{"id":11760,"date":"2023-03-24T19:07:49","date_gmt":"2023-03-24T18:07:49","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11760"},"modified":"2025-07-29T10:52:23","modified_gmt":"2025-07-29T08:52:23","slug":"episode-189-marni-nixon","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/03\/24\/episode-189-marni-nixon\/","title":{"rendered":"Episode 189. Marni Nixon"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 189.  Marni Nixon<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=787-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size is-style-logos-only is-layout-flex wp-block-social-links-is-layout-flex\"><li class=\"wp-social-link wp-social-link-facebook  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11760&#038;title=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12 2C6.5 2 2 6.5 2 12c0 5 3.7 9.1 8.4 9.9v-7H7.9V12h2.5V9.8c0-2.5 1.5-3.9 3.8-3.9 1.1 0 2.2.2 2.2.2v2.5h-1.3c-1.2 0-1.6.8-1.6 1.6V12h2.8l-.4 2.9h-2.3v7C18.3 21.1 22 17 22 12c0-5.5-4.5-10-10-10z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Facebook<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-twitter  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/share?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11760&#038;link=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M22.23,5.924c-0.736,0.326-1.527,0.547-2.357,0.646c0.847-0.508,1.498-1.312,1.804-2.27 c-0.793,0.47-1.671,0.812-2.606,0.996C18.324,4.498,17.257,4,16.077,4c-2.266,0-4.103,1.837-4.103,4.103 c0,0.322,0.036,0.635,0.106,0.935C8.67,8.867,5.647,7.234,3.623,4.751C3.27,5.357,3.067,6.062,3.067,6.814 c0,1.424,0.724,2.679,1.825,3.415c-0.673-0.021-1.305-0.206-1.859-0.513c0,0.017,0,0.034,0,0.052c0,1.988,1.414,3.647,3.292,4.023 c-0.344,0.094-0.707,0.144-1.081,0.144c-0.264,0-0.521-0.026-0.772-0.074c0.522,1.63,2.038,2.816,3.833,2.85 c-1.404,1.1-3.174,1.756-5.096,1.756c-0.331,0-0.658-0.019-0.979-0.057c1.816,1.164,3.973,1.843,6.29,1.843 c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11760&#038;description=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11760&#038;subject=Episode%20%5B%5D.%20%5B%5D\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-9f226db6\"><img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-892x1024.jpg\" alt=\"\" class=\"wp-image-12011\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-892x1024.jpg 892w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-261x300.jpg 261w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-768x882.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-1338x1536.jpg 1338w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo-1600x1837.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Debussy-Faure-Photo.jpg 1784w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Today, in another of my Women\u2019s History Month episodes, I present to you the extraordinarily versatile, even chameleon-like singer and actor Marni Nixon (22 February 1930 &#8211; 24 July 2016), who is no doubt best-known today as the so-called \u201cGhostess with the Mostest.\u201d Born into a musical family in California, she became involved from an early age with the movies, and by a marvelous set of circumstances became The Voice for a number of Hollywood actresses not known for their singing voices, among them Deborah Kerr in <em>The King and I<\/em>, Natalie Wood in <em>West Side Story<\/em>, and Audrey Hepburn in <em>My Fair Lady<\/em>. Her skill in matching the vocal and speech characteristics of each of these performers is exceptional, but she was so much more than that. She pioneered the work of many 20th century giants, including Igor Stravinsky, Arnold Schoenberg, Charles Ives, and Anton Webern. She hosted a local Seattled children\u2019s television program called <em>Boomerang<\/em> that netted her four Emmy Awards. She performed on opera stages and concert platforms around the world. She recorded widely, everything from <em>Mary Poppins<\/em> to <em>Pierrot Lunaire<\/em>, and in the mid-1970s was the first singer to perform and record Schoenberg\u2019s cabaret songs, his so-called <em>Brettl-Lieder<\/em>, works that are now standard repertoire. She studied with Viennese soprano Vera Schwarz as well as the iconic Lotte Lehmann, and actively performed and recorded for more than 50 years. Her late career saw an extraordinary return to the musical stage, where she starred in both new work and revivals both on and Off-Broadway. Guiding us along the trajectory of her career is my good friend Thomas Bagwell, currently a coach and conductor at The Royal Danish Opera in Copenhagen, who was a colleague and good friend of Marni Nixon\u2019s for the last 25 years of her life. His anecdotes and reminscences are interspersed with examples (often familiar, more often rare) of Marni\u2019s vast recorded legacy, which give testament not only to her versatility, but to her flawless musicality and depth of expression.