{"id":12054,"date":"2023-04-28T22:53:35","date_gmt":"2023-04-28T20:53:35","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=12054"},"modified":"2023-04-30T19:26:46","modified_gmt":"2023-04-30T17:26:46","slug":"episode-194-great-mozart-tenors","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/04\/28\/episode-194-great-mozart-tenors\/","title":{"rendered":"Episode 194. Great Mozart Tenors"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading advgb-dyn-9e14bc95\">Episode 194.  Great Mozart Tenors<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=809-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12054&#038;title=Episode%20194.%20Great%20Mozart%20Tenors\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12054&#038;link=Episode%20194.%20Great%20Mozart%20Tenors\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12054&#038;description=Episode%20194.%20Great%20Mozart%20Tenors\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D12054&#038;subject=Episode%20194.%20Great%20Mozart%20Tenors\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" 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9.386 9.386 0 0 0 5.539 1.7 9.386 9.386 0 0 0 5.541-1.7 5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button advgb-dyn-932155b2\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-2a3a5d7a\"><img loading=\"lazy\" decoding=\"async\" width=\"589\" height=\"715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-I.png\" alt=\"\" class=\"wp-image-12220\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-I.png 589w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-I-247x300.png 247w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today\u2019s is a mammoth episode, one of my longest ever, so I suggest you listen to it in easily digestible segments. It\u2019s mammoth because it\u2019s a gigantic subject: great Mozart tenors of the 20th century, covering more than 100 years of recorded documents of the finest examples of tenorial interpretations of the big Mozart operas as well as some of his lesser-known works, including his concert arias. You will be dazzled (and that is a promise and a guarantee) by performances by Fritz Wunderlich (for many of us, the <em>ne plus ultra<\/em> of lyric tenors), George Shirley, Richard Tauber, Anton Dermota, L\u00e9opold Simoneau, Nicolai Gedda, G\u00f6sta Winbergh, John McCormack, David Rendall, Peter Schreier, and countless others, including lesser-known figures such as John van Kesteren, K\u00e1lm\u00e1n Pataky, and Wies\u0142aw Ochman, and duets featuring Pilar Lorengar, Leontyne Price, Roberta Alexander, and Margaret Price. I also feature a peek into the future with a special salute to the young tenor Alex Banfield, whose work has impressed me enormously. The entire episode is dedicated to the memory of my friend Jerry Hadley, one of the supreme Mozart tenors of all time.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"566\" height=\"859\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Belafonte.png\" alt=\"\" class=\"wp-image-12224\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Belafonte.png 566w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Belafonte-198x300.png 198w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/figure>\n<\/div>\n\n\n<p>Harry Belafonte, Robert Freedman: Turn the World Around. Harry Belafonte live at Jim Henson\u2019s Memorial Service, Cathedral Church of St. John the Divine [live New York 21.V.1990]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"727\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Young-Fritz.jpg\" alt=\"\" class=\"wp-image-12225\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Young-Fritz.jpg 456w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Young-Fritz-188x300.jpg 188w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><\/figure>\n<\/div>\n\n\n<p>Welch ein Gl\u00fcck [Che belt\u00e0!] (<em>Die G\u00e4rtnerin aus Liebe<\/em> [<em>La finta giardiniera<\/em>]). Fritz Wunderlich, Josef D\u00fcnnwald, W\u00fcrttembergisches Staatsorchester Stuttgart [live Ludwigsburg, 08.09.56]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alva.jpg\" alt=\"\" class=\"wp-image-12227\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alva.jpg 427w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alva-214x300.jpg 214w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure>\n<\/div>\n\n\n<p>Un\u2019 aura amorosa (<em>Cos\u00ec fan tutte<\/em>) Luigi Alva, Guido Cantelli, Orchestra del Teatro alla Scala di Milano [live 27.I.1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Shirley-Ferrando.png\" alt=\"\" class=\"wp-image-12228\" width=\"537\" height=\"671\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Shirley-Ferrando.png 417w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Shirley-Ferrando-240x300.png 240w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/figure>\n<\/div>\n\n\n<p>My