{"id":13607,"date":"2024-01-03T23:19:00","date_gmt":"2024-01-03T22:19:00","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=13607"},"modified":"2025-07-29T10:49:29","modified_gmt":"2025-07-29T08:49:29","slug":"episode-231-elliot-levine-introduces-margaret-marshall-listeners-favorites-ii","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/01\/03\/episode-231-elliot-levine-introduces-margaret-marshall-listeners-favorites-ii\/","title":{"rendered":"Episode 231. Elliot Levine Introduces Margaret Marshall (Listeners\u2019 Favorites II)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 231.  Elliot Levine Introduces Margaret Marshall (Listeners\u2019 Favorites II)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=972-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul 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c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13607&#038;description=Episode%2068.%20Margaret%20Marshall%2C%20Songbird\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13607&#038;subject=Episode%2068.%20Margaret%20Marshall%2C%20Songbird\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13607&#038;title=Episode%2068.%20Margaret%20Marshall%2C%20Songbird\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-fdcfc74e wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button alignright\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Elliot-2.png\" alt=\"\" class=\"wp-image-13613\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Elliot-2.png 656w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Elliot-2-240x300.png 240w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p>The second of my <em>Listeners\u2019 Favorites <\/em>episodes for January is introduced by my dear friend Elliot Levine, a founding member of the Western Wind Vocal Ensemble, with whom he sang bass for 47 years. He is also an exceptional composer (who has composed work expressly for me which I have sung with great pleasure and joy), He is also a valued choral singer and clinician. He has been a devoted listener to, and supporter of, <em>Countermelody<\/em> since its inception and among his many favorite episodes, he has chosen one of my very favorites to highlight, my birthday tribute to <em>superbissima<\/em> Margaret Marshall, who celebrates her birthday on January 4th.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"879\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Tito-Manlio-recording-879x1024.jpg\" alt=\"\" class=\"wp-image-6529\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Tito-Manlio-recording-879x1024.jpg 879w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Tito-Manlio-recording-258x300.jpg 258w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Tito-Manlio-recording-768x895.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Tito-Manlio-recording.jpg 927w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/figure>\n<\/div>\n\n\n<p>Since she burst upon the scene in the late 1970s, Margaret Marshall has been a favorite of lovers of great singing. Her timbre, artistry, and technical facility evoke comparisons with many treasured singers of the past. Though she retired from public performance in 2005, in the year 2020 she launched, in tandem with her daughter Nicola and a group of dedicated supporters, a website called<em> Songbird<\/em>, which focuses on the early years of her career, and which features many rare soundclips, both live and studio, from that period, many of which have been assembled into a new downloadable release entitled \u201c<em>Margaret Marshall Songbird<\/em>.\u201d Today\u2019s episode features a wide range of her live and studio recordings, including a few samples from the <em>Songbird<\/em> release. Included are works by Galuppi, Pergolesi, Vivaldi, Bach, Handel, Haydn, Mozart, Salieri, Gluck, Elgar, Finzi, Richard Strauss, and Alban Berg in recordings and performances between 1975 and 1990, with collaborators including conductors Neville Marriner, Riccardo Muti, John Eliot Gardiner, Vittorio Negri, Charles Groves, Antal Dor\u00e1ti, Philip Ledger, and Rafael Kubelik and fellow singers Ann Murray, Francisco Araiza, Alfreda Hodgson, Felicity Palmer, and Sesto Bruscantini. Compiling this episode has provided my ears and spirit with many blissful hours; I wish my listeners the same experience! Many thanks to both Margaret and Nicola for providing advice and guidance in the selection of today\u2019s material, and many happy returns to the \u201cScottish supersoprano\u201d! Since this episode was published, Margaret has published a second series of rare recordings available via download on her website, as well as Apple and Spotify. <em><a href=\"https:\/\/margaretmarshallsongbird.com\/songbird_2\/\">Margaret Marshall Songbird 2<\/a> <\/em>includes exquisite performances of Bach, Mozart, Schubert, Wolf, and Sacchini, and, like the performances on this recording, simply must be heard to be believed.<\/p>\n\n\n\n<div style=\"height:37px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songbird-MM.jpg\" alt=\"\" class=\"wp-image-6586\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songbird-MM.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songbird-MM-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songbird-MM-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<p>Link to the <em>Margaret Marshall Songbird <\/em>website: <a href=\"http:\/\/margaretmarshallsongbird.com\">www.margaretmarshallsongbird.com<\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"273\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Songbird.png\" alt=\"\" class=\"wp-image-6576\"\/><figcaption class=\"wp-element-caption\">The Songbird logo on Margaret&#8217;s website,<br>which is the design of her granddaughter Maddie.