{"id":11516,"date":"2023-01-20T02:26:39","date_gmt":"2023-01-20T01:26:39","guid":{"rendered":"http:\/\/countermelodypodcast.com\/?p=11516"},"modified":"2023-01-21T17:04:02","modified_gmt":"2023-01-21T16:04:02","slug":"episode-180-anna-moffo-reappraised","status":"publish","type":"post","link":"https:\/\/countermelodypodcast.com\/index.php\/2023\/01\/20\/episode-180-anna-moffo-reappraised\/","title":{"rendered":"Episode 180. Anna Moffo Reappraised"},"content":{"rendered":"<div id=\"mega-menu-wrap-primary\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-1' id='mega-toggle-block-1'><button aria-label=\"Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-haspopup=\"true\" aria-expanded=\"false\" aria-controls=\"mega-menu-primary\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-primary\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"slide\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"body\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"standard\" data-breakpoint=\"600\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-mobile-direction=\"vertical\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-home mega-align-bottom-left mega-menu-flyout mega-menu-item-19160\" id=\"mega-menu-item-19160\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/\">Home<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-align-bottom-left mega-menu-flyout mega-menu-item-19161\" id=\"mega-menu-item-19161\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/about-daniel\/\">About Daniel<\/a><\/li><li class=\"mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-current_page_parent mega-align-bottom-left mega-menu-flyout mega-menu-item-19171\" id=\"mega-menu-item-19171\"><a class=\"mega-menu-link\" href=\"https:\/\/countermelodypodcast.com\/index.php\/all-episodes\/\">All Episodes<\/a><\/li><\/ul><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Episode 180.  Anna Moffo Reappraised<\/h2>\n\n\n\n<iframe loading=\"lazy\" width=\"340\" height=\"50\" src=\"https:\/\/countermelody.blubrry.net\/?powerpress_embed=736-https-countermelody-blubrry-net-feed-podcast&amp;powerpress_player=mediaelement-audio\" title=\"Blubrry Podcast Player\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>SOCIAL SHARE<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>SUBSCRIPTION PLATFORM<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<ul 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c7.547,0,11.675-6.252,11.675-11.675c0-0.178-0.004-0.355-0.012-0.531C20.985,7.47,21.68,6.747,22.23,5.924z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Twitter<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-pinterest  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11516&#038;description=Episode%20180.%20Anna%20Moffo\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M12.289,2C6.617,2,3.606,5.648,3.606,9.622c0,1.846,1.025,4.146,2.666,4.878c0.25,0.111,0.381,0.063,0.439-0.169 c0.044-0.175,0.267-1.029,0.365-1.428c0.032-0.128,0.017-0.237-0.091-0.362C6.445,11.911,6.01,10.75,6.01,9.668 c0-2.777,2.194-5.464,5.933-5.464c3.23,0,5.49,2.108,5.49,5.122c0,3.407-1.794,5.768-4.13,5.768c-1.291,0-2.257-1.021-1.948-2.277 c0.372-1.495,1.089-3.112,1.089-4.191c0-0.967-0.542-1.775-1.663-1.775c-1.319,0-2.379,1.309-2.379,3.059 c0,1.115,0.394,1.869,0.394,1.869s-1.302,5.279-1.54,6.261c-0.405,1.666,0.053,4.368,0.094,4.604 c0.021,0.126,0.167,0.169,0.25,0.063c0.129-0.165,1.699-2.419,2.142-4.051c0.158-0.59,0.817-2.995,0.817-2.995 c0.43,0.784,1.681,1.446,3.013,1.446c3.963,0,6.822-3.494,6.822-7.833C20.394,5.112,16.849,2,12.289,2\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Share on Pinterest<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-email  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"mailto:?body=http%3A%2F%2Fcountermelodypodcast.com%2F%3Fp%3D11516&#038;subject=Episode%20180.%20Anna%20Moffo\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" 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class=\"wp-block-social-link-label screen-reader-text\">Share on Reddit<\/span><\/a><\/li><\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-horizontal is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-7e5fce0a wp-block-buttons-is-layout-flex advgb-dyn-5e5a4c85\">\n<div class=\"wp-block-button alignright advgb-dyn-155b28dc\"><a class=\"wp-block-button__link no-border-radius wp-element-button\" href=\"https:\/\/countermelody.blubrry.net\/\">SUBSCRIBE VIA YOUR FAVORITE PODCAST PLATFORM<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large advgb-dyn-d1e9ba5a\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1001\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-1024x1001.jpg\" alt=\"\" class=\"wp-image-11522\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-1024x1001.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-300x293.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-768x751.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-1536x1502.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2-1600x1564.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Insert-2.