love is a flower [Un aura amorosa] (<em>Cos\u00ec fan<\/em> <em>tutte<\/em>). George Shirley, Joseph Rosenstock, Metropolitan Opera Orchestra (live Boston 14.IV.62]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"939\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Simoneau.png\" alt=\"\" class=\"wp-image-12245\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Simoneau.png 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Simoneau-222x300.png 222w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n\n\n<p>Dalla sua pace (<em>Don Giovanni<\/em>). L\u00e9opold Simoneau, Dimitri Mitropoulos, Wiener Philharmoniker [live Salzburg 24.VII.56]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"643\" height=\"801\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kullman.png\" alt=\"\" class=\"wp-image-12247\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kullman.png 643w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kullman-241x300.png 241w\" sizes=\"auto, (max-width: 643px) 100vw, 643px\" \/><\/figure>\n<\/div>\n\n\n<p>Dalla sua pace (<em>Don Giovanni<\/em>). Charles Kullman, Bruno Walter, Metropolitan Opera Orchestra [live New York, 07.III.42]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"592\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/McCormack.jpg\" alt=\"\" class=\"wp-image-12246\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/McCormack.jpg 665w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/McCormack-300x267.jpg 300w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n<\/div>\n\n\n<p>Il mio tesoro (<em>Don Giovanni<\/em>). John McCormack [1916]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kraus.jpg\" alt=\"\" class=\"wp-image-12229\" width=\"550\" height=\"846\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kraus.jpg 390w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kraus-195x300.jpg 195w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure>\n<\/div>\n\n\n<p>Il mio tesoro (<em>Don Giovanni<\/em>). Alfredo Kraus, Ferdinand Leitner, Orchestra of the Lyric Opera of Chicago [live 06.XII.69]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-1024x1009.jpg\" alt=\"\" class=\"wp-image-12230\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-1024x1009.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-768x757.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-1536x1514.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies-1600x1577.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Davies.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>In quegli anni (<em>Le nozze di Figaro<\/em>). Ryland Davies, Charles Mackerras, Scottish Chamber Orchestra [1994]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"934\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Tauber-and-Doggies.png\" alt=\"\" class=\"wp-image-12231\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Tauber-and-Doggies.png 800w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Tauber-and-Doggies-257x300.png 257w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Tauber-and-Doggies-768x897.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p>Dies Bildnis ist bezaubernd sch\u00f6n (<em>Die Zauberfl\u00f6te<\/em>). Richard Tauber, Karl Alwin, Wiener Symphoniker [1938]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"935\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Burrows-Ottavio.png\" alt=\"\" class=\"wp-image-12244\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Burrows-Ottavio.png 656w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Burrows-Ottavio-210x300.png 210w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p>Dies Bildnis ist bezaubernd sch\u00f6n (<em>Die Zauberfl\u00f6te<\/em>). Stuart Burrows, Georg Solti, Wiener Philharmoniker [1969]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"703\" height=\"813\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Wittrisch.png\" alt=\"\" class=\"wp-image-12257\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Wittrisch.png 703w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Wittrisch-259x300.png 259w\" sizes=\"auto, (max-width: 703px) 100vw, 703px\" \/><\/figure>\n<\/div>\n\n\n<p>Wie stark ist nicht dein Zauberton (<em>Die Zauberfl\u00f6te<\/em>). Marcel Wittrisch, Clemens Schmalstich, Orchester der Staatsoper Berlin [1930]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"757\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kmentt-Lorengar-1024x757.png\" alt=\"\" class=\"wp-image-12262\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kmentt-Lorengar-1024x757.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kmentt-Lorengar-300x222.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kmentt-Lorengar-768x568.