{"id":13568,"date":"2024-02-27T07:29:10","date_gmt":"2024-02-27T06:29:10","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=13568"},"modified":"2024-02-27T07:29:11","modified_gmt":"2024-02-27T06:29:11","slug":"episode-245-tell-it-to-the-world-germany","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/02\/27\/episode-245-tell-it-to-the-world-germany\/","title":{"rendered":"Episode 245. Tell It to the World: Germany"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 245.  <em>Tell It to the World<\/em> : Germany<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1034-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13568&#038;title=Episode%20245.%20Tell%20It%20to%20the%20World%3A%20Germany\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 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c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13568&#038;description=Episode%20245.%20Tell%20It%20to%20the%20World%3A%20Germany\" 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27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"492\" height=\"745\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tell-It-to-the-World-1.png\" alt=\"\" class=\"wp-image-13988\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tell-It-to-the-World-1.png 492w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Tell-It-to-the-World-1-198x300.png 198w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/figure>\n<\/div>\n\n\n<p>Here is the second of a two part series in celebration of David Savran\u2019s new book, <em>Tell It to the World: The Broadway Musical Abroad<\/em>, a monumental study on transnationalism and the Broadway-style musical. In the first part, David and I spoke about (and played examples from) the rich culture surrounding musicals in South Korea. Today\u2019s episode focuses on Germany and the influx of Broadway musicals since World War II. Although the German-speaking world has a long tradition of popular music theatre, most notably operetta, the arrival of American musicals (beginning in 1955 with <em>Kiss Me, Kate<\/em>) made a very big splash. In 1961, <em>My Fair Lady<\/em> opened in West Berlin, became a sensational success, and permanently changed the shape of German musical theatre. Both <em>Kiss Me, Kate<\/em> and <em>My Fair Lad<\/em>y are part of the first wave of Broadway musicals that have become part of the standard repertoire in state-subsidized theatre (the others include <em>Cabaret<\/em>, <em>Anatevka <\/em>(<em>Fiddler on the Roof<\/em>), <em>West Side Story<\/em>, <em>La Cage aux Folles<\/em>, and <em>Hair<\/em>).<\/p>\n\n\n\n<p>We also look at the development of home-grown Broadway-style musicals in both West and East Germany from the 1960s through the 1980s and their subsequent impact on the work of experimental theatre makers. The next to last chapter of the book studies the musical farces directed by the great theatrical innovator, Herbert Fritsch, since 2011. The last focuses on the work of Barrie Kosky at the Komische Oper Berlin and how he turned that house into the foremost theatre in Germany for innovative re-imaginings of Broadway musicals, with emphasis on iconoclastic stagings by Kosky (and other directors) of the work of Kurt Weill. We play examples from many of the thrilling productions about which David writes which deserve to be known by a much wider audience. Along the way we also listen to nearly a century\u2019s worth of performances by some legendary performers of German operetta and musicals, including Fritzi Massary, Olive Moorefield, Gisela May, Max Hansen, Dagmar Manzel, Horst Schulze, Ruth Rosenfeld, Julia Migenes, Julia Koci, and the late Rainer Luhn.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-1024x640.jpg\" alt=\"\" class=\"wp-image-13972\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-1024x640.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-300x188.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-768x480.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-1536x960.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-2048x1280.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-1965-Leipzig-production-1600x1000.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>In Frisco ist der Teufel los<\/em>, production at Musikalische Kom\u00f6die Leipzig (1965)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Guido Masanetz: Overt\u00fcre (<em>In Frisco ist der Teufel los<\/em>). Robert Hanell, Gro\u00dfes Orchester des Deutschlandsenders [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"458\" height=\"712\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Olive-Moorefield.png\" alt=\"\" class=\"wp-image-13973\" style=\"width:637px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Olive-Moorefield.png 458w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Olive-Moorefield-193x300.png 193w\" sizes=\"auto, (max-width: 458px) 100vw, 458px\" \/><\/figure>\n<\/div>\n\n\n<p>Cole