{"id":12274,"date":"2023-06-08T09:00:04","date_gmt":"2023-06-08T07:00:04","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=12274"},"modified":"2023-06-09T18:27:25","modified_gmt":"2023-06-09T16:27:25","slug":"episode-200-whole-lotta-lotte-lehmann","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/06\/08\/episode-200-whole-lotta-lotte-lehmann\/","title":{"rendered":"Episode 200. Whole Lotta Lotte (Lehmann!)"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading advgb-dyn-fc2cc104\">Episode 200.  Whole Lotta Lotte (Lehmann!)<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=837-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12274&#038;title=Episode%20200.%20Whole%20Lotta%20Lotte%20(Lehmann)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12274&#038;description=Episode%20200.%20Whole%20Lotta%20Lotte%20(Lehmann)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12274&#038;subject=Episode%20200.%20Whole%20Lotta%20Lotte%20(Lehmann)\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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2.374 4.11 9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button advgb-dyn-932155b2\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-afac4025\"><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Keyboard.jpg\" alt=\"\" class=\"wp-image-12474\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Keyboard.jpg 368w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Keyboard-185x300.jpg 185w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today we observe a significant event in the history of <em>Countermelody<\/em>, namely, our 200th episode! I decided that there was no better way to celebrate than to devote a full episode to the great Lotte Lehmann (1888-1976), who vies with Claudia Muzio as one of my two favorite singers of all time. Lehmann was originally a conservatory flunkie, but somehow got her act together to become one of the most expressive and imaginative singers, both of opera and of art song, that ever lived. From the first time I heard this warm, enveloping voice allied to a theatrical, emotional style of delivery, I was in love. Though I have frequently featured her in individual cuts on the podcast, this is the first time she has been featured on her own episode. She is heard in live, studio, and radio recordings made between the years 1916 and 1958, all of which reveal her in all aspects of her sublime artistry and in the company of some of the greatest artists of her era, from Arturo Toscanini to Richard Tauber to George Szell, to her preferred accompanist, Paul Ulanowsky. Choosing the selections for this week\u2019s program was like reencountering an old friend. The episode begins with a brief tribute to the late Finnish composer Kaija Saariaho, who died a week ago at the age of 70 and to the evocative singer Astrud Gilberto, who died this past week at the age of 83.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gilberto-1024x678.png\" alt=\"\" class=\"wp-image-12510\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gilberto-1024x678.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gilberto-300x199.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gilberto-768x509.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gilberto.png 1125w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Sammy Fain, Paul Francis Webster: A Certain Smile. Astrud Gilberto, Walter Wanderley [1966]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"976\" height=\"549\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Saariaho-shoulder.jpg\" alt=\"\" class=\"wp-image-12475\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Saariaho-shoulder.jpg 976w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Saariaho-shoulder-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Saariaho-shoulder-768x432.jpg 768w\" sizes=\"auto, (max-width: 976px) 100vw, 976px\" \/><\/figure>\n<\/div>\n\n\n<p>Kaija Saariaho, Amin Maalouf: <em>La Passion de Simone<\/em> [excerpt]. Anne Sofie von Otter, Christian Karlsen, The Royal Swedish Orchestra and Opera Chorus [live 2021]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"930\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Mic.png\" alt=\"\" class=\"wp-image-12478\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Mic.png 739w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-at-Mic-238x300.png 238w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Franz von Schober: An die Musik, D 547. Lotte Lehmann, Paul Ulanowsky [live radio broadcast 08.X.41]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"538\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Tauber-Dietrich.png\" alt=\"\" class=\"wp-image-12479\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Tauber-Dietrich.png 732w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Tauber-Dietrich-300x220.png 300w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Richard Tauber and Marlene Dietrich<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Erich Wolfgang Korngold, Paul Schott [Erich Wolfgang Korngold, Julius Korngold, after Georges Rodenbach]: Gl\u00fcck, das mir verblieb (<em>Die tote Stadt<\/em>). Lotte Lehmann, Richard Tauber, Georg Szell, Berlin State Opera Orchestra [1924]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"738\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Toscanini-1024x738.png\" alt=\"\" class=\"wp-image-12480\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Toscanini-1024x738.