wish I had time to describe the enormous contribution that Vanni-Marcoux (1877-1962) made to singing. An enormously handsome man, he was transformed into each operatic character he sang in an almost Chaliapinesque manner. But he sang <em>m\u00e9lodies <\/em>with equal aplomb and distinction and even <em>chansons<\/em>, (please listen to the podcast if you are unsure about the distinction between <em>m\u00e9lodie<\/em>&nbsp; and <em>chanson<\/em>!) In his finale recording, made in 1955, of <em>romances<\/em> by Paul Delmet, he was accompanied by Ir\u00e8ne A\u00eftoff. <strong><a aria-label=\"As with Croiza, his complete recordings were recently issued by Marston Records. (opens in a new tab)\" href=\"https:\/\/www.marstonrecords.com\/collections\/singer\/products\/vanni-marcoux\" target=\"_blank\" rel=\"noreferrer noopener\">As with Croiza, his complete recordings have been handsomely reissued by Marston Records.<\/a><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"257\" height=\"397\" data-id=\"2624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Vanni-Marcoux-portrait.jpg\" alt=\"\" class=\"wp-image-2624\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Vanni-Marcoux-portrait.jpg 257w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Vanni-Marcoux-portrait-194x300.jpg 194w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Vanni-Marcoux<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div style=\"height:145px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Damase-by-Edward-Quinn-1952-1024x648.png\" alt=\"\" class=\"wp-image-14204\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Damase-by-Edward-Quinn-1952-1024x648.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Damase-by-Edward-Quinn-1952-300x190.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Damase-by-Edward-Quinn-1952-768x486.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Damase-by-Edward-Quinn-1952.png 1408w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jean-Michel Damase (1928-2013), photograph by Edward Quinn, 1952. He was also a celebrated composer<\/figcaption><\/figure>\n<\/div>\n\n\n<p>C\u00e9sar Franck : Nocturne (text by Louis de Fourcaud).  G\u00e9rard Souzay, Jean-Michel Damase. Originally recorded for Decca Records, 26 June 1947, Matrix number AR 11406-1. Take rejected and finally issued in 1999 on the now-deleted Dutton Laboratories \/ Vocalion Records release <em>G\u00e9rard Souzay: The Early Recordings <\/em>(7036). The text of this exquisite song is below the reproduction of the album cover.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"828\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-Early.png\" alt=\"\" class=\"wp-image-14205\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-Early.png 819w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-Early-297x300.png 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-Early-768x776.png 768w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">Worth seeking out this out-of-print treasure for some of his rarest early material.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Verse 1: \u00d4 fra\u00eeche Nuit, \/ Nuit transparente, \/ Myst\u00e8re sans obscurit\u00e9, \/ La vie est noire et d\u00e9vorante. \/ \u00d4 fra\u00eeche Nuit, \/ Nuit transparente, \/ Donne-moi ta placidit\u00e9.  Verse 2:  \u00d4  belle Nuit, \/ Nuit \u00e9toil\u00e9e, \/ Vers moi tes regards sont bais\u00e9es. \/ \u00c9claire mon \u00e2me troubl\u00e9e, \/ \u00d4 belle Nuit, \/ Nuit \u00e9toil\u00e9e, \/ Mets ton sourire en mes pensers.  Verse 3: \u00d4 sainte Nuit, \/  Nuit taciturne, \/ Pleine de paix et de douceur. \/ Mon coeur bouillone comme une urne. \/ \u00d4 sainte Nuit, \/  Nuit taciturne, \/ Fais le silence dans mon coeur.  Verse 4: \u00d4 grande Nuit, \/ Nuit solemnelle, \/ En qui tout est d\u00e9licieux, \/ Prends mon \u00eatre entier sous ton aile. \/ \u00d4 grande Nuit, \/ Nuit solemnelle, \/ Vers le sommeil en mes yeux.<\/p>\n\n\n\n<p>Verse 1: Oh cool night, \/ Transparent night, \/ mystery without darkness. \/ Life is black and devouring. \/ Oh cool night, \/ Transparent night,  \/ grant me your calmness. Verse 2: Oh lovely night, \/ Starry night, \/ your eyes look down upon me. \/ Enlighten my troubled soul, \/ Oh lovely night,  \/ Starry night. \/ Put your smile into my thoughts. Verse 3: Oh holy night, Silent night,  \/ full of peace and tenderness. \/ My heart is boiling like an urn. \/ Oh holy night, Silent night, \/ Place silence in my heart. Verse 4: Oh, mighty night, \/ Solemn night,  \/ in which everything is delightful, \/ Take my entire being under your wing. \/ Oh mighty night, \/ Solemn night, \/ pour sleep into my eyes. <\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"alignright size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Verlaine-Rimbaud.jpg\" alt=\"\" class=\"wp-image-14203\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Verlaine-Rimbaud.jpg 441w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Verlaine-Rimbaud-207x300.jpg 207w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><figcaption class=\"wp-element-caption\">Paul Verlaine and his lover, muse, fellow poet,<br>and antagonist, Arthur Rimbaud<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy: Colloque sentimentale (<em>F\u00eates Galantes II<\/em>) (text by Paul Verlaine).  