{"id":14005,"date":"2024-05-17T11:27:28","date_gmt":"2024-05-17T09:27:28","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=14005"},"modified":"2024-05-17T11:27:30","modified_gmt":"2024-05-17T09:27:30","slug":"episode-262-sylvia-sass-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/05\/17\/episode-262-sylvia-sass-revisited\/","title":{"rendered":"Episode 262. Sylvia Sass Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 262.  Sylvia Sass Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1141-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14005&#038;title=Episode%20262.%20Sylvia%20Sass%20Revisited\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14005&#038;link=Episode%20262.%20Sylvia%20Sass%20Revisited\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14005&#038;description=Episode%20262.%20Sylvia%20Sass%20Revisited\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D14005&#038;subject=Episode%20262.%20Sylvia%20Sass%20Revisited\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"869\" height=\"873\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Older.png\" alt=\"\" class=\"wp-image-14480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Older.png 869w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Older-300x300.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Older-150x150.png 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Older-768x772.png 768w\" sizes=\"auto, (max-width: 869px) 100vw, 869px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Several summers ago I published my first episode celebrating the artistry of Sylvia Sass which primarily featured her 1984 album of pop songs sung in Hungarian. At the time I called it, without any irony, the finest crossover album of the 1980s and one of the best of all time. Sass is an artist who continues to engage discourse. Many of the opinions, theories, and input encountered therein are predicated on dissecting the reasons for her short international career. My objective with today\u2019s episode, however, is simply to celebrate Sass\u2019s singing in all its glory, extending from the standard Italian operatic repertoire with which she is most associated through the thorniest contemporary idioms to the subtlest art song to the most refined Mozart singing, with, once again, a nod to the pop material which initially drew me to her. I always say that I believe in giving flowers to our favorite artists when they are still around to receive them, and today\u2019s bouquet is a stunning display full of color and variety humbly presented to one of my favorite divas.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"871\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-with-Eye-Makeup.png\" alt=\"\" class=\"wp-image-14481\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-with-Eye-Makeup.png 601w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-with-Eye-Makeup-207x300.png 207w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Adalbert von Chamisso: Seit ich ihn gesehen (<em>Frauenliebe und -leben<\/em>, Op. 42\/1). Andr\u00e1s Schiff [live Budapest 15.VI.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"624\" height=\"868\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Fiordiligili-Sass.png\" alt=\"\" class=\"wp-image-14509\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Fiordiligili-Sass.png 624w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Fiordiligili-Sass-216x300.png 216w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><figcaption class=\"wp-element-caption\">Sylvia Sass as Fiordiligi [Hamburg 1975]<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Come scoglio (<em>Cos\u00ec fan tutte<\/em>). Aldo Ceccato, Philharmonische Staatsorchester Hamburg [live 1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"877\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Nezz-korul-Cassette.png\" alt=\"\" class=\"wp-image-14483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Nezz-korul-Cassette.png 556w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Nezz-korul-Cassette-190x300.png 190w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure>\n<\/div>\n\n\n<p>Giorgio Moroder, Keith Forsey, Irene Cara, Iv\u00e1n Brad\u00e1nyi: Ez a m\u00e1mor [Flashdance]. Arranged and conducted by P\u00e9ter Wolf\u00a0 [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"881\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Young-Sylvia-Snapshot.png\" alt=\"\" class=\"wp-image-14484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Young-Sylvia-Snapshot.png 632w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Young-Sylvia-Snapshot-215x300.png 215w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Alfred Maria Willner, Heinz Reichert]: Ore dolce e divine (<em>La rondine<\/em>). Andrea Martin, Patrizia Dordi, Rosanna Didon\u00e8, Cristina Brancato, Gianluigi Gelmetti, Orchestra del Teatro la Fenice [live 15.V.83]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"897\" height=\"864\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Casual-Sass.png\" alt=\"\" class=\"wp-image-14485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Casual-Sass.png 897w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Casual-Sass-300x289.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Casual-Sass-768x740.png 768w\" sizes=\"auto, (max-width: 897px) 100vw, 897px\" \/><\/figure>\n<\/div>\n\n\n<p>Zsolt Durk\u00f3: The Scene of the Mother and Moses (<em>M\u00f3zes<\/em>). Ferenc Sz\u0151nyi, Andr\u00e1s K\u00f3rodi, Hungarian State Opera Orchestra [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"604\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-with-pearls.jpg\" alt=\"\" class=\"wp-image-14486\" style=\"width:576px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-with-pearls.