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-5a996784\"><\/div>\n\n\n\n<p>The Italian-American lyric coloratura soprano Anna Moffo (1932-2006) is, for many, one of the great singers of the past century. My first exposure to this artist was one of two, frankly, disastrous recordings released in the mid-1970s, in which the voice was a mere shadow of its former self, and in which her vocal defects and mannerisms had overtaken the intrinsic beauty of her voice. But there are so many exceptional qualities to Moffo as an artist, musician, and media star, that I felt compelled to do a frank reappraisal of her contribution to the lyric art. And am I glad that I did! I discovered an artist of great integrity who, in her best work, attained a similar level to any of the other great singers performing during that period. Unlike any other opera singer that I can think of, she conquered three distinct markets with equal success: first in Italy (where she rose to overnight stardom in the late 1950s and went on in the 1960s to become the star of her own eponymous television series); then in the United States throughout the 1960s; and finally, in the late 1960s and 70s, in Germany. But hers is also a cautionary tale of \u201ctoo much, too soon\u201d and the potentially destructive power of the media which has significance also in today\u2019s opera world. Throughout the episode, live and studio examples of Moffo\u2019s work, both bad and (mostly) good over the course of more than twenty years, are offered to support my discussion of her importance and influence as an artist, one that continues to this day. Vocal guest stars include tenors Carlo Bergonzi, Rudolf Schock, Giuseppe di Stefano, and Sergio Franchi, and musical collaborators include Tullio Serafin, Gerald Moore, Lorin Maazel, Hans Rosbaud, Fernando Previtali, Lehman Engel, Oliviero de Fabritiis, Ren\u00e9 Leibowitz, Kurt Eichhorn, Berislav Klobu\u010dar, and Franco Ferrara. For those who love Moffo, for those who hate her, and for those who find themselves somewhere in between, this episode is (dare I say it?) required listening.<\/p>\n\n\n\n<p>For those who want to read a heartfelt appraisal of Moffo&#8217;s significance from someone who knew her, here is a blogpost by the late Albert Innaurato, who was not only a fan, but a friend of the soprano: <a href=\"http:\/\/mrsjohnclaggartssadlife.blogspot.com\/2014\/05\/anna-moffo.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/mrsjohnclaggartssadlife.blogspot.com\/2014\/05\/anna-moffo.html<\/a><\/p>\n\n\n\n<p>Here&#8217;s an interview with Moffo from 1990 by the always fabulous and erudice Bruce Duffie: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.bruceduffie.com\/moffo.html\" target=\"_blank\">http:\/\/www.bruceduffie.com\/moffo.html<\/a><\/p>\n\n\n\n<p>And here is Moffo interviewed (in German) in 1990 by August Everding for his German television program <em>Da Capo<\/em>: <a href=\"https:\/\/www.youtube.com\/watch?v=iOolPbocY6M\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.youtube.com\/watch?v=iOolPbocY6M<\/a><\/p>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-3c7bf8da\"><\/div>\n\n\n\n<p class=\"has-custom-size\" style=\"font-size:30px\"><strong> RECORDINGS HEARD IN THIS EPISODE<\/strong><\/p>\n\n\n\n<div style=\"height:55px\" aria-hidden=\"true\" class=\"wp-block-spacer advgb-dyn-13857eb0\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder.jpg\" alt=\"\" class=\"wp-image-11525\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder.jpg 640w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-150x150.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">The record that ruined Anna Moffo for me.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Charles Gounod, Jules Barbier, Michel Carr\u00e9 [after William Shakespeare]: Je veux vivre dans le r\u00eave (<em>Rom\u00e9o et Juliette<\/em>). Anna Moffo, Peter Maag, New Philharmonia Orchestra [1975]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"746\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-white-glove-746x1024.png\" alt=\"\" class=\"wp-image-11539\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-white-glove-746x1024.png 746w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-white-glove-219x300.png 219w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-white-glove-768x1054.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-white-glove.png 787w\" sizes=\"auto, (max-width: 746px) 100vw, 746px\" \/><\/figure>\n<\/div>\n\n\n<p>Anna Moffo, Anton Guadagno, Connecticut Opera Orchestra [live Hartford CT 15.XII.67]<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"771\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo.jpg\" alt=\"\" class=\"wp-image-11587\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo-150x150.jpg 150w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-1.jpg\" alt=\"\" class=\"wp-image-11529\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Strauss, Adolf von Schack: Breit\u2019 \u00fcber mein Haupt, Op. 19\/2. Anna Moffo, Gerald Moore [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"931\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-fringy-sweater.jpg\" alt=\"\" class=\"wp-image-11538\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-fringy-sweater.jpg 667w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-fringy-sweater-215x300.jpg 215w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"595\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen.jpg\" alt=\"\" class=\"wp-image-11530\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Georges Bizet, Henri Meilhac, Ludovic Hal\u00e9vy [after Prosper M\u00e9rim\u00e9e]: En vain pour \u00e9viter (<em>Carmen<\/em>). Anna Moffo, Arleen Aug\u00e9r, Jane Berbi\u00e9, Lorin Maazel, Orchester der Deutschen Oper Berlin [1970]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"837\" height=\"796\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-studio.png\" alt=\"\" class=\"wp-image-11537\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-studio.png 837w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-studio-300x285.