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Kmentt-Lorengar.png 1387w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Tamino mein, O welch ein Gl\u00fcck! (<em>Die Zauberfl\u00f6te<\/em>). Waldemar Kmentt, Pilar Lorengar, Istv\u00e1n Kert\u00e9sz, Wiener Philharmoniker [live Salzburg 12.VIII.64]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"782\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Valletti.png\" alt=\"\" class=\"wp-image-12271\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Valletti.png 512w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Valletti-196x300.png 196w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure>\n<\/div>\n\n\n<p>Anima mia, consolati&#8230; Fuggi, crudele, fuggi! (<em>Don Giovanni<\/em>). Cesare Valletti, Leontyne Price, Herbert von Karajan, Wiener Philharmoniker [Salzburg 08.VIII.60]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"943\" height=\"675\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Price-Karajan.png\" alt=\"\" class=\"wp-image-12270\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Price-Karajan.png 943w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Price-Karajan-300x215.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Price-Karajan-768x550.png 768w\" sizes=\"auto, (max-width: 943px) 100vw, 943px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Herbert von Karajan and Leontyne Price during <em>Tosca<\/em> recording session, 1962.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"661\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Schreier-Price-1024x661.png\" alt=\"\" class=\"wp-image-12267\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Schreier-Price-1024x661.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Schreier-Price-300x194.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Schreier-Price-768x496.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Schreier-Price.png 1455w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Volgi a me pietoso il ciglio (<em>Cos\u00ec fan tutte<\/em>). Peter Schreier, Margaret Price, Wolfgang Sawallisch, Bayerisches Staatsorchester [live M\u00fcnchen 28.II.1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"689\" height=\"822\" data-id=\"12264\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Aler.png\" alt=\"\" class=\"wp-image-12264\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Aler.png 689w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Aler-251x300.png 251w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"800\" data-id=\"12263\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Roberta-Alexander.jpg\" alt=\"\" class=\"wp-image-12263\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Roberta-Alexander.jpg 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Roberta-Alexander-257x300.jpg 257w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Lei mi chiama?&#8230; Alme belle innamorate (<em>La finta giardiniera<\/em>). John Aler, Roberta Alexander, Semyon Bychkov, Nouvel Orchestre Philarmonique [live Aix-en-Provence 30.VII.1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-1024x768.jpg\" alt=\"\" class=\"wp-image-12233\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-1024x768.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-300x225.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-768x576.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-1536x1151.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1-1600x1199.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ivogun-Erb-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Welch\u2019 ein Geschick! (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Karl Erb, Maria Ivog\u00fcn [1916]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota-735x1024.jpg\" alt=\"\" class=\"wp-image-12234\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota-735x1024.jpg 735w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota-215x300.jpg 215w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota-768x1071.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota-1102x1536.jpg 1102w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Dermota.jpg 1469w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n<\/div>\n\n\n<p>Hier soll ich dich denn sehen (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Anton Dermota, Ferenc Fricsay, RIAS Sinfonie Orchester [Berlin 1949]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"586\" height=\"851\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Pataky.png\" alt=\"\" class=\"wp-image-12236\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Pataky.png 586w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Pataky-207x300.png 207w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/figure>\n<\/div>\n\n\n<p>Konstanze! O wie \u00e4ngstlich (<em>Die Entf\u00fchrung aus dem Serail<\/em>). K\u00e1lm\u00e1n Pataky [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"661\" height=\"836\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Alexander.png\" alt=\"\" class=\"wp-image-12243\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Alexander.png 661w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/John-Alexander-237x300.png 237w\" sizes=\"auto, (max-width: 661px) 100vw, 661px\" \/><\/figure>\n<\/div>\n\n\n<p>O wie \u00e4ngstlich [sung in English] (<em>The Abduction from the Seraglio<\/em>). John Alexander, Julius Rudel, New York City Opera Orchestra [live New York 22.X.66]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"551\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/JVKesteren.jpeg\" alt=\"\" class=\"wp-image-12248\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/JVKesteren.jpeg 551w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/JVKesteren-199x300.jpeg 199w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/figure>\n<\/div>\n\n\n<p>Wenn der Freude Tr\u00e4nen flie\u00dfen (<em>Die Entf\u00fchrung aus dem Serail<\/em>). John van Kesteren, Otto Ackermann, G\u00fcrzenich-Orchester K\u00f6ln [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jadlowker.jpg\" alt=\"\" class=\"wp-image-12249\" width=\"453\" height=\"1016\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jadlowker.jpg 223w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jadlowker-134x300.jpg 134w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure>\n<\/div>\n\n\n<p>Ich baue ganz (<em>Die Entf\u00fchrung aus dem Serail<\/em>). Hermann Jadlowker [1909]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"854\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Winbergh.png\" alt=\"\" class=\"wp-image-12255\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Winbergh.png 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Winbergh-240x300.png 240w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>Va, dal furor portata, KV 21. G\u00f6sta Winbergh, Gy\u00f6rgy Fischer, Wiener Kammerorchester [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"743\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Araiza.png\" alt=\"\" class=\"wp-image-12254\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Araiza.png 696w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Araiza-281x300.png 281w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><\/figure>\n<\/div>\n\n\n<p>Si mostra la sorte, KV 209. Francisco Araiza, Gerhard Wimberger, Mozarteum-Orchester Salzburg [live Salzburg 23.VI.1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Gedda-textured.jpg\" alt=\"\" class=\"wp-image-12256\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Gedda-textured.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Gedda-textured-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Gedda-textured-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Misero! O sogno, KV 431. Nicolai Gedda, Claude G\u00e9netay, National Musei Kammarorkester [1970]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"762\" height=\"932\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Charles-Holland.png\" alt=\"\" class=\"wp-image-12238\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Charles-Holland.png 762w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Charles-Holland-245x300.png 245w\" sizes=\"auto, (max-width: 762px) 100vw, 762px\" \/><\/figure>\n<\/div>\n\n\n<p>Misero! O sogno, K. 431. Charles Holland, Arthur Goldschmidt, Orchestre de la Soci\u00e9t\u00e9 des Concerts du Conservatoire [1952]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Haefliger-more-handsome.jpg\" alt=\"\" class=\"wp-image-12252\" width=\"556\" height=\"734\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Haefliger-more-handsome.jpg 485w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Haefliger-more-handsome-227x300.jpg 227w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><\/figure>\n<\/div>\n\n\n<p>Per piet\u00e0, non ricercate, KV 420. Ernst Haefliger, J\u00f6rg Ewald D\u00e4hler, English Chamber Orchestra [1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"583\" height=\"930\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Langridge-Tito-1.png\" alt=\"\" class=\"wp-image-12258\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Langridge-Tito-1.png 583w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Langridge-Tito-1-188x300.png 188w\" sizes=\"auto, (max-width: 583px) 100vw, 583px\" \/><\/figure>\n<\/div>\n\n\n<p>Se all\u2019impero (<em>La clemenza di Tito<\/em>). Philip Langridge, Nikolaus Harnoncourt, Orchester der Oper Z\u00fcrich [1993]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"934\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman.png\" alt=\"\" class=\"wp-image-12253\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman.png 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Ochman-191x300.png 191w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p>Vedrommi intorno l\u2019ombra