<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hugo-Wolf.jpg\" alt=\"\" class=\"wp-image-6531\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hugo-Wolf.jpg 386w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hugo-Wolf-257x300.jpg 257w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption class=\"wp-element-caption\">Hugo Wolf (1860-1904)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf: Zum neuen Jahr (<em>M\u00f6rike-Lieder<\/em>, No. 27). Brigitte Fassbaender, Jean-Yves Thibaudet [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Hotter.jpg\" alt=\"\" class=\"wp-image-6532\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Hotter.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Hotter-208x300.jpg 208w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Hans Hotter (1909-2003)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hugo Wolf: Gebet (<em>M\u00f6rike-Lieder<\/em>, No. 28). Hans Hotter, Hans Dokoupil [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"787\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alban-Berg.jpg\" alt=\"\" class=\"wp-image-6533\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alban-Berg.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alban-Berg-215x300.jpg 215w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Alban Berg (1885-1935)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alban Berg: Schilflied (<em>Sieben fr\u00fche Lieder<\/em>, No. 2). Margaret Marshall; Geoffrey Parsons [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"502\" height=\"410\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-in-suit.png\" alt=\"\" class=\"wp-image-6574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-in-suit.png 502w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-in-suit-300x245.png 300w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/figure>\n<\/div>\n\n\n<p>Baldassare Galuppi: Alleluia (<em>Rapida cerva<\/em>). Margaret Marshall; Rudolf Ewerhart, Die Deutsche Bachsolisten [1976]<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/First-Recording.jpg\" alt=\"\" class=\"wp-image-6538\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/First-Recording.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/First-Recording-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/First-Recording-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Margaret&#8217;s first studio recording (1976)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"542\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Thamm.png\" alt=\"\" class=\"wp-image-6535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Thamm.png 420w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Hans-Thamm-232x300.png 232w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption class=\"wp-element-caption\">Hans Thamm (1921-2007)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Letzte Stunde, brich heran (<em>Der Himmel lacht, die Erde jubiliert<\/em>, BWV 31). Margaret Marshall; Hans Thamm, Collegium Musicum des WDR [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"616\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vittorio-Negri.jpg\" alt=\"\" class=\"wp-image-6536\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vittorio-Negri.jpg 594w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vittorio-Negri-289x300.jpg 289w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><figcaption class=\"wp-element-caption\">Vittorio Negri (1923-1998)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Antonio Vivaldi: Canta in prato (<em>Introduzione al Dixit<\/em>, RV 636). Margaret Marshall; Vittorio Negri, English Chamber Orchestra [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"464\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vivaldi-booklet-maybe.png\" alt=\"\" class=\"wp-image-6537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vivaldi-booklet-maybe.png 618w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Vivaldi-booklet-maybe-300x225.png 300w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/figure>\n<\/div>\n\n\n<p>Antonio Vivaldi: De torrente in via (<em>Dixit Dominus<\/em>, RV 594). Margaret Marshall; Vittorio Negri, English Chamber Orchestra [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"592\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Felicity-Palmer.jpg\" alt=\"\" class=\"wp-image-6539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Felicity-Palmer.jpg 592w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Felicity-Palmer-300x228.jpg 300w\" sizes=\"auto, (max-width: 592px) 100vw, 592px\" \/><figcaption class=\"wp-element-caption\">Felicity Palmer<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel: De torrente in via (<em>Dixit Dominus<\/em>, HWV 232). Margaret Marshall, Felicity Palmer; John Eliot Gardiner, Monteverdi Orchestra and Choir<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"488\" height=\"404\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mehta.jpg\" alt=\"\" class=\"wp-image-6540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mehta.jpg 488w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mehta-300x248.jpg 300w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><figcaption class=\"wp-element-caption\">Zubin Mehta (born 1936)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel: How beautiful are the feet (<em>Messiah<\/em>, HWV 56). Margaret Marshall; Zubin Mehta, Berliner Philharmoniker [live 12 December 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"276\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Philip-Ledger.jpg\" alt=\"\" class=\"wp-image-6541\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Philip-Ledger.jpg 460w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Philip-Ledger-300x180.jpg 300w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><figcaption class=\"wp-element-caption\">Philip Ledger (1937-2012)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Frideric Handel: Ah, lovely youth! (<em>Saul<\/em>, HWV 53). Margaret Marshall (Michal); Philip Ledger, English Chamber Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"460\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marriner.jpg\" alt=\"\" class=\"wp-image-6542\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marriner.jpg 620w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Marriner-300x223.