Porter, G\u00fcnter Neumann [German lyrics]: Ich bin dein f\u00fcr alle Zeit [So in Love] (<em>Kiss Me Kate<\/em>). Olive Moorefield, Orchester Johannes Fehring [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"795\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Max-Hansen.png\" alt=\"\" class=\"wp-image-13974\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Max-Hansen.png 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Max-Hansen-213x300.png 213w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><figcaption class=\"wp-element-caption\">Max Hansen<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ralph Benatzky, Robert Gilbert: Es mu\u00df was Wunderbares sein (<em>Im wei\u00dfen R\u00f6\u00dfl<\/em>). Max Hansen, Paul-Godwin-Tanz-Orchester [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"666\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-1024x666.jpg\" alt=\"\" class=\"wp-image-13975\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-1024x666.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-300x195.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-768x500.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-1536x1000.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-2048x1333.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gaxton-Carlisle-White-Horse-Inn-1600x1041.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">William Gaxton (L) and Kitty Carlisle in <em>White Horse Inn<\/em> (Broadway 1936)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ralph Benatzky, Irving Caesar [English lyrics]: I Cannot Live Without Your Love (<em>White Horse Inn<\/em>). William Gaxton, Kitty Carlisle, Orchestra conducted by Richard Baravalle [RCA Magic Key Broadcast 25.X.1936]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"778\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fritzi-Massary.png\" alt=\"\" class=\"wp-image-13966\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fritzi-Massary.png 660w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fritzi-Massary-254x300.png 254w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><figcaption class=\"wp-element-caption\">Fritzi Massary<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Oscar Straus, Alfred Gr\u00fcnwald [after Louis Verneuil]: Warum soll eine Frau kein Verh\u00e4ltnis haben? (<em>Eine Frau, die wei\u00df, was sie will<\/em>). Fritzi Massary, Orchestra conducted by Hans Schindler [1932]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program-1024x578.png\" alt=\"\" class=\"wp-image-13970\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program-1024x578.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program-768x434.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program-1536x868.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/MFL-TDW-Program.png 1595w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A two-page spread from the <em>My Fair Lady<\/em> program (Theater des Westens 1961)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frederick Loewe, Alan Jay Lerner, Roland Gilbert [German lyrics]: W\u00e4re det nich wundascheen? [Wouldn\u2019t It Be Loverly] (<em>My Fair Lady<\/em>) Karin Huebner, Franz Allers, Orchester des Theater des Westens [1962]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"537\" height=\"744\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/West-Side-Story-Poster.png\" alt=\"\" class=\"wp-image-13971\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/West-Side-Story-Poster.png 537w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/West-Side-Story-Poster-217x300.png 217w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/figure>\n<\/div>\n\n\n<p>Leonard Bernstein, Stephen Sondheim, Marcel Prawy [German lyrics]: Etwas fliegt auf mich zu [Something&#8217;s Coming] (<em>West Side Story<\/em>). Adolf Dallapozza, Lawrence Leonard, Orchester der Wiener Volksoper [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Migenes-Prawy-WSS-1024x750.png\" alt=\"\" class=\"wp-image-13965\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Migenes-Prawy-WSS-1024x750.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Migenes-Prawy-WSS-300x220.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Migenes-Prawy-WSS-768x562.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Migenes-Prawy-WSS.png 1206w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Julia Migenes and Marcel Prawy (R) in rehearsal for <em>West Side Story<\/em> (Vienna 1968)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Leonard Bernstein, Stephen Sondheim, Marcel Prawy [German lyrics]: Heut&#8217; nacht [Tonight] (<em>West Side Story<\/em>). Julia Migenes, Adolf Dallapozza, Lawrence Leonard, Orchester der Wiener Volksoper [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-1024x683.jpg\" alt=\"\" class=\"wp-image-13976\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014-1600x1066.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Leipzig-Bunbury-2014.