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Carmen-studio-768x730.png 768w\" sizes=\"auto, (max-width: 837px) 100vw, 837px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"564\" height=\"797\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Tosca.jpg\" alt=\"\" class=\"wp-image-11531\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Tosca.jpg 564w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Tosca-212x300.jpg 212w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica [after Victorien Sardou]: Il tuo sangue o il mio amore (<em>Tosca<\/em>). Anna Moffo, Anton Coppola, St. Petersburg Orchestra [live Tampa 1977]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-amongst-riches-768x1024.jpg\" alt=\"\" class=\"wp-image-11536\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-amongst-riches-768x1024.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-amongst-riches-225x300.jpg 225w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-amongst-riches-1152x1536.jpg 1152w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-amongst-riches.jpg 1536w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"929\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Butterfly.png\" alt=\"\" class=\"wp-image-11532\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Butterfly.png 764w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Butterfly-247x300.png 247w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Giacosa, Luigi Illica: Ancora un passo or via (<em>Madama Butterfly<\/em>). Anna Moffo, Erich Leinsdorf, Orchestra e Coro dell\u2019Opera di Roma [1958]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco-560x1024.jpg\" alt=\"\" class=\"wp-image-11540\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco-560x1024.jpg 560w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco-164x300.jpg 164w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco-768x1404.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco-840x1536.jpg 840w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-at-disco.jpg 1120w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"799\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Zerlina.png\" alt=\"\" class=\"wp-image-11535\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Zerlina.png 529w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Zerlina-199x300.png 199w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n<p>Wolfgang Amadeus Mozart, Lorenzo da Ponte: Vedrai, carino (<em>Don Giovanni<\/em>). Anna Moffo, Hans Rosbaud, Orchestre de la Soci\u00e9t\u00e9 des Concerts Lamoureux [live Aix 1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"756\" height=\"931\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-glam-autograph.png\" alt=\"\" class=\"wp-image-11534\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-glam-autograph.png 756w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-glam-autograph-244x300.png 244w\" sizes=\"auto, (max-width: 756px) 100vw, 756px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"796\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta2-1024x796.png\" alt=\"\" class=\"wp-image-11541\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta2-1024x796.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta2-300x233.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta2-768x597.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta2.png 1389w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Arrigo Boito [after William Shakespeare]: Sul fil d\u2019un soffio etesio (<em>Falstaff<\/em>). Anna Moffo, Tullio Serafin, Orchestra Sinfonica e Coro di Milano della RAI [RAI telecast 1956]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"800\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta-1024x800.png\" alt=\"\" class=\"wp-image-11542\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta-1024x800.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta-300x234.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta-768x600.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Nanetta.png 1383w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"761\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Lucia-1024x761.png\" alt=\"\" class=\"wp-image-11543\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Lucia-1024x761.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Lucia-300x223.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Lucia-768x571.