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Toscanini-300x216.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Toscanini-768x554.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Toscanini.png 1085w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Lehmann and Toscanini<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ludwig Van Beethoven, Joseph Sonnleithner [after Jean-Nicolas Bouilly]: Ich folg\u2019 dem innern Triebe (<em>Fidelio<\/em>). Lotte Lehmann, Arturo Toscanini, Wiener Philharmoniker [live Salzburg 16.VIII.36]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"918\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann-918x1024.jpg\" alt=\"\" class=\"wp-image-12481\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann-918x1024.jpg 918w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann-269x300.jpg 269w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann-768x857.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann-1376x1536.jpg 1376w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Gerard-Souzay-and-Lotte-Lehmann.jpg 1380w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Lotte Lehmann and G<a>\u00e9<\/a>rard Souzay<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Robert Schumann, Christian L\u2019Egru: Auftr\u00e4ge, Op. 77\/5. Lotte Lehmann, Hermann Weigert [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"409\" height=\"535\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Erno-Balogh.png\" alt=\"\" class=\"wp-image-12482\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Erno-Balogh.png 409w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Erno-Balogh-229x300.png 229w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Ern\u0151 Balogh<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anonymous, Ben Jonson: Drink to Me Only with Thine Eyes. Lotte Lehmann, Ern\u0151 Balogh [1937]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"806\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Ulanowsky.png\" alt=\"\" class=\"wp-image-12483\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Ulanowsky.png 581w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Ulanowsky-216x300.png 216w\" sizes=\"auto, (max-width: 581px) 100vw, 581px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Lotte Lehmann and Paul Ulanowsky<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johannes Brahms, Klaus Groth: Komm\u2019 bald, Op. 97\/5. Lotte Lehmann, Paul Ulanowsky [live Town Hall 27.II.49]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"496\" height=\"488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Elsa.png\" alt=\"\" class=\"wp-image-12484\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Elsa.png 496w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Elsa-300x295.png 300w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Wagner: Euch L\u00fcften, die mein Klagen (<em>Lohengrin<\/em>). Lotte Lehmann, unidentified conductor and orchestra [1914]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"937\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Strauss.png\" alt=\"\" class=\"wp-image-12485\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Strauss.png 632w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Strauss-202x300.png 202w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Heinrich Hart: C\u00e4cilie, Op. 27\/1. Lotte Lehmann, Orchestra conducted by Bruno Seidler-Winkler [1921]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"678\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin.png\" alt=\"\" class=\"wp-image-12486\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin.png 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin-283x300.png 283w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Wie kann denn das gescheh\u2019n? (<em>Der Rosenkavalier<\/em>). Lotte Lehmann, Hermann Weigert, Berlin State Opera Orchestra [1925]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"464\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin2.png\" alt=\"\" class=\"wp-image-12487\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin2.png 464w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Marschallin2-206x300.png 206w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Die Zeit, die ist ein sonderbar Ding (<em>Der Rosenkavalier<\/em>). Lotte Lehmann, Manfred Gurlitt, Berlin State Opera Orchestra [1927]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"944\" data-id=\"12489\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Arabella.png\" alt=\"\" class=\"wp-image-12489\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Arabella.png 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Arabella-217x300.png 217w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"404\" data-id=\"12488\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Heidersbach.jpg\" alt=\"\" class=\"wp-image-12488\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Heidersbach.