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption class=\"wp-element-caption\">Neville Marriner (1924-2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart; Exsultate, jubilate (<em>Exsultate, jubilate<\/em>, KV 165). Margaret Marshall; Neville Marriner, Radio-Sinfonieorchester Stuttgart [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"389\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ralf-Weikert.jpeg\" alt=\"\" class=\"wp-image-6543\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ralf-Weikert.jpeg 554w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Ralf-Weikert-300x211.jpeg 300w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption class=\"wp-element-caption\">Ralf Weikert (born 1940)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Non temer, amato bene, KV 490. Margaret Marshall; Ralf Weikert, Mozarteum-Orchester Salzburg [live 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"469\" data-id=\"6545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-3.png\" alt=\"\" class=\"wp-image-6545\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-3.png 615w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-3-300x229.png 300w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"468\" data-id=\"6544\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-2.png\" alt=\"\" class=\"wp-image-6544\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-2.png 614w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-2-300x229.png 300w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"468\" data-id=\"6549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati.png\" alt=\"\" class=\"wp-image-6549\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati.png 612w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-300x229.png 300w\" sizes=\"auto, (max-width: 612px) 100vw, 612px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"614\" height=\"477\" data-id=\"6548\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-6.png\" alt=\"\" class=\"wp-image-6548\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-6.png 614w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-6-300x233.png 300w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"464\" data-id=\"6546\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-4.png\" alt=\"\" class=\"wp-image-6546\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-4.png 615w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-4-300x226.png 300w\" sizes=\"auto, (max-width: 615px) 100vw, 615px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"452\" data-id=\"6547\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-5.png\" alt=\"\" class=\"wp-image-6547\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-5.png 629w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Bach-Obbligati-5-300x216.png 300w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"464\" data-id=\"6550\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Blute-nur.png\" alt=\"\" class=\"wp-image-6550\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Blute-nur.png 616w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Blute-nur-300x226.png 300w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Stills from the 1990 film of Margaret Marshall and members of the Bach Collegium&nbsp;M\u00fcnchen performing the <em>Matth\u00e4us-Passion <\/em>conducted by Enoch zu Guttenberg<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Jesu, deine Gnadenblicke (<em>Lobet Gott in seinen Reichen<\/em>, BWV 11). Margaret Marshall; Philip Ledger, English Chamber Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"953\" height=\"955\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozart-Great-Mass.jpg\" alt=\"\" class=\"wp-image-6551\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozart-Great-Mass.jpg 953w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozart-Great-Mass-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozart-Great-Mass-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozart-Great-Mass-768x770.jpg 768w\" sizes=\"auto, (max-width: 953px) 100vw, 953px\" \/><figcaption class=\"wp-element-caption\">This was the first Margaret Marshall record I ever purchased (back when it was first issued!)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Et incarnatus est (<em>Mass in c minor<\/em>, K. 427). Margaret Marshall; Neville Marriner, Academy of St Martin-in-the-Fields [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"333\" height=\"469\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Muti-1.jpg\" alt=\"\" class=\"wp-image-6553\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Muti-1.jpg 333w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Muti-1-213x300.jpg 213w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><figcaption class=\"wp-element-caption\">Riccardo Muti (born 1941)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Christoph Willibald Gluck: Avvezza al contento&#8230; Che fiero momento (<em>Orfeo ed Euridice<\/em>). Margaret Marshall (Euridice); Riccardo Muti, Philharmonia Orchestra [1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"753\" data-id=\"6554\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-978.png\" alt=\"\" class=\"wp-image-6554\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-978.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-978-300x230.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-978-768x588.