<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Andrew-Gold-1024x686.png\" alt=\"\" class=\"wp-image-12017\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Andrew-Gold-1024x686.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Andrew-Gold-300x201.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Andrew-Gold-768x514.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Andrew-Gold.png 1272w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Andrew Gold: Thank You for Being a Friend [1978]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"909\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Liza-Doo.png\" alt=\"\" class=\"wp-image-12019\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Liza-Doo.png 733w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Liza-Doo-242x300.png 242w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/><figcaption class=\"wp-element-caption\">Marni as Eliza Doolittle, City Center, 1964<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frederick Loewe, Alan Jay Lerner: I Could Have Danced All Night (<em>My Fair Lady<\/em>). Marni Nixon, Orchestra conducted by Andr\u00e9 Previn [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"882\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Leonard-Stein-1024x882.png\" alt=\"\" class=\"wp-image-12020\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Leonard-Stein-1024x882.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Leonard-Stein-300x258.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Leonard-Stein-768x661.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Leonard-Stein.png 1071w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marni and Leonard Stein<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Anton Webern, Hildegard Jone: Wie bin ich froh! (<em>Drei Lieder nach Gedichten von Hildegard Jone<\/em>, Op. 25\/1). Marni Nixon, Leonard Stein [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"584\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Antheil.jpg\" alt=\"\" class=\"wp-image-12021\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Antheil.jpg 585w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Antheil-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Antheil-150x150.jpg 150w\" sizes=\"auto, (max-width: 585px) 100vw, 585px\" \/><figcaption class=\"wp-element-caption\">George Antheil<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>George Antheil: <em>Dementia<\/em> [AKA <em>Daughter of Horror<\/em>]: Main Theme. Marni Nixon, featured vocalist, arranged, orchestrated, and conducted by Ernest Gold [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"869\" height=\"935\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Deborah-and-Marni.png\" alt=\"\" class=\"wp-image-12022\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Deborah-and-Marni.png 869w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Deborah-and-Marni-279x300.png 279w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Deborah-and-Marni-768x826.png 768w\" sizes=\"auto, (max-width: 869px) 100vw, 869px\" \/><figcaption class=\"wp-element-caption\">Deborah Kerr and Marni Nixon<\/figcaption><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Harry Warren, Harold Adamson, Leo McCarey: Continu\u00e9 (<em>An Affair to Remember<\/em>). Marni Nixon, Lionel Newman, The 20th Century-Fox Orchestra [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"941\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Boomerang-puppets.png\" alt=\"\" class=\"wp-image-12023\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Boomerang-puppets.png 595w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Boomerang-puppets-190x300.png 190w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n<\/div>\n\n\n<p>Stan Keen: <em>Boomerang<\/em> Theme Song. Marni Nixon, Ensemble [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"704\" height=\"923\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Older-Headshot.png\" alt=\"\" class=\"wp-image-12024\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Older-Headshot.png 704w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Older-Headshot-229x300.png 229w\" sizes=\"auto, (max-width: 704px) 100vw, 704px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: I Know It Can Happen Again (<em>Allegro<\/em>). Marni Nixon, Larry Blank, Istropolis Philharmonic Orchestra [2008]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"708\" height=\"909\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Vera-Schwarz.png\" alt=\"\" class=\"wp-image-12026\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Vera-Schwarz.png 708w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Vera-Schwarz-234x300.png 234w\" sizes=\"auto, (max-width: 708px) 100vw, 708px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert Stolz, Fritz Gr\u00fcnbaum, Wilhelm Sterk: Du sollst der Kaiser meiner Seele sein (<em>Der Favorit<\/em>). Vera Schwarz, unidentified conductor and orchestra [1928]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"749\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-1024x749.jpg\" alt=\"\" class=\"wp-image-12027\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-1024x749.