{"id":14088,"date":"2024-03-11T19:05:28","date_gmt":"2024-03-11T18:05:28","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14088"},"modified":"2024-03-11T19:05:29","modified_gmt":"2024-03-11T18:05:29","slug":"episode-249-gavin-carr-introduces-heinrich-rehkemper","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/03\/11\/episode-249-gavin-carr-introduces-heinrich-rehkemper\/","title":{"rendered":"Episode 249. Gavin Carr Introduces Heinrich Rehkemper"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 349.  Gavin Carr Introduces Heinrich Rehkemper<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1051-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links 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c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" 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0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1080\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-chin-in-hand.png\" alt=\"\" class=\"wp-image-14114\" style=\"width:573px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-chin-in-hand.png 798w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-chin-in-hand-222x300.png 222w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-chin-in-hand-757x1024.png 757w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-chin-in-hand-768x1039.png 768w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This month\u2019s series of Listeners\u2019 Favorites continues with the baritone Heinrich Rehkemper (1894-1949), presented to you today by my dear friend, the esteemed conductor Gavin Carr, who is the very person that first introduced him to me many years ago now. Rehkemper is one of a number of exceptional German baritones of that era who represent a very different kind of singing than we are accustomed to today: full-throated voices with an even scale from top to bottom managed with no technical gimmickry or phoniness. Rehkemper brought these traits to whatever music he was singing, whether opera, oratorio, or <em>Lied<\/em>. He left a small but important cache of discs, including many <em>Lieder<\/em> recordings, particularly of Franz Schubert. He also made the first complete recording in 1928 of Gustav Mahler\u2019s <em>Kindertotenlieder<\/em> under the baton of none other than the great Mahler conductor Jascha Horenstein. I place Rehkemper in the context of the other significant German baritones of his era, Heinrich Schlusnus, Willi Domgraf-Fassbaender, Karl Schmitt-Walter, and Gerhard H\u00fcsch, playing examples of each singing the aria of Di Luna from Verdi\u2019s <em>Der Troubadour<\/em>, each sung in German translation. But it is first and foremost the unique legacy of Rehkemper\u2019s art song recordings that concerns me here, and I discuss what makes his work so important, and what today\u2019s singers can learn through close study of his recordings. My dear friends, just because the name of today\u2019s baritone might not be familiar to you, Gavin and I both implore you not to hesitate in partaking of the vocal and musical riches to be discovered in this episode!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Gavin-Carr-1024x685.jpg\" alt=\"\" class=\"wp-image-14110\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Gavin-Carr-1024x685.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Gavin-Carr-300x201.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Gavin-Carr-768x514.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Gavin-Carr.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Gavin Carr<\/figcaption><\/figure>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel: For behold, darkness shall cover the earth (Messiah). Gavin Carr, William Boughton, English Symphony Orchestra [2003]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"736\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Paul-Carr-1024x736.jpg\" alt=\"\" class=\"wp-image-14117\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Paul-Carr-1024x736.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Paul-Carr-300x216.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Paul-Carr-768x552.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Paul-Carr.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Paul Carr<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Paul Carr: Father, into Thy hands I commend my spirit (<em>Seven Last Words from the Cross<\/em>). Gavin Carr, Chorus Angelorum, Bath Philharmonia [2013]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"444\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot.png\" alt=\"\" class=\"wp-image-8010\" style=\"width:548px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot.png 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Another-HR-Headshot-224x300.png 224w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Friedrich R\u00fcckert: Sei mir gegr\u00fc\u00dft, D.741. Henrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"849\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo.jpg\" alt=\"\" class=\"wp-image-8011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo.jpg 580w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Escamillo-205x300.jpg 205w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure>\n<\/div>\n\n\n<p>Gioacchino Rossini, Cesare Sterbini: Ich bin das Faktotum [Largo al factotum] (<em>Der Barbier von Sevilla<\/em>). Henrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-1936-683x1024.png\" alt=\"\" class=\"wp-image-14113\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-1936-683x1024.png 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-1936-200x300.png 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-1936.png 720w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Will der Herr Graf [Se vuol ballare] (<em>Figaros Hochzeit<\/em>). Heinrich Rehkemper, Julius Pr\u00fcwer, Orchester der Staatsoper Berlin [1929]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"327\" height=\"463\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot.png\" alt=\"\" class=\"wp-image-8012\" style=\"width:515px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot.png 327w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-LV-headshot-212x300.png 212w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Papagena! Papagena! (<em>Die Zaberfl\u00f6te<\/em>). Heinrich Rehkemper, Manfred Gurlitt, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"333\" height=\"538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni.png\" alt=\"\" class=\"wp-image-8013\" style=\"width:533px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni.png 333w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Giovanni-186x300.png 186w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Horch auf der Klang der Zither [Deh, vieni alla finestra] (<em>Don Juan<\/em>). Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"351\" height=\"514\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan.jpg\" alt=\"\" class=\"wp-image-8014\" style=\"width:523px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan.jpg 351w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Jokanaan-205x300.jpg 205w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><figcaption class=\"wp-element-caption\">As Jochanaan.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Wagner: Des eignes s\u00fcndigen Blutes Gewell (<em>Parsifal<\/em>). Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"552\" height=\"511\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED.jpg\" alt=\"\" class=\"wp-image-8015\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED.jpg 552w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Nevers-in-Die-Huguenotten-TRIMMED-300x278.jpg 300w\" sizes=\"auto, (max-width: 552px) 100vw, 552px\" \/><figcaption class=\"wp-element-caption\">As Nevers in <em>Die Huguenotten<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Salvatore Cammarano: Ihres Auges himmlisch Strahlen [Il balen del suo sorriso] (<em>Der Troubadour<\/em>). Five versions: (a) Heinrich Rehkemper [1923]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot.jpg\" alt=\"\" class=\"wp-image-8016\" style=\"width:495px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot.jpg 405w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Schlusnus-Full-Torso-Shot-219x300.jpg 219w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure>\n<\/div>\n\n\n<p>Heinrich Schlusnus, Julius Pr\u00fcwer, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"610\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy.png\" alt=\"\" class=\"wp-image-8017\" style=\"width:484px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy.png 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/WDF-and-Canine-Buddy-197x300.png 197w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p>Willi Domgraf-Fassbaender, Fritz Zweig, Berliner Funk-Orchester [1931]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"346\" height=\"511\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna.png\" alt=\"\" class=\"wp-image-8018\" style=\"width:498px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna.png 346w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/KSW-Di-Luna-203x300.png 203w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><figcaption class=\"wp-element-caption\">Karl Schmitt-Walter as the Count di Luna.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Karl Schmitt-Walter, Artur Rother, Orchester der Staatsoper Berlin [1942]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"373\" height=\"518\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch.png\" alt=\"\" class=\"wp-image-8019\" style=\"width:521px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch.png 373w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gerhard-Huesch-216x300.png 216w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure>\n<\/div>\n\n\n<p>Gerhard H\u00fcsch, Staatskapelle Berlin [1935]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"353\" height=\"556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling.png\" alt=\"\" class=\"wp-image-8020\" style=\"width:503px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling.png 353w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Hans-Heiling-190x300.png 190w\" sizes=\"auto, (max-width: 353px) 100vw, 353px\" \/><\/figure>\n<\/div>\n\n\n<p>Felix Mendelssohn: Es ist genug! (<em>Elias<\/em>). Heinrich Rehkemper, Manfred Gurlitt, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"526\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein.jpg\" alt=\"\" class=\"wp-image-8021\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Horenstein-300x263.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Gustav Mahler, Friedrich R\u00fcckert: Nun seh\u2019 ich wohl; Wenn dein M\u00fctterlein (<em>Kindertotenlieder<\/em>). Heinrich Rehkemper, Jascha Horenstein, Orchester der Staatsoper Berlin [1928]<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten.jpg\" alt=\"\" class=\"wp-image-8032\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Kindertoten-300x286.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"424\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot.png\" alt=\"\" class=\"wp-image-8022\" style=\"width:560px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot.png 424w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-BW-headshot-221x300.png 221w\" sizes=\"auto, (max-width: 424px) 100vw, 424px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Georg Jacobi: Lied des Orpheus, als er in die H\u00f6lle ging, D.474. Heinrich Rehkemper. Waldemar Liachowsky [1925]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"518\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2.png\" alt=\"\" class=\"wp-image-8034\" style=\"width:632px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2.png 466w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gurlitt-2-270x300.png 270w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><figcaption class=\"wp-element-caption\">Manfred Gurlitt (1890 &#8211; 1972)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schubert, Franz von Schober: Am Bach im Fr\u00fchling, D361. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<p>A fascinating article on Manfred Gurlitt, his complicated history and his thwarted legacy can be found at <a rel=\"noreferrer noopener\" href=\"https:\/\/forbiddenmusic.org\/2013\/08\/06\/manfred-gurlitt\/\" target=\"_blank\">https:\/\/forbiddenmusic.org\/2013\/08\/06\/manfred-gurlitt.<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"312\" height=\"422\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat.jpg\" alt=\"\" class=\"wp-image-8024\" style=\"width:558px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat.jpg 312w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Studio-Portrait-in-Fur-Coat-222x300.jpg 222w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Eifersucht und Stolz (<em>Die sch\u00f6ne M\u00fcllerin<\/em>), D.795\/15. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-778x1024.jpg\" alt=\"\" class=\"wp-image-8027\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-778x1024.jpg 778w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-228x300.jpg 228w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-768x1011.