{"id":13014,"date":"2023-10-18T16:12:28","date_gmt":"2023-10-18T14:12:28","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=13014"},"modified":"2023-10-18T16:12:28","modified_gmt":"2023-10-18T14:12:28","slug":"episode-219-chants-dauvergne","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/10\/18\/episode-219-chants-dauvergne\/","title":{"rendered":"Episode 219. Chants d\u2019Auvergne"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading advgb-dyn-6d9aa405\">Episode 219.  Chants d\u2019Auvergne<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=917-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13014&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13014&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13014&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D13014&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button advgb-dyn-932155b2\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"841\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-Younger.png\" alt=\"\" class=\"wp-image-13214\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-Younger.png 777w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-Younger-277x300.png 277w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-Younger-768x831.png 768w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><figcaption class=\"wp-element-caption\">Marie-Joseph Canteloube de Malaret (21 October 1879 \u2013 4 November 1957)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Another episode featuring orchestral songs, these arrangements by the French composer Joseph Canteloube (1879 \u2013 1957), of elaborately orchestrated folk songs from the Auvergne region of France. From the 1960s and beyond these songs have become favorites of sopranos seeking engaging works for voice and orchestra. Canteloube made orchestral arrangements of five different series (or books) of songs published between 1924 and 1955. The songs themselves are, in turn, playful, plangent, tragic, saucy, rustic, and even surprisingly emancipated. In 1930 French soprano Madeleine Grey was the first artist to record the songs. Subsequently the Ukrainian-born Israeli soprano Netania Davrath became the first to take on the entire cycle. Cognoscenti still find her versions to be the most \u201cauthentic\u201d among the many excellent renditions available. Other singers that helped put these songs on the map, as it were, include Anna Moffo, Victoria de los Angeles, Kiri Te Kanawa, and Frederica von Stade. All these singers are heard in this episode, which also includes memorable contributions from singers as varied as Dawn Upshaw, Barbra Streisand, Jill Gomez, Marvis Martin, G\u00e9rard Souzay, Marni Nixon, Anna Caterina Antonacci, Elly Ameling, R\u00e9gine Crespin, Arleen Aug\u00e9r, Susan Reed, and others. You may also be quite surprised (I know I was!) to hear the singer that Canteloube most preferred in this repertoire, in a recording accompanied by the composer himself.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"815\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-815x1024.jpg\" alt=\"\" class=\"wp-image-13215\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-815x1024.jpg 815w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-239x300.jpg 239w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-768x965.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath.jpg 1101w\" sizes=\"auto, (max-width: 815px) 100vw, 815px\" \/><figcaption class=\"wp-element-caption\">Netania Davrath<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"888\" height=\"842\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube.png\" alt=\"\" class=\"wp-image-13218\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube.png 888w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-300x284.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Canteloube-768x728.png 768w\" sizes=\"auto, (max-width: 888px) 100vw, 888px\" \/><\/figure>\n<\/div>\n\n\n<p>Unless otherwise indicated, all selections are from one of the five collections, as noted, of Joseph Canteloube\u2019s <em>Chants d\u2019Auvergne<\/em>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"563\" height=\"818\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Anna-Moffo.jpg\" alt=\"\" class=\"wp-image-13219\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Anna-Moffo.jpg 563w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Anna-Moffo-206x300.jpg 206w\" sizes=\"auto, (max-width: 563px) 100vw, 563px\" \/><\/figure>\n<\/div>\n\n\n<p>Passo pel prat (Go through the meadow) [Book III, No. 2]. Anna Moffo, Leopold Stokowski, American Symphony Orchestra [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"442\" height=\"626\" data-id=\"13220\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Souzay-in-haze.png\" alt=\"\" class=\"wp-image-13220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Souzay-in-haze.png 