{"id":12767,"date":"2023-08-31T20:20:26","date_gmt":"2023-08-31T18:20:26","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=12767"},"modified":"2025-07-29T10:50:20","modified_gmt":"2025-07-29T08:50:20","slug":"episode-212-ian-partridge","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/08\/31\/episode-212-ian-partridge\/","title":{"rendered":"Episode 212. Ian Partridge"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading advgb-dyn-bcc9365c\">Episode 212.  Ian Partridge<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=889-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12767&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12767&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12767&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12767&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path d=\"M9 11.8l6.1-4.5c.1.4.4.7.9.7h2c.6 0 1-.4 1-1V5c0-.6-.4-1-1-1h-2c-.6 0-1 .4-1 1v.4l-6.4 4.8c-.2-.1-.4-.2-.6-.2H6c-.6 0-1 .4-1 1v2c0 .6.4 1 1 1h2c.2 0 .4-.1.6-.2l6.4 4.8v.4c0 .6.4 1 1 1h2c.6 0 1-.4 1-1v-2c0-.6-.4-1-1-1h-2c-.5 0-.8.3-.9.7L9 12.2v-.4z\"\/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share via Email<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-reddit  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/reddit.com\/submit?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12767&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M5.27 9.221A2.775 2.775 0 0 0 2.498 11.993a2.785 2.785 0 0 0 1.6 2.511 5.337 5.337 0 0 0 2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button advgb-dyn-932155b2\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-b8842698\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"420\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ian-Partridge.jpg\" alt=\"\" class=\"wp-image-12976\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ian-Partridge.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ian-Partridge-300x197.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Ian Partridge, the quintessential English lyric tenor, celebrated his 85th birthday in June. I may be a few weeks late in celebrating that event, but my enthusiasm and admiration for this singer has remained at a consistent level ever since I first discovered his voice on a recording of songs by Ralph Vaughan Williams. Partridge, in fact, has left a vast recorded legacy, including work as both a solo concert artist and recitalist and as a member of such distinguished choral groups as Pro Cantione Antiqua, the Purcell Consort of Voices, and the Louis Halsey Singers. His solo repertoire ranged from 11th century plainsong to the thornier musical 20th century idioms of Schoenberg and Britten. This episode samples the vast array of that recorded legacy, including examples from the Baroque period by Bach, Sch\u00fctz, Handel, and Monteverdi; through art songs by Schubert, Brahms, Faur\u00e9, Bax, Gurney, and Warlock. We also hear him live from Covent Garden in his sole operatic role, the Carthaginian poet Iopas in Berlioz\u2019s <em>Les Troyens<\/em>, and in lute songs and consort music by Campion and Byrd. In all these performances the voice is produced with such ease, the tone so pure and ethereally beautiful, yet never faked or \u201cfinessed,\u201d while the interpretations themselves, no matter the musical style, are full of depth, integrity, and subtlety. Here is an enormously satisfying artist who embodies integrity and dedication to his craft. Guest stars include Jill Gomez, Nigel Rogers, Pierre Boulez, Benjamin Britten, Colin Davis, Ernest Ansermet, Norman Walker, Prunella Scales, and the tenor\u2019s sister, pianist Jennifer Partridge, with whom he gave over 400 song recitals.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Fred-Delius.jpg\" alt=\"\" class=\"wp-image-12979\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Fred-Delius.jpg 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Fred-Delius-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Fred-Delius-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Frederick Delius<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Frederick Delius: To Be Sung of a Summer Night on the Water, Op. 91\/2. Ian Partridge, Louis Halsey, The Louis Halsey Singers [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"674\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/David-Willcocks-1024x674.png\" alt=\"\" class=\"wp-image-13004\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/David-Willcocks-1024x674.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/David-Willcocks-300x197.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/David-Willcocks-768x505.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/David-Willcocks.png 1272w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">David Willcocks (1919 &#8211; 2015)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>George Frideric Handel, Psalm 28: The Lord is my strength and my shield (<em>The Lord is My Light<\/em> [<em>Chandos Anthem No. 10<\/em>], HWV 255). Ian Partridge, David Willcocks, Academy of St Martin in the Fields [1968]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"949\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Grayston-Burgess.jpg\" alt=\"\" class=\"wp-image-12980\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Grayston-Burgess.