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>Mein Freund Bunbury<\/em> revival (Musikalische Kom\u00f6die Leipzig 2014)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gerd Natschinski, J\u00fcrgen Degenhardt [after Oscar Wilde]: Mein Freund Bunbury (<em>Mein Freund Bunbury<\/em>). Horst Schulze, Eberhard B\u00fcchner, Gerd Natschinski, Gro\u00dfes Rundfunk-Orchester Berlin [1972]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-1024x1024.jpg\" alt=\"\" class=\"wp-image-13994\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-2048x2048.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/P1210072-1600x1600.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"511\" height=\"743\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gisela-May.png\" alt=\"\" class=\"wp-image-13977\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gisela-May.png 511w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Gisela-May-206x300.png 206w\" sizes=\"auto, (max-width: 511px) 100vw, 511px\" \/><\/figure>\n<\/div>\n\n\n<p>Guido Masanetz, Mauritius Janowski: Schaut mich einer an (<em>In Frisco ist der Teufel los<\/em>). Gisela May, Robert Hanell, Gro\u00dfes Orchester des Deutschlandsenders [1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"817\" height=\"836\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco.png\" alt=\"\" class=\"wp-image-13996\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco.png 817w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-293x300.png 293w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Frisco-768x786.png 768w\" sizes=\"auto, (max-width: 817px) 100vw, 817px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"415\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rio-Reiser.jpg\" alt=\"\" class=\"wp-image-13967\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rio-Reiser.jpg 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rio-Reiser-300x168.jpg 300w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption class=\"wp-element-caption\">Rio Reiser<\/figcaption><\/figure>\n\n\n\n<p>Rio Reiser [n\u00e9 Ralph M\u00f6bius], Ralph Steitz: Schritt f\u00fcr Schritt ins Paradies. Ton Steine Scherben [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"541\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Ton-Steine-Scherben.jpg\" alt=\"\" class=\"wp-image-13987\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Ton-Steine-Scherben.jpg 960w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Ton-Steine-Scherben-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Ton-Steine-Scherben-768x433.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Ton Steine Scherben<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"679\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-1024x679.png\" alt=\"\" class=\"wp-image-13968\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-1024x679.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-300x199.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-768x509.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack.png 1242w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A staging of Herr Fressack und die Bremer Stadtmusikanten presented by the Theater Koblenz, June 2023<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Rio Reiser [n\u00e9 Ralph M\u00f6bius]: Ich will nicht mehr das arme Schwein sein (<em>Herr Fressack und die Bremer Stadtmusikanten<\/em>). Ton Scheine Scherben [1973]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"894\" height=\"803\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack.jpg\" alt=\"\" class=\"wp-image-13986\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack.jpg 894w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-300x269.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Fressack-768x690.jpg 768w\" sizes=\"auto, (max-width: 894px) 100vw, 894px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-1024x683.jpg\" alt=\"\" class=\"wp-image-13985\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-1536x1024.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-2048x1366.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Linie-Eins-USE-1600x1067.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Birger Heymann, No Ticket [Axel Kottmann, George Kranz, Matthias Witting, Michael Brandt, Richard Wester], Volker Ludwig: Mut zum Tr\u00e4umen (<em>Linie 1<\/em>). Ensemble des Grips Theater, No Ticket [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"643\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/The-Black-Rider-1024x643.png\" alt=\"\" class=\"wp-image-13984\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/The-Black-Rider-1024x643.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/The-Black-Rider-300x188.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/The-Black-Rider-768x482.