442w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Souzay-in-haze-212x300.png 212w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"510\" height=\"832\" data-id=\"13221\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Young-Dalton.png\" alt=\"\" class=\"wp-image-13221\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Young-Dalton.png 510w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Young-Dalton-184x300.png 184w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Ba\u00efl\u00e8ro [Book I, No. 2]. G\u00e9rard Souzay, Dalton Baldwin [1959]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"720\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Madeleine-Grey.jpg\" alt=\"\" class=\"wp-image-13222\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Madeleine-Grey.jpg 565w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Madeleine-Grey-235x300.jpg 235w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n<\/div>\n\n\n<p>Deux bourr\u00e9es. I. N\u2019a\u00ef pas \u00efeu d\u00e8 m\u00eeo (I have no one to love me); II. Lo calh\u00e9 (The quail). Madeleine Grey, Orchestra conducted by Elie Cohen [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"548\" height=\"681\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Lucie-Dolene.jpg\" alt=\"\" class=\"wp-image-13223\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Lucie-Dolene.jpg 548w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Lucie-Dolene-241x300.jpg 241w\" sizes=\"auto, (max-width: 548px) 100vw, 548px\" \/><\/figure>\n<\/div>\n\n\n<p>De bon matin je me suis lev\u00e9 (I rose in the early morning) [<em>Chants de France<\/em> (Auvergne)]. Lucie Daull\u00e8ne, Joseph Canteloube [1949]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin-768x1024.jpg\" alt=\"\" class=\"wp-image-13224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin-1536x2048.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marvis-Martin.jpg 1588w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>La d\u00e9laissado (The abandoned one) [Series II, No. 4] (arranged for chamber orchestra by Jean-Guy Bailly). Marvis Martin, Jean-Jacques Kantorow, Orchestre d\u2019Auvergne [1992]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"924\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Susan-Reed-with-instrument.png\" alt=\"\" class=\"wp-image-13226\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Susan-Reed-with-instrument.png 850w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Susan-Reed-with-instrument-276x300.png 276w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Susan-Reed-with-instrument-768x835.png 768w\" sizes=\"auto, (max-width: 850px) 100vw, 850px\" \/><\/figure>\n<\/div>\n\n\n<p>Pastourelle [Book IV, No. 5] (arranged for chamber ensemble by Sam Feldman). Susan Reed, Instrumental Ensemble [George Reeves, Harry Shulman, Harold Bennett, David Weber, Avron Twerdowsky] [1951]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"713\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Barbra-Scavullo-profile-1024x713.png\" alt=\"\" class=\"wp-image-13227\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Barbra-Scavullo-profile-1024x713.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Barbra-Scavullo-profile-300x209.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Barbra-Scavullo-profile-768x535.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Barbra-Scavullo-profile.png 1058w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Brezairola (Lullaby) [Book III, No. 4]. Barbra Streisand, Claus Ogerman, Columbia Symphony Orchestra [1976]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"828\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Inghelbrecht.png\" alt=\"\" class=\"wp-image-13228\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Inghelbrecht.png 667w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Inghelbrecht-242x300.png 242w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><figcaption class=\"wp-element-caption\">D\u00e9sir\u00e9-\u00c9mile Inghelbrecht<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Per l\u2019\u00e8fon (For the baby) [Series IV, No. 3]. Nicole Theven, D\u00e9sir\u00e9-\u00c9mile Inghelbrecht, Orchestre National de la RTF [live RTF 04.VII.57]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Bernard-Boucheix.jpg\" alt=\"\" class=\"wp-image-13229\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Bernard-Boucheix.jpg 385w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Bernard-Boucheix-193x300.jpg 193w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/figure>\n<\/div>\n\n\n<p>T\u00e9, l\u2019can, t\u00e9 (Run, dog, run) [Book V, No. 6]. Bernard Boucheix, Olivier Besnard [2007]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"742\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-hair.png\" alt=\"\" class=\"wp-image-13230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-hair.png 