{"id":11722,"date":"2023-03-17T00:06:01","date_gmt":"2023-03-16T23:06:01","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11722"},"modified":"2024-02-16T10:43:17","modified_gmt":"2024-02-16T09:43:17","slug":"episode-188-sarah-reese","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/03\/17\/episode-188-sarah-reese\/","title":{"rendered":"Episode 188. Sarah Reese"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 188.  Sarah Reese<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=783-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul class=\"wp-block-social-links has-normal-icon-size 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5.331 5.331 0 0 0 2.372-4.114 2.787 2.787 0 0 0 1.583-2.5 2.775 2.775 0 0 0-2.772-2.772 2.742 2.742 0 0 0-1.688.574 9.482 9.482 0 0 0-4.637-1.348v-.008a2.349 2.349 0 0 1 2.011-2.316 1.97 1.97 0 0 0 1.926 1.521 1.98 1.98 0 0 0 1.978-1.978 1.98 1.98 0 0 0-1.978-1.978 1.985 1.985 0 0 0-1.938 1.578 3.183 3.183 0 0 0-2.849 3.172v.011a9.463 9.463 0 0 0-4.59 1.35 2.741 2.741 0 0 0-1.688-.574Zm6.736 9.1a3.162 3.162 0 0 1-2.921-1.944.215.215 0 0 1 .014-.2.219.219 0 0 1 .168-.106 27.327 27.327 0 0 1 2.74-.133 27.357 27.357 0 0 1 2.74.133.219.219 0 0 1 .168.106.215.215 0 0 1 .014.2 3.158 3.158 0 0 1-2.921 1.944Zm3.743-3.157a1.265 1.265 0 0 1-1.4-1.371 1.954 1.954 0 0 1 .482-1.442 1.15 1.15 0 0 1 .842-.379 1.7 1.7 0 0 1 1.49 1.777 1.323 1.323 0 0 1-.325 1.015 1.476 1.476 0 0 1-1.089.4Zm-7.485 0a1.476 1.476 0 0 1-1.086-.4 1.323 1.323 0 0 1-.325-1.016 1.7 1.7 0 0 1 1.49-1.777 1.151 1.151 0 0 1 .843.379 1.951 1.951 0 0 1 .481 1.441 1.276 1.276 0 0 1-1.403 1.373Z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full advgb-dyn-a1cfea4e\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-marabou.jpg\" alt=\"\" class=\"wp-image-11992\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-marabou.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-marabou-300x169.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-marabou-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>Greatness expresses itself in different ways. Sometimes in indisputable artistic talents, and other times in profound displays of humanity. And sometimes, as in the case of today\u2019s subject, Sarah Reese, it\u2019s both. The soprano, who just this week celebrated a landmark birthday, is a singer of rare gifts whose career encompassed some of the world\u2019s greatest stages and concert halls who later in life returned to the region where she grew up (in Sarah\u2019s case, South Carolina), to give back to the community as a music teacher and choir director, in which capacity she has positively impacted the lives of countless students who came into contact with her warmth, skill, and generosity of spirit. Earlier on in her personal saga, Sarah made history when in the late 1960s she was the first female Black student at Furman University in Greenville. Through her persistence, courage, and determination, she rose above the ostracism and abuse she experienced there to become enshrined as a legend, with the school\u2019s theater recently permanently renamed in her honor. Though her voice and artistry were acknowledged worldwide, her recorded legacy is small, with only one commercial recording (Samuel Barber\u2019s <em>Prayers of Kierkegaard<\/em>) which nevertheless won a Grammy award in 1993. It is our great good fortune that in recent years a number of precious live recordings have emerged that show quite clearly the range and extent of her gifts. I present all of them here on this episode: from a concert recording of Verdi\u2019s rare 1848 opera <em>Il corsaro<\/em> co-starring legendary Italian tenor Carlo Bergonzi, to a broadcast concert with the Detroit Symphony led by Isaiah Jackson in which she sings Mozart and Verdi arias, as well as Barber\u2019s <em>Knoxville: Summer of 1915<\/em>. The episode concludes with a recently resurfaced 1988 performance of Brahms\u2019s <em>Ein deutsches Requiem<\/em> led by Herbert von Karajan the year before his death, one in which Sarah Reese\u2019s heavenly soprano bestows a comforting benediction upon us all. Blessings upon this living legend, and gratitude galore!<\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-832x1024.jpg\" alt=\"\" class=\"wp-image-11995\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-832x1024.jpg 832w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-244x300.jpg 244w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-768x945.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-1248x1536.jpg 1248w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS-1600x1969.