{"id":13546,"date":"2024-02-15T12:15:07","date_gmt":"2024-02-15T11:15:07","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=13546"},"modified":"2024-02-15T15:44:05","modified_gmt":"2024-02-15T14:44:05","slug":"episode-240-annabelle-bernard","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2024\/02\/15\/episode-240-annabelle-bernard\/","title":{"rendered":"Episode 240. Annabelle Bernard (BHM 2024)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 240.  Annabelle Bernard (BHM 2024)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=1011-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13546&#038;title=Episode%20240.%20Annabelle%20Bernard\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13546&#038;link=Episode%20240.%20Annabelle%20Bernard\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13546&#038;description=Episode%20240.%20Annabelle%20Bernard\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13546&#038;subject=Episode%20240.%20Annabelle%20Bernard\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=https%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13546&#038;title=Episode%20240.%20Annabelle%20Bernard\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"558\" height=\"764\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-headshot.jpg\" alt=\"\" class=\"wp-image-13798\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-headshot.jpg 558w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-headshot-219x300.jpg 219w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Last week we celebrated the 97th birthday of our Ur-Diva, Leontyne Price. And today, continuing my Black History Month 2024 theme of \u201cForgotten Divas,\u201d I present to you a Verdi soprano of similar repertoire and voice to Miss Price, Annabelle Bernard (1935-2005), whose career, unlike Price\u2019s, was centered primarily in Europe, specifically at the Deutsche Oper in Berlin, where she was a member of the company for nearly forty years. Born in New Orleans, she received her early musical training from Earl Hogan (uncle of the famous composer and conductor Moses Hogan) and Sister Mary Elise Sisson, whom Bernard herself credited with being her formative and primary musical inspiration. With the patronage of Edith Rosenwald Stern, an heiress to the Sears-Roebuck fortune, Bernard found early success in Europe, winning second prize in the Munich ARD Competition in 1960, settling in Berlin in 1962. Annabelle Bernard was married to the German tenor Karl-Ernst Mercker (1933-2021), who in addition to appearing alongside her in many performances and productions, was also a fierce advocate for his wife during her tenure in Berlin, when she would encounter racism. The two of them retired to New Orleans in 1998, where Bernard became a voice teacher at Xavier University, her alma mater. This episode includes rare live clips of the soprano in works by Verdi, Mercadante, and Dallapiccola, as well as from her sole commercial recording, excerpts from <em>Porgy and Bess<\/em> in German alongside the iconic African American baritone Lawrence Winters, released in 1964, the year before Winters\u2019s untimely death. Mercker\u2019s strong lyric tenor is also featured in a few brief excerpts, but the main focus is on the radiant voice and artistry of Annabelle Bernard. Believe me when I tell you that I remain on the lookout for further recordings of this magnificent artist!<\/p>\n\n\n\n<p>Two webpages discussing the life and career of Annabelle Bernard:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.amistadresearchcenter.org\/single-post\/opera-soprano-annabelle-bernard\">Amistad Research Center: The Career of Annabelle Bernard<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.creolegen.org\/2018\/04\/10\/a-life-in-opera-part-2-annabelle-bernard\/\">Creolegen.org: Annabelle Bernard: A Life in Opera<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"574\" data-id=\"13801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Trovatore.jpg\" alt=\"\" class=\"wp-image-13801\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Trovatore.jpg 423w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Trovatore-221x300.jpg 221w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"418\" height=\"581\" data-id=\"13820\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Trovatore-2.jpg\" alt=\"\" class=\"wp-image-13820\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Trovatore-2.jpg 418w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Trovatore-2-216x300.jpg 216w\" sizes=\"auto, (max-width: 418px) 100vw, 418px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: D\u2019amor sull\u2019ali rosee (<em>Il trovatore<\/em>). Annabelle Bernard, Nello Santi, Orchester der Bayerischen Staatsoper [live M\u00fcnchen 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"777\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Winter-Porgy.png\" alt=\"\" class=\"wp-image-13802\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Winter-Porgy.png 