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/The-Black-Rider.png 1406w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Tom Waits, William S. Burroughs: The Black Rider (The Black Rider). Tom Waits [1990 demo]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Schwarze-Hecht-1-1024x681.png\" alt=\"\" class=\"wp-image-13983\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Schwarze-Hecht-1-1024x681.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Schwarze-Hecht-1-300x199.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Schwarze-Hecht-1-768x510.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Schwarze-Hecht-1.png 1315w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Paul Burkhard, J\u00fcrg Amstein [after Emil Sautter]: O mein Papa (<em>Der schwarze Hecht<\/em>). Ruth Rosenfeld and Ensemble (Hubert Wild, Carol Schuler, Jean-Pierre Cornu, Jessica Fr\u00fch, Lisa-Katrina Mayer, Hans Schenker, Lena Schwarz, Robert Hunger-B\u00fchler, Rahel Hubacher, Gottfried Bretifuss, Miriam Maertens, Benedict Fellmer, Nehrun Aliev, Claudia K\u00fchne, Magdalena Irmann), Bendix Dethleffsen, Roman Vinuesa, Michael Wilhelmi [live Z\u00fcrich Fall 2014]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hecht-2-1024x682.png\" alt=\"\" class=\"wp-image-13989\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hecht-2-1024x682.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hecht-2-300x200.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hecht-2-768x511.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hecht-2.png 1320w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"861\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Erstes-Liebeslied.png\" alt=\"\" class=\"wp-image-13982\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Erstes-Liebeslied.png 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Erstes-Liebeslied-205x300.png 205w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike, arr. Carsten Meyer, Ruth Rosenfeld: Erstes Liebeslied eines M\u00e4dchens (<em>Wer hat Angst vor Hugo Wolf?<\/em>). Ruth Rosenfeld, Carol Schuler, Carsten Meyer [live, Schauspielhaus Z\u00fcrich 23.IV.2016]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"645\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hugo-Wolf-2-1024x645.png\" alt=\"\" class=\"wp-image-13991\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hugo-Wolf-2-1024x645.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hugo-Wolf-2-300x189.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hugo-Wolf-2-768x484.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Hugo-Wolf-2.png 1260w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-1024x681.jpg\" alt=\"\" class=\"wp-image-13979\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-1024x681.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-768x511.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-1536x1022.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE-1600x1064.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Manzel-Kate-USE.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Dagmar Manzel in <em>Kiss Me Kate<\/em> (Komische Oper 2008)<\/figcaption><\/figure>\n\n\n\n<p>Cole Porter, Susanne Wolf [German lyrics]: Blo\u00df kein Mann [I Hate Men] (<em>Kiss Me Kate<\/em>). Dagmar Manzel, Koen Schoots, Orchester der Komischen Oper [live Berlin 31.V.2008]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Roger-Smeets-and-Gay-Cowboys-Kate-1024x676.png\" alt=\"\" class=\"wp-image-13990\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Roger-Smeets-and-Gay-Cowboys-Kate-1024x676.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Roger-Smeets-and-Gay-Cowboys-Kate-300x198.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Roger-Smeets-and-Gay-Cowboys-Kate-768x507.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Roger-Smeets-and-Gay-Cowboys-Kate.png 1332w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Roger Smeets and the gay cowboys in <em>Kiss Me Kate <\/em>(Komsiche Oper 2008)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Julia-Koci.jpg\" alt=\"\" class=\"wp-image-13969\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Julia-Koci.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Julia-Koci-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Julia-Koci-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Julia Koci as Liza Elliott in <em>Lady in the Dark<\/em>, Wiener Volksoper, 2021<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Ira Gershwin, Roman Hinze [German lyrics]: Mein Schiff [My Ship] (<em>Lady in the Dark<\/em>). Julia Koci, James Holmes, Orchester der Wiener Volksoper [live Vienna XII.2021]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien-1024x573.png\" alt=\"\" class=\"wp-image-14000\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien-1024x573.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien-300x168.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien-768x430.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien-1536x860.