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Heidersbach-223x300.jpg 223w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Richard Strauss, Hugo von Hofmannsthal: Er ist der Richtige nicht f\u00fcr mich (<em>Arabella<\/em>). Lotte Lehmann, K\u00e4te Heidersbach, Richard J\u00e4ger, Members of the Berlin State Opera Orchestra [1933]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"407\" height=\"685\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelica.png\" alt=\"\" class=\"wp-image-12491\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelica.png 407w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelica-178x300.png 178w\" sizes=\"auto, (max-width: 407px) 100vw, 407px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giovacchino Forzano, German translation by Alfred Br\u00fcggemann: O Blumen, die ihr Gift [Amici fiori] (<em>Suor Angelica<\/em>). Lotte Lehmann, Orchestra conducted by Bruno Seidler-Winkler [1920]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"561\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Turandot.jpg\" alt=\"\" class=\"wp-image-12492\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Turandot.jpg 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Turandot-209x300.jpg 209w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, completed Franco Alfano, Giuseppe Adami, Renato Simoni [after Carlo Gozzi], German translation by Alfred Br\u00fcggemann: Die ersten Tr\u00e4nen [Del primo pianto] (<em>Turandot<\/em>). Lotte Lehmann, Fritz Zweig, Berlin City Opera Orchestra [1927]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"871\" height=\"799\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Kiepura-Heliane.png\" alt=\"\" class=\"wp-image-12493\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Kiepura-Heliane.png 871w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Kiepura-Heliane-300x275.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Kiepura-Heliane-768x705.png 768w\" sizes=\"auto, (max-width: 871px) 100vw, 871px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Lotte Lehmann and Jan Kiepura in <em>Das Wunder der Heliane<\/em><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Erich Wolfgang Korngold, Hans M\u00fcller-Einigen [after Hans Kaltneker]: Doch sch\u00f6n war der Knabe (<em>Das Wunder der Heliane<\/em>). Lotte Lehmann, Manfred Gurlitt, Berlin State Opera Orchestra [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"515\" height=\"816\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelic.png\" alt=\"\" class=\"wp-image-12494\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelic.png 515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Angelic-189x300.png 189w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Alfred Maria Willner, Robert Bodanzky: Im heimlichen D\u00e4mmer&#8230; W\u00e4r\u2019 es auch nichts als ein Augenblick (<em>Eva<\/em>). Lotte Lehmann, Hermann Weigert, Berlin State Opera Orchestra [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lotte-Lehmann-borderline-elderly.jpg\" alt=\"\" class=\"wp-image-12495\" width=\"453\" height=\"574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lotte-Lehmann-borderline-elderly.jpg 280w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lotte-Lehmann-borderline-elderly-237x300.jpg 237w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Stolz, Kurt Robitschek: Im Prater bl\u00fch\u2019n wieder die B\u00e4ume. Lotte Lehmann, Paul Ulanowsky [1941]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording.png\" alt=\"\" class=\"wp-image-12496\" width=\"413\" height=\"499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording.png 369w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording-248x300.png 248w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><\/figure>\n<\/div>\n\n\n<p>Wilhelm M\u00fcller: Die Kr\u00e4he. Read by Lotte Lehmann [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"562\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Die-Krahe.jpg\" alt=\"\" class=\"wp-image-12497\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Die-Krahe.jpg 562w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Die-Krahe-211x300.jpg 211w\" sizes=\"auto, (max-width: 562px) 100vw, 562px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Lehmann&#8217;s illustration for <em>Die Kr\u00e4he<\/em><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Die Kr\u00e4he (<em>Winterreise<\/em>, D 911\/15). Lotte Lehmann, Paul Ulanowsky [1940]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"767\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording-Winterreise.png\" alt=\"\" class=\"wp-image-12498\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording-Winterreise.png 798w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording-Winterreise-300x288.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Recording-Winterreise-768x738.png 768w\" sizes=\"auto, (max-width: 798px) 100vw, 798px\" \/><\/figure>\n<\/div>\n\n\n<p>Eduard M\u00f6rike: Verborgenheit. Read by Lotte Lehmann [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Fur-Collar.jpg\" alt=\"\" class=\"wp-image-12499\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Fur-Collar.jpg 509w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Fur-Collar-239x300.jpg 239w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/figure>\n<\/div>\n\n\n<p>Hugo Wolf, Eduard M\u00f6rike: Verborgenheit. Lotte Lehmann, Paul Ulanowsky [live radio broadcast 26.XI.41]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"661\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-1940s-studio-pose.png\" alt=\"\" class=\"wp-image-12502\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-1940s-studio-pose.png 556w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-1940s-studio-pose-252x300.png 252w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Georg Philipp Schmidt von L\u00fcbeck: Der Wanderer, D 489. Lotte Lehmann, Paul Ulanowsky [live Town Hall 10.II.46]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"922\" height=\"929\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-elderly.png\" alt=\"\" class=\"wp-image-12501\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-elderly.png 