524w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath-hair-212x300.png 212w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/figure>\n<\/div>\n\n\n<p>H\u00e9! Beyla-z-y d\u2019au f\u00e9! (Hey, give that donkey some hay!) [Book V, No. 4]. Netania Davrath, Orchestra conducted by Pierre de la Roche [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"808\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Crespin-portrait.png\" alt=\"\" class=\"wp-image-13231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Crespin-portrait.png 588w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Crespin-portrait-218x300.png 218w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n<\/div>\n\n\n<p>Lou coucut (The cuckoo) [Book IV, No. 6]. R\u00e9gine Crespin, John Wustman [1966]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"802\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Wustman-young-1024x802.png\" alt=\"\" class=\"wp-image-13232\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Wustman-young-1024x802.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Wustman-young-300x235.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Wustman-young-768x601.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Wustman-young.png 1065w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">John Wustman<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"569\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Elly-Flower-1024x569.png\" alt=\"\" class=\"wp-image-13233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Elly-Flower-1024x569.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Elly-Flower-300x167.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Elly-Flower-768x427.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Elly-Flower.png 1284w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>O up! [<em>Chants du Languedoc<\/em>, No. 5]. Elly Ameling, Rudolf Jansen [1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"624\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/De-Los-Angeles-and-Plant-1024x624.png\" alt=\"\" class=\"wp-image-13234\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/De-Los-Angeles-and-Plant-1024x624.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/De-Los-Angeles-and-Plant-300x183.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/De-Los-Angeles-and-Plant-768x468.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/De-Los-Angeles-and-Plant.png 1283w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Chut, chut [Book IV, No. 4]. Victoria de los Angeles, Jean-Pierre Jacquillat, Orchestre Lamoureux [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-with-Pigeon-1024x576.jpg\" alt=\"\" class=\"wp-image-13235\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-with-Pigeon-1024x576.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-with-Pigeon-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-with-Pigeon-768x432.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-with-Pigeon.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Quand z\u2019eyro petitoune (When I was a little girl) [Series V, No. 2]. Kiri Te Kanawa, Jeffrey Tate, English Chamber Orchestra [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"838\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Flicka-autograph.jpg\" alt=\"\" class=\"wp-image-13236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Flicka-autograph.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Flicka-autograph-202x300.jpg 202w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Uno jionto postouro (A lovely shepherdess) [Book V, No. 7]. Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra [1982]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Gomez.jpg\" alt=\"\" class=\"wp-image-13237\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Gomez.jpg 740w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Gomez-300x203.jpg 300w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n<\/div>\n\n\n<p>Postouro, s\u00e9 tu m\u2019aymo (Shepherdess, if you love me) [Book V, No. 5]. Jill Gomez, Vernon Handley, Royal Liverpool Philharmonic Orchestra [1985]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"450\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marni-Nixon.jpg\" alt=\"\" class=\"wp-image-13238\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marni-Nixon.jpg 681w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Marni-Nixon-300x198.jpg 300w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n<\/div>\n\n\n<p>Lo fiolair\u00e9 (The spinner) [Book III, No. 1]. Marni Nixon, Leonard Bernstein, New York Philharmonic [live 08.IV.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"438\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Upshaw-outdoors.jpg\" alt=\"\" class=\"wp-image-13239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Upshaw-outdoors.