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Lady-Wien.png 1586w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"714\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-1024x714.png\" alt=\"\" class=\"wp-image-13981\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-1024x714.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-300x209.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-768x535.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee.png 1245w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Kurt Weill, Georg Kaiser: C\u00e4sars Tod (<em>Der Silbersee<\/em>). Hanne Roos, Karel Deseure, Orchestra of the Opera Ballet Vlaanderen [live Antwerp X.2021]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-Martyr-682x1024.jpg\" alt=\"\" class=\"wp-image-14001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-Martyr-682x1024.jpg 682w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-Martyr-200x300.jpg 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-Martyr-768x1153.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Silbersee-Martyr.jpg 799w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-1024x576.png\" alt=\"\" class=\"wp-image-13992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-1536x864.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag-1600x900.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-drag.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerry Herman, Erika Gesell [German lyrics]: Ich bin was ich bin [I Am What I Am] (<em>La Cage aux Folles<\/em> [Ein K\u00e4fig voller Narren]. Rainer Luhn with Studio Orchestra [1998]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-1024x576.png\" alt=\"\" class=\"wp-image-13993\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-1536x864.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing-1600x900.png 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Rainer-Luhn-singing.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 245. Tell It to the World : Germany SOCIAL SHARE SUBSCRIPTION PLATFORM Here is the second of a two&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1626,2109,1659,808,2329,1470,5911,2806],"tags":[1862,1473,4860,5927,5935,5926,5965,5925,5990,5986,5933,5976,5928,5988,1937,5921,340,5959,5915,2495,653,5962,5958,5969,5912,5966,2071,1474,1438,5914,5936,5950,5949,5984,3435,5964,5916,5980,5960,5924,5946,5975,648,5968,5948,1397,6029,5977,5978,5963,6028,1860,5957,5951,5917,5956,4218,5971,5922,1040,3728,5185,5955,5981,5953,5941,5979,5961,5989,5954,5937,5947,2827,5952,5938,5992,5985,5009,5987,5934,2721,506,3372,3613,5974,5983,5913,2824,5943,5944,5972,5939,5942,3556,5982,5197,6030,5991,5929,5923,6027,5967,5932,5930,5945,5940,1863,5973,5970,5931],"class_list":["post-13568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-singers","category-broadway-and-musicals","category-interview","category-needle-drop","category-opera-in-translation","category-operetta","category-tell-it-to-the-world","category-twentieth-century-music","tag-adolf-dallapozza","tag-alan-jay-lerner","tag-alfred-grunwald","tag-annika-meier","tag-axel-kottmann","tag-axel-wandtke","tag-barry-kosky","tag-bastian-reiber","tag-bendix-dethleffsen","tag-benedict-fellmer","tag-birger-heymann","tag-carol-schuler","tag-carsten-meyer","tag-claudia-kuhne","tag-cole-porter","tag-dagmar-manzel","tag-david-savran","tag-der-schwarze-hecht","tag-der-silbersee","tag-eberhard-buchner","tag-eduard-morike","tag-eine-frau-die-weis-was-sie-will","tag-emil-sautter","tag-erik-charrell","tag-erika-gesell","tag-ersan-mondtag","tag-franz-allers","tag-frederick-loewe","tag-fritzi-massary","tag-georg-kaiser","tag-george-kranz","tag-gerd-natschinski","tag-gisela-may","tag-gottfried-bretifuss","tag-guido-masanetz","tag-gunter-neumann","tag-hanne-roos","tag-hans-schenker","tag-hans-schindler","tag-herbert-fritsch","tag-herr-fressack-und-die-bremer-stadtmusikanten","tag-hubert-wild","tag-hugo-wolf","tag-im-weisen-rosl","tag-in-frisco-ist-der-teufel-los","tag-ira-gershwin","tag-james-holmes","tag-jean-pierre-cornu","tag-jessica-fruh","tag-johannes-fehring","tag-julia-koci","tag-julia-migenes","tag-jurg-amstein","tag-jurgen-degenhardt","tag-karel-deseure","tag-karin-huebner","tag-kiss-me-kate","tag-kitty-carlisle","tag-koen-schoots","tag-kurt-weill","tag-la-cage-aux-folles","tag-lady-in-the-dark","tag-lawrence-leonard","tag-lena-schwarz","tag-leonard-bernstein-stephen-sondheim","tag-linie-1","tag-lisa-katrina-mayer","tag-louis-verneuil","tag-magdalena-irmann","tag-marcel-prawy","tag-matthias-witting","tag-mauritius-janowski","tag-max-hansen","tag-mein-freund-bunbury-horst-schulze","tag-michael-brandt","tag-michael-wilhelmi","tag-miriam-maertens","tag-my-fair-lady","tag-nehrun-aliev","tag-no-ticket","tag-olive-moorefield","tag-oscar-straus","tag-oscar-wilde","tag-paul-burkhard","tag-paul-godwin","tag-rahel-hubacher","tag-rainer-luhn","tag-ralph-benatzky","tag-ralph-mobius","tag-ralph-steitz","tag-richard-baravalle","tag-richard-wester","tag-rio-reiser","tag-robert-hanell","tag-robert-hunger-buhler","tag-roland-gilbert","tag-roman-hinze","tag-roman-vinuesa","tag-ruth-rosenfeld","tag-susanne-wolf","tag-tags-jerry-herman","tag-tell-it-to-the-world","tag-the-black-rider","tag-tom-waits","tag-ton-scheine-scherben","tag-volker-ludwig","tag-west-side-story","tag-white-horse-inn","tag-william-gaxton","tag-william-s-burroughs"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Zelt-Hootenany-300x115.