{"id":13717,"date":"2024-02-23T10:11:40","date_gmt":"2024-02-23T09:11:40","guid":{"rendered":"https:\/\/countermelodypodcast.com\/?p=13717"},"modified":"2025-07-29T10:47:52","modified_gmt":"2025-07-29T08:47:52","slug":"episode-244-veronica-tyler-bhm-2024","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/02\/23\/episode-244-veronica-tyler-bhm-2024\/","title":{"rendered":"Episode 244. Veronica Tyler (BHM 2024)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 244.  Veronica Tyler (BHM 2024)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1029-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13717&#038;description=Episode%20244.%20Veronica%20Tyler%20(BHM%202024)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13717&#038;subject=Episode%20244.%20Veronica%20Tyler%20(BHM%202024)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-full-length-837x1024.jpg\" alt=\"\" class=\"wp-image-13929\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-full-length-837x1024.jpg 837w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-full-length-245x300.jpg 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-full-length-768x939.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-full-length.jpg 1212w\" sizes=\"auto, (max-width: 837px) 100vw, 837px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This <em>Countermelody<\/em> episode is the last in my miniseries featuring artists from Baltimore. It is also the last in my new episodes for Black History Month 2024 featuring \u201cForgotten Divas.\u201d Today I offer to you the absolutely divine soprano of Veronica Tyler (1939-2020), who fits all three categories. In the 1960s, Veronica Tyler was a name on everyone\u2019s lips: she appeared on three different episodes of Leonard Bernstein\u2019s Young People\u2019s Concerts, she was the second prize winner of the International Tchaikovsky Competition in Moscow in 1966, the first time this venerable contest had featured singers, she was a featured artist at the New York City Opera, where, in their first season at Lincoln Center, she sang a Pamina in <em>The Magic Flute<\/em> of such humanity and transcendent vocal beauty that audiences were transported into another world. She sang under conductors Leopold Stokowski, Erich Leinsdorf, Zubin Mehta, Eugene Ormandy, Carlo Maria Giulini, Robert Shaw, and Stanislaw Skrowaczewski. Later on she made a belated Met debut in 1985 as Serena in their premiere production of <em>Porgy and Bess<\/em>, but gradually her high profile appearances became fewer and fewer and eventually she disappeared from view. Her death on 21 March 2020 was only announced three months later, and with little fanfare. But during her heyday, Veronica Tyler was among the most elegant, compelling, and ingratiating lyric sopranos in the business. I have scoured the archives to bring to light some of the artist\u2019s most beautiful performances, some of them virtually unheard for decades, including a 1980 album of spirituals that ranks among the best of this repertoire ever committed to disc. What inexpressible joy it brings me to present to you the unforgettable Veronica Tyler!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-4.jpg\" alt=\"\" class=\"wp-image-13930\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-4.jpg 581w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-4-295x300.jpg 295w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual: Give Me Jesus. Veronica Tyler [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"630\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gold-and-Fizdale.png\" alt=\"\" class=\"wp-image-13931\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gold-and-Fizdale.png 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gold-and-Fizdale-218x300.png 218w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Georg Friedrich Daumer: Die gr\u00fcne Hopfenranke (<em>Liebeslieder-Walzer<\/em>, Op. 52\/5). Veronica Tyler, Regina Sarfaty, Charles Bressler, John Boyden, Arthur Gold, Robert Fizdale [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"635\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-Copy.png\" alt=\"\" class=\"wp-image-13932\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-Copy.png 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-Copy-300x298.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Folder-Copy-150x150.png 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-with-Pearls-928x1024.jpg\" alt=\"\" class=\"wp-image-13933\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-with-Pearls-928x1024.jpg 928w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-with-Pearls-272x300.jpg 272w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-with-Pearls-768x847.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-with-Pearls.jpg 1093w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Quia respexit humilitatem (<em>Magnificat<\/em>). Veronica Tyler, Leopold Stokowski, Philadelphia Orchestra [Philadelphia 11.III.1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-screenshot-1024x829.png\" alt=\"\" class=\"wp-image-13934\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-screenshot-1024x829.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-screenshot-300x243.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-screenshot-768x622.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-screenshot.png 1263w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gian Carlo Menotti: Hello? Hello? Oh, Margaret, it\u2019s you (<em>The Telephone<\/em>). Veronica Tyler, Gregory Millar, New York Philharmonic [live New York 18.III.1961]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-screenshot-1024x683.png\" alt=\"\" class=\"wp-image-13935\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-screenshot-1024x683.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-screenshot-300x200.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-screenshot-768x512.