dolente (<em>Idomeneo<\/em>). Wies\u0142aw Ochman, Karl B\u00f6hm, Staatskapelle Dresden [1979]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"524\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Rendall.jpg\" alt=\"\" class=\"wp-image-12242\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Rendall.jpg 524w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Rendall-197x300.jpg 197w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/figure>\n<\/div>\n\n\n<p>Fuor del mar (<em>Idomeneo<\/em>). David Rendall, Jeffrey Tate, Metropolitan Opera Orchestra [live 15.II.1986]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield-1024x1024.jpg\" alt=\"\" class=\"wp-image-12239\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Alex-Banfield.jpg 1365w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Se di lauri il crine adorno (<em>Mitridate<\/em>) [Alex Banfield] [demo 12.2020]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"740\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-Outdoors-1024x740.png\" alt=\"\" class=\"wp-image-12259\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-Outdoors-1024x740.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-Outdoors-300x217.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-Outdoors-768x555.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-Outdoors.png 1278w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Non ho colpa (<em>Idomeneo<\/em>). Jerry Hadley, Bernard Haitink, London Philharmonic Orchestra [live Glyndebourne 1983] <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Fritz-Tamino.jpg\" alt=\"\" class=\"wp-image-12240\" width=\"532\" height=\"746\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Fritz-Tamino.jpg 473w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Fritz-Tamino-214x300.jpg 214w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/figure>\n<\/div>\n\n\n<p>Wackrer Freund, voll tiefer Scham (<em>Zaide<\/em>). Fritz Wunderlich, Hans M\u00fcller-Kray, Sinfonieorchester des S\u00fcddeutschen Rundfunks [live Stuttgart 24.X.56]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Episode 194. Great Mozart Tenors SOCIAL SHARE SUBSCRIPTION PLATFORM Today\u2019s is a mammoth episode, one of my longest ever, so&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,5137,2260,808,2329,4801,3272,2550,5138],"tags":[5125,47,51,977,2150,2283,599,2443,868,5112,44,5081,1611,1612,2147,1068,4328,578,2673,4635,46,45,1905,2263,5127,5128,4530,5129,5123,1242,5130,1613,4124,4796,48,4760,387,650,5131,5126,4540,5119,363,5136,3483,1021,580,1638,3354,871,334,50,870,1620,1985,1637,5135,5124,1015,2784,5132,49,3255,3575,3324,606,2166,5120,5134,52,5133,5121,34,698,5122],"class_list":["post-12054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-great-tenors","category-music-for-a-world-in-crisis","category-needle-drop","category-opera-in-translation","category-singers-in-old-age","category-singers-of-color","category-voiceless-wonders","category-wolfgang-amadeus-mozart","tag-alex-banfield","tag-alfredo-kraus","tag-anton-dermota","tag-arthur-goldschmidt","tag-bernard-haitink","tag-cesare-valletti","tag-charles-holland","tag-charles-mackerras","tag-claude-genetay","tag-clemens-schmalstich","tag-cosi-fan-tutte","tag-david-rendall","tag-die-entfuhrung-aus-dem-serail","tag-die-zauberflote","tag-dimitri-mitropoulos","tag-don-giovanni","tag-emanuel-schikaneder","tag-ernst-haefliger","tag-ferdinand-leitner","tag-ferenc-fricsay","tag-francisco-araiza","tag-fritz-wunderlich","tag-georg-solti","tag-george-shirley","tag-gerhard-wimberger","tag-gosta-winbergh","tag-guido-cantelli","tag-gyorgy-fischer","tag-hans-muller-kray","tag-herbert-von-karajan","tag-hermann-jadlowker","tag-idomeneo","tag-istvan-kertesz","tag-jeffrey-tate","tag-jerry-hadley","tag-john-aler","tag-john-alexander","tag-john-mccormack","tag-john-van-kesteren","tag-jorg-ewald-dahler","tag-josef-dunnwald","tag-joseph-rosenstock","tag-julius-rudel","tag-kalman-pataky","tag-karl-alwin","tag-karl-bohm","tag-karl-erb","tag-la-clemenza-di-tito","tag-la-finta-giardiniera","tag-le-nozze-di-figaro","tag-leontyne-price","tag-leopold-simoneau","tag-lorenzo-da-ponte","tag-luigi-alva","tag-marcel-wittrisch","tag-margaret-price","tag-maria-ivogun","tag-mitridate","tag-nicolai-gedda","tag-nikolaus-harnoncourt","tag-otto-ackermann","tag-peter-schreier","tag-philip-langridge","tag-pietro-metastasio","tag-pilar-lorengar","tag-richard-tauber","tag-roberta-alexander","tag-ryland-davies","tag-semyon-bychkov","tag-stuart-burrows","tag-waldemar-kmentt","tag-wieslaw-ochman","tag-wolfgang-amadeus-mozart","tag-wolfgang-sawallisch","tag-zaide"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/04\/Jerry-TRIMMED-300x192.