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Grayston-Burgess-190x300.jpg 190w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Grayston Burgess (1932 &#8211; 2019), countertenor and founder of the Purcell Consort of Voices<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Hermannus Contractus: Alma redemptoris mater. Ian Partridge [as member of The Purcell Consort of Voices] [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"843\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Boulez.png\" alt=\"\" class=\"wp-image-12981\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Boulez.png 756w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Boulez-269x300.png 269w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><figcaption class=\"wp-element-caption\">PIerre Boulez (1925 &#8211; 2016)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg: Geboten gehorchen, die blos das Ohr vernimmt (<em>Die Jakobsleiter<\/em>). Ian Partridge, Pierre Boulez, BBC Symphony Orchestra [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"653\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gurney.jpg\" alt=\"\" class=\"wp-image-12982\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gurney.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gurney-216x300.jpg 216w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><figcaption class=\"wp-element-caption\">Ivor Gurney (1890 &#8211; 1937)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Ivor Gurney, Edward Shanks: The Singer. Ian Partridge, Jennifer Partridge [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"926\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Norman-Walker.png\" alt=\"\" class=\"wp-image-12983\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Norman-Walker.png 658w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Norman-Walker-213x300.png 213w\" sizes=\"auto, (max-width: 658px) 100vw, 658px\" \/><figcaption class=\"wp-element-caption\">Norman Walker (1907 &#8211; 1963)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Georges Bizet, Jules-Henri Vernoy de Saint-Georges, Jules Adenis [after Walter Scott]: Love\u2019s a flame of fierce desire [Quand la flamme de l\u2019amour] (<em>La jolie fille de Perth<\/em> [<em>The Fair Maid of Perth<\/em>]). Norman Walker, Thomas Beecham, Royal Philharmonic Orchestra [live BBC broadcast VI.49]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/PCA.jpg\" alt=\"\" class=\"wp-image-12984\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/PCA.jpg 700w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/PCA-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/PCA-150x150.jpg 150w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\">Pro Cantione Antiqua (Ian Partridge is third from the right in the back row)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Thomas Ford: There is a lady sweet and kind. Pro Cantione Antiqua [Ian Partridge (director and solo), Kevin Smith, James Griffett, Brian Etheridge], Christopher Wilson, William Hunt [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-on-TV-in-costume-1024x801.png\" alt=\"\" class=\"wp-image-12985\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-on-TV-in-costume-1024x801.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-on-TV-in-costume-300x235.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-on-TV-in-costume-768x601.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-on-TV-in-costume.png 1380w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ian Partridge performing in Victorian costume on a 1982 television program<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Scottish Folk Song, arr. Ralph Vaughan Williams: Ca&#8217; the yowes. Ian Partridge, Christopher Bishop, London Madrigal Singers [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"470\" height=\"476\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Britten-conducting.jpg\" alt=\"\" class=\"wp-image-12986\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Britten-conducting.jpg 470w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Britten-conducting-296x300.jpg 296w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/figure>\n<\/div>\n\n\n<p>Henry Purcell, Thomas Betterton [after William Shakespeare], adapted and realized Benjamin Britten: See, my many-coloured fields (<em>The Fairy Queen<\/em>). Ian Partridge, Benjamin Britten, English Chamber Orchestra [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-NIcolas-1024x806.png\" alt=\"\" class=\"wp-image-12987\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-NIcolas-1024x806.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-NIcolas-300x236.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-NIcolas-768x605.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-NIcolas.png 1363w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ian Partridge in a still from the 1976 telecast of <em>Saint Nicolas<\/em>.