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-300x220.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-768x562.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-1536x1124.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe-1600x1171.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/John-McCabe.jpg 2035w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">John McCabe<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Charles Ives, Louis Untermeyer: From \u201c<em>The Swimmers<\/em>.\u201d Marni Nixon, John McCabe [1967]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"648\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Stravinsky.png\" alt=\"\" class=\"wp-image-12028\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Stravinsky.png 929w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Stravinsky-300x209.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Stravinsky-768x536.png 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><figcaption class=\"wp-element-caption\">Marni and Igor Stravinsky<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Igor Stravinsky, traditional Russian text, unknown English translator: The Drake (<em>Four Russian Songs<\/em>, No. 1). Marni Nixon, Arthur Gleghorn, Dorothy Remsen, Jack Marshall [1954]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"997\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-1024x997.jpg\" alt=\"\" class=\"wp-image-12029\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-1024x997.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-300x292.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-768x748.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-1536x1496.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover-1600x1558.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Brettl-Cover.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg, Emanuel Schikaneder: Arie aus dem <em>Spiegel von Arkadien<\/em> [Seit ich so viele Weiber sah] (<em>Brettl-Lieder<\/em>). Marni Nixon, Leonard Stein [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"649\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas-649x1024.jpg\" alt=\"\" class=\"wp-image-12030\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas-649x1024.jpg 649w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas-190x300.jpg 190w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas-768x1212.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas-974x1536.jpg 974w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Thomas.jpg 1298w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><figcaption class=\"wp-element-caption\">Thomas Bagwell<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Arnold Schoenberg, Frank Wedekind: Galathea (<em>Brettl-Lieder<\/em>) [with spoken introduction]. Marni Nixon, Thomas Bagwell [2005]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1014\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins-1014x1024.jpg\" alt=\"\" class=\"wp-image-12031\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins-1014x1024.jpg 1014w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins-297x300.jpg 297w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins-768x776.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Mary-Poppins.jpg 1105w\" sizes=\"auto, (max-width: 1014px) 100vw, 1014px\" \/><\/figure>\n<\/div>\n\n\n<p>Robert B. Sherman, Richard M. Sherman: A Spoonful of Sugar. Marni Nixon, arranged and conducted by Salvatore \u201cTutti\u201d Camarata [1964]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-in-Leatherette-1024x683.jpg\" alt=\"\" class=\"wp-image-12032\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-in-Leatherette-1024x683.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-in-Leatherette-300x200.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-in-Leatherette-768x512.