G\u00e9rard Souzay, baritone; Jacqueline Bonneau, piano.  Decca Records, K 2171. Recorded 27 October 1947. Reissued on the now out-of-print 1999 Pearl Records release:  <strong><a rel=\"noreferrer noopener\" aria-label=\"G\u00e9rard  Souzay: M\u00e9lodies and Lieder. (opens in a new tab)\" href=\"https:\/\/www.allmusic.com\/album\/lieder-m%C3%A9lodies-mw0001830598\/releases\" target=\"_blank\"><em>G\u00e9rard  Souzay: M\u00e9lodies and Lieder<\/em>.<\/a><\/strong> The earliest material on this CD has never been reissued elsewhere, including this early 78-issued performance of the complete <em>F\u00eates Galantes II<\/em> cycle . Though he recorded the set again in 1961 (on Deutsche Grammophon; reissued, infamously, on LP as &#8220;Chansons&#8221; in the 1980s) and again in 1971, this is a beautifully-vocalized, youthful performance of a momentously sad poem.<\/p>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-293.png\" alt=\"\" class=\"wp-image-2633\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-293.png 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Screenshot-293-300x294.png 300w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption class=\"wp-element-caption\">Lui, au bord d&#8217;un lac.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>BTW, If you want to hear an unbelievable recording of the poem, please follow this link to hear it recited by<em> <\/em><strong><a rel=\"noreferrer noopener\" aria-label=\"Maria Casar\u00e8s and  G\u00e9rard Philipe (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=7FVwmuxLxv4\" target=\"_blank\">Maria Casar\u00e8s and G\u00e9rard Philipe<\/a>.<\/strong> (If you don&#8217;t know who these persons are, for the love of God, google them!)<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"935\" data-id=\"2637\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Maria-Casares.png\" alt=\"\" class=\"wp-image-2637\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Maria-Casares.png 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Maria-Casares-242x300.png 242w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"2636\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerard-Philipe-768x1024.jpg\" alt=\"\" class=\"wp-image-2636\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerard-Philipe-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerard-Philipe-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Gerard-Philipe.jpg 1080w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Gerard Philipe, as seen in &#8220;Devil in the Flesh&#8221; (French, 1946)<\/figcaption><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"> Casar\u00e8<a href=\"https:\/\/www.youtube.com\/watch?v=7FVwmuxLxv4\" target=\"_blank\" rel=\"noreferrer noopener\">s <\/a>and Philipe<\/figcaption><\/figure>\n\n\n\n<div style=\"height:77px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"237\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-and-Lehmann.jpg\" alt=\"\" class=\"wp-image-2638\"\/><figcaption class=\"wp-element-caption\">Lehmann and Souzay<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Ludwig Van Beethoven: Ich liebe dich. Lotte Lehmann, Ern\u00f6 Balogh [1936, Victor Records, 1995A]. When I have time, I will devote hours and hours to this great, spontaneous, generous artist. Her singing has enhanced my life as have very few others. For now, a photo of Lehmann and Souzay together. They both admired each other enormously, and rightly so, for they were both romanticists, and enormously instinctive interpreters.<\/p>\n\n\n\n<div style=\"height:44px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p> <strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.youtube.com\/watch?v=OrbWxyDBClQ\" target=\"_blank\">G\u00e9rard Souzay speaks.<\/a><\/strong> I have no idea where this clip comes from (the YouTube clip simply says &#8220;Comments to Student 1983&#8221;; more than that, I know not!), but it is worth its weight in gold, I think.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"696\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-1.png\" alt=\"\" class=\"wp-image-14208\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-1.png 535w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-1-231x300.png 231w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><figcaption class=\"wp-element-caption\">Note to self: No fan girl gushing! No fan girl gushing! No fan girl&#8230; Oh, whatEVER!<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:61px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann: Der Sandmann (from the <em>Liederalbum f\u00fcr die Jugend<\/em>, Op. 79),  G\u00e9rard Souzay, Jacqueline Bonneau. Recorded April 1949, Bo\u00eete \u00e0 Musique 70. Its sole CD issue is the Dutton\/Vocalion one cited above. I am charmed and moved by Souzay&#8217;s fine-tuned characterization of the Sandman, who brings sleep to children at bedtime by sprinkling sand into their eyes.