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Benjamin Britten, Eric Crozier: Nicolas is thrown into prison (<em>Saint Nicolas<\/em>, Op. 42). Ian Partridge, Russell Burges, Orchestra Nova of London [1976 television production]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"552\" height=\"700\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-headshot.png\" alt=\"\" class=\"wp-image-12988\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-headshot.png 552w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-headshot-237x300.png 237w\" sizes=\"auto, (max-width: 552px) 100vw, 552px\" \/><\/figure>\n<\/div>\n\n\n<p>Hector Berlioz (libretto by the composer after Virgil): \u00d4 blonde C\u00e9r\u00e8s (<em>Les Troyens<\/em>). Ian Partridge, Colin Davis, Orchestra of the Royal Opera House, Covent Garden [live London 30.IX.69]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Nigel-Rogers.jpg\" alt=\"\" class=\"wp-image-12989\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Nigel-Rogers.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Nigel-Rogers-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Nigel-Rogers-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">NIgel Rogers (1935 &#8211; 2022)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Claudio Monteverdi, Ottavio Rinuccini: Zefiro torna e di soavi accenti (<em>Sesto libro di madrigali<\/em>). Ian Partridge, Nigel Rogers, J\u00fcrgen J\u00fcrgens, Colin Tilney, Werner Kauffmann, Heinrich Haferland, Hans Koch, Eugen M. Dombois, Michael Sch\u00e4ffer, Helga Rehm, G\u00fcnter Klein, Gudula Lehmann-Grube, Elisabeth Hahn, K\u00e4the Wagner [1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gomez.jpg\" alt=\"\" class=\"wp-image-12990\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gomez.jpg 756w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gomez-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Gomez-150x150.jpg 150w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><figcaption class=\"wp-element-caption\">Jill Gomez, Countess of Northesk<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Robert Schumann, Moritz Horn: Da klingt sein Lied&#8230; Ich weiss ein R\u00f6slein prangen (<em>Die Rose Pilgerfahrt<\/em>, Op. 112). Ian Partridge, Jill Gomez, Pierre Boulez, BBC Symphony Orchestra and Chorus [live London 9.IV.75]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-1024x1024.jpg\" alt=\"\" class=\"wp-image-12991\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-1536x1536.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz-1600x1601.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Schutz.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Heinrich Sch\u00fctz (1585 &#8211; 1672)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Heinrich Sch\u00fctz: Da nun Herodes sahe, dass er von den Weisen betrogen war (<em>Historia der Geburt Jesu Christi<\/em>, SWV 435). Ian Partridge, Roger Norrington, Charles Spinks, Keith Harvey, Rodney Statford [1971]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"941\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ansermet-and-Beard.png\" alt=\"\" class=\"wp-image-12992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ansermet-and-Beard.png 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Ansermet-and-Beard-222x300.png 222w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption class=\"wp-element-caption\">Ernest Ansermet (1883 &#8211; 1969)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Johann Sebastian Bach: Kann ich nur Jesum mir zum Freunde machen (<em>Herr, gehe nicht ins Gericht<\/em>, BWV 105). Ian Partridge, Ernest Ansermet, Orchestre de la Suisse Romande [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"618\" height=\"790\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-1970s-headshot.png\" alt=\"\" class=\"wp-image-12993\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-1970s-headshot.png 618w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-1970s-headshot-235x300.png 235w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms, Detlev von Liliencron: Auf dem Kirchhofe, Op. 105\/4. Ian Partridge (tenor, piano) [BBC recording, first broadcast 20.III.72]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Jennifer-1024x756.png\" alt=\"\" class=\"wp-image-12997\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Jennifer-1024x756.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Jennifer-300x221.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Jennifer-768x567.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Jennifer.png 1371w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jennifer Partridge<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Johann Mayrhofer: Nachtviolen, D. 752. Ian Partridge, Jennifer Partridge [BBC 13.X.71]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"766\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/The-Partridges-in-Concert-Spain-1987-1024x766.png\" alt=\"\" class=\"wp-image-13006\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/The-Partridges-in-Concert-Spain-1987-1024x766.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/The-Partridges-in-Concert-Spain-1987-300x225.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/The-Partridges-in-Concert-Spain-1987-768x575.