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-with-pearls-248x300.jpg 248w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Ferenc Erkel, B\u00e9ni Egressy [n\u00e9 Benj\u00e1min Galambos]: Sz\u00e9p rem\u00e9nysug\u00e1r (<em>Hunyadi L\u00e1szl\u00f3<\/em>). J\u00e1nos Kov\u00e1cs, Hungarian State Opera Orchestra [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"879\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Neil-Shicoff-Sass-Romeo.png\" alt=\"\" class=\"wp-image-14510\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Neil-Shicoff-Sass-Romeo.png 496w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Neil-Shicoff-Sass-Romeo-169x300.png 169w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><figcaption class=\"wp-element-caption\">With Neil Shicoff, Paris Opera 1982<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Jules Barbier, Michel Carr\u00e9 [after William Shakespeare]: Un seul mot, puis adieu&#8230; Ah, ne fuis pas encore (<em>Rom\u00e9o et Juliette<\/em>). Neil Shicoff, Alain Lombard, Orchestre de l\u2019Op\u00e9ra National de Paris [live Paris 04.X.82]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"611\" height=\"883\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Juliette.png\" alt=\"\" class=\"wp-image-14487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Juliette.png 611w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Juliette-208x300.png 208w\" sizes=\"auto, (max-width: 611px) 100vw, 611px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"663\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-AlbumCover-1981-1024x663.png\" alt=\"\" class=\"wp-image-14488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-AlbumCover-1981-1024x663.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-AlbumCover-1981-300x194.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-AlbumCover-1981-768x498.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-AlbumCover-1981.png 1352w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Salvadore Cammarano (after Walter Scott): Spargi d\u2019amaro pianto (<em>Lucia di Lammermoor<\/em>). Ervin Luk\u00e1cs, Hungarian State Opera Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"871\" height=\"880\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Blonde-Giselda.png\" alt=\"\" class=\"wp-image-14511\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Blonde-Giselda.png 871w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Blonde-Giselda-297x300.png 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Blonde-Giselda-768x776.png 768w\" sizes=\"auto, (max-width: 871px) 100vw, 871px\" \/><figcaption class=\"wp-element-caption\">As Giselda in <em>I Lombardi<\/em>, Covent Garden 1976<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Temistocle Solera [after Tommaso Grossi]: O madre dal cielo&#8230; Se vano \u00e8 il pregare&#8230; No, Dio non vuole (<em>I Lombardi alla Prima Crociata<\/em>). Jos\u00e9 Carreras, Nicola Ghiuselev, Lamberto Gardelli, Orchestra and Chorus of the Royal Opera House, Covent Garden [live 09.VI.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Italia.jpg\" alt=\"\" class=\"wp-image-14489\" style=\"width:640px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Italia.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Italia-300x200.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-1024x690.png\" alt=\"\" class=\"wp-image-14490\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-1024x690.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-300x202.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-768x517.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-1536x1035.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta-1600x1078.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-as-Violetta.png 1603w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas fils]: Follie! Follie!&#8230; Sempre libera (<em>La traviata<\/em>). Ryszard Karczykowski, Michel Plasson, Orchestre de Capitole du Toulouse [live Aix-en-Provence 22.VII.76]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"842\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-as-Violetta-842x1024.png\" alt=\"\" class=\"wp-image-14491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-as-Violetta-842x1024.png 842w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-as-Violetta-247x300.png 247w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-as-Violetta-768x934.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-as-Violetta.png 888w\" sizes=\"auto, (max-width: 842px) 100vw, 842px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"701\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-701x1024.jpg\" alt=\"\" class=\"wp-image-14492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-701x1024.jpg 701w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-205x300.jpg 205w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-768x1121.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-1052x1536.jpg 1052w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth.jpg 1091w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave, Andrea Maffei: Una macchia \u00e8 qui tuttora [Gran scena del sonnambulismo] (<em>Macbeth<\/em>). Giovanni Foiani, Maria Grazia Piolatto, Fernando Previtali, Orchestra del Teatro Regio di Torino [live 24.XI.77]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"879\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth.png\" alt=\"\" class=\"wp-image-14512\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth.png 690w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-235x300.png 235w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"766\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-1024x766.jpg\" alt=\"\" class=\"wp-image-14493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-1024x766.