<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sandman.jpg\" alt=\"\" class=\"wp-image-2640\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sandman.jpg 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Sandman-168x300.jpg 168w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><figcaption class=\"wp-element-caption\">A rather rakish sandman, indeed! Maybe even a little fey!<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1022\" height=\"1024\" data-id=\"2683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2-1022x1024.jpg\" alt=\"\" class=\"wp-image-2683\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2-1022x1024.jpg 1022w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2-768x770.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Faure-2.jpg 1353w\" sizes=\"auto, (max-width: 1022px) 100vw, 1022px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"2684\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-2684\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2-768x767.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Dichterliebe-2.jpg 1449w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Two of my favorite Souzay album covers, both US issues on Epic Records, early 1960s.<br>The French one formal and <em>\u00e9l\u00e9gant<\/em>, the German one casual and <em>insouciant<\/em>.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:68px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Dalton-and-Gerard-off-the-plane.png\" alt=\"\" class=\"wp-image-14206\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Dalton-and-Gerard-off-the-plane.png 603w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Dalton-and-Gerard-off-the-plane-221x300.png 221w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><figcaption class=\"wp-element-caption\">Longtime partners Baldwin and Souzay<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Schubert: Der Zwerg. followed later on the episode by Ravel&#8217;s Kaddish and Schubert&#8217;s An die Musik. G\u00e9rard Souzay, Dalton Baldwin. Live recordings 25 May 1960, from the Schwetzinger Festspiele. Issued in 2012 on a H\u00e4nssler Classic CD (93.717). These are the most recent recordings I used on this episode. They document Souzay&#8217;s longest-standing partnership, with the American pianist Dalton Baldwin. Certainly the recordings they made together, particularly in the early- to mid-60s, represent an artistic peak for Souzay, when his voice was still functioning quite well and his interpretive abilities had attained even greater heights than previously.<\/p>\n\n\n\n<div style=\"height:76px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud-1024x1024.jpg\" alt=\"\" class=\"wp-image-14207\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-as-Golaud.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"> G\u00e9rard&nbsp;Souzay as Golaud.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claude Debussy: Ils s&#8217;embrassent quelquefois? (<em>Pell\u00e9as et M\u00e9lisande<\/em>). Radio France recording of a live recording from the Th\u00e9\u00e2tre des Champs-Elys\u00e9es. 17 November 1955.   G\u00e9rard Souzay (Golaud); Nicole Robin (Yniold); D\u00e9sir\u00e9-\u00c9mile Inghelbrecht conducting l&#8217;Orchestre National et les Choeurs de la R.T.F. The cast includes Fran\u00e7oise Og\u00e9as (M\u00e9lisande); Jean-Paul Jeannotte (Pell\u00e9as) [previously unknown to me, but superb!]; Roger Gosselin (Arkel); Janine Collard (Genevi\u00e8ve) and Jacques Mars (le Berger; le M\u00e9decin). Inghelbrecht (1880-1965) is an incredibly important conductor, especially <em>vis-\u00e0-vis<\/em> Debussy. He was the chorus master for the first performance of that theatrical hybrid <em>Le Martyre de Saint S\u00e9bastien <\/em> and fortunately left a series of recordings, both radio and studio, of many of Debussy&#8217;s most important works. These include at least three other recordings of <em>Pell\u00e9as <\/em>, two of which feature the superb Belgian soprano Suzanne Danco as M\u00e9lisande (and yes, rest assured that there there will be future podcast episodes on this estimable artist). This is the only of Inghelbrecht&#8217;s traversals in which Souzay&#8217;s Golaud is heard, however.  I remark on the podcast how the tension created in this scene, as well as others, is nearly unbearable. If you click on the link, you will be taken to a page on the <em>Institut national de l&#8217;audiovisuel&nbsp;<\/em>(INA)&#8217;s website where you can listen to the entire work as it was originally broadcast on 24 November 1955. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"641\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Inghelbrecht.jpg\" alt=\"\" class=\"wp-image-2644\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Inghelbrecht.jpg 650w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Inghelbrecht-300x296.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption class=\"wp-element-caption\"> D\u00e9sir\u00e9-\u00c9mile Inghelbrecht, Paris, January 1953.