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-in-Leatherette.jpg 1449w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg, Friedrich von Oppeln-Bronikowski, K.L. Ammer [Karl-Anton Klammer] (after Maurice Maeterlinck): Herzgew\u00e4chse, Op. 20. Marni Nixon, Robert Craft conducting ensemble [Barbara Shik, Leonard Stein, Wesley Kuhnle] [1956]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"933\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Renato-Cibelli-in-King-and-I.png\" alt=\"\" class=\"wp-image-12033\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Renato-Cibelli-in-King-and-I.png 722w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Renato-Cibelli-in-King-and-I-232x300.png 232w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><figcaption class=\"wp-element-caption\">Marni and Renato Cibelli in <em>The King and I<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Shall I Tell You What I Think Of You? (<em>The King and I<\/em>). Marni Nixon, Deborah Kerr, Orchestra conducted by Alfred Newman [1955]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"761\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Nixon-and-Liberace-1024x761.png\" alt=\"\" class=\"wp-image-12034\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Nixon-and-Liberace-1024x761.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Nixon-and-Liberace-300x223.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Nixon-and-Liberace-768x570.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Nixon-and-Liberace.png 1143w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marni and Liberace<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Traditional French, arr. Joseph-Marie Canteloube: Lo fiolair\u00e9 (<em>Chants d\u2019Auvergne<\/em>). Marni Nixon, Leonard Bernstein, New York Philharmonic [from Young People\u2019s Concerts, Folk Music in the Concert Hall, first broadcast 09.IV.61]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"920\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Heidi-in-Follies.png\" alt=\"\" class=\"wp-image-12035\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Heidi-in-Follies.png 604w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Heidi-in-Follies-197x300.png 197w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><figcaption class=\"wp-element-caption\">Marni as Heidi in <em>Follies<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Leonard Bernstein, Stephen Sondheim: A Boy Like That &#8211; I Have a Love (<em>West Side Story<\/em>). Marni Nixon, Susan Egan, Daniel Roth, Stephen Erdody, Angeles String Quartet [live Los Angeles 2002]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"514\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Craft-and-Stravinsky.jpg\" alt=\"\" class=\"wp-image-12036\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Craft-and-Stravinsky.jpg 720w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Craft-and-Stravinsky-300x214.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><figcaption class=\"wp-element-caption\">Igor Stravinsky and Robert Craft<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Johann Sebastian Bach: Verstummt, verstummt, ihr holden Saiten! (<em>Trauer-Ode<\/em>, BWV 198). Marni Nixon, Robert Craft, Columbia Symphony Orchestra [1960]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"573\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Cabaret-Marni.jpg\" alt=\"\" class=\"wp-image-12037\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Cabaret-Marni.jpg 573w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Cabaret-Marni-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Cabaret-Marni-150x150.jpg 150w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg, Richard Dehmel: M\u00e4dchenfr\u00fchling. Marni Nixon, Leonard Stein [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"932\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Eyelashes-and-Music-932x1024.png\" alt=\"\" class=\"wp-image-12039\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Eyelashes-and-Music-932x1024.png 932w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Eyelashes-and-Music-273x300.png 273w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Eyelashes-and-Music-768x844.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Eyelashes-and-Music.png 977w\" sizes=\"auto, (max-width: 932px) 100vw, 932px\" \/><\/figure>\n<\/div>\n\n\n<p>Jerome Kern, Herbert Reynolds: They Didn\u2019t Believe Me (<em>The Girl from Utah<\/em>). Marni Nixon, Lincoln Mayorga [1988]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/AlbumArtSmall-1.jpg\" alt=\"\" class=\"wp-image-12041\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/AlbumArtSmall-1.jpg 596w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/AlbumArtSmall-1-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/AlbumArtSmall-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/figure>\n<\/div>\n\n\n<p>Claude Debussy, Paul Verlaine: Colloque sentimental (<em>F\u00eates galantes II<\/em>, FL 114\/3). Marni Nixon, Armen Guzelimian [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"837\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Gabby.png\" alt=\"\" class=\"wp-image-12042\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Gabby.png 576w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Gabby-206x300.png 206w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><figcaption class=\"wp-element-caption\">Gabriel Faur\u00e9<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gabriel