430w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Winter-Porgy-166x300.png 166w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin, Walter Brondin [German translation]: Bess, du bist nun meine Frau&#8230; Porgy, ich bin deine Frau [Bess, You Is My Woman Now] (<em>Porgy and Bess<\/em>). Annabelle Bernard, Lawrence Winters, Richard M\u00fcller-Lampertz, NDR Rundfunkorchester Hannover [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"769\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Agnes-Baltsa.png\" alt=\"\" class=\"wp-image-13803\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Agnes-Baltsa.png 584w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Agnes-Baltsa-228x300.png 228w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><figcaption class=\"wp-element-caption\">Agnes Baltsa<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Saverio Mercadante, Gaetano Rossi [after Victor Hugo]: Ah, qual nome pronunciate&#8230; Dolce conforto al misero (<em>Il Giuramento<\/em>). Annabelle Bernard, Agnes Baltsa, Gerd Albrecht, Orchester der Deutsche Oper Berlin [live Berlin 28.IX.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-still-from-Tiefland.jpg\" alt=\"\" class=\"wp-image-13804\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-still-from-Tiefland.jpg 915w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-still-from-Tiefland-300x236.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-still-from-Tiefland-768x604.jpg 768w\" sizes=\"auto, (max-width: 915px) 100vw, 915px\" \/><figcaption class=\"wp-element-caption\">Karl-Ernst Mercker in a still from a 1964 TV film of Eugen d\u2019Albert\u2019s <em>Tiefland<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Den Bronnen, den uns Wolfram nannte (<em>Tannh\u00e4user<\/em>). Karl-Ernst Mercker, Wolfgang Sawallisch, Orchestra Sinfonica di Roma della RAI [live Perugia 01.X.1972]<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"555\" height=\"784\" data-id=\"13807\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-Headshot.png\" alt=\"\" class=\"wp-image-13807\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-Headshot.png 555w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-Headshot-212x300.png 212w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"806\" data-id=\"13806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/KEMercker.png\" alt=\"\" class=\"wp-image-13806\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/KEMercker.png 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/KEMercker-210x300.png 210w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"547\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-as-Broucek.jpg\" alt=\"\" class=\"wp-image-13805\" style=\"width:603px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-as-Broucek.jpg 355w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Mercker-as-Broucek-195x300.jpg 195w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><figcaption class=\"wp-element-caption\">Mercker as Herr Broucek in <em>Die Ausfl\u00fcge des Herrn Broucek <\/em>(Wien 1971)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Leo\u0161 Jan\u00e1\u010dek, Viktor Dyk [after Svatopluka \u010cecha]: Was denn? (<em>Die Ausfl\u00fcge des Herrn Broucek<\/em>). Karl-Ernst Mercker, Wolfgang Witte, Jaroslav Krombholc, Orchester der Wiener Volksoper [live Wien 18.I.1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"422\" height=\"718\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-in-Montezuma.png\" alt=\"\" class=\"wp-image-13808\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-in-Montezuma.png 422w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-in-Montezuma-176x300.png 176w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><figcaption class=\"wp-element-caption\">Bernard as Malinche in Roger Sessions&#8217; <em>Montezuma<\/em> (Berlin 1964)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Luigi Dallapiccola, Karl Heinrich Kreith [German translation]: Wie einsam und wieder einsam (<em>Ulisse<\/em> [Odysseus]). Annabelle Bernard, Lorin Maazel, Orchester der Deutschen Oper Berlin [live Berlin 29.IX.1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"594\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Amelia-1.jpg\" alt=\"\" class=\"wp-image-13809\" style=\"width:605px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Amelia-1.jpg 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Amelia-1-206x300.jpg 206w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Salvadore Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]:&nbsp; Tacea la notte placida&#8230; Di tale amor (<em>Il trovatore<\/em>). Annabelle Bernard, Nello Santi, Orchester der Bayerischen Staatsoper [live M\u00fcnchen 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"976\" height=\"864\" data-id=\"13813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida.png\" alt=\"\" class=\"wp-image-13813\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida.png 976w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-300x266.