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:53px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I only wish that I had had more time to put a more thorough episode together. There are interviews to be done with persons who knew and worked with Souzay; there are many more recordings to explore, including a few rare ones which I have acquired recently and others which I am still trying to get my hands on. My life in the next several months is insanely busy (especially for a sickly homebody like me!) but I hope to bring you more episodes in the future, perhaps even a series on this singer, who certainly changed my life (I didn&#8217;t even get into my first experiences hearing his voice!) It should be said, in closing, that Souzay was also a gifted painter who pursued a distinctive and pleasant (to me) style. You can <strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.1stdibs.com\/creators\/gerard-souzay\/art\/paintings\/\" target=\"_blank\">view some of his work here<\/a><\/strong>. When &#8220;my ship&#8221; comes in, I would love to have one of these works in my home! (A guy can dream, can&#8217;t he?) Also, <strong><a rel=\"noreferrer noopener\" aria-label=\"here is the link to an important interview he did with Richard Dyer for the New York Times in 1975 (opens in a new tab)\" href=\"https:\/\/www.nytimes.com\/1975\/02\/16\/archives\/gerard-souzay-and-the-sport-of-singing-french-songs.html\" target=\"_blank\">here is the link to an important interview he did with Richard Dyer for the <em>New York Times <\/em>in 1975<\/a><\/strong>, one of the last years in which he was consistently giving vocally viable performances. <strong><a rel=\"noreferrer noopener\" aria-label=\"Also incredibly moving is this tribute to Souzay, written after his death by Donald Collup (opens in a new tab)\" href=\"http:\/\/www.collup.com\/Perfect\/perfect.html\" target=\"_blank\">Also incredibly moving is this tribute to Souzay, written after his death by Donald Collup<\/a><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"768\" data-id=\"2646\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-2.jpg\" alt=\"\" class=\"wp-image-2646\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-2.jpg 570w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-2-223x300.jpg 223w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"768\" data-id=\"2647\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-3.jpg\" alt=\"\" class=\"wp-image-2647\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-3.jpg 613w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-3-239x300.jpg 239w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"768\" data-id=\"2648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-4.jpg\" alt=\"\" class=\"wp-image-2648\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-4.jpg 616w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-4-241x300.jpg 241w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"628\" height=\"768\" data-id=\"2649\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-5.jpg\" alt=\"\" class=\"wp-image-2649\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-5.jpg 628w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-5-245x300.jpg 245w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"1024\" data-id=\"2651\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-826x1024.jpg\" alt=\"\" class=\"wp-image-2651\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-826x1024.jpg 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-242x300.jpg 242w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting-768x952.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Painting.jpg 1210w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Some of Souzay&#8217;s paintings<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"377\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/09\/05b-Maria-2.jpg\" alt=\"\" class=\"wp-image-1045\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/09\/05b-Maria-2.jpg 280w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/09\/05b-Maria-2-223x300.jpg 223w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><figcaption class=\"wp-element-caption\">Maria in Monaco, 1960<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Finally I offer a little <em>Nachschlag <\/em>in this episode: tributes to two of the most significant musicians in my personal experience who each underwent significant life events on 2 December (when this episode was first posted in 2019): In 1923, Maria Callas was born in New York at what was then called the Flower Hospital. In her honor, I offer an excerpt from one of her first recordings, the &#8220;Vien diletto&#8221; from Bellini&#8217;s <em>I Puritani<\/em> recorded in 1949 for Cetra Records with Arturo Basile conducting the Orchestra Sinfonica di Torino della RAI.