{"id":13881,"date":"2024-04-27T06:40:47","date_gmt":"2024-04-27T04:40:47","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=13881"},"modified":"2024-04-27T06:40:48","modified_gmt":"2024-04-27T04:40:48","slug":"episode-259-lawrence-winters-revisited","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/04\/27\/episode-259-lawrence-winters-revisited\/","title":{"rendered":"Episode 259. Lawrence Winters Revisited"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 259. Lawrence Winters Revisited<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1130-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13881&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 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class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Studying-Music.jpg\" alt=\"\" class=\"wp-image-14407\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Studying-Music.jpg 900w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Studying-Music-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Studying-Music-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>During the first season of <em>Countermelody<\/em> I presented the great African American baritone Lawrence Winters in an episode which paired him with his contemporary Robert McFerrin. Today Winters (born Lawrence Whisonant in South Carolina on 12 November 1915 and died of cancer in Hamburg at age 49 on 24 September 1965) returns center stage to <em>Countermelody<\/em> in a program which focuses on his prowess in standard operatic repertoire and art song. After vocal study with Todd Duncan at Howard University, Winters toured for several years with the Eva Jessye Choir before enlisting as a member of the Armed Forces. Upon returning to the US, he appeared in Harold Rome\u2019s Broadway musical revue <em>Call Me Mister<\/em>. In 1948 he debuted at New York City Opera, the first Black male singer to perform there; he performed there for seven seasons, returning for a single performance as Porgy in 1962. He made his first trip to Europe in 1949 and in 1950 joined the roster of the Royal Swedish Opera, with whom he sang for two seasons. Thereafter, he joined the ensemble of the Hamburg Opera and later, the Deutsche Oper Berlin. He also performed at the Wiener Staatsoper and the San Francisco Opera. He returned to the Broadway stage in 1960, garnering a Tony nomination for his appearance opposite Joya Sherrill in the play <em>The Long Dream<\/em>. In the last year of his life he also appeared in Germany in the title role of Eugene O\u2019Neill\u2019s <em>The Emperor Jones<\/em>. He made a large number of recordings for Philips, Deutsche Grammophon and other labels, as well as a slew of radio recordings, many of the latter of which are featured on this episode. A certified star in Germany, Winters was often featured in pop music that appealed to the German public of the time but which, frankly, was not always worthy of his talent. In this episode I present him in repertoire that reveals him as one of the primarily Verdi and verismo baritones of his era, even when he was singing those roles in German translation. We also hear Winters in excerpts from two operas in which the protagonists are specifically Black: Frederick Delius\u2019s <em>Koanga<\/em> and William Grant Still\u2019s <em>Troubled Island<\/em>.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"348\" height=\"468\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Contes-dHoffmann.png\" alt=\"\" class=\"wp-image-14410\" style=\"width:617px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Contes-dHoffmann.png 348w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Contes-dHoffmann-223x300.png 223w\" sizes=\"auto, (max-width: 348px) 100vw, 348px\" \/><\/figure>\n<\/div>\n\n\n<p>All tracks feature Lawrence Winters, baritone with other performers as noted.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Adjusting-Tie.jpg\" alt=\"\" class=\"wp-image-14413\" style=\"width:621px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Adjusting-Tie.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Adjusting-Tie-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Adjusting-Tie-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hermann von Gilm: Zueignung, Op. 10\/1. Walter Martin [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Old-Man-River.jpg\" alt=\"\" class=\"wp-image-14414\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Old-Man-River.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Old-Man-River-300x225.