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/The-Partridges-in-Concert-Spain-1987.png 1364w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Partridges in concert, Spain 1987<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Gabriel Faur\u00e9, Louis Pomey: Aubade [L&#8217;oiseau dans le buisson], Op. 6\/1. Ian Partridge, Jennifer Partridge [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"794\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-full-throated-1024x794.png\" alt=\"\" class=\"wp-image-13000\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-full-throated-1024x794.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-full-throated-300x232.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-full-throated-768x595.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-full-throated.png 1364w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Ralph Vaughan Williams, Fredegond Shove: The Water Mill (<em>Four Poems by Fredegond Shove<\/em>, No. 4). Ian Partridge, Jennifer Partridge [1980]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"545\" height=\"802\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Warlock-Heseltine.png\" alt=\"\" class=\"wp-image-13001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Warlock-Heseltine.png 545w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Warlock-Heseltine-204x300.png 204w\" sizes=\"auto, (max-width: 545px) 100vw, 545px\" \/><figcaption class=\"wp-element-caption\">Philip Heseltine [AKA Peter Warlock] (1894 &#8211; 1930)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Peter Warlock [n\u00e9 Philip Heseltine], William Butler Yeats: The Withering of the Boughs [excerpt] (<em>The Curlew<\/em>). The Music Group of London [David Butt, Janet Craxton, Hugh Bean Frances Mason, Christopher Wellington, Eileen Croxford] [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"544\" height=\"799\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Arnold-Bax.png\" alt=\"\" class=\"wp-image-12999\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Arnold-Bax.png 544w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Arnold-Bax-204x300.png 204w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><figcaption class=\"wp-element-caption\">Arnold Bax (1883 &#8211; 1953)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Arnold Bax (text by the composer, as Dermot O&#8217;Byrne): When we are lost. Ian Partridge, Michael Dussek [2004]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"608\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Burnett-Scales-1024x608.png\" alt=\"\" class=\"wp-image-12996\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Burnett-Scales-1024x608.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Burnett-Scales-300x178.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Burnett-Scales-768x456.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Burnett-Scales.png 1136w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ian Partridge, Richard Burnett, Prunella Scales, rehearsing for their <em>Evening with Queen Victoria<\/em> program<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Prince Albert, Viscount Fordwick (words by Queen Victoria, arranged by Katrina Hendrey) Pretty Baby (from <em>An Evening with Queen Victoria<\/em>). Ian Partridge, Prunella Scales, Richard Burnett [unknown date]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"788\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-older.png\" alt=\"\" class=\"wp-image-12995\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-older.png 636w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-older-242x300.png 242w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><\/figure>\n<\/div>\n\n\n<p>William Byrd, Philip Sidney: Lord, how vain are all our frail delights (excerpt). Ian Partridge, Phantasm [Laurence Dreyfus, Jonathan Manson, Markku Luolajan-Mikkola, Wendy Gillespie] [2000]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"788\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Lindberg-1024x788.png\" alt=\"\" class=\"wp-image-12994\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Lindberg-1024x788.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Lindberg-300x231.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Lindberg-768x591.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/Partridge-Lindberg.png 1368w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ian Partridge and Jakob Lindberg, still from a 1985 Norwegian television documentary<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Thomas Campion: Never weather-beaten sail. Ian Partridge, Jakob Lindberg [verse 1: 1983] Paul Beier [verse 2: 2015]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 212. Ian Partridge SOCIAL SHARE SUBSCRIPTION PLATFORM Ian Partridge, the quintessential English lyric tenor, celebrated his 85th birthday