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"756\" data-id=\"6557\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-981.png\" alt=\"\" class=\"wp-image-6557\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-981.png 990w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-981-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-981-768x586.png 768w\" sizes=\"auto, (max-width: 990px) 100vw, 990px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"971\" height=\"667\" data-id=\"6556\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-980.png\" alt=\"\" class=\"wp-image-6556\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-980.png 971w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-980-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-980-768x528.png 768w\" sizes=\"auto, (max-width: 971px) 100vw, 971px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"987\" height=\"755\" data-id=\"6555\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-979.png\" alt=\"\" class=\"wp-image-6555\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-979.png 987w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-979-300x229.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Screenshot-979-768x587.png 768w\" sizes=\"auto, (max-width: 987px) 100vw, 987px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Margaret Marshall, Sesto Brascantini, and Ann Murray in the 1983 film of the Michael Hampe-directed<br>Salzburg Festival production of <em>Cos\u00ec fan tutte <\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart: Soave sia il vento (<em>Cos\u00ec fan tutte<\/em>). Margaret Marshall (Fiordiligi), Ann Murray (Dorabella), Sesto Bruscantini (Don Alfonso); Riccardo Muti, Wiener Philharmoniker [live Salzburg 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"983\" height=\"680\" data-id=\"6558\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-2.png\" alt=\"\" class=\"wp-image-6558\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-2.png 983w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-2-300x208.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-2-768x531.png 768w\" sizes=\"auto, (max-width: 983px) 100vw, 983px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"993\" height=\"671\" data-id=\"6559\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-3.png\" alt=\"\" class=\"wp-image-6559\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-3.png 993w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-3-300x203.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-3-768x519.png 768w\" sizes=\"auto, (max-width: 993px) 100vw, 993px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"676\" data-id=\"6561\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall.png\" alt=\"\" class=\"wp-image-6561\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-768x528.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"984\" height=\"672\" data-id=\"6560\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-4.png\" alt=\"\" class=\"wp-image-6560\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-4.png 984w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-4-300x205.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Araiza-Marshall-4-768x524.png 768w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Francisco Araiza and Margaret Marshall in the 1983 film of the Michael Hampe-directed<br>Salzburg Festival production of <em>Cos\u00ec fan tutte<\/em><\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart; Volgi a me pietoso il ciglio (<em>Cos\u00ec fan tutte<\/em>). Margaret Marshall (Fiordiligi), Francisco Araiza (Ferrando); Riccardo Muti, Wiener Philharmoniker [live Salzburg 1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"469\" height=\"671\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alfreda-Hodgson.jpg\" alt=\"\" class=\"wp-image-6562\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alfreda-Hodgson.jpg 469w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Alfreda-Hodgson-210x300.jpg 210w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><figcaption class=\"wp-element-caption\">Alfreda Hodgson<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giovanni Battista Pergolesi: Amen (<em>Stabat Mater<\/em>). Margaret Marshall, Alfreda Hodgson; G\u00fcnter Kehr, Mainzer Kammerorchester [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"574\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Finzi.jpg\" alt=\"\" class=\"wp-image-6564\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Finzi.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Finzi-300x224.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Gerald Finzi (1901-1956)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gerald Finzi: Intrada (<em>Dies Natalis<\/em>, Op. 8). G\u00fcnter Kehr, Mainzer Kammerorchester [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"332\" height=\"455\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gunter-Kehr.jpg\" alt=\"\" class=\"wp-image-6563\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gunter-Kehr.jpg 332w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gunter-Kehr-219x300.jpg 219w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><figcaption class=\"wp-element-caption\">G\u00fcnter Kehr (1920-1989)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gerald Finzi: Wonder. Arioso (<em>Dies Natalis<\/em>, Op. 8). Margaret Marshall; G\u00fcnter Kehr, Mainzer Kammerorchester [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"552\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Charles-Groves.png\" alt=\"\" class=\"wp-image-6565\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Charles-Groves.