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Oscar Hammerstein II: Old Man River (<em>Show Boat<\/em>). Willy Hoffmann, FFB-Orchester [Berlin 1965]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"753\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Headshot.jpeg\" alt=\"\" class=\"wp-image-14415\" style=\"width:626px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Headshot.jpeg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Headshot-199x300.jpeg 199w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: Schaut her! Ich bin\u2019s [Si pu\u00f2? Si pu\u00f2?] (<em>Der Bajazzo<\/em> [<em>Pagliacci<\/em>]). Janos Kulka, Bamberger Symphoniker [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Still.jpg\" alt=\"\" class=\"wp-image-14437\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Still.jpg 554w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Still-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Still-150x150.jpg 150w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption class=\"wp-element-caption\">William Grant Still (1895 &#8211; 1978)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>William Grant Still, Langston Hughes, Verna Arvey: Drums in the Court (<em>Troubled Island<\/em>) Lawrence Winters, Julius Rudel New York City Opera Orchestra and Chorus [live 01.V.49]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"377\" height=\"474\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Amonasro.png\" alt=\"\" class=\"wp-image-14416\" style=\"width:602px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Amonasro.png 377w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Amonasro-239x300.png 239w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><figcaption class=\"wp-element-caption\">Winters as Amonasro in <em>Aida<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frederick Delius, Charles F. Keary [revised Thomas Beecham, Edward Agate]: Hear me, god Voodoo (Koanga). Stanford Robinson, BBC Symphony Orchestra [London II.58]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"844\" height=\"666\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-Rothenberger.png\" alt=\"\" class=\"wp-image-14417\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-Rothenberger.png 844w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-Rothenberger-300x237.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-Rothenberger-768x606.png 768w\" sizes=\"auto, (max-width: 844px) 100vw, 844px\" \/><figcaption class=\"wp-element-caption\">Lawrence Winters and Anneliese Rothenberger<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Vincenzo Bellini, Carlo Pepoli: Ah, per sempre io ti perdei (<em>I Puritani<\/em>). Walter Martin, Hamburger Rundfunkorchester [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-as-Jokanaan-768x1024.jpg\" alt=\"\" class=\"wp-image-14418\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-as-Jokanaan-768x1025.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-as-Jokanaan-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-as-Jokanaan-1151x1536.jpg 1151w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-as-Jokanaan.jpg 1535w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Winters as Jokanaan in <em>Salome<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Paul Milliet, Henri Gr\u00e9mont [after Gustave Flaubert]: Vision fugitive (<em>H\u00e9rodiade<\/em>). Walter Martin, Hamburger Rundfunkorchester [Hamburg 09.VI.53]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"703\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Anny-Schlemm-703x1024.jpg\" alt=\"\" class=\"wp-image-14419\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Anny-Schlemm-703x1024.jpg 703w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Anny-Schlemm-206x300.jpg 206w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Anny-Schlemm.jpg 750w\" sizes=\"auto, (max-width: 703px) 100vw, 703px\" \/><figcaption class=\"wp-element-caption\">Anny Schlemm<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ruggero Leoncavallo: Ich weiss wohl, ich finde [So ben che difforme] (<em>Der Bajazzo<\/em>). Anny Schlemm, Janos Kulka, Bamberger Symphoniker [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Hand-in-Chin-with-Ring-832x1024.jpg\" alt=\"\" class=\"wp-image-14420\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Hand-in-Chin-with-Ring-832x1024.jpg 832w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Hand-in-Chin-with-Ring-244x300.jpg 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Hand-in-Chin-with-Ring-768x945.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Hand-in-Chin-with-Ring.jpg 1213w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: Il balen del suo sorriso (<em>Il trovatore<\/em>). Walter Martin, Hamburger Rundfunkorchester [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"798\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-German-Altenheim.png\" alt=\"\" class=\"wp-image-14421\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-German-Altenheim.png 665w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-and-German-Altenheim-250x300.png 250w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><figcaption class=\"wp-element-caption\">Winters visiting resident of an Altenheim in Hamburg<\/figcaption><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Giacomo Rossi [after Giovanni Battista Guarini]: Von frevlem Trug [Dell\u2019empia frode il velo] (<em>Il pastor fido<\/em>). Wilhelm Sch\u00fcchter, Radio-Sinfonieorchester Hamburg [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-casual-shot.jpg\" alt=\"\" class=\"wp-image-14422\" style=\"width:615px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-casual-shot.jpg 