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-screenshot.png 1380w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Georges Bizet, Henri Meilhac, Ludovic Hal\u00e9vy [after Prosper M\u00e9rim\u00e9e]: Je dis que rien ne m\u2019\u00e9pouvante (<em>Carmen<\/em>). Veronica Tyler, Leonard Bernstein, New York Philharmonic [live New York 06.XI.1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"805\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Micaela-screenshot-Tyler-1024x805.png\" alt=\"\" class=\"wp-image-13946\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Micaela-screenshot-Tyler-1024x805.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Micaela-screenshot-Tyler-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Micaela-screenshot-Tyler-768x604.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Micaela-screenshot-Tyler.png 1374w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Johann Wolfgang von Goethe: Ist jemand da?&#8230; W\u00fcrde mich kein Ohr vernehmen (<em>Szenen aus Goethes Faust<\/em>). Veronica Tyler, Hermann Prey, Erich Leinsdorf, Boston Symphony Orchestra [live Boston 26.II.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"495\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-and-Ivan-Kozlovsky-1024x495.png\" alt=\"\" class=\"wp-image-13936\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-and-Ivan-Kozlovsky-1024x495.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-and-Ivan-Kozlovsky-300x145.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-and-Ivan-Kozlovsky-768x372.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-and-Ivan-Kozlovsky.png 1478w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Legendary Soviet tenor Ivan Kozlovsky backstage with Veronica Tyler<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Urbach: Vocalise. Veronica Tyler, Warren Wilson [live Moscow, Tchaikovsky Competition 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"776\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-at-Tchaikovsky-Competition-1024x776.png\" alt=\"\" class=\"wp-image-13942\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-at-Tchaikovsky-Competition-1024x776.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-at-Tchaikovsky-Competition-300x227.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-at-Tchaikovsky-Competition-768x582.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-at-Tchaikovsky-Competition.png 1425w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Veronica Tyler and Warren Wilson perform live in Moscow at the 1966 Tchaikovsky Competition<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gustave Charpentier: Depuis le jour (<em>Louise<\/em>). Veronica Tyler [live, Moscow, Tchaikovsky Competition 1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"816\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-over-Shoulder-816x1024.jpg\" alt=\"\" class=\"wp-image-13937\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-over-Shoulder-816x1024.jpg 816w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-over-Shoulder-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-over-Shoulder-768x963.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-over-Shoulder.jpg 1200w\" sizes=\"auto, (max-width: 816px) 100vw, 816px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa [after Henri Murger]: Mi chiamano Mim\u00ec (<em>La Boh\u00e8me<\/em>). Veronica Tyler, Leonard Bernstein, New York Philharmonic [live 25.II.1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"793\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Serena-Tyler-Screenshot-1024x793.png\" alt=\"\" class=\"wp-image-13943\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Serena-Tyler-Screenshot-1024x793.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Serena-Tyler-Screenshot-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Serena-Tyler-Screenshot-768x595.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Serena-Tyler-Screenshot.png 1109w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin, Du Bose Heyward: My Man\u2019s Gone Now (<em>Porgy and Bess<\/em>). Veronica Tyler, Leonard Bernstein, New York Philharmonic [live 25.II.1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"672\" height=\"456\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/John-Reardon-and-Misterrogers.jpg\" alt=\"\" class=\"wp-image-13939\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/John-Reardon-and-Misterrogers.jpg 672w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/John-Reardon-and-Misterrogers-300x204.jpg 300w\" sizes=\"auto, (max-width: 672px) 100vw, 672px\" \/><figcaption class=\"wp-element-caption\">John Reardon and Fred Rogers with friend<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Emanuel Schikaneder: Bei M\u00e4nnern, welche Liebe f\u00fchlen [sung in English] (<em>The Magic Flute<\/em>). Veronica Tyler, John Reardon, Julius Rudel, New York City Opera Orchestra [live New York 19.X.1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-in-White-826x1024.jpg\" alt=\"\" class=\"wp-image-13938\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-in-White-826x1024.jpg 826w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-in-White-242x300.jpg 242w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-in-White-768x952.