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/great-tenors\/\" class=\"advgb-post-tax-term\">Great Tenors<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/opera-in-translation\/\" class=\"advgb-post-tax-term\">Opera in Translation<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/voiceless-wonders\/\" class=\"advgb-post-tax-term\">Voiceless Wonders<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Great Tenors<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Opera in Translation<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Voiceless Wonders<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alex Banfield<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Alfredo Kraus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Anton Dermota<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Arthur Goldschmidt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Bernard Haitink<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cesare Valletti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Holland<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Charles Mackerras<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Claude G\u00e9netay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Clemens Schmalstich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Cosi fan tutte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">David Rendall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ernst Haefliger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferdinand Leitner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ferenc Fricsay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Francisco Araiza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Fritz Wunderlich<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Georg Solti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">George Shirley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gerhard Wimberger<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">G\u00f6sta Winbergh<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Guido Cantelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Gy\u00f6rgy Fischer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hans M\u00fcller-Kray<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Hermann Jadlowker<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Idomeneo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Istv\u00e1n Kert\u00e9sz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jeffrey Tate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Jerry Hadley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Aler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John McCormack<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">John van Kesteren<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">J\u00f6rg Ewald D\u00e4hler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Josef D\u00fcnnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Joseph Rosenstock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Julius Rudel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">K\u00e1lm\u00e1n Pataky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Alwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Karl Erb<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La Clemenza di Tito<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">La finta giardiniera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leontyne Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Leopold Simoneau<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Luigi Alva<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Marcel Wittrisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Margaret Price<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Maria Ivog\u00fcn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Mitridate<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nicolai Gedda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Nikolaus Harnoncourt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Otto Ackermann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Peter Schreier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Philip Langridge<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pietro Metastasio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Pilar Lorengar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Richard Tauber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Roberta Alexander<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Ryland Davies<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Semyon Bychkov<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Stuart Burrows<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Waldemar Kmentt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/wolfgang-amadeus-mozart\/\" class=\"advgb-post-tax-term\">Zaide<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alex Banfield<\/span>","<span class=\"advgb-post-tax-term\">Alfredo Kraus<\/span>","<span class=\"advgb-post-tax-term\">Anton Dermota<\/span>","<span