922w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-elderly-298x300.png 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-elderly-150x150.png 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-elderly-768x774.png 768w\" sizes=\"auto, (max-width: 922px) 100vw, 922px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Wilhelm M\u00fcller: Der Neugierige (<em>Die sch\u00f6ne M\u00fcllerin<\/em>, D 795\/6). Lotte Lehmann, Paul Ulanowsky [live Town Hall Farewell Recital 16.II.51]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"756\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-80.png\" alt=\"\" class=\"wp-image-12503\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-80.png 575w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-80-228x300.png 228w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure>\n<\/div>\n\n\n<p>Rainer Maria Rilke: Rast! Gast sein einmal (<em>Die Weise von Liebe und Tod des Cornets Christoph Rilke<\/em>). Lotte Lehmann [1958]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"431\" height=\"545\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Upward-glance.png\" alt=\"\" class=\"wp-image-12507\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Upward-glance.png 431w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-Upward-glance-237x300.png 237w\" sizes=\"auto, (max-width: 431px) 100vw, 431px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Schubert, Franz von Schober: An die Musik, D 547. Lotte Lehmann, Orchestra conducted by Manfred Gurlitt [1927]<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 200. Whole Lotta Lotte (Lehmann!) SOCIAL SHARE SUBSCRIPTION PLATFORM Today we observe a significant event in the history of&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,3132,2476,5137,2260,808,1470,4722,2257,2328,4801,4980],"tags":[5283,5279,5266,3448,4260,5269,5285,5270,583,5267,5181,1495,512,1496,653,3279,5264,488,188,1448,101,1228,5282,5277,2793,94,5276,4610,5284,5281,3514,3760,648,863,5268,5265,5273,5274,5271,5278,87,328,1174,2277,2469,4611,5275,5272,606,486,5280,548,1453,145,1092,5286,862],"class_list":["post-12274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-franz-schubert","category-giacomo-puccini","category-great-tenors","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-richard-strauss","category-richard-wagner","category-singers-in-old-age","category-twentieth-century-opera","tag-alfred-bruggemann","tag-alfred-maria-willner","tag-amin-maalouf","tag-anne-sofie-von-otter","tag-arabella","tag-arturo-toscanii","tag-astrud-gilberto","tag-ben-johnson","tag-bruno-seidler-winkler","tag-christian-karlsen","tag-christian-legru","tag-das-wunder-der-heliane","tag-der-rosenkavalier","tag-die-tote-stadt","tag-eduard-morike","tag-erich-wolfgang-korngold","tag-erno-balogh","tag-fidelio","tag-franco-alfano","tag-franz-lehar","tag-franz-schubert","tag-franz-von-schober","tag-georg-philipp-schmidt-von-lubeck","tag-georg-szell","tag-george-szell","tag-giacomo-puccini","tag-giovacchino-forzano","tag-giuseppe-adami","tag-hans-kaltneker","tag-hans-muller-einigen","tag-hermann-weigert","tag-hugo-von-hofmannsthal","tag-hugo-wolf","tag-johannes-brahms","tag-joseph-sonnleithner","tag-kaija-saariaho","tag-kate-heidersbach","tag-kathe-heidersbach","tag-klaus-growth","tag-kurt-robitschek","tag-lotte-lehmann","tag-ludwig-van-beethoven","tag-manfred-gurlitt","tag-paul-ulanowsky","tag-rainer-maria-rilke","tag-renato-simoni","tag-richard-jager","tag-richard-strauss-heinrich-hart","tag-richard-tauber","tag-richard-wagner","tag-robert-bodanzky","tag-robert-schumann","tag-robert-stolz","tag-suor-angelica","tag-turandot","tag-walter-wanderley","tag-wilhelm-muller"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/06\/Lehmann-older-TRIMMED-300x188.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/franz-schubert\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-wagner\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Twentieth Century Opera<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Opera<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Alfred Br\u00fcggemann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Alfred Maria Willner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Amin Maalouf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Anne Sofie von Otter<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Arabella<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Arturo Toscanii<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Astrud Gilberto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Ben Johnson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Christian Karlsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Christian L\u2019Egru<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Das Wunder der Heliane<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Der Rosenkavalier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Die tote Stadt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Erich Wolfgang Korngold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Ern\u0151 Balogh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Fidelio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franco Alfano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franz Schubert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Franz von Schober<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Georg Philipp Schmidt