Faur\u00e9, Paul Verlaine: Prison, Op. 83\/1. Marni Nixon, Armen Guzelimian [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"854\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Hovhaness.png\" alt=\"\" class=\"wp-image-12043\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Hovhaness.png 625w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Hovhaness-220x300.png 220w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><figcaption class=\"wp-element-caption\">Alan Hovhaness<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alan Hovhaness: He Touches the Broken Heart (<em>Avak the Healer<\/em>, Op. 63\/6). Marni Nixon, Thomas Stevens, Ernest Gold, Crystal Chamber Orchestra [1975]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"715\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Houston-Whiting-Nixon-1024x715.png\" alt=\"\" class=\"wp-image-12044\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Houston-Whiting-Nixon-1024x715.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Houston-Whiting-Nixon-300x210.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Houston-Whiting-Nixon-768x537.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Houston-Whiting-Nixon.png 1178w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Cissy Houston, Margaret Whiting, and Marni Nixon<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Gary William Friedman, Will Holt: Vivaldi (<em>Taking My Turn<\/em>). Marni Nixon and Company [Mace Barrett, Victor Griffin, Cissy Houston, Tiger Haynes, Margaret Whiting, Ted Thurston, Sheila Smith] [1983]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"698\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot-1024x698.png\" alt=\"\" class=\"wp-image-12045\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot-1024x698.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot-300x204.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot-768x523.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot.png 1413w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Arnold Schoenberg, Ernest Guiraud (translated by Otto Hartleben): Madonna (<em>Pierrot Lunaire<\/em>, Op. 21\/5). Marni Nixon, Charles Prince, Members of the London Symphony Orchestra [live 2010]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"779\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Ernest-1024x779.png\" alt=\"\" class=\"wp-image-12047\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Ernest-1024x779.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Ernest-300x228.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Ernest-768x584.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-and-Ernest.png 1226w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marni and Ernest recording <em>Songs of Love and Parting<\/em>, 1974<\/figcaption><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ernest Gold, Edna St. Vincent Millay: Time Does Not Bring Relief (<em>Songs of Love and Parting<\/em>). Marni Nixon, Ernest Gold, Orchestra of the Wiener Volksoper [1974]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"442\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Maria.png\" alt=\"\" class=\"wp-image-12049\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Maria.png 328w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-as-Maria-223x300.png 223w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><figcaption class=\"wp-element-caption\">Marni as Maria in <em>The Sound of Music<\/em>, 1982<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: Climb Every Mountain (<em>The Sound of Music<\/em>). Marni Nixon, Melissa Errico, John Mauceri, The Hollywood Bowl Orchestra [live VII.2006]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Older-Marni-at-Makeup-Table-perhaps-684x1024.png\" alt=\"\" class=\"wp-image-12050\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Older-Marni-at-Makeup-Table-perhaps-684x1024.png 684w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Older-Marni-at-Makeup-Table-perhaps-200x300.png 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Older-Marni-at-Makeup-Table-perhaps.png 721w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure>\n<\/div>\n\n\n<p>Anton Webern, traditional text: Der Tag ist vergangen (<em>Vier Lieder<\/em>, Op. 12\/1). Marni Nixon, Leonard Stein [1957]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"748\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-pixie-cut-and-pearls-748x1024.png\" alt=\"\" class=\"wp-image-12051\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-pixie-cut-and-pearls-748x1024.png 748w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-pixie-cut-and-pearls-219x300.png 219w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-pixie-cut-and-pearls-768x1051.