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-768x680.png 768w\" sizes=\"auto, (max-width: 976px) 100vw, 976px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"409\" height=\"582\" data-id=\"13811\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida.jpg\" alt=\"\" class=\"wp-image-13811\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida.jpg 409w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida-211x300.jpg 211w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"792\" height=\"867\" data-id=\"13812\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-2.png\" alt=\"\" class=\"wp-image-13812\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-2.png 792w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-2-274x300.png 274w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Aida-2-768x841.png 768w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni [after Auguste Mariette]: O patria mia (<em>Aida<\/em>). Annabelle Bernard, Philharmonisches Staatsorchester Hamburg [live Hamburg 28.II.1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"672\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Concert-Garb.png\" alt=\"\" class=\"wp-image-13818\" style=\"width:580px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Concert-Garb.png 643w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Concert-Garb-287x300.png 287w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/figure>\n<\/div>\n\n\n<p>Saverio Mercadante, Gaetano Rossi [after Victor Hugo]: Ma negli estremi istanti (<em>Il Giuramento<\/em>). Annabelle Bernard, Gerd Albrecht, Orchester der Deutsche Oper Berlin [live Berlin 28.IX.1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"782\" data-id=\"13816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bruno-Prevedi.png\" alt=\"\" class=\"wp-image-13816\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bruno-Prevedi.png 559w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bruno-Prevedi-214x300.png 214w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" \/><figcaption class=\"wp-element-caption\">Bruno Prevedi (21 December 1928 &#8211; 12 January 1988)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"375\" height=\"586\" data-id=\"13815\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida-2-1.jpg\" alt=\"\" class=\"wp-image-13815\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida-2-1.jpg 375w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Annabelle-Bernard-Aida-2-1-192x300.jpg 192w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Giuseppe Verdi, Antonio Ghislanzoni [after Auguste Mariette]: Vedi, di morte l\u2019angelo&#8230; O terra addio (<em>Aida<\/em>). Annabelle Bernard, Bruno Prevedi, Bianca Berini, Philharmonisches Staatsorchester Hamburg [live Hamburg 28.II.1975]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"514\" height=\"635\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bianca-Berini.png\" alt=\"\" class=\"wp-image-13817\" style=\"width:336px;height:auto\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bianca-Berini.png 514w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bianca-Berini-243x300.png 243w\" sizes=\"auto, (max-width: 514px) 100vw, 514px\" \/><figcaption class=\"wp-element-caption\">Bianca Berini (02 December 1928 &#8211; 14 July 2004)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"668\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Konzertante.png\" alt=\"\" class=\"wp-image-13819\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Konzertante.png 727w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-Konzertante-300x276.png 300w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 240. Annabelle Bernard (BHM 2024) SOCIAL SHARE SUBSCRIPTION PLATFORM Last week we celebrated the 97th birthday of our Ur-Diva,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13800,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1701,5824,5823,2398,2399,5137,1072,1263,2260,808,2329,3272,2806,4980],"tags":[5867,437,5856,5118,4534,5858,5857,5859,2501,207,348,5194,5861,5862,1038,510,1610,2391,1923,3554,486,4850,1064,5865,2353,5866,5860,5864,698,5863],"class_list":["post-13546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-bel-canto","category-black-history-month-2024","category-forgotten-divas","category-giuseppe-verdi","category-great-baritones","category-great-tenors","category-in-memoriam","category-mezzo-madness","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-singers-of-color","category-twentieth-century-music","category-twentieth-century-opera","tag-agnes-baltsa","tag-aida","tag-annabelle-bernard","tag-antonio-garcia-gutierrez","tag-antonio-ghislanzoni","tag-bianca-berini","tag-bruno-prevedi","tag-gaetano-rossi","tag-gerd-albrecht","tag-giuseppe-verdi","tag-il-trovatore","tag-jaroslav-krombholc","tag-karl-heinrich-kreith","tag-karl-ernst-mercker","tag-lawrence-winters","tag-leos-janacek","tag-lorin-maazel","tag-luigi-dallapiccola","tag-nello-santi","tag-richard-muller-lampertz","tag-richard-wagner","tag-salvadore-cammarano","tag-saverio-mercadante","tag-svatopluka-cecha","tag-tannhauser","tag-the-adventures-of-mr-broucek","tag-victor-hugo-auguste-mariette","tag-viktor-dyk","tag-wolfgang-sawallisch","tag-wolfgang-witte"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2024\/02\/Bernard-TRIMMED-300x154.