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-portrait-USE-THIS.jpg 1664w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/figure>\n<\/div>\n\n\n<p>Samuel Barber, S\u00f8ren Kierkegaard: Lord Jesus Christ who suffer\u2019d (<em>Prayers of Kierkegaard<\/em>, Op. 30). Sarah Reese, Andrew Schenck, Chicago Symphony Orchestra and Chorus [live Chicago 1991]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"555\" height=\"878\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-in-performance.png\" alt=\"\" class=\"wp-image-11997\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-in-performance.png 555w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-in-performance-190x300.png 190w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Lord Byron]: N\u00e8 sulla terra&#8230; Vola talor del carcere&#8230; Ah, conforto \u00e8 sol la speme (<em>Il Corsaro<\/em>). Sarah Reese, David Lawton, Chamber Orchestra of Long Island Opera Society, New York University Chorus [live 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"522\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Bergonzi.jpg\" alt=\"\" class=\"wp-image-11998\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Bergonzi.jpg 400w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Bergonzi-230x300.jpg 230w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">Carlo Bergonzi<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Lord Byron]: Ei dorme?&#8230; Seid la vuole&#8230; Non sai tu che sulla testa&#8230; La terra, il ciel m\u2019abbirrino (<em>Il Corsaro<\/em>). Sarah Reese, Carlo Bergonzi, David Lawton, Chamber Orchestra of Long Island Opera Society [live 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smiling-Sarah-Reese.jpg\" alt=\"\" class=\"wp-image-11999\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smiling-Sarah-Reese.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smiling-Sarah-Reese-300x225.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Lord Byron]: Reca nel ciel le lagrime (<em>Il Corsaro<\/em>). Sarah Reese, Carlo Bergonzi, Carolyn Val-Schmidt, David Lawton, Chamber Orchestra of Long Island Opera Society, New York University Chorus [live 1981]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"858\" height=\"943\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-with-Porgy-poster.png\" alt=\"\" class=\"wp-image-12001\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-with-Porgy-poster.png 858w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-with-Porgy-poster-273x300.png 273w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-with-Porgy-poster-768x844.png 768w\" sizes=\"auto, (max-width: 858px) 100vw, 858px\" \/><\/figure>\n<\/div>\n\n\n<p>Samuel Barber, James Agee: <em>Knoxville: Summer of 1915<\/em>, Op. 24. Sarah Reese, Isaiah Jackson, Detroit Symphony Orchestra [live 1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"791\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Jackson-1024x791.jpg\" alt=\"\" class=\"wp-image-12002\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Jackson-1024x791.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Jackson-300x232.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Jackson-768x593.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Jackson.jpg 1342w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Isaiah Jackson<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte [after Pierre Beaumarchais]: E Susanna non vien&#8230; Dove sono (<em>Le nozze di Figaro<\/em>). Sarah Reese, Isaiah Jackson, Detroit Symphony Orchestra [live 1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"734\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-1024x734.jpeg\" alt=\"\" class=\"wp-image-12003\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-1024x734.jpeg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-300x215.jpeg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-768x550.jpeg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-1536x1101.jpeg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-2048x1468.jpeg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-and-Sarah-Caldwell-1600x1147.jpeg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The two Sarahs, Reese and Caldwell<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Giuseppe Verdi, Salvador Cammarano [after Antonio Garc\u00eda Guti\u00e9rrez]: Timor di me?&#8230; D\u2019amor sull\u2019ali rosee (<em>Il Trovatore<\/em>). Sarah Reese, Isaiah Jackson, Detroit Symphony Orchestra [live 1984]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"966\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smilin-Sarah.png\" alt=\"\" class=\"wp-image-12004\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smilin-Sarah.png 795w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smilin-Sarah-247x300.png 247w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Smilin-Sarah-768x933.png 768w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><\/figure>\n<\/div>\n\n\n<p>Johannes Brahms: Ihr habt nun Traurigkeit (<em>Ein deutsches Requiem<\/em>). Sarah Reese, Herbert von Karajan, Berliner Philharmoniker, Wiener Singverein [Salzburg 28.VIII.1988]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"910\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-1024x910.jpg\" alt=\"\" class=\"wp-image-12005\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-1024x910.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-300x267.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-768x683.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-1536x1365.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-2048x1820.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-in-Performance-2014-TRIMMED-1600x1422.