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen-1166x1536.jpg 1166w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Raucheisen.jpg 1555w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><figcaption class=\"wp-element-caption\">Michael Raucheisen<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf: Zwei <em>M\u00f6rike-Lieder<\/em>: Auftrag; Der Feuerreiter. Heinrich Rehkemper, Michael Raucheisen [1929]<\/p>\n\n\n\n<p>Franz Schubert, Heinrich Heine: Der Doppelg\u00e4nger, D.957\/13. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht.jpg\" alt=\"\" class=\"wp-image-8028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Gute-Nacht-150x150.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Three Songs from <em>Winterreise<\/em>, D.911. Heinrich Rehkemper: I. Gute Nacht [with Manfred Gurlitt, 1928]; V. Der Lindenbaum [with Waldemar Liachowsky, 1926]; XXIV. Der Leiermann [with Manfred Gurlitt, 1928]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann.jpg\" alt=\"\" class=\"wp-image-8031\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann.jpg 450w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Leiermann-150x150.jpg 150w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"202\" height=\"324\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius.jpg\" alt=\"\" class=\"wp-image-8029\" style=\"width:577px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius.jpg 202w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-as-Athanasius-187x300.jpg 187w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Nikolaus Lenau: Meine Rose, Op. 90\/2. Heinrich Rehkemper [1924]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"285\" height=\"445\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale.jpg\" alt=\"\" class=\"wp-image-8030\" style=\"width:627px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale.jpg 285w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-in-Don-Pasquale-192x300.jpg 192w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Friedrich Klopstock: Das Rosenband, D.280. Heinrich Rehkemper, Manfred Gurlitt [1928]<\/p>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face.jpg\" alt=\"\" class=\"wp-image-8036\" style=\"width:639px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face.jpg 355w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Fingers-on-Face-192x300.jpg 192w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"572\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala.jpg\" alt=\"\" class=\"wp-image-8035\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala.jpg 567w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala-297x300.jpg 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/08\/Rehkemper-Everest-Scala-150x150.jpg 150w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 349. Gavin Carr Introduces Heinrich Rehkemper SOCIAL SHARE SUBSCRIPTION PLATFORM This month\u2019s series of Listeners\u2019 Favorites continues with the&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,3132,2261,2398,2399,2314,5806,2260,808,2329,5138],"tags":[653,1644,101,1231,3131,6040,280,3128,114,207,1297,1197,100,3125,2304,3130,3127,1174,3624,3124,3129,6045,548,3123,862,3126,5403,34],"class_list":["post-14088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-franz-schubert","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-gustav-mahler","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-wolfgang-amadeus-mozart","tag-eduard-morike","tag-felix-mendelssohn","tag-franz-schubert","tag-friedrich-ruckert","tag-fritz-zweig","tag-gavin-carr","tag-george-frideric-handel","tag-gerhard-husch","tag-gioacchino-rossini","tag-giuseppe-verdi","tag-gustav-mahler","tag-heinrich-heine","tag-heinrich-rehkemper","tag-heinrich-schlusnus","tag-jascha-horenstein","tag-julius-pruwer","tag-karl-schmitt-walter","tag-manfred-gurlitt","tag-messiah-handel","tag-michael-raucheisen","tag-opera-in-translation","tag-paul-carr","tag-robert-schumann","tag-waldemar-liachowsky","tag-wilhelm-muller","tag-willi-domgraf-fassbaender","tag-william-boughton","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/03\/Rehkemper-Hand-on-Hip-TRIMMED-300x201.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/gustav-mahler\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Felix Mendelssohn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz Zweig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gavin Carr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerhard H\u00fcsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gioacchino Rossini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gustav Mahler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Heine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Rehkemper<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinrich Schlusnus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jascha Horenstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Pr\u00fcwer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Schmitt-Walter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Manfred Gurlitt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Messiah (Handel)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michael Raucheisen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Paul Carr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Waldemar Liachowsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Boughton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Felix Mendelssohn<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Friedrich R\u00fcckert<\/span>","<span class=\"advgb-post-tax-term\">Fritz Zweig<\/span>","<span class=\"advgb-post-tax-term\">Gavin Carr<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gerhard H\u00fcsch<\/span>","<span class=\"advgb-post-tax-term\">Gioacchino Rossini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustav Mahler<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Heine<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Rehkemper<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Schlusnus<\/span>","<span class=\"advgb-post-tax-term\">Jascha Horenstein<\/span>","<span class=\"advgb-post-tax-term\">Julius Pr\u00fcwer<\/span>","<span class=\"advgb-post-tax-term\">Karl Schmitt-Walter<\/span>","<span class=\"advgb-post-tax-term\">Manfred Gurlitt<\/span>","<span class=\"advgb-post-tax-term\">Messiah (Handel)<\/span>","<span class=\"advgb-post-tax-term\">Michael Raucheisen<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Paul Carr<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Waldemar Liachowsky<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>","<span class=\"advgb-post-tax-term\">Willi Domgraf-Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">William Boughton<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 11\/03\/2024","modified":"Updated on 11\/03\/2024"},"absolute_dates_time":{"created":"Posted on 11\/03\/2024 19:05","modified":"Updated on 11\/03\/2024 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