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Lucia.png 1335w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Salvadore Cammarano [after Walter Scott]: Spargi d\u2019amaro pianto (<em>Lucia di Lammermoor<\/em>). Anna Moffo, Fernando Previtali, Orchestra di Milano della RAI [telecast 1959]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"792\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-1024x792.jpg\" alt=\"\" class=\"wp-image-11544\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-1024x792.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-300x232.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-768x594.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-1536x1188.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood-1600x1237.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-as-Natalie-Wood.jpg 1915w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Elvira-Puritani-678x1024.png\" alt=\"\" class=\"wp-image-11545\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Elvira-Puritani-678x1024.png 678w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Elvira-Puritani-199x300.png 199w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Elvira-Puritani.png 699w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n<\/div>\n\n\n<p>Vincenzo Bellini, Carlo Pepoli: Vien, diletto (<em>I puritani<\/em>). Anna Moffo, Mario Rossi, Orchestra di Milano della RAI [telecast 1959]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"477\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup-477x1024.jpg\" alt=\"\" class=\"wp-image-11546\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup-477x1024.jpg 477w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup-140x300.jpg 140w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup-768x1650.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup-715x1536.jpg 715w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-loving-cup.jpg 953w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall.jpg\" alt=\"\" class=\"wp-image-11547\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-300x295.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>George Gershwin, Ira Gershwin: The Man I Love. Anna Moffo, Piero Umiliani e il suo complesso [Piero Umiliani, Gino Marinacci, Berto Pisano, Giuseppe Conte, Livio Cervellieri] [1960]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"587\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-1.jpg\" alt=\"\" class=\"wp-image-11548\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-1.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-1-300x294.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"598\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-2.jpg\" alt=\"\" class=\"wp-image-11549\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-2.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-2-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Anna Moffo, Mario Lanfranchi: Ombre. Anna Moffo, Billy Smith e la sua Orchestra [1964]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"999\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-1024x999.jpg\" alt=\"\" class=\"wp-image-11550\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-1024x999.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-300x293.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-768x749.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-1536x1499.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover-1600x1561.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/BackCover.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-3.jpg\" alt=\"\" class=\"wp-image-11551\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-3.jpg 597w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-3-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-3-150x150.jpg 150w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure>\n<\/div>\n\n\n<p>Piero Piccioni, Antonio Amurri: Dipender\u00e0 da te. Anna Moffo, Orchestra conducted by Gianni Ferrio [1968]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"599\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-1.jpg\" alt=\"\" class=\"wp-image-11552\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"738\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-4.jpg\" alt=\"\" class=\"wp-image-11553\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-4.jpg 750w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-4-300x295.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p>Rudolf Friml, Otto Harbach, Oscar Hammerstein II: Indian Love Call [When I\u2019m Calling You] (<em>Rose Marie<\/em>). Anna Moffo, Richard Fredericks, Lehman Engel, RCA Victor Symphony Orchestra [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"539\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt-539x1024.jpg\" alt=\"\" class=\"wp-image-11588\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt-539x1024.jpg 539w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt-158x300.jpg 158w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt-768x1460.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt-808x1536.jpg 808w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Anna-Moffo-in-operetta-miniskirt.jpg 1077w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5-1024x1024.jpg\" alt=\"\" class=\"wp-image-11554\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5-1024x1024.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5-768x768.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-5.