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-300x224.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-768x574.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-1536x1148.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting-1600x1196.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Lady-Macbeth-Painting.jpg 1720w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Sylvia Sass&#8217;s painting entitled <em>Lady Macbeth<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"879\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Tosca.png\" alt=\"\" class=\"wp-image-14494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Tosca.png 629w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Tosca-215x300.png 215w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Victorien Sardou]: Vissi d\u2019arte (<em>Tosca<\/em>). Sylvia Sass, Orchestra conducted by Richard Woitach [live New York 17.III.77]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"858\" height=\"872\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Daisy.png\" alt=\"\" class=\"wp-image-14495\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Daisy.png 858w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Daisy-295x300.png 295w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Daisy-768x781.png 768w\" sizes=\"auto, (max-width: 858px) 100vw, 858px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich [Imre] K\u00e1lm\u00e1n, Julius Brammer, Alfred Gr\u00fcnwald: Heia, in den Bergen&#8230; Wo wohnt die Liebe (<em>Gr\u00e4fin Mariza<\/em>) [sung in Hungarian]. Andr\u00e1s Sebesty\u00e9n, Budapest Symphony Orchestra, Hungarian Radio and Television Chorus [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Jewlery.jpg\" alt=\"\" class=\"wp-image-14496\" style=\"width:580px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Jewlery.jpg 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Jewlery-163x300.jpg 163w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n<\/div>\n\n\n<p>B\u00e9la Bart\u00f3k, Endre Ady: Nem mehetek hozz\u00e1d [I Cannot Come to You] (<em>Five Songs<\/em>, Op. 16\/5). Sylvia Sass, Andr\u00e1s Schiff [live Budapest 15.VI.76]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"880\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Curly-Wig.png\" alt=\"\" class=\"wp-image-14499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Curly-Wig.png 706w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Curly-Wig-241x300.png 241w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><\/figure>\n<\/div>\n\n\n<p>Ludwig van Beethoven, unknown librettist: Ah! perfido, Op. 65. Sylvia Sass, Lili \u00c1ldor, Ferenc Erkel Chamber Orchestra [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"703\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar-1024x703.png\" alt=\"\" class=\"wp-image-14498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar-1024x703.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar-768x527.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar-1536x1054.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-with-Guitar.png 1574w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Andrew Lloyd Webber, Tim Rice, Tibor Mikl\u00f3s (Hungarian words): Nem tudom, hogyan szeressem [I Don\u2019t Know How to Love Him] (<em>Jesus Christ Superstar<\/em>). Arranged and conducted by P\u00e9ter Wolf [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"737\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Older-Sass-Screensht-1024x737.png\" alt=\"\" class=\"wp-image-14497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Older-Sass-Screensht-1024x737.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Older-Sass-Screensht-300x216.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Older-Sass-Screensht-768x552.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Older-Sass-Screensht.png 1211w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Joseph von Eichendorff: Im Abendrot (<em>Vier letzte Lieder<\/em>, AV 150\/4). unknown orchestra and conductor [live Budapest 08.XI.82]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"687\" data-id=\"14506\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-1024x687.png\" alt=\"\" class=\"wp-image-14506\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-1024x687.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-768x516.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-1536x1031.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous-1600x1074.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Older-Gorgeous.png 1609w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"1024\" data-id=\"14504\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait-664x1024.jpg\" alt=\"\" class=\"wp-image-14504\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait-664x1024.jpg 664w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait-194x300.jpg 194w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait-768x1185.