326w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-casual-shot-191x300.jpg 191w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Pietro Metastasio: Il traditor deluso, D.902\/2. Walter Martin [Hamburg 08.IX.55]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"827\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Young-Winters-Headshot.png\" alt=\"\" class=\"wp-image-14424\" style=\"width:594px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Young-Winters-Headshot.png 693w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Young-Winters-Headshot-251x300.png 251w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Anacreon, translated Franz von Bruchmann: An die Leier, D. 737. Walter Martin [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"517\" height=\"721\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-tux-pre-performance.png\" alt=\"\" class=\"wp-image-14425\" style=\"width:628px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-tux-pre-performance.png 517w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-tux-pre-performance-215x300.png 215w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Armand Silvestre: Automne, Op. 18\/3. Walter Martin, Hamburger Rundfunkorchester [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"853\" height=\"724\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Cowboy-Hat-2.png\" alt=\"\" class=\"wp-image-14426\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Cowboy-Hat-2.png 853w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Cowboy-Hat-2-300x255.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Cowboy-Hat-2-768x652.png 768w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/figure>\n<\/div>\n\n\n<p>Daniel Decatur Emmett, arr. Aaron Copland: The Boatmen\u2019s Dance (<em>Old American Songs<\/em>, Set I:1). Gerhard Gregor [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"641\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-1954.png\" alt=\"\" class=\"wp-image-14429\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-1954.png 641w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-1954-269x300.png 269w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><\/figure>\n<\/div>\n\n\n<p>Sigmund Romberg, Rida Johnson Young: Will You Remember? [Sweetheart] (<em>Maytime<\/em>) [sung in English and German]. Willy Hoffmann, FBB-Orchester [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-1024x1024.jpg\" alt=\"\" class=\"wp-image-14430\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux-1600x1600.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Tux.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Some Enchanted Evening (<em>South Pacific<\/em>). Hermann Spitz. Grosses Hamburger Rundfunkorchester [1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"804\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Puzzled-Look-804x1024.jpg\" alt=\"\" class=\"wp-image-14431\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Puzzled-Look-804x1024.jpg 804w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Puzzled-Look-236x300.jpg 236w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Puzzled-Look-768x978.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Puzzled-Look.jpg 1081w\" sizes=\"auto, (max-width: 804px) 100vw, 804px\" \/><\/figure>\n<\/div>\n\n\n<p>Cole Porter: Night and Day (<em>Gay Divorce<\/em>). Orchester Harry Hermann [03.XII.56]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"838\" height=\"730\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-singing.png\" alt=\"\" class=\"wp-image-14432\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-singing.png 838w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-singing-300x261.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-singing-768x669.png 768w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/figure>\n<\/div>\n\n\n<p>Hans-Arno Simon: Eine z\u00e4rtliche Melodie. Orchester Hans-Arno Simon [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Young-and-Smiling-White-Background-832x1024.jpg\" alt=\"\" class=\"wp-image-14433\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Young-and-Smiling-White-Background-832x1024.jpg 832w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Young-and-Smiling-White-Background-244x300.jpg 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Young-and-Smiling-White-Background-768x945.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Young-and-Smiling-White-Background.jpg 1208w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/figure>\n<\/div>\n\n\n<p>Paolo Tosti, Francesco Cimmino: L\u2019ultima canzone. Hermann Spitz, Gro\u00dfes Hamburger Rundfunkorchester [1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"998\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Rigoletto-with-Eva-Prytz-998x1024.jpg\" alt=\"\" class=\"wp-image-14434\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Rigoletto-with-Eva-Prytz-998x1024.jpg 998w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Rigoletto-with-Eva-Prytz-292x300.jpg 292w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Rigoletto-with-Eva-Prytz-768x788.