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/tell-it-to-the-world\/\" class=\"advgb-post-tax-term\">Tell It to the World<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Tell It to the World<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adolf Dallapozza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Annika Meier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Axel Kottmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Axel Wandtke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barry Kosky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bastian Reiber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bendix Dethleffsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benedict Fellmer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Birger Heymann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carol Schuler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carsten Meyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudia K\u00fchne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cole Porter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dagmar Manzel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Savran<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der schwarze Hecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Der Silbersee<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eberhard B\u00fcchner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eine Frau die wei\u00df was sie will<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emil Sautter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erik Charrell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erika Gesell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ersan Mondtag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Allers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederick Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fritzi Massary<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georg Kaiser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Kranz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerd Natschinski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gisela May<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gottfried Bretifuss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Guido Masanetz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">G\u00fcnter Neumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hanne Roos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Schenker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Schindler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert Fritsch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herr Fressack und die Bremer Stadtmusikanten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hubert Wild<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Im wei\u00dfen R\u00f6\u00dfl<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">In Frisco ist der Teufel los<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Holmes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Pierre Cornu<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jessica Fr\u00fch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Fehring<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julia Koci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julia Migenes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J\u00fcrg Amstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J\u00fcrgen Degenhardt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karel Deseure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Karin Huebner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kiss Me Kate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kitty Carlisle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Koen Schoots<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Weill<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Cage aux Folles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lady in the Dark<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lawrence Leonard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lena Schwarz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Linie 1<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lisa-Katrina Mayer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Verneuil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Magdalena Irmann)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marcel