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Upshaw-outdoors-300x205.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>O\u00ef, aya\u00ef [Book IV, No. 2]. Dawn Upshaw, Kurt Masur, New York Philharmonic [live II.98]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"797\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Arleen-Auger.png\" alt=\"\" class=\"wp-image-13240\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Arleen-Auger.png 837w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Arleen-Auger-300x286.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Arleen-Auger-768x731.png 768w\" sizes=\"auto, (max-width: 837px) 100vw, 837px\" \/><\/figure>\n<\/div>\n\n\n<p>Jou l\u2019pount d\u2019o Mirabel (By Mirabel Bridge) [Book IV, No. 1]. Arleen Aug\u00e9r, Yan Pascal Tortelier, English Chamber Orchestra [1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"633\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath3-633x1024.jpg\" alt=\"\" class=\"wp-image-13241\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath3-633x1024.jpg 633w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath3-185x300.jpg 185w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Davrath3.jpg 684w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/><\/figure>\n<\/div>\n\n\n<p>La pastrouletta \u00e8 lou chibalie (The shepherdess and the lad) [Book II, No. 3]. Netania Davrath, Orchestra conducted by Pierre de la Roche [1963]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"533\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Antonacci.jpg\" alt=\"\" class=\"wp-image-13242\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Antonacci.jpg 533w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Antonacci-200x300.jpg 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure>\n<\/div>\n\n\n<p>Malurous qu\u2019o uno fenno (Miserable is he who has a wife) [Book III, No. 5]. Anna Caterina Antonacci, Fran\u00e7ois-Xavier Roth, BBC National Orchestra of Wales [live London 2010]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 219. Chants d\u2019Auvergne SOCIAL SHARE SUBSCRIPTION PLATFORM Another episode featuring orchestral songs, these arrangements by the French composer Joseph&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,2891,1076,808,4722,2755,3272,2806],"tags":[360,411,3263,1639,5631,1554,5623,5626,531,5630,1586,556,1812,769,5617,1579,5628,25,5629,5384,3823,5622,4796,2725,461,772,3825,1491,3668,972,2833,5632,2584,5633,2435,3824,5618,5625,5624,5619,444,5627,5621,1375,5620],"class_list":["post-13014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-comic-relief","category-crossover","category-needle-drop","category-orchestral-songs","category-pop-icons","category-singers-of-color","category-twentieth-century-music","tag-anna-caterina-antonacci","tag-anna-moffo","tag-antonio-de-almeida","tag-arleen-auger","tag-avron-twerdowsky","tag-barbra-streisand","tag-bernard-boucheix","tag-claus-ogerman","tag-dalton-baldwin","tag-david-weber","tag-dawn-upshaw","tag-desire-emile-inghelbrecht","tag-elie-cohen","tag-elly-ameling","tag-francois-xavier-roth","tag-frederica-von-stade","tag-george-reeves","tag-gerard-souzay","tag-harold-bennett","tag-harry-shulman","tag-jean-jacques-kantorow","tag-jean-pierre-jacquillat","tag-jeffrey-tate","tag-jill-gomez","tag-john-wustman","tag-joseph-canteloube","tag-joseph-marie-canteloube","tag-kiri-te-kanawa","tag-kurt-masur","tag-leonard-bernstein","tag-leopold-stokowski","tag-lucie-daullene","tag-madeleine-grey","tag-marie-joseph-canteloube-de-malaret","tag-marni-nixon","tag-marvis-martin","tag-netania-davrath","tag-nicole-theven","tag-olivier-besnard","tag-pierre-de-la-roche","tag-regine-crespin","tag-susan-reed","tag-vernon-handley","tag-victoria-de-los-angeles","tag-yan-pascal-tortelier"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/10\/Kiri-Maori-TRIMMED-300x168.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/comic-relief\/\" class=\"advgb-post-tax-term\">Comic Relief<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Comic Relief<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Caterina Antonacci<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio de Almeida<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Avron Twerdowsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barbra Streisand<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bernard Boucheix<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claus Ogerman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dalton Baldwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Weber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dawn Upshaw<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">D\u00e9sir\u00e9-\u00c9mile Inghelbrecht<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elie Cohen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Elly Ameling<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fran\u00e7ois-Xavier