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 188. Sarah Reese SOCIAL SHARE SUBSCRIPTION PLATFORM Greatness expresses itself in different ways. Sometimes in indisputable artistic talents, and&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11993,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[420,1626,1075,5823,2398,1074,2260,808,4722,3272,2806],"tags":[5005,1980,5003,5002,1623,207,1242,5004,348,3790,863,1128,871,5001,745,3789,34],"class_list":["post-11722","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-american-opera-singers","category-african-american-singers","category-art-song","category-forgotten-divas","category-giuseppe-verdi","category-happy-birthday","category-music-for-a-world-in-crisis","category-needle-drop","category-orchestral-songs","category-singers-of-color","category-twentieth-century-music","tag-andrew-schenck","tag-carlo-bergonzi","tag-carolyn-val-schmidt","tag-david-lawton","tag-ein-deutsches-requiem","tag-giuseppe-verdi","tag-herbert-von-karajan","tag-il-corsaro","tag-il-trovatore","tag-isaiah-jackson","tag-johannes-brahms","tag-knoxville-summer-of-1915","tag-le-nozze-di-figaro","tag-prayers-of-kierkegaard","tag-samuel-barber","tag-sarah-reese","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/03\/Sarah-Reese-1970s-TRIMMED-300x168.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-opera-singers\/\" class=\"advgb-post-tax-term\">African American Opera Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/african-american-singers\/\" class=\"advgb-post-tax-term\">African American Singers<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/forgotten-divas\/\" class=\"advgb-post-tax-term\">Forgotten Divas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/happy-birthday\/\" class=\"advgb-post-tax-term\">Happy Birthday<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/orchestral-songs\/\" class=\"advgb-post-tax-term\">Orchestral Songs<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/singers-of-color\/\" class=\"advgb-post-tax-term\">Singers of Color<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">African American Opera Singers<\/span>","<span class=\"advgb-post-tax-term\">African American Singers<\/span>","<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Forgotten Divas<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Happy Birthday<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Orchestral Songs<\/span>","<span class=\"advgb-post-tax-term\">Singers of Color<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Andrew Schenck<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Bergonzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carolyn Val-Schmidt<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">David Lawton<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ein deutsches Requiem<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Herbert von Karajan<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Il Corsaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Il Trovatore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Isaiah Jackson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Johannes Brahms<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Knoxville Summer of 1915<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Le nozze di Figaro<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Prayers of Kierkegaard<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Samuel Barber<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sarah Reese<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Andrew Schenck<\/span>","<span class=\"advgb-post-tax-term\">Carlo Bergonzi<\/span>","<span class=\"advgb-post-tax-term\">Carolyn Val-Schmidt<\/span>","<span class=\"advgb-post-tax-term\">David Lawton<\/span>","<span class=\"advgb-post-tax-term\">Ein deutsches Requiem<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Herbert von Karajan<\/span>","<span class=\"advgb-post-tax-term\">Il Corsaro<\/span>","<span class=\"advgb-post-tax-term\">Il Trovatore<\/span>","<span class=\"advgb-post-tax-term\">Isaiah Jackson<\/span>","<span class=\"advgb-post-tax-term\">Johannes Brahms<\/span>","<span class=\"advgb-post-tax-term\">Knoxville Summer of 1915<\/span>","<span class=\"advgb-post-tax-term\">Le nozze di Figaro<\/span>","<span class=\"advgb-post-tax-term\">Prayers of Kierkegaard<\/span>","<span class=\"advgb-post-tax-term\">Samuel Barber<\/span>","<span class=\"advgb-post-tax-term\">Sarah Reese<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 2 years ago"},"absolute_dates":{"created":"Posted on 17\/03\/2023","modified":"Updated on 16\/02\/2024"},"absolute_dates_time":{"created":"Posted on 17\/03\/2023 00:06","modified":"Updated on 16\/02\/2024 10:43"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11722"}],"version-history":[{"count":5,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11722\/revisions"}],"predecessor-version":[{"id":12008,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11722\/revisions\/12008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/11993"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}