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait-995x1536.jpg 995w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Portrait.jpg 1327w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1012\" height=\"1024\" data-id=\"14505\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-1012x1024.jpg\" alt=\"\" class=\"wp-image-14505\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-1012x1024.jpg 1012w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-296x300.jpg 296w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-768x777.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-1517x1536.jpg 1517w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait-1600x1620.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sylvia-Sass-Self-Portrait.jpg 2023w\" sizes=\"auto, (max-width: 1012px) 100vw, 1012px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Episode 262. Sylvia Sass Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM Several summers ago I published my first episode celebrating the artistry&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3207,1701,2109,1076,5823,3273,2476,2398,5137,2260,808,2329,1470,4722,2755,2257,1903,2806,4980,427,5138],"tags":[3563,2300,6145,5548,4860,5279,6136,1185,1912,4547,6138,1880,1904,6131,296,44,6141,1452,6122,1922,6130,6135,2896,4535,3564,376,94,2531,6142,6123,4610,207,4673,6137,6132,6127,6144,1919,6133,1914,1509,3335,4020,2031,6143,1500,1066,1067,6121,870,1685,328,4619,6124,4021,1083,6129,6128,6139,1924,329,3619,548,316,6140,6125,4850,1857,4536,1881,6126,453,700,1233,2600,34,6134],"class_list":["post-14005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-behind-the-iron-curtain","category-bel-canto","category-broadway-and-musicals","category-crossover","category-forgotten-divas","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-great-tenors","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-orchestral-songs","category-pop-icons","category-richard-strauss","category-sylvia-sass","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","category-wolfgang-amadeus-mozart","tag-adalbert-von-chamisso","tag-alain-lombard","tag-aldo-ceccato","tag-alexandre-dumas-fils","tag-alfred-grunwald","tag-alfred-maria-willner","tag-andras-korodi","tag-andras-schiff","tag-andras-sebestyen","tag-andrea-maffei","tag-andrea-martin","tag-andrew-lloyd-webber","tag-bela-bartok","tag-beni-egressy","tag-charles-gounod","tag-cosi-fan-tutte","tag-cristina-brancato","tag-emmerich-kalman","tag-endre-ady","tag-ervin-lukacs","tag-ferenc-erkel","tag-ferenc-szonyi","tag-fernando-previtali","tag-francesco-maria-piave","tag-frauenliebe-und-leben","tag-gaetano-donizetti","tag-giacomo-puccini","tag-gianluigi-gelmetti","tag-giorgio-moroder","tag-giovanni-foiani","tag-giuseppe-adami","tag-giuseppe-verdi","tag-grafin-mariza","tag-heinz-reichert","tag-hunyadi-laszlo","tag-i-lombardi-alla-prima-crociata","tag-irene-cara","tag-ivan-bradanyi","tag-janos-kovacs","tag-jesus-christ-superstar","tag-jose-carreras","tag-joseph-von-eichendorff","tag-jules-barbier","tag-julius-brammer","tag-keith-forsey","tag-la-rondine","tag-la-traviata","tag-lamberto-gardelli","tag-lili-aldor","tag-lorenzo-da-ponte","tag-lucia-di-lammermoor","tag-ludwig-van-beethoven","tag-macbeth","tag-maria-grazia-piolatto","tag-michel-carre","tag-michel-plasson","tag-neil-shicoff","tag-nicola-ghiuselev","tag-patrizia-dordi","tag-peter-wolf","tag-richard-strauss","tag-richard-woitach","tag-robert-schumann","tag-romeo-et-juliette","tag-rosanna-didone","tag-ryszard-karczykowski","tag-salvadore-cammarano","tag-sylvia-sass","tag-temistocle-solera","tag-tim-rice","tag-tommaso-grossi","tag-tosca","tag-vier-letzte-lieder","tag-walter-scott","tag-william-shakespeare","tag-wolfgang-amadeus-mozart","tag-zsolt-durko"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/05\/Sass-Woman-in-Love-TRIMMED-300x196.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/sylvia-sass\/\" class=\"advgb-post-tax-term\">Sylvia Sass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Sylvia Sass<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Adalbert von Chamisso<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alain Lombard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Aldo Ceccato<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfred Maria Willner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e1s K\u00f3rodi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e1s Schiff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andr\u00e1s Sebesty\u00e9n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Maffei<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrea Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Andrew Lloyd Webber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">B\u00e9la Bart\u00f3k<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">B\u00e9ni Egressy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cristina Brancato<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Endre Ady<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ervin Luk\u00e1cs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferenc Erkel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferenc Sz\u0151nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fernando Previtali<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giorgio Moroder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giovanni Foiani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Heinz Reichert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hunyadi L\u00e1szl\u00f3<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">I Lombardi alla Prima Crociata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Irene Cara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Iv\u00e1n