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Charles-Groves-300x288.png 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption class=\"wp-element-caption\">Charles Groves (1915-1992)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Edward Elgar: Woe to the shepherds of the flock! (<em>The Light of Life<\/em>). Margaret Marshall (The Mother); Charles Groves, Royal Liverpool Philharmonic Orchestra, Liverpool Philharmonic Choir [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"371\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Antal-Dorati.jpg\" alt=\"\" class=\"wp-image-6566\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Antal-Dorati.jpg 371w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Antal-Dorati-228x300.jpg 228w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><figcaption class=\"wp-element-caption\">Antal Dor\u00e1ti (1906-1988)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Joseph Haydn: Ad acquistar gi\u00e0 volo (<em><em>L\u2019incontro improvviso<\/em><\/em>). Margaret Marshall (Balkis); Antal Dor\u00e1ti, Orchestre de Chambre de Lausanne [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"934\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-934x1024.jpg\" alt=\"\" class=\"wp-image-6568\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-934x1024.jpg 934w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-274x300.jpg 274w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-768x842.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-1401x1536.jpg 1401w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1-1600x1754.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Rafael-Kubelik-1.jpg 1868w\" sizes=\"auto, (max-width: 934px) 100vw, 934px\" \/><figcaption class=\"wp-element-caption\">Rafael Kubel\u00edk (1914-1996)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Joseph Haydn: Nun beut die Flur (<em>Die Sch\u00f6pfung<\/em>, Hob.XXI:2). Margaret Marshall (Gabriel); Rafael Kubel\u00edk, Sinfonieorchester des Bayerischen Rundfunks [1987]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gelmetti.jpg\" alt=\"\" class=\"wp-image-6569\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gelmetti.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Gelmetti-200x300.jpg 200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Gianluigi Gelmetti (born 1945)<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Antonio Salieri: O\u00f9 suis-je&#8230; Foudre c\u00e9leste! Je t\u2019appelle! (<em>Les Dana\u00efdes<\/em>). Margaret Marshall (Hypermnestre); Gianluigi Gelmetti, Radio-Sinfonieorchester Stuttgaart [1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"843\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Parsons-1024x843.jpg\" alt=\"\" class=\"wp-image-6570\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Parsons-1024x843.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Parsons-300x247.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Parsons-768x632.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Parsons.jpg 1445w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Geoffrey Parsons (1929-1995)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alban Berg: An Leukon. Margaret Marshall; Geoffrey Parsons [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"327\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Berg.jpg\" alt=\"\" class=\"wp-image-6571\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Berg.jpg 278w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Berg-255x300.jpg 255w\" sizes=\"auto, (max-width: 278px) 100vw, 278px\" \/><figcaption class=\"wp-element-caption\">Alban Berg<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alban Berg: Schlie\u00dfe mir die Augen beide [Second version, 1925]. Margaret Marshall; Geoffrey Parsons [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"669\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/In-Recital-1024x669.jpg\" alt=\"\" class=\"wp-image-6572\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/In-Recital-1024x669.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/In-Recital-300x196.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/In-Recital-768x502.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/In-Recital.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss: Schlagende Herzen, Op. 29\/2. Margaret Marshall; John Fraser [live Wigmore Hall 1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-resized\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Margaret-794x1024.jpg\" alt=\"\" class=\"wp-image-6573\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Margaret-794x1024.jpg 794w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Margaret-233x300.jpg 233w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Margaret-768x991.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Young-Margaret.jpg 837w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart: Alleluia (<em>Exsultate, jubilate<\/em>, KV 165). Margaret Marshall; Neville Marriner, Radio-Sinfonieorchester Stuttgart [1987]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"808\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-after-Munich-competition-1024x808.jpg\" alt=\"\" class=\"wp-image-6534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-after-Munich-competition-1024x808.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-after-Munich-competition-300x237.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-after-Munich-competition-768x606.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Margaret-after-Munich-competition.