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Rigoletto-with-Eva-Prytz.jpg 1442w\" sizes=\"auto, (max-width: 998px) 100vw, 998px\" \/><figcaption class=\"wp-element-caption\">Winters as Rigoletto with Eva Prytz as Gilda<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Victor Hugo]: Feile Sklaven! [Cortigiani!] (<em>Rigoletto<\/em>). Hermann Spitz, Radio-Sinfonieorchester Hamburg [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Color.png\" alt=\"\" class=\"wp-image-14428\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Color.png 694w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Color-297x300.png 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-in-Color-150x150.png 150w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n\n\n\n<p>Umberto Giordano, Luigi Illica: Nemico della patria (<em>Andrea Ch\u00e9nier<\/em>). Walter Martin, Hamburger Rundfunkorchester [1953]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"512\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-older.jpg\" alt=\"\" class=\"wp-image-14435\" style=\"width:620px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-older.jpg 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-older-286x300.jpg 286w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual: Nobody Knows the Trouble I\u2019ve Seen [unaccompanied; unknown year]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Colored-Tie-Smiling-813x1024.jpg\" alt=\"\" class=\"wp-image-14436\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Colored-Tie-Smiling-813x1024.jpg 813w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Colored-Tie-Smiling-238x300.jpg 238w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Colored-Tie-Smiling-768x967.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-Colored-Tie-Smiling.jpg 1198w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Karl Henckell: Ruhe, meine Seele!, Op. 27\/1. Walter Martin [1956]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 259. Lawrence Winters Revisited SOCIAL SHARE SUBSCRIPTION PLATFORM During the first season of Countermelody I presented the great African&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14411,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,1701,5824,2109,3132,3273,2261,2398,2399,2260,808,2329,1470,425,3272,2806,4980,427],"tags":[2684,6104,216,6108,5118,3545,5804,6113,1937,6109,6100,4535,101,3662,2661,588,280,6103,6105,6106,207,5688,2180,6101,5687,6099,6110,3396,108,348,3331,1389,433,363,6098,4906,992,1038,4758,927,704,1943,5683,3575,928,329,6102,325,70,4850,2138,239,929,6112,1048,150,6111,3735,62,1168,6107,1047,3104],"class_list":["post-13881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-bel-canto","category-black-history-month-2024","category-broadway-and-musicals","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-giuseppe-verdi","category-great-baritones","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-operetta","category-ruggero-leoncavallo","category-singers-of-color","category-twentieth-century-music","category-twentieth-century-opera","category-verismo","tag-aaron-copland","tag-anacreon","tag-andrea-chenier","tag-anny-schlemm","tag-antonio-garcia-gutierrez","tag-armand-silvestre","tag-carlo-pepoli","tag-charles-f-keary","tag-cole-porter","tag-der-bajazzo","tag-francesco-cimmino","tag-francesco-maria-piave","tag-franz-schubert","tag-franz-von-bruchmann","tag-frederick-delius","tag-gabriel-faure","tag-george-frideric-handel","tag-gerhard-gregor","tag-giacomo-rossi","tag-giovanni-battista-guarini","tag-giuseppe-verdi","tag-gustave-flaubert","tag-hans-arno-simon","tag-harry-hermann","tag-henri-gremont","tag-hermann-spitz","tag-hermann-von-gilm","tag-herodiade","tag-i-puritani","tag-il-trovatore","tag-janos-kulka","tag-jerome-kern","tag-jules-massenet","tag-julius-rudel","tag-karl-henckell","tag-koanga","tag-langston-hughes","tag-lawrence-winters","tag-luigi-illica","tag-oscar-hammerstein-ii","tag-pagliacci","tag-paolo-tosti","tag-paul-milliet","tag-pietro-metastasio","tag-richard-rodgers","tag-richard-strauss","tag-rida-johnson-young","tag-rigoletto","tag-ruggero-leoncavallo","tag-salvadore-cammarano","tag-show-boat","tag-sigmund-romberg","tag-south-pacific","tag-stanford-robinson","tag-troubled-island","tag-umberto-giordano","tag-verna-arvey","tag-victor-hugo","tag-vincenzo-bellini","tag-walter-martin","tag-wilhelm-schuchter","tag-william-grant-still","tag-willy-hoffmann"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/04\/Winters-TRIMMED-300x179.