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-pixie-cut-and-pearls.png 789w\" sizes=\"auto, (max-width: 748px) 100vw, 748px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Rodgers, Oscar Hammerstein II: So Long, Farewell (<em>The Sound of Music<\/em>). Marni Nixon, unknown pianist [foreign dubbing test for <em>The Sound of Music<\/em> film, ca. 1964]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-sunglasses-837x1024.png\" alt=\"\" class=\"wp-image-12052\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-sunglasses-837x1024.png 837w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-sunglasses-245x300.png 245w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-sunglasses-768x939.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-sunglasses.png 883w\" sizes=\"auto, (max-width: 837px) 100vw, 837px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 189. Marni Nixon SOCIAL SHARE SUBSCRIPTION PLATFORM Today, in another of my Women\u2019s History Month episodes, I present to&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,2109,1076,1072,1659,8033,2260,808,1470,4722,2755,4801,2806],"tags":[1473,5031,5018,5015,709,5007,2940,5038,786,5028,2581,5026,5017,774,784,5037,5044,501,5041,5008,5029,5034,4328,5006,4318,1474,588,5035,5012,1459,2005,5011,2730,5030,1389,298,5032,2436,772,5013,972,5010,5039,5014,87,5020,5042,5046,2435,5024,3601,5033,5009,5049,927,550,2866,3391,5023,928,5022,2472,1453,5048,5016,1710,5040,5047,934,3724,5021,5045,5025,5019,5043,5027,1863,5036],"class_list":["post-11760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-broadway-and-musicals","category-crossover","category-in-memoriam","category-interview","category-johann-sebastian-bach","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-orchestral-songs","category-pop-icons","category-singers-in-old-age","category-twentieth-century-music","tag-alan-jay-lerner","tag-alfred-newman","tag-allegro-rodgers-and-hammerstein","tag-an-affair-to-remember","tag-andre-previn","tag-andrew-gold","tag-anton-webern","tag-armen-guzelimian","tag-arnold-schoenberg","tag-arthur-gleghorn","tag-audrey-hepburn","tag-barbara-shik","tag-boomerang","tag-chants-dauvergne","tag-charles-ives","tag-charles-prince","tag-cissy-houston","tag-claude-debussy","tag-daniel-roth","tag-deborah-kerr","tag-dorothy-remsen","tag-edna-st-vincent-millay","tag-emanuel-schikaneder","tag-ernest-gold","tag-frank-wedekind","tag-frederick-loewe","tag-gabriel-faure","tag-gary-william-friedman","tag-george-antheil","tag-harold-adamson","tag-harry-warren","tag-hildegard-jone","tag-igor-stravinsky","tag-jack-marshall","tag-jerome-kern","tag-johann-sebastian-bach","tag-john-mauceri","tag-john-mccabe","tag-joseph-canteloube","tag-leo-mccarey","tag-leonard-bernstein","tag-leonard-stein","tag-lincoln-mayorga","tag-lionel-newman","tag-lotte-lehmann","tag-louis-untermeyer","tag-mace-barrett","tag-margaret-whiting","tag-marni-nixon","tag-mary-poppins","tag-maurice-maeterlinck","tag-melissa-errico","tag-my-fair-lady","tag-natalie-wood","tag-oscar-hammerstein-ii","tag-paul-verlaine","tag-pierrot-lunaire","tag-richard-dehmel","tag-richard-m-sherman","tag-richard-rodgers","tag-robert-b-sherman","tag-robert-craft","tag-robert-stolz","tag-sheila-smith","tag-stan-keen","tag-stephen-sondheim","tag-susan-egan","tag-ted-thurston","tag-the-king-and-i","tag-the-sound-of-music","tag-thomas-bagwell","tag-tiger-haynes","tag-tutti-camarata","tag-vera-schwarz","tag-victor-griffin","tag-wesley-kuhnle","tag-west-side-story","tag-will-holt"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Marni-Pierrot-TRIMMED-300x149.png","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/in-memoriam\/\" class=\"advgb-post-tax-term\">In Memoriam<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/interview\/\" class=\"advgb-post-tax-term\">Interview<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/johann-sebastian-bach\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/pop-icons\/\" class=\"advgb-post-tax-term\">Pop Icons<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-in-old-age\/\" class=\"advgb-post-tax-term\">Singers in Old Age<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">In Memoriam<\/span>","<span class=\"advgb-post-tax-term\">Interview<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Pop Icons<\/span>","<span class=\"advgb-post-tax-term\">Singers in Old Age<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alan Jay Lerner<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Newman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Allegro (Rodgers and Hammerstein)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">An Affair to Remember<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andre Previn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andrew Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton Webern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Armen Guzelimian<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arnold