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>And on 2 December 1950 in Gen\u00e8ve, the great Rumanian pianist Dinu Lipatti lost his mortal struggle against Hodgin&#8217;s disease at the age of only 33 years. I speak a little about my first encouter with his playing at the end of the podcast, and offer a sample from his final recital, recorded on 16 September 1950 in Besan\u00e7on, of the Schubert Impromptu in G\u266d major, D.899, No. 3. For anyone who cares to learn more about Lipatti, please refer to any number of <strong><a aria-label=\"marvelous studies and analyses on The Piano Files (opens in a new tab)\" href=\"https:\/\/www.thepianofiles.com\/?s=lipatti\" target=\"_blank\" rel=\"noreferrer noopener\">marvelous studies and analyses on The Piano Files<\/a><\/strong>, the website of the scholar and collector Mark Ainley, who is one of the foremost Lipatti experts on the planet (if not <em>the<\/em> foremost!)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"356\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-in-Besancon-1024x356.jpg\" alt=\"\" class=\"wp-image-2652\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-in-Besancon-1024x356.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-in-Besancon-300x104.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-in-Besancon-768x267.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-in-Besancon.jpg 1150w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A gravely ill Lipatti captured at his final recital in  Besan\u00e7on, 16 September 1950<\/figcaption><\/figure>\n\n\n\n<div style=\"height:54px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I cannot imagine my life without any of these three artists: Souzay, Callas, or Lipatti. We are blessed that the stars aligned in such a way that they were able to grace us for a short time with their presence.<\/p>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"591\" data-id=\"2655\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Callas-Black-and-White.jpg\" alt=\"\" class=\"wp-image-2655\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Callas-Black-and-White.jpg 448w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Callas-Black-and-White-227x300.jpg 227w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"720\" data-id=\"2657\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-Handsome.jpg\" alt=\"\" class=\"wp-image-2657\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-Handsome.jpg 502w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Lipatti-Handsome-209x300.jpg 209w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"457\" data-id=\"2605\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Drop-Dead-2.jpg\" alt=\"\" class=\"wp-image-2605\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Drop-Dead-2.jpg 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2019\/12\/Souzay-Drop-Dead-2-218x300.jpg 218w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Three of my supreme gods of music, all in one place: this podcast episode!<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"647\" height=\"857\" data-id=\"14215\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-standing-at-water-TRIMMED.png\" alt=\"\" class=\"wp-image-14215\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-standing-at-water-TRIMMED.png 647w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-standing-at-water-TRIMMED-226x300.png 226w\" sizes=\"auto, (max-width: 647px) 100vw, 647px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"868\" data-id=\"14214\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Scarlata-Woods-TRIMMED.png\" alt=\"\" class=\"wp-image-14214\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Scarlata-Woods-TRIMMED.png 570w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Scarlata-Woods-TRIMMED-197x300.png 197w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 253. Randall Scarlata Introduces G\u00e9rard Souzay SOCIAL SHARE SUBSCRIPTION PLATFORM The French baritone G\u00e9rard Souzay was born&nbsp;G\u00e9rard Tisserand&nbsp;on 8&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1076,3132,3273,2261,2399,1074,1072,1659,5806,2260,808,4722,2806],"tags":[26,148,541,296,533,501,540,531,36,549,556,557,538,544,101,534,552,25,555,563,28,561,562,543,87,564,410,551,560,558,545,550,546,536,6043,548,532],"class_list":["post-14101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-crossover","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-great-baritones","category-happy-birthday","category-in-memoriam","category-interview","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-twentieth-century-music","tag-antoine-boesset","tag-arne-dorumsgaard","tag-cesar-franck","tag-charles-gounod","tag-claire-croiza","tag-claude-debussy","tag-colloque-sentimental","tag-dalton-baldwin","tag-daniel-gundlach","tag-der-sandmann","tag-desire-emile-inghelbrecht","tag-dinu-lipatti","tag-fetes-galantes","tag-francis-poulenc","tag-franz-schubert","tag-genevieve-touraine","tag-gerard-philipe","tag-gerard-souzay","tag-golaud","tag-irene-aitoff","tag-bonneau","tag-jacqueline-robin","tag-jacqueline-robin-bonneau","tag-jean-michel-damase","tag-lotte-lehmann","tag-louis-de-fourcaud","tag-maria-callas","tag-maria-casares","tag-maria-cecilia-sophia-anna-kalogeropoulos","tag-mark-ainley","tag-maurice-ravel","tag-paul-verlaine","tag-pelleas-et-melisande","tag-pierre-bernac","tag-randall-scarlata","tag-robert-schumann","tag-vanni-marcoux"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Souzay-Hands-300x158.