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Veronica-Tyler-in-White.jpg 1205w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure>\n<\/div>\n\n\n<p>Traditional Spiritual, arr. Florence Price: He\u2019s Got the Whole World in His Hand. Veronica Tyler, Ernest Ragogini [1980]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 244. Veronica Tyler (BHM 2024) SOCIAL SHARE SUBSCRIPTION PLATFORM This Countermelody episode is the last in my miniseries featuring&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,3207,5824,5823,3273,2476,8033,808,4510,2329,3272,2806],"tags":[1003,351,2432,1612,2128,4328,1017,6019,5383,3526,1396,350,6021,1968,4759,6025,1728,3672,6022,584,1397,298,1137,863,6026,2084,363,418,6020,2833,5817,3673,414,4633,4251,1004,548,430,6024,4453,6023,34],"class_list":["post-13717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-behind-the-iron-curtain","category-black-history-month-2024","category-forgotten-divas","category-french-opera","category-giacomo-puccini","category-johann-sebastian-bach","category-needle-drop","category-nyco-divas","category-opera-in-translation","category-singers-of-color","category-twentieth-century-music","tag-arthur-gold","tag-carmen","tag-charles-bressler","tag-die-zauberflote","tag-du-bose-heyward","tag-emanuel-schikaneder","tag-erich-leinsdorf","tag-ernest-ragogini","tag-florence-price","tag-georg-friedrich-daumer","tag-george-gershwin","tag-georges-bizet","tag-giacomo-puccini-luigi-illica","tag-gian-carlo-menotti","tag-giuseppe-giacosa","tag-gregory-millar","tag-gustave-charpentier","tag-henri-meilhac","tag-henri-murger","tag-hermann-prey","tag-ira-gershwin","tag-johann-sebastian-bach","tag-johann-wolfgang-von-goethe","tag-johannes-brahms","tag-john-boyden","tag-john-reardon","tag-julius-rudel","tag-la-boheme","tag-leoanrd-bernstein","tag-leopold-stokowski","tag-louise-charpentier","tag-ludovic-halevy","tag-porgy-and-bess","tag-prosper-merimee","tag-regina-sarfaty","tag-robert-fizdale","tag-robert-schumann","tag-spirituals","tag-szene-aus-goethes-faust-schumann","tag-veronica-tyler","tag-warren-wilson","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tyler-poignant-screenshot-TRIMMED-300x151.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/behind-the-iron-curtain\/\" class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2024\/\" class=\"advgb-post-tax-term\">Black History Month 2024<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/nyco-divas\/\" class=\"advgb-post-tax-term\">NYCO Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Behind the Iron Curtain<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2024<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">NYCO Divas<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carmen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Bressler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Du Bose Heyward<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erich Leinsdorf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Ragogini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Florence Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Friedrich Daumer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giacomo Puccini Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gregory Millar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gustave Charpentier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Murger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermann Prey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Boyden<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Reardon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Boheme<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leoanrd Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Stokowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louise (Charpentier)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Porgy and Bess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Prosper M\u00e9rim\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Regina Sarfaty<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Fizdale<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Spirituals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Szene aus Goethes Faust (Schumann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Veronica Tyler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Warren Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Arthur Gold<\/span>","<span class=\"advgb-post-tax-term\">Carmen<\/span>","<span class=\"advgb-post-tax-term\">Charles Bressler<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Du Bose Heyward<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Erich Leinsdorf<\/span>","<span class=\"advgb-post-tax-term\">Ernest Ragogini<\/span>","<span class=\"advgb-post-tax-term\">Florence Price<\/span>","<span class=\"advgb-post-tax-term\">Georg Friedrich Daumer<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Gian Carlo Menotti<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Gregory Millar<\/span>","<span class=\"advgb-post-tax-term\">Gustave Charpentier<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Murger<\/span>","<span class=\"advgb-post-tax-term\">Hermann Prey<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johann Wolfgang von Goethe<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">John Boyden<\/span>","<span class=\"advgb-post-tax-term\">John Reardon<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">La Boheme<\/span>","<span class=\"advgb-post-tax-term\">Leoanrd Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leopold Stokowski<\/span>","<span class=\"advgb-post-tax-term\">Louise (Charpentier)<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Porgy and Bess<\/span>","<span class=\"advgb-post-tax-term\">Prosper M\u00e9rim\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Regina Sarfaty<\/span>","<span class=\"advgb-post-tax-term\">Robert Fizdale<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Spirituals<\/span>","<span class=\"advgb-post-tax-term\">Szene aus Goethes Faust (Schumann)<\/span>","<span class=\"advgb-post-tax-term\">Veronica Tyler<\/span>","<span class=\"advgb-post-tax-term\">Warren Wilson<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"12","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 23\/02\/2024","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 23\/02\/2024 10:11","modified":"Updated on 29\/07\/2025 10:47"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=13717"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13717\/revisions"}],"predecessor-version":[{"id":13961,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13717\/revisions\/13961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/13944"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=13717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=13717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=13717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}