Schoenberg<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arthur Gleghorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Audrey Hepburn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Barbara Shik<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Boomerang<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Chants d&#039;auvergne<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Ives<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Prince<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Cissy Houston<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Claude Debussy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Daniel Roth<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Deborah Kerr<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Dorothy Remsen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Edna St. Vincent Millay<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ernest Gold<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frank Wedekind<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Frederick Loewe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gabriel Faure<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gary William Friedman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Antheil<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harold Adamson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Harry Warren<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hildegard Jone<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Igor Stravinsky<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jack Marshall<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jerome Kern<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Mauceri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John McCabe<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Joseph Canteloube<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leo McCarey<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Bernstein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leonard Stein<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lincoln Mayorga<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lionel Newman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lotte Lehmann<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Louis Untermeyer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mace Barrett<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Margaret Whiting<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Marni Nixon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mary Poppins<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Melissa Errico<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">My Fair Lady<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Natalie Wood<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Verlaine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Pierrot lunaire<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Dehmel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard M. Sherman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Rodgers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert B. Sherman<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Craft<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Robert Stolz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sheila Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stan Keen<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Stephen Sondheim<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Susan Egan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ted Thurston<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The King and I<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Sound of Music<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Thomas Bagwell<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tiger Haynes<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tutti Camarata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vera Schwarz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor Griffin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wesley Kuhnle<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">West Side Story<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Will Holt<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Alan Jay Lerner<\/span>","<span class=\"advgb-post-tax-term\">Alfred Newman<\/span>","<span class=\"advgb-post-tax-term\">Allegro (Rodgers and Hammerstein)<\/span>","<span class=\"advgb-post-tax-term\">An Affair to Remember<\/span>","<span class=\"advgb-post-tax-term\">Andre Previn<\/span>","<span class=\"advgb-post-tax-term\">Andrew Gold<\/span>","<span class=\"advgb-post-tax-term\">Anton Webern<\/span>","<span class=\"advgb-post-tax-term\">Armen Guzelimian<\/span>","<span class=\"advgb-post-tax-term\">Arnold