class=\"advgb-post-tax-term\">Arthur Goldschmidt<\/span>","<span class=\"advgb-post-tax-term\">Bernard Haitink<\/span>","<span class=\"advgb-post-tax-term\">Cesare Valletti<\/span>","<span class=\"advgb-post-tax-term\">Charles Holland<\/span>","<span class=\"advgb-post-tax-term\">Charles Mackerras<\/span>","<span class=\"advgb-post-tax-term\">Claude G\u00e9netay<\/span>","<span class=\"advgb-post-tax-term\">Clemens Schmalstich<\/span>","<span class=\"advgb-post-tax-term\">Cosi fan tutte<\/span>","<span class=\"advgb-post-tax-term\">David Rendall<\/span>","<span class=\"advgb-post-tax-term\">Die Entf\u00fchrung aus dem Serail<\/span>","<span class=\"advgb-post-tax-term\">Die Zauberfl\u00f6te<\/span>","<span class=\"advgb-post-tax-term\">Dimitri Mitropoulos<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Ernst Haefliger<\/span>","<span class=\"advgb-post-tax-term\">Ferdinand Leitner<\/span>","<span class=\"advgb-post-tax-term\">Ferenc Fricsay<\/span>","<span class=\"advgb-post-tax-term\">Francisco Araiza<\/span>","<span class=\"advgb-post-tax-term\">Fritz Wunderlich<\/span>","<span class=\"advgb-post-tax-term\">Georg Solti<\/span>","<span class=\"advgb-post-tax-term\">George Shirley<\/span>","<span class=\"advgb-post-tax-term\">Gerhard Wimberger<\/span>","<span class=\"advgb-post-tax-term\">G\u00f6sta Winbergh<\/span>","<span class=\"advgb-post-tax-term\">Guido Cantelli<\/span>","<span class=\"advgb-post-tax-term\">Gy\u00f6rgy Fischer<\/span>","<span class=\"advgb-post-tax-term\">Hans M\u00fcller-Kray<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Hermann Jadlowker<\/span>","<span class=\"advgb-post-tax-term\">Idomeneo<\/span>","<span class=\"advgb-post-tax-term\">Istv\u00e1n Kert\u00e9sz<\/span>","<span class=\"advgb-post-tax-term\">Jeffrey Tate<\/span>","<span class=\"advgb-post-tax-term\">Jerry Hadley<\/span>","<span class=\"advgb-post-tax-term\">John Aler<\/span>","<span class=\"advgb-post-tax-term\">John Alexander<\/span>","<span class=\"advgb-post-tax-term\">John McCormack<\/span>","<span class=\"advgb-post-tax-term\">John van Kesteren<\/span>","<span class=\"advgb-post-tax-term\">J\u00f6rg Ewald D\u00e4hler<\/span>","<span class=\"advgb-post-tax-term\">Josef D\u00fcnnwald<\/span>","<span class=\"advgb-post-tax-term\">Joseph Rosenstock<\/span>","<span class=\"advgb-post-tax-term\">Julius Rudel<\/span>","<span class=\"advgb-post-tax-term\">K\u00e1lm\u00e1n Pataky<\/span>","<span class=\"advgb-post-tax-term\">Karl Alwin<\/span>","<span class=\"advgb-post-tax-term\">Karl B\u00f6hm<\/span>","<span class=\"advgb-post-tax-term\">Karl Erb<\/span>","<span class=\"advgb-post-tax-term\">La Clemenza di Tito<\/span>","<span class=\"advgb-post-tax-term\">La finta giardiniera<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Leontyne Price<\/span>","<span class=\"advgb-post-tax-term\">Leopold Simoneau<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Luigi Alva<\/span>","<span class=\"advgb-post-tax-term\">Marcel Wittrisch<\/span>","<span class=\"advgb-post-tax-term\">Margaret Price<\/span>","<span class=\"advgb-post-tax-term\">Maria Ivog\u00fcn<\/span>","<span class=\"advgb-post-tax-term\">Mitridate<\/span>","<span class=\"advgb-post-tax-term\">Nicolai Gedda<\/span>","<span class=\"advgb-post-tax-term\">Nikolaus Harnoncourt<\/span>","<span class=\"advgb-post-tax-term\">Otto Ackermann<\/span>","<span class=\"advgb-post-tax-term\">Peter Schreier<\/span>","<span class=\"advgb-post-tax-term\">Philip Langridge<\/span>","<span class=\"advgb-post-tax-term\">Pietro Metastasio<\/span>","<span class=\"advgb-post-tax-term\">Pilar Lorengar<\/span>","<span class=\"advgb-post-tax-term\">Richard Tauber<\/span>","<span class=\"advgb-post-tax-term\">Roberta Alexander<\/span>","<span class=\"advgb-post-tax-term\">Ryland Davies<\/span>","<span class=\"advgb-post-tax-term\">Semyon Bychkov<\/span>","<span class=\"advgb-post-tax-term\">Stuart Burrows<\/span>","<span class=\"advgb-post-tax-term\">Waldemar Kmentt<\/span>","<span class=\"advgb-post-tax-term\">Wies\u0142aw Ochman<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Sawallisch<\/span>","<span class=\"advgb-post-tax-term\">Zaide<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 28\/04\/2023","modified":"Updated on 30\/04\/2023"},"absolute_dates_time":{"created":"Posted on 28\/04\/2023 22:53","modified":"Updated on 30\/04\/2023 19:26"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=12054"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12054\/revisions"}],"predecessor-version":[{"id":12272,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/12054\/revisions\/12272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/12221"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=12054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=12054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=12054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}