in&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,424,3132,3273,2261,5137,1074,8033,808,2806],"tags":[5524,786,305,5540,5544,5547,5546,5541,33,1614,5530,4732,4607,5535,5295,3992,101,5527,2661,280,350,5545,310,4036,255,5543,5521,2417,4444,5516,5539,5522,2416,2725,1229,298,863,3659,5538,309,1177,5523,5528,3657,5534,5529,5526,2404,5520,5517,2880,5537,5518,5525,576,5519,4038,5532,5531,3585,4303,5533,5515,5536,1233,4367,5542,2600],"class_list":["post-12767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-countertenors","category-franz-schubert","category-french-opera","category-full-figured-baroque","category-great-tenors","category-happy-birthday","category-johann-sebastian-bach","category-needle-drop","category-twentieth-century-music","tag-arnold-bax","tag-arnold-schoenberg","tag-benjamin-britten","tag-brian-etheridge","tag-bruno-turner","tag-charles-spinks","tag-christopher-bishop","tag-christopher-wilson","tag-claudio-monteverdi","tag-colin-davis","tag-colin-tilney","tag-david-willcocks","tag-detlev-von-liliencron","tag-edward-shanks","tag-eric-crozier","tag-ernest-ansermet","tag-franz-schubert","tag-fredegond-shove","tag-frederick-delius","tag-george-frideric-handel","tag-georges-bizet","tag-grayston-burgess","tag-hector-berlioz","tag-heinrich-schutz","tag-henry-purcell","tag-hermannus-contractus","tag-hugh-bean","tag-ian-partridge","tag-ivor-gurney","tag-jakob-lindberg","tag-james-griffett","tag-janet-craxton","tag-jennifer-partridge","tag-jill-gomez","tag-johann-mayrhofer","tag-johann-sebastian-bach","tag-johannes-brahms","tag-jurgen-jurgens","tag-kevin-smith","tag-les-troyens","tag-louis-halsey","tag-michael-dussek","tag-moritz-horn","tag-nigel-rogers","tag-norman-walker","tag-ottavio-rinuccini","tag-paul-beier","tag-peter-warlock","tag-philip-heseltine","tag-philip-sidnely","tag-pierre-boulez","tag-pro-cantione-antiqua","tag-prunella-scales","tag-queen-victoria","tag-ralph-vaughan-williams","tag-richard-burnett","tag-roger-norrington","tag-russell-burges","tag-saint-nicolas","tag-the-fairy-queen","tag-thomas-beecham","tag-thomas-betterton","tag-thomas-campion","tag-thomas-ford","tag-walter-scott","tag-william-byrd","tag-william-hunt","tag-william-shakespeare"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/08\/IP-and-JP-TRIMMED-300x146.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/countertenors\/\" class=\"advgb-post-tax-term\">Countertenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/full-figured-baroque\/\" class=\"advgb-post-tax-term\">Full-Figured Baroque<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Countertenors<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Full-Figured Baroque<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arnold Bax<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Benjamin Britten<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Brian Etheridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Bruno Turner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Spinks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christopher Bishop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Christopher Wilson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claudio Monteverdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Colin Davis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Colin Tilney<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Willcocks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Detlev von Liliencron<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edward Shanks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Eric Crozier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Ansermet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fredegond Shove<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederick Delius<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Frideric Handel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Grayston Burgess<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hector Berlioz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henry Purcell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hermannus Contractus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hugh Bean<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ian Partridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ivor Gurney<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jakob Lindberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James Griffett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Janet Craxton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jennifer Partridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jill Gomez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Mayrhofer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">J\u00fcrgen J\u00fcrgens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kevin Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Les Troyens<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Halsey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michael Dussek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Moritz Horn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Nigel Rogers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Norman Walker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ottavio Rinuccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Beier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Warlock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philip Heseltine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philip Sidnely<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierre Boulez<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pro Cantione Antiqua<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Prunella Scales<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Queen Victoria<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ralph Vaughan