Schoenberg<\/span>","<span class=\"advgb-post-tax-term\">Arthur Gleghorn<\/span>","<span class=\"advgb-post-tax-term\">Audrey Hepburn<\/span>","<span class=\"advgb-post-tax-term\">Barbara Shik<\/span>","<span class=\"advgb-post-tax-term\">Boomerang<\/span>","<span class=\"advgb-post-tax-term\">Chants d&#039;auvergne<\/span>","<span class=\"advgb-post-tax-term\">Charles Ives<\/span>","<span class=\"advgb-post-tax-term\">Charles Prince<\/span>","<span class=\"advgb-post-tax-term\">Cissy Houston<\/span>","<span class=\"advgb-post-tax-term\">Claude Debussy<\/span>","<span class=\"advgb-post-tax-term\">Daniel Roth<\/span>","<span class=\"advgb-post-tax-term\">Deborah Kerr<\/span>","<span class=\"advgb-post-tax-term\">Dorothy Remsen<\/span>","<span class=\"advgb-post-tax-term\">Edna St. Vincent Millay<\/span>","<span class=\"advgb-post-tax-term\">Emanuel Schikaneder<\/span>","<span class=\"advgb-post-tax-term\">Ernest Gold<\/span>","<span class=\"advgb-post-tax-term\">Frank Wedekind<\/span>","<span class=\"advgb-post-tax-term\">Frederick Loewe<\/span>","<span class=\"advgb-post-tax-term\">Gabriel Faure<\/span>","<span class=\"advgb-post-tax-term\">Gary William Friedman<\/span>","<span class=\"advgb-post-tax-term\">George Antheil<\/span>","<span class=\"advgb-post-tax-term\">Harold Adamson<\/span>","<span class=\"advgb-post-tax-term\">Harry Warren<\/span>","<span class=\"advgb-post-tax-term\">Hildegard Jone<\/span>","<span class=\"advgb-post-tax-term\">Igor Stravinsky<\/span>","<span class=\"advgb-post-tax-term\">Jack Marshall<\/span>","<span class=\"advgb-post-tax-term\">Jerome Kern<\/span>","<span class=\"advgb-post-tax-term\">Johann Sebastian Bach<\/span>","<span class=\"advgb-post-tax-term\">John Mauceri<\/span>","<span class=\"advgb-post-tax-term\">John McCabe<\/span>","<span class=\"advgb-post-tax-term\">Joseph Canteloube<\/span>","<span class=\"advgb-post-tax-term\">Leo McCarey<\/span>","<span class=\"advgb-post-tax-term\">Leonard Bernstein<\/span>","<span class=\"advgb-post-tax-term\">Leonard Stein<\/span>","<span class=\"advgb-post-tax-term\">Lincoln Mayorga<\/span>","<span class=\"advgb-post-tax-term\">Lionel Newman<\/span>","<span class=\"advgb-post-tax-term\">Lotte Lehmann<\/span>","<span class=\"advgb-post-tax-term\">Louis Untermeyer<\/span>","<span class=\"advgb-post-tax-term\">Mace Barrett<\/span>","<span class=\"advgb-post-tax-term\">Margaret Whiting<\/span>","<span class=\"advgb-post-tax-term\">Marni Nixon<\/span>","<span class=\"advgb-post-tax-term\">Mary Poppins<\/span>","<span class=\"advgb-post-tax-term\">Maurice Maeterlinck<\/span>","<span class=\"advgb-post-tax-term\">Melissa Errico<\/span>","<span class=\"advgb-post-tax-term\">My Fair Lady<\/span>","<span class=\"advgb-post-tax-term\">Natalie Wood<\/span>","<span class=\"advgb-post-tax-term\">Oscar Hammerstein II<\/span>","<span class=\"advgb-post-tax-term\">Paul Verlaine<\/span>","<span class=\"advgb-post-tax-term\">Pierrot lunaire<\/span>","<span class=\"advgb-post-tax-term\">Richard Dehmel<\/span>","<span class=\"advgb-post-tax-term\">Richard M. Sherman<\/span>","<span class=\"advgb-post-tax-term\">Richard Rodgers<\/span>","<span class=\"advgb-post-tax-term\">Robert B. Sherman<\/span>","<span class=\"advgb-post-tax-term\">Robert Craft<\/span>","<span class=\"advgb-post-tax-term\">Robert Stolz<\/span>","<span class=\"advgb-post-tax-term\">Sheila Smith<\/span>","<span class=\"advgb-post-tax-term\">Stan Keen<\/span>","<span class=\"advgb-post-tax-term\">Stephen Sondheim<\/span>","<span class=\"advgb-post-tax-term\">Susan Egan<\/span>","<span class=\"advgb-post-tax-term\">Ted Thurston<\/span>","<span class=\"advgb-post-tax-term\">The King and I<\/span>","<span class=\"advgb-post-tax-term\">The Sound of Music<\/span>","<span class=\"advgb-post-tax-term\">Thomas Bagwell<\/span>","<span class=\"advgb-post-tax-term\">Tiger Haynes<\/span>","<span class=\"advgb-post-tax-term\">Tutti Camarata<\/span>","<span class=\"advgb-post-tax-term\">Vera Schwarz<\/span>","<span class=\"advgb-post-tax-term\">Victor Griffin<\/span>","<span class=\"advgb-post-tax-term\">Wesley Kuhnle<\/span>","<span class=\"advgb-post-tax-term\">West Side Story<\/span>","<span class=\"advgb-post-tax-term\">Will Holt<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 8 months ago"},"absolute_dates":{"created":"Posted on 24\/03\/2023","modified":"Updated on 29\/07\/2025"},"absolute_dates_time":{"created":"Posted on 24\/03\/2023 19:07","modified":"Updated on 29\/07\/2025 10:52"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11760"}],"version-history":[{"count":6,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11760\/revisions"}],"predecessor-version":[{"id":12053,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11760\/revisions\/12053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/12013"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}