Prawy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Matthias Witting<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mauritius Janowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Max Hansen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mein Freund Bunbury Horst Schulze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Brandt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Wilhelmi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Miriam Maertens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">My Fair Lady<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nehrun Aliev<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">No Ticket<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Olive Moorefield<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Straus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Wilde<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Burkhard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Godwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rahel Hubacher<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rainer Luhn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Benatzky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph M\u00f6bius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Steitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Baravalle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Wester<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rio Reiser<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Hanell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Hunger-B\u00fchler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roland Gilbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roman Hinze<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roman Vinuesa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ruth Rosenfeld<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Susanne Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tags: Jerry Herman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tell It to the World<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Black Rider<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tom Waits<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ton Scheine Scherben<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Volker Ludwig<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">West Side Story<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">White Horse Inn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Gaxton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William S. Burroughs<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolf Dallapozza<\/span>","<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/span>","<span class=\"advgb-post-tax-term\">Annika Meier<\/span>","<span class=\"advgb-post-tax-term\">Axel Kottmann<\/span>","<span class=\"advgb-post-tax-term\">Axel Wandtke<\/span>","<span class=\"advgb-post-tax-term\">Barry Kosky<\/span>","<span class=\"advgb-post-tax-term\">Bastian Reiber<\/span>","<span class=\"advgb-post-tax-term\">Bendix Dethleffsen<\/span>","<span class=\"advgb-post-tax-term\">Benedict Fellmer<\/span>","<span class=\"advgb-post-tax-term\">Birger Heymann<\/span>","<span class=\"advgb-post-tax-term\">Carol Schuler<\/span>","<span class=\"advgb-post-tax-term\">Carsten Meyer<\/span>","<span class=\"advgb-post-tax-term\">Claudia K\u00fchne<\/span>","<span class=\"advgb-post-tax-term\">Cole Porter<\/span>","<span class=\"advgb-post-tax-term\">Dagmar Manzel<\/span>","<span class=\"advgb-post-tax-term\">David Savran<\/span>","<span class=\"advgb-post-tax-term\">Der schwarze Hecht<\/span>","<span class=\"advgb-post-tax-term\">Der Silbersee<\/span>","<span class=\"advgb-post-tax-term\">Eberhard B\u00fcchner<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Eine Frau die wei\u00df was sie will<\/span>","<span class=\"advgb-post-tax-term\">Emil Sautter<\/span>","<span class=\"advgb-post-tax-term\">Erik Charrell<\/span>","<span class=\"advgb-post-tax-term\">Erika Gesell<\/span>","<span class=\"advgb-post-tax-term\">Ersan Mondtag<\/span>","<span class=\"advgb-post-tax-term\">Franz Allers<\/span>","<span class=\"advgb-post-tax-term\">Frederick Loewe<\/span>","<span class=\"advgb-post-tax-term\">Fritzi Massary<\/span>","<span class=\"advgb-post-tax-term\">Georg Kaiser<\/span>","<span class=\"advgb-post-tax-term\">George Kranz<\/span>","<span class=\"advgb-post-tax-term\">Gerd Natschinski<\/span>","<span class=\"advgb-post-tax-term\">Gisela May<\/span>","<span class=\"advgb-post-tax-term\">Gottfried Bretifuss<\/span>","<span class=\"advgb-post-tax-term\">Guido Masanetz<\/span>","<span class=\"advgb-post-tax-term\">G\u00fcnter Neumann<\/span>","<span class=\"advgb-post-tax-term\">Hanne Roos<\/span>","<span class=\"advgb-post-tax-term\">Hans Schenker<\/span>","<span class=\"advgb-post-tax-term\">Hans Schindler<\/span>","<span class=\"advgb-post-tax-term\">Herbert Fritsch<\/span>","<span