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/black-history-month-2024\/\" class=\"advgb-post-tax-term\">Black History Month 2024<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-baritones\/\" class=\"advgb-post-tax-term\">Great Baritones<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/mezzo-madness\/\" class=\"advgb-post-tax-term\">Mezzo Madness<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Black History Month 2024<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Great Baritones<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Mezzo Madness<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Agnes Baltsa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Aida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Annabelle Bernard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Bianca Berini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Bruno Prevedi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gaetano Rossi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Gerd Albrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Jaroslav Krombholc<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Karl Heinrich Kreith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Karl-Ernst Mercker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Lawrence Winters<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Leos Janacek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Lorin Maazel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Nello Santi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard M\u00fcller-Lampertz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Saverio Mercadante<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Svatopluka \u010cecha<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Tannh\u00e4user<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">The Adventures of Mr. Broucek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Victor Hugo. Auguste Mariette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Viktor Dyk<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Wolfgang Witte<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Agnes Baltsa<\/span>","<span class=\"advgb-post-tax-term\">Aida<\/span>","<span class=\"advgb-post-tax-term\">Annabelle Bernard<\/span>","<span class=\"advgb-post-tax-term\">Antonio Garc\u00eda Guti\u00e9rrez<\/span>","<span class=\"advgb-post-tax-term\">Antonio Ghislanzoni<\/span>","<span class=\"advgb-post-tax-term\">Bianca Berini<\/span>","<span class=\"advgb-post-tax-term\">Bruno Prevedi<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Rossi<\/span>","<span class=\"advgb-post-tax-term\">Gerd Albrecht<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Jaroslav Krombholc<\/span>","<span class=\"advgb-post-tax-term\">Karl Heinrich Kreith<\/span>","<span class=\"advgb-post-tax-term\">Karl-Ernst Mercker<\/span>","<span class=\"advgb-post-tax-term\">Lawrence Winters<\/span>","<span class=\"advgb-post-tax-term\">Leos Janacek<\/span>","<span class=\"advgb-post-tax-term\">Lorin Maazel<\/span>","<span class=\"advgb-post-tax-term\">Luigi Dallapiccola<\/span>","<span class=\"advgb-post-tax-term\">Nello Santi<\/span>","<span class=\"advgb-post-tax-term\">Richard M\u00fcller-Lampertz<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Saverio Mercadante<\/span>","<span class=\"advgb-post-tax-term\">Svatopluka \u010cecha<\/span>","<span class=\"advgb-post-tax-term\">Tannh\u00e4user<\/span>","<span class=\"advgb-post-tax-term\">The Adventures of Mr. Broucek<\/span>","<span class=\"advgb-post-tax-term\">Victor Hugo. Auguste Mariette<\/span>","<span class=\"advgb-post-tax-term\">Viktor Dyk<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Witte<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 2 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 15\/02\/2024","modified":"Updated on 15\/02\/2024"},"absolute_dates_time":{"created":"Posted on 15\/02\/2024 12:15","modified":"Updated on 15\/02\/2024 15:44"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=13546"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13546\/revisions"}],"predecessor-version":[{"id":13830,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/13546\/revisions\/13830"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/13800"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=13546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=13546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=13546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}