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"505\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozartean-Costume-1.png\" alt=\"\" class=\"wp-image-6587\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozartean-Costume-1.png 505w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2021\/01\/Mozartean-Costume-1-257x300.png 257w\" sizes=\"auto, (max-width: 505px) 100vw, 505px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 231. Elliot Levine Introduces Margaret Marshall (Listeners\u2019 Favorites II) SOCIAL SHARE SUBSCRIPTION PLATFORM The second of my Listeners\u2019 Favorites&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,5823,1074,8033,5806,2260,808,2257],"tags":[1635,2536,2537,2532,2529,1326,470,2534,153,44,2311,2542,46,1609,280,2535,2531,1321,2533,2540,2549,1167,2545,2547,298,2541,2527,2530,2526,2528,1243,2539,1299,2226,1704,329,2544,2538,2543,34,2249],"class_list":["post-13607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-forgotten-divas","category-happy-birthday","category-johann-sebastian-bach","category-listeners-favorites","category-music-for-a-world-in-crisis","category-needle-drop","category-richard-strauss","tag-alban-berg","tag-alfreda-hodgson","tag-ann-murray","tag-antal-dorati","tag-antonio-salieri","tag-antonio-vivaldi","tag-brigitte-fassbaender","tag-charles-groves","tag-christoph-willibald-gluck","tag-cosi-fan-tutte","tag-edward-elgar","tag-felicity-palmer","tag-francisco-araiza","tag-geoffrey-parsons","tag-george-frideric-handel","tag-gerald-finzi","tag-gianluigi-gelmetti","tag-giovanni-battista-pergolesi","tag-gunter-kehr","tag-handel-messiah","tag-hans-dokoupil","tag-hans-hotter","tag-hans-thamm","tag-jean-yves-thibaudet","tag-johann-sebastian-bach","tag-john-eliot-gardiner","tag-john-fraser","tag-joseph-haydn","tag-margaret-marshall","tag-neville-marriner","tag-orfeo-ed-euridice","tag-philip-ledger","tag-rafael-kubelik","tag-ralf-weikert","tag-riccardo-muti","tag-richard-strauss","tag-rudolf-ewerhart","tag-sesto-bruscantini","tag-vittorio-negri","tag-wolfgang-amadeus-mozart","tag-zubin-mehta"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/12\/Margaret-as-Fiordiligi-TRIMMED-300x107.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/listeners-favorites\/\" class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Listeners&#039; Favorites<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Alban Berg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Alfreda Hodgson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Ann Murray<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Antal Dorati<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Antonio Salieri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Antonio Vivaldi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Charles Groves<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Edward Elgar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Felicity Palmer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Geoffrey Parsons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Gerald Finzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">G\u00fcnter Kehr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Handel Messiah<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hans Dokoupil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hans Hotter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Hans Thamm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Jean-Yves Thibaudet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Eliot Gardiner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">John Fraser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Joseph Haydn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Margaret Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Neville Marriner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Orfeo ed Euridice<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Philip Ledger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Rafael Kubelik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Ralf Weikert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Riccardo Muti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Rudolf Ewerhart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Sesto Bruscantini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Vittorio Negri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Zubin Mehta<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alban Berg<\/span>","<span class=\"advgb-post-tax-term\">Alfreda Hodgson<\/span>","<span class=\"advgb-post-tax-term\">Ann Murray<\/span>","<span class=\"advgb-post-tax-term\">Antal Dorati<\/span>","<span class=\"advgb-post-tax-term\">Antonio Salieri<\/span>","<span class=\"advgb-post-tax-term\">Antonio Vivaldi<\/span>","<span class=\"advgb-post-tax-term\">Brigitte Fassbaender<\/span>","<span class=\"advgb-post-tax-term\">Charles Groves<\/span>","<span class=\"advgb-post-tax-term\">Christoph Willibald Gluck<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">Edward Elgar<\/span>","<span class=\"advgb-post-tax-term\">Felicity Palmer<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Geoffrey Parsons<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Gerald Finzi<\/span>","<span class=\"advgb-post-tax-term\">Gianluigi Gelmetti<\/span>","<span class=\"advgb-post-tax-term\">Giovanni Battista Pergolesi<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnter Kehr<\/span>","<span class=\"advgb-post-tax-term\">Handel Messiah<\/span>","<span class=\"advgb-post-tax-term\">Hans Dokoupil<\/span>","<span class=\"advgb-post-tax-term\">Hans Hotter<\/span>","<span class=\"advgb-post-tax-term\">Hans Thamm<\/span>","<span class=\"advgb-post-tax-term\">Jean-Yves Thibaudet<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Eliot Gardiner<\/span>","<span class=\"advgb-post-tax-term\">John Fraser<\/span>","<span class=\"advgb-post-tax-term\">Joseph Haydn<\/span>","<span class=\"advgb-post-tax-term\">Margaret Marshall<\/span>","<span class=\"advgb-post-tax-term\">Neville Marriner<\/span>","<span class=\"advgb-post-tax-term\">Orfeo ed Euridice<\/span>","<span class=\"advgb-post-tax-term\">Philip Ledger<\/span>","<span class=\"advgb-post-tax-term\">Rafael Kubelik<\/span>","<span class=\"advgb-post-tax-term\">Ralf Weikert<\/span>","<span class=\"advgb-post-tax-term\">Riccardo Muti<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Ewerhart<\/span>","<span class=\"advgb-post-tax-term\">Sesto Bruscantini<\/span>","<span class=\"advgb-post-tax-term\">Vittorio Negri<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Zubin Mehta<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 03\/01\/2024","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 03\/01\/2024 23:19","modified":"Updated on 29\/07\/2025 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