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2024\/\" class=\"advgb-post-tax-term\">Black History Month 2024<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/ruggero-leoncavallo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verismo<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2024<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>","<span class=\"advgb-post-tax-term\">Verismo<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Aaron Copland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anacreon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Anny Schlemm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Armand Silvestre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Carlo Pepoli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Charles F. Keary<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Cole Porter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Der Bajazzo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Cimmino<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Franz von Bruchmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Frederick Delius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gerhard Gregor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giacomo Rossi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giovanni Battista Guarini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Gustave Flaubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hans-Arno Simon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Harry Hermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Henri Gr\u00e9mont<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hermann Spitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Hermann von Gilm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">H\u00e9rodiade<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">I Puritani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Karl Henckell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Koanga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Langston Hughes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Lawrence Winters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pagliacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paolo Tosti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Paul Milliet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Rida Johnson Young<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Rigoletto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Ruggero Leoncavallo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Show Boat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Sigmund Romberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">South Pacific<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Stanford Robinson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Troubled Island<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Umberto Giordano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Verna Arvey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Victor Hugo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Walter Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">William Grant Still<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/verismo\/\" class=\"advgb-post-tax-term\">Willy Hoffmann<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Aaron Copland<\/span>","<span class=\"advgb-post-tax-term\">Anacreon<\/span>","<span class=\"advgb-post-tax-term\">Andrea Ch\u00e9nier<\/span>","<span class=\"advgb-post-tax-term\">Anny Schlemm<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Armand Silvestre<\/span>","<span class=\"advgb-post-tax-term\">Carlo Pepoli<\/span>","<span class=\"advgb-post-tax-term\">Charles F. Keary<\/span>","<span class=\"advgb-post-tax-term\">Cole Porter<\/span>","<span class=\"advgb-post-tax-term\">Der Bajazzo<\/span>","<span class=\"advgb-post-tax-term\">Francesco Cimmino<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Franz von Bruchmann<\/span>","<span class=\"advgb-post-tax-term\">Frederick Delius<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Gregor<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Rossi<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Guarini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Gustave Flaubert<\/span>","<span class=\"advgb-post-tax-term\">Hans-Arno Simon<\/span>","<span class=\"advgb-post-tax-term\">Harry Hermann<\/span>","<span class=\"advgb-post-tax-term\">Henri Gr\u00e9mont<\/span>","<span class=\"advgb-post-tax-term\">Hermann Spitz<\/span>","<span class=\"advgb-post-tax-term\">Hermann von Gilm<\/span>","<span class=\"advgb-post-tax-term\">H\u00e9rodiade<\/span>","<span class=\"advgb-post-tax-term\">I Puritani<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">J\u00e1nos Kulka<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">Karl Henckell<\/span>","<span class=\"advgb-post-tax-term\">Koanga<\/span>","<span class=\"advgb-post-tax-term\">Langston Hughes<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Winters<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Oscar 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Giordano<\/span>","<span class=\"advgb-post-tax-term\">Verna Arvey<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Walter Martin<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm Sch\u00fcchter<\/span>","<span class=\"advgb-post-tax-term\">William Grant Still<\/span>","<span class=\"advgb-post-tax-term\">Willy Hoffmann<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 27\/04\/2024","modified":"Updated on 27\/04\/2024"},"absolute_dates_time":{"created":"Posted on 27\/04\/2024 06:40","modified":"Updated on 27\/04\/2024 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