Roth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederica von Stade<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Reeves<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerard Souzay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harold Bennett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harry Shulman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Jacques Kantorow<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jean-Pierre Jacquillat<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jeffrey Tate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jill Gomez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Wustman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph-Marie Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kiri Te Kanawa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Masur<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Stokowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lucie Daull\u00e8ne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Madeleine Grey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marie-Joseph Canteloube de Malaret<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marni Nixon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marvis Martin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Netania Davrath<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nicole Theven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Olivier Besnard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre de la Roche<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Regine Crespin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Susan Reed<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vernon Handley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victoria de los Angeles<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Yan Pascal Tortelier<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Anna Caterina Antonacci<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Antonio de Almeida<\/span>","<span class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/span>","<span class=\"advgb-post-tax-term\">Avron Twerdowsky<\/span>","<span class=\"advgb-post-tax-term\">Barbra Streisand<\/span>","<span class=\"advgb-post-tax-term\">Bernard Boucheix<\/span>","<span class=\"advgb-post-tax-term\">Claus Ogerman<\/span>","<span class=\"advgb-post-tax-term\">Dalton Baldwin<\/span>","<span class=\"advgb-post-tax-term\">David Weber<\/span>","<span class=\"advgb-post-tax-term\">Dawn Upshaw<\/span>","<span class=\"advgb-post-tax-term\">D\u00e9sir\u00e9-\u00c9mile Inghelbrecht<\/span>","<span class=\"advgb-post-tax-term\">Elie Cohen<\/span>","<span class=\"advgb-post-tax-term\">Elly Ameling<\/span>","<span class=\"advgb-post-tax-term\">Fran\u00e7ois-Xavier Roth<\/span>","<span class=\"advgb-post-tax-term\">Frederica von Stade<\/span>","<span class=\"advgb-post-tax-term\">George Reeves<\/span>","<span class=\"advgb-post-tax-term\">Gerard Souzay<\/span>","<span class=\"advgb-post-tax-term\">Harold Bennett<\/span>","<span class=\"advgb-post-tax-term\">Harry Shulman<\/span>","<span class=\"advgb-post-tax-term\">Jean-Jacques Kantorow<\/span>","<span class=\"advgb-post-tax-term\">Jean-Pierre Jacquillat<\/span>","<span class=\"advgb-post-tax-term\">Jeffrey Tate<\/span>","<span class=\"advgb-post-tax-term\">Jill Gomez<\/span>","<span class=\"advgb-post-tax-term\">John Wustman<\/span>","<span class=\"advgb-post-tax-term\">Joseph Canteloube<\/span>","<span class=\"advgb-post-tax-term\">Joseph-Marie Canteloube<\/span>","<span class=\"advgb-post-tax-term\">Kiri Te Kanawa<\/span>","<span class=\"advgb-post-tax-term\">Kurt Masur<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leopold Stokowski<\/span>","<span class=\"advgb-post-tax-term\">Lucie Daull\u00e8ne<\/span>","<span class=\"advgb-post-tax-term\">Madeleine Grey<\/span>","<span class=\"advgb-post-tax-term\">Marie-Joseph Canteloube de Malaret<\/span>","<span class=\"advgb-post-tax-term\">Marni Nixon<\/span>","<span class=\"advgb-post-tax-term\">Marvis Martin<\/span>","<span class=\"advgb-post-tax-term\">Netania Davrath<\/span>","<span class=\"advgb-post-tax-term\">Nicole Theven<\/span>","<span class=\"advgb-post-tax-term\">Olivier Besnard<\/span>","<span class=\"advgb-post-tax-term\">Pierre de la Roche<\/span>","<span class=\"advgb-post-tax-term\">Regine Crespin<\/span>","<span class=\"advgb-post-tax-term\">Susan Reed<\/span>","<span class=\"advgb-post-tax-term\">Vernon Handley<\/span>","<span class=\"advgb-post-tax-term\">Victoria de los Angeles<\/span>","<span class=\"advgb-post-tax-term\">Yan Pascal Tortelier<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 18\/10\/2023","modified":"Updated on 18\/10\/2023"},"absolute_dates_time":{"created":"Posted on 18\/10\/2023 16:12","modified":"Updated on 18\/10\/2023 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