von L\u00fcbeck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Georg Szell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">George Szell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giovacchino Forzano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hans Kaltneker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hans M\u00fcller-Einigen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hermann Weigert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Hugo Wolf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Kaija Saariaho<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">K\u00e4te Heidersbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">K\u00e4the Heidersbach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Klaus Growth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Kurt Robitschek<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Manfred Gurlitt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Paul Ulanowsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard J\u00e4ger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Strauss Heinrich Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Tauber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Richard Wagner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Bodanzky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Schumann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Suor Angelica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Walter Wanderley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-opera\/\" class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alfred Br\u00fcggemann<\/span>","<span class=\"advgb-post-tax-term\">Alfred Maria Willner<\/span>","<span class=\"advgb-post-tax-term\">Amin Maalouf<\/span>","<span class=\"advgb-post-tax-term\">Anne Sofie von Otter<\/span>","<span class=\"advgb-post-tax-term\">Arabella<\/span>","<span class=\"advgb-post-tax-term\">Arturo Toscanii<\/span>","<span class=\"advgb-post-tax-term\">Astrud Gilberto<\/span>","<span class=\"advgb-post-tax-term\">Ben Johnson<\/span>","<span class=\"advgb-post-tax-term\">Bruno Seidler-Winkler<\/span>","<span class=\"advgb-post-tax-term\">Christian Karlsen<\/span>","<span class=\"advgb-post-tax-term\">Christian L\u2019Egru<\/span>","<span class=\"advgb-post-tax-term\">Das Wunder der Heliane<\/span>","<span class=\"advgb-post-tax-term\">Der Rosenkavalier<\/span>","<span class=\"advgb-post-tax-term\">Die tote Stadt<\/span>","<span class=\"advgb-post-tax-term\">Eduard M\u00f6rike<\/span>","<span class=\"advgb-post-tax-term\">Erich Wolfgang Korngold<\/span>","<span class=\"advgb-post-tax-term\">Ern\u0151 Balogh<\/span>","<span class=\"advgb-post-tax-term\">Fidelio<\/span>","<span class=\"advgb-post-tax-term\">Franco Alfano<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Franz Schubert<\/span>","<span class=\"advgb-post-tax-term\">Franz von Schober<\/span>","<span class=\"advgb-post-tax-term\">Georg Philipp Schmidt von L\u00fcbeck<\/span>","<span class=\"advgb-post-tax-term\">Georg Szell<\/span>","<span class=\"advgb-post-tax-term\">George Szell<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giovacchino Forzano<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Hans Kaltneker<\/span>","<span class=\"advgb-post-tax-term\">Hans M\u00fcller-Einigen<\/span>","<span class=\"advgb-post-tax-term\">Hermann Weigert<\/span>","<span class=\"advgb-post-tax-term\">Hugo von Hofmannsthal<\/span>","<span class=\"advgb-post-tax-term\">Hugo Wolf<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Joseph Sonnleithner<\/span>","<span class=\"advgb-post-tax-term\">Kaija Saariaho<\/span>","<span class=\"advgb-post-tax-term\">K\u00e4te Heidersbach<\/span>","<span class=\"advgb-post-tax-term\">K\u00e4the Heidersbach<\/span>","<span class=\"advgb-post-tax-term\">Klaus Growth<\/span>","<span class=\"advgb-post-tax-term\">Kurt Robitschek<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Ludwig van Beethoven<\/span>","<span class=\"advgb-post-tax-term\">Manfred Gurlitt<\/span>","<span class=\"advgb-post-tax-term\">Paul Ulanowsky<\/span>","<span class=\"advgb-post-tax-term\">Rainer Maria Rilke<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Richard J\u00e4ger<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss Heinrich Hart<\/span>","<span class=\"advgb-post-tax-term\">Richard Tauber<\/span>","<span class=\"advgb-post-tax-term\">Richard Wagner<\/span>","<span class=\"advgb-post-tax-term\">Robert Bodanzky<\/span>","<span class=\"advgb-post-tax-term\">Robert Schumann<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">Suor Angelica<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Walter Wanderley<\/span>","<span class=\"advgb-post-tax-term\">Wilhelm M\u00fcller<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 08\/06\/2023","modified":"Updated on 09\/06\/2023"},"absolute_dates_time":{"created":"Posted on 08\/06\/2023 09:00","modified":"Updated on 09\/06\/2023 18:27"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=12274"}],"version-history":[{"count":11,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12274\/revisions"}],"predecessor-version":[{"id":12514,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12274\/revisions\/12514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/12477"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=12274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=12274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=12274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}