class=\"advgb-post-tax-term\">Herr Fressack und die Bremer Stadtmusikanten<\/span>","<span class=\"advgb-post-tax-term\">Hubert Wild<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Im wei\u00dfen R\u00f6\u00dfl<\/span>","<span class=\"advgb-post-tax-term\">In Frisco ist der Teufel los<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">James Holmes<\/span>","<span class=\"advgb-post-tax-term\">Jean-Pierre Cornu<\/span>","<span class=\"advgb-post-tax-term\">Jessica Fr\u00fch<\/span>","<span class=\"advgb-post-tax-term\">Johannes Fehring<\/span>","<span class=\"advgb-post-tax-term\">Julia Koci<\/span>","<span class=\"advgb-post-tax-term\">Julia Migenes<\/span>","<span class=\"advgb-post-tax-term\">J\u00fcrg Amstein<\/span>","<span class=\"advgb-post-tax-term\">J\u00fcrgen Degenhardt<\/span>","<span class=\"advgb-post-tax-term\">Karel Deseure<\/span>","<span class=\"advgb-post-tax-term\">Karin Huebner<\/span>","<span class=\"advgb-post-tax-term\">Kiss Me Kate<\/span>","<span class=\"advgb-post-tax-term\">Kitty Carlisle<\/span>","<span class=\"advgb-post-tax-term\">Koen Schoots<\/span>","<span class=\"advgb-post-tax-term\">Kurt Weill<\/span>","<span class=\"advgb-post-tax-term\">La Cage aux Folles<\/span>","<span class=\"advgb-post-tax-term\">Lady in the Dark<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Leonard<\/span>","<span class=\"advgb-post-tax-term\">Lena Schwarz<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">Linie 1<\/span>","<span class=\"advgb-post-tax-term\">Lisa-Katrina Mayer<\/span>","<span class=\"advgb-post-tax-term\">Louis Verneuil<\/span>","<span class=\"advgb-post-tax-term\">Magdalena Irmann)<\/span>","<span class=\"advgb-post-tax-term\">Marcel Prawy<\/span>","<span class=\"advgb-post-tax-term\">Matthias Witting<\/span>","<span class=\"advgb-post-tax-term\">Mauritius Janowski<\/span>","<span class=\"advgb-post-tax-term\">Max Hansen<\/span>","<span class=\"advgb-post-tax-term\">Mein Freund Bunbury Horst Schulze<\/span>","<span class=\"advgb-post-tax-term\">Michael Brandt<\/span>","<span class=\"advgb-post-tax-term\">Michael Wilhelmi<\/span>","<span class=\"advgb-post-tax-term\">Miriam Maertens<\/span>","<span class=\"advgb-post-tax-term\">My Fair Lady<\/span>","<span class=\"advgb-post-tax-term\">Nehrun Aliev<\/span>","<span class=\"advgb-post-tax-term\">No Ticket<\/span>","<span class=\"advgb-post-tax-term\">Olive Moorefield<\/span>","<span class=\"advgb-post-tax-term\">Oscar Straus<\/span>","<span class=\"advgb-post-tax-term\">Oscar Wilde<\/span>","<span class=\"advgb-post-tax-term\">Paul Burkhard<\/span>","<span class=\"advgb-post-tax-term\">Paul Godwin<\/span>","<span class=\"advgb-post-tax-term\">Rahel Hubacher<\/span>","<span class=\"advgb-post-tax-term\">Rainer Luhn<\/span>","<span class=\"advgb-post-tax-term\">Ralph Benatzky<\/span>","<span class=\"advgb-post-tax-term\">Ralph M\u00f6bius<\/span>","<span class=\"advgb-post-tax-term\">Ralph Steitz<\/span>","<span class=\"advgb-post-tax-term\">Richard Baravalle<\/span>","<span class=\"advgb-post-tax-term\">Richard Wester<\/span>","<span class=\"advgb-post-tax-term\">Rio Reiser<\/span>","<span class=\"advgb-post-tax-term\">Robert Hanell<\/span>","<span class=\"advgb-post-tax-term\">Robert Hunger-B\u00fchler<\/span>","<span class=\"advgb-post-tax-term\">Roland Gilbert<\/span>","<span class=\"advgb-post-tax-term\">Roman Hinze<\/span>","<span class=\"advgb-post-tax-term\">Roman Vinuesa<\/span>","<span class=\"advgb-post-tax-term\">Ruth Rosenfeld<\/span>","<span class=\"advgb-post-tax-term\">Susanne Wolf<\/span>","<span class=\"advgb-post-tax-term\">Tags: Jerry Herman<\/span>","<span class=\"advgb-post-tax-term\">Tell It to the World<\/span>","<span class=\"advgb-post-tax-term\">The Black Rider<\/span>","<span class=\"advgb-post-tax-term\">Tom Waits<\/span>","<span class=\"advgb-post-tax-term\">Ton Scheine Scherben<\/span>","<span class=\"advgb-post-tax-term\">Volker Ludwig<\/span>","<span class=\"advgb-post-tax-term\">West Side Story<\/span>","<span class=\"advgb-post-tax-term\">White Horse Inn<\/span>","<span class=\"advgb-post-tax-term\">William Gaxton<\/span>","<span class=\"advgb-post-tax-term\">William S. Burroughs<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 27\/02\/2024","modified":"Updated on 27\/02\/2024"},"absolute_dates_time":{"created":"Posted on 27\/02\/2024 07:29","modified":"Updated on 27\/02\/2024 07:29"},"featured_img_caption":"Ensemble","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=13568"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13568\/revisions"}],"predecessor-version":[{"id":14003,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13568\/revisions\/14003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/13999"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=13568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=13568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=13568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}