Brad\u00e1nyi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">J\u00e1nos Kov\u00e1cs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jesus Christ Superstar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Brammer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Keith Forsey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La rondine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lamberto Gardelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lili \u00c1ldor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Macbeth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maria Grazia Piolatto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Michel Plasson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Neil Shicoff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicola Ghiuselev<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Patrizia Dordi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">P\u00e9ter Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Woitach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Rosanna Didon\u00e8<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ryszard Karczykowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Sylvia Sass<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Temistocle Solera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tim Rice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tommaso Grossi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Tosca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Vier letzte Lieder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Walter Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zsolt Durk\u00f3<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adalbert von Chamisso<\/span>","<span class=\"advgb-post-tax-term\">Alain Lombard<\/span>","<span class=\"advgb-post-tax-term\">Aldo Ceccato<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas fils<\/span>","<span class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/span>","<span class=\"advgb-post-tax-term\">Alfred Maria Willner<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e1s K\u00f3rodi<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e1s Schiff<\/span>","<span class=\"advgb-post-tax-term\">Andr\u00e1s Sebesty\u00e9n<\/span>","<span class=\"advgb-post-tax-term\">Andrea Maffei<\/span>","<span class=\"advgb-post-tax-term\">Andrea Martin<\/span>","<span class=\"advgb-post-tax-term\">Andrew Lloyd Webber<\/span>","<span class=\"advgb-post-tax-term\">B\u00e9la Bart\u00f3k<\/span>","<span class=\"advgb-post-tax-term\">B\u00e9ni Egressy<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Cristina Brancato<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Endre Ady<\/span>","<span class=\"advgb-post-tax-term\">Ervin Luk\u00e1cs<\/span>","<span class=\"advgb-post-tax-term\">Ferenc Erkel<\/span>","<span class=\"advgb-post-tax-term\">Ferenc Sz\u0151nyi<\/span>","<span class=\"advgb-post-tax-term\">Fernando Previtali<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Frauenliebe und -leben<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/span>","<span class=\"advgb-post-tax-term\">Giorgio Moroder<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Foiani<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/span>","<span class=\"advgb-post-tax-term\">Heinz Reichert<\/span>","<span class=\"advgb-post-tax-term\">Hunyadi L\u00e1szl\u00f3<\/span>","<span class=\"advgb-post-tax-term\">I Lombardi alla Prima Crociata<\/span>","<span class=\"advgb-post-tax-term\">Irene Cara<\/span>","<span class=\"advgb-post-tax-term\">Iv\u00e1n Brad\u00e1nyi<\/span>","<span class=\"advgb-post-tax-term\">J\u00e1nos Kov\u00e1cs<\/span>","<span class=\"advgb-post-tax-term\">Jesus Christ Superstar<\/span>","<span class=\"advgb-post-tax-term\">Jos\u00e9 Carreras<\/span>","<span class=\"advgb-post-tax-term\">Joseph von Eichendorff<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Julius Brammer<\/span>","<span class=\"advgb-post-tax-term\">Keith Forsey<\/span>","<span class=\"advgb-post-tax-term\">La rondine<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Lamberto Gardelli<\/span>","<span class=\"advgb-post-tax-term\">Lili \u00c1ldor<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Macbeth<\/span>","<span class=\"advgb-post-tax-term\">Maria Grazia Piolatto<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Michel Plasson<\/span>","<span class=\"advgb-post-tax-term\">Neil Shicoff<\/span>","<span class=\"advgb-post-tax-term\">Nicola Ghiuselev<\/span>","<span class=\"advgb-post-tax-term\">Patrizia Dordi<\/span>","<span class=\"advgb-post-tax-term\">P\u00e9ter Wolf<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Woitach<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/span>","<span class=\"advgb-post-tax-term\">Rosanna Didon\u00e8<\/span>","<span class=\"advgb-post-tax-term\">Ryszard Karczykowski<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Sylvia Sass<\/span>","<span class=\"advgb-post-tax-term\">Temistocle Solera<\/span>","<span class=\"advgb-post-tax-term\">Tim Rice<\/span>","<span class=\"advgb-post-tax-term\">Tommaso Grossi<\/span>","<span class=\"advgb-post-tax-term\">Tosca<\/span>","<span class=\"advgb-post-tax-term\">Vier letzte Lieder<\/span>","<span class=\"advgb-post-tax-term\">Walter Scott<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zsolt Durk\u00f3<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 17\/05\/2024","modified":"Updated on 17\/05\/2024"},"absolute_dates_time":{"created":"Posted on 17\/05\/2024 11:27","modified":"Updated on 17\/05\/2024 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