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antoine Bo\u00ebsset<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arne Dorumsgaard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cesar Franck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claire Croiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Colloque sentimental<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Daniel Gundlach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der Sandmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">D\u00e9sir\u00e9-\u00c9mile Inghelbrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dinu Lipatti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fetes galantes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francis Poulenc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Genevieve Touraine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerard Philipe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerard Souzay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Golaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ir\u00e8ne A\u00eftoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacqueline Bonneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacqueline Robin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacqueline Robin-Bonneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Michel Damase<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis de Fourcaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Callas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Casares<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maria Cecilia Sophia Anna Kalogeropoulos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mark Ainley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Ravel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pelleas et Melisande<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Bernac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Randall Scarlata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vanni-Marcoux<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Antoine Bo\u00ebsset<\/span>","<span class=\"advgb-post-tax-term\">Arne Dorumsgaard<\/span>","<span class=\"advgb-post-tax-term\">Cesar Franck<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Claire Croiza<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Colloque sentimental<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">Daniel Gundlach<\/span>","<span class=\"advgb-post-tax-term\">Der Sandmann<\/span>","<span class=\"advgb-post-tax-term\">D\u00e9sir\u00e9-\u00c9mile Inghelbrecht<\/span>","<span class=\"advgb-post-tax-term\">Dinu Lipatti<\/span>","<span class=\"advgb-post-tax-term\">Fetes galantes<\/span>","<span class=\"advgb-post-tax-term\">Francis Poulenc<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Genevieve Touraine<\/span>","<span class=\"advgb-post-tax-term\">Gerard Philipe<\/span>","<span class=\"advgb-post-tax-term\">Gerard Souzay<\/span>","<span class=\"advgb-post-tax-term\">Golaud<\/span>","<span class=\"advgb-post-tax-term\">Ir\u00e8ne A\u00eftoff<\/span>","<span class=\"advgb-post-tax-term\">Jacqueline Bonneau<\/span>","<span class=\"advgb-post-tax-term\">Jacqueline Robin<\/span>","<span class=\"advgb-post-tax-term\">Jacqueline Robin-Bonneau<\/span>","<span class=\"advgb-post-tax-term\">Jean-Michel Damase<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Louis de Fourcaud<\/span>","<span class=\"advgb-post-tax-term\">Maria Callas<\/span>","<span class=\"advgb-post-tax-term\">Maria Casares<\/span>","<span class=\"advgb-post-tax-term\">Maria Cecilia Sophia Anna Kalogeropoulos<\/span>","<span class=\"advgb-post-tax-term\">Mark Ainley<\/span>","<span class=\"advgb-post-tax-term\">Maurice Ravel<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Pelleas et Melisande<\/span>","<span class=\"advgb-post-tax-term\">Pierre Bernac<\/span>","<span class=\"advgb-post-tax-term\">Randall Scarlata<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Vanni-Marcoux<\/span>"]}},"comment_count":"4","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 25\/03\/2024","modified":"Updated on 25\/03\/2024"},"absolute_dates_time":{"created":"Posted on 25\/03\/2024 06:52","modified":"Updated on 25\/03\/2024 09:38"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=14101"}],"version-history":[{"count":10,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14101\/revisions"}],"predecessor-version":[{"id":14217,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/14101\/revisions\/14217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/14202"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=14101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=14101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=14101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}