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Victor Herbert, Henry Blossom: Kiss Me Again (<em>Mlle. Modiste<\/em>). Anna Moffo, Skitch Henderson, RCA Victor Orchestra [1965]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"862\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-1024x862.jpg\" alt=\"\" class=\"wp-image-11589\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-1024x862.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-300x252.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-768x646.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-1536x1292.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs-1600x1346.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-wig-with-boobs.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-6.jpg\" alt=\"\" class=\"wp-image-11555\" width=\"634\" height=\"634\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-6.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-6-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-6-150x150.jpg 150w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n<\/div>\n\n\n<p>Oscar Straus, Rudolf Bernauer, Leopold Jacobson [English translation by Stanislaus Stange] [after George Bernard Shaw]: My Hero [Mein Held] (<em>The Chocolate Soldier<\/em> [<em>Der tapfere Soldat<\/em>]). Anna Moffo, Sergio Franchi, Orchestra arranged and conducted by Henri Ren\u00e9 [1963]<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Hooded-755x1024.png\" alt=\"\" class=\"wp-image-11561\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Hooded-755x1024.png 755w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Hooded-221x300.png 221w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Hooded-768x1041.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Hooded.png 792w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-7.jpg\" alt=\"\" class=\"wp-image-11556\" width=\"649\" height=\"637\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-7.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-7-300x294.jpg 300w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/figure>\n<\/div>\n\n\n<p>Franz Leh\u00e1r, Paul Knepler, Fritz L\u00f6hner-Beda: Meine Lippen, sie k\u00fcssen so hei\u00df (<em>Giuditta<\/em>). Anna Moffo, Orchestra and Chorus conducted by Hans Carste [ca. 1969]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-2.jpg\" alt=\"\" class=\"wp-image-11557\" width=\"640\" height=\"636\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-2.jpg 584w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-2-300x298.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-1024x1009.jpg\" alt=\"\" class=\"wp-image-11558\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-1024x1009.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-768x756.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-1536x1513.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-2048x2017.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Folder-Copy-1600x1576.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Emmerich K\u00e1lm\u00e1n, Julius Brammer, Alfred Gr\u00fcnwald: Sag\u2019 ja, mein Lieb, sag\u2019 ja&#8230; Einmal m\u00f6cht\u2019 ich wieder tanzen (<em>Gr\u00e4fin Mariza<\/em>). Anna Moffo, Rudolf Schock, Werner Schmidt-Boelcke, Berliner Symphoniker [1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1004\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-1024x1004.jpg\" alt=\"\" class=\"wp-image-11559\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-1024x1004.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-300x294.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-768x753.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-1536x1506.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-2048x2008.jpg 2048w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-8-1600x1569.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"915\" height=\"930\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-maybe-Giuditta.png\" alt=\"\" class=\"wp-image-11560\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-maybe-Giuditta.png 915w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-maybe-Giuditta-295x300.png 295w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-maybe-Giuditta-768x781.png 768w\" sizes=\"auto, (max-width: 915px) 100vw, 915px\" \/><\/figure>\n<\/div>\n\n\n<p>Erich Wolfgang Korngold, Paul Schott [pseudonym of Erich Korngold and Julius Korngold, after Georges Rodenbach]: Gl\u00fcck, das mir verblieb [Mariettas Lied] (<em>Die tote Stadt<\/em>). Anna Moffo, Bruno Canino [live Wien 1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"980\" height=\"897\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Callas-Boheme-session.png\" alt=\"\" class=\"wp-image-11592\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Callas-Boheme-session.png 980w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Callas-Boheme-session-300x275.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Callas-Boheme-session-768x703.png 768w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/><figcaption class=\"wp-element-caption\">Anna Moffo and Maria Callas at the <em>La Boheme<\/em> recording sessions, summer 1956<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-1017x1024.jpg\" alt=\"\" class=\"wp-image-11567\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-1017x1024.jpg 1017w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-298x300.jpg 298w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-150x150.jpg 150w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-768x774.