Williams<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Burnett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Roger Norrington<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Russell Burges<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Saint Nicolas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Fairy Queen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Beecham<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Betterton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Campion<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Ford<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walter Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Byrd<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Hunt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Arnold Bax<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Benjamin Britten<\/span>","<span class=\"advgb-post-tax-term\">Brian Etheridge<\/span>","<span class=\"advgb-post-tax-term\">Bruno Turner<\/span>","<span class=\"advgb-post-tax-term\">Charles Spinks<\/span>","<span class=\"advgb-post-tax-term\">Christopher Bishop<\/span>","<span class=\"advgb-post-tax-term\">Christopher Wilson<\/span>","<span class=\"advgb-post-tax-term\">Claudio Monteverdi<\/span>","<span class=\"advgb-post-tax-term\">Colin Davis<\/span>","<span class=\"advgb-post-tax-term\">Colin Tilney<\/span>","<span class=\"advgb-post-tax-term\">David Willcocks<\/span>","<span class=\"advgb-post-tax-term\">Detlev von Liliencron<\/span>","<span class=\"advgb-post-tax-term\">Edward Shanks<\/span>","<span class=\"advgb-post-tax-term\">Eric Crozier<\/span>","<span class=\"advgb-post-tax-term\">Ernest Ansermet<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Fredegond Shove<\/span>","<span class=\"advgb-post-tax-term\">Frederick Delius<\/span>","<span class=\"advgb-post-tax-term\">George Frideric Handel<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Grayston Burgess<\/span>","<span class=\"advgb-post-tax-term\">Hector Berlioz<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Sch\u00fctz<\/span>","<span class=\"advgb-post-tax-term\">Henry Purcell<\/span>","<span class=\"advgb-post-tax-term\">Hermannus Contractus<\/span>","<span class=\"advgb-post-tax-term\">Hugh Bean<\/span>","<span class=\"advgb-post-tax-term\">Ian Partridge<\/span>","<span class=\"advgb-post-tax-term\">Ivor Gurney<\/span>","<span class=\"advgb-post-tax-term\">Jakob Lindberg<\/span>","<span class=\"advgb-post-tax-term\">James Griffett<\/span>","<span class=\"advgb-post-tax-term\">Janet Craxton<\/span>","<span class=\"advgb-post-tax-term\">Jennifer Partridge<\/span>","<span class=\"advgb-post-tax-term\">Jill Gomez<\/span>","<span class=\"advgb-post-tax-term\">Johann Mayrhofer<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">J\u00fcrgen J\u00fcrgens<\/span>","<span class=\"advgb-post-tax-term\">Kevin Smith<\/span>","<span class=\"advgb-post-tax-term\">Les Troyens<\/span>","<span class=\"advgb-post-tax-term\">Louis Halsey<\/span>","<span class=\"advgb-post-tax-term\">Michael Dussek<\/span>","<span class=\"advgb-post-tax-term\">Moritz Horn<\/span>","<span class=\"advgb-post-tax-term\">Nigel Rogers<\/span>","<span class=\"advgb-post-tax-term\">Norman Walker<\/span>","<span class=\"advgb-post-tax-term\">Ottavio Rinuccini<\/span>","<span class=\"advgb-post-tax-term\">Paul Beier<\/span>","<span class=\"advgb-post-tax-term\">Peter Warlock<\/span>","<span class=\"advgb-post-tax-term\">Philip Heseltine<\/span>","<span class=\"advgb-post-tax-term\">Philip Sidnely<\/span>","<span class=\"advgb-post-tax-term\">Pierre Boulez<\/span>","<span class=\"advgb-post-tax-term\">Pro Cantione Antiqua<\/span>","<span class=\"advgb-post-tax-term\">Prunella Scales<\/span>","<span class=\"advgb-post-tax-term\">Queen Victoria<\/span>","<span class=\"advgb-post-tax-term\">Ralph Vaughan Williams<\/span>","<span class=\"advgb-post-tax-term\">Richard Burnett<\/span>","<span class=\"advgb-post-tax-term\">Roger Norrington<\/span>","<span class=\"advgb-post-tax-term\">Russell Burges<\/span>","<span class=\"advgb-post-tax-term\">Saint Nicolas<\/span>","<span class=\"advgb-post-tax-term\">The Fairy Queen<\/span>","<span class=\"advgb-post-tax-term\">Thomas Beecham<\/span>","<span class=\"advgb-post-tax-term\">Thomas Betterton<\/span>","<span class=\"advgb-post-tax-term\">Thomas Campion<\/span>","<span class=\"advgb-post-tax-term\">Thomas Ford<\/span>","<span class=\"advgb-post-tax-term\">Walter Scott<\/span>","<span class=\"advgb-post-tax-term\">William Byrd<\/span>","<span class=\"advgb-post-tax-term\">William Hunt<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 31\/08\/2023","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 31\/08\/2023 20:20","modified":"Updated on 29\/07\/2025 10:50"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=12767"}],"version-history":[{"count":8,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12767\/revisions"}],"predecessor-version":[{"id":18479,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12767\/revisions\/18479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/12978"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=12767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=12767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=12767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}