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-1525x1536.jpg 1525w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3-1600x1612.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-3.jpg 2033w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n<\/div>\n\n\n<p>Gian Francesco Malipiero, Jacopone da Todi: O uibilo del core, che fai cantar d\u2019amore! (<em>Dialoghi con Jacopone da Todi<\/em>). Anna Moffo, Gino Gorini, Sergio Lorenzi [1959]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1009\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-1024x1009.jpg\" alt=\"\" class=\"wp-image-11568\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-1024x1009.jpg 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-300x296.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-768x757.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-1536x1514.jpg 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4-1600x1577.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-insert-4.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"666\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-chiffon-earrings-recital-666x1024.png\" alt=\"\" class=\"wp-image-11565\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-chiffon-earrings-recital-666x1024.png 666w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-chiffon-earrings-recital-195x300.png 195w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-chiffon-earrings-recital.png 702w\" sizes=\"auto, (max-width: 666px) 100vw, 666px\" \/><\/figure>\n<\/div>\n\n\n<p>Richard Hundley, John Orrick: Wild Plum. Anna Moffo, unknown pianist [live Philadelphia 1967]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-jeans-685x1024.png\" alt=\"\" class=\"wp-image-11566\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-jeans-685x1024.png 685w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-jeans-201x300.png 201w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-in-jeans.png 722w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/InnerFold1.jpg\" alt=\"\" class=\"wp-image-11564\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/InnerFold1.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/InnerFold1-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/InnerFold1-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Gerald Moore and Anna Moffo<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:8px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Richard Strauss, Heinrich Hart: C\u00e4cilie, Op. 27\/2. Anna Moffo, Gerald Moore [1972]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"702\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Una-storia-damore-still-1024x702.png\" alt=\"\" class=\"wp-image-11576\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Una-storia-damore-still-1024x702.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Una-storia-damore-still-300x206.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Una-storia-damore-still-768x526.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Una-storia-damore-still.png 1351w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"706\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly-1024x706.png\" alt=\"\" class=\"wp-image-11571\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly-1024x706.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly-300x207.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly-768x530.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly-1536x1059.png 1536w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-RAI-Butterfly.png 1560w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Luigi Illica, Giuseppe Giacosa: Tu, Suzuki, che sei tanto buona (<em>Madama Butterfly<\/em>). Anna Moffo, Miti Truccato Pace, Afro Poli, Lelia Dori, Oliviero de Fabritiis, Orchestra di Milano della RAI [1956 telecast]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"585\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-3.jpg\" alt=\"\" class=\"wp-image-11570\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-3.jpg 599w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-Copy-3-300x293.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure>\n<\/div>\n\n\n<p>Vogliatemi bene (<em>Madama Butterfly<\/em>). Anna Moffo, James King, Kurt Eichhorn, Rundfunkorchester M\u00fcnchen [1973]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"946\" height=\"928\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-RCA-Cover.png\" alt=\"\" class=\"wp-image-11577\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-RCA-Cover.png 946w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-RCA-Cover-300x294.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-RCA-Cover-768x753.png 768w\" sizes=\"auto, (max-width: 946px) 100vw, 946px\" \/><\/figure>\n<\/div>\n\n\n<p>Gaetano Donizetti, Salvadore Cammarano [after Walter Scott]: Veranno a te sull\u2019aure (<em>Lucia di Lammermoor<\/em>). Anna Moffo, Carlo Bergonzi, Georges Pr\u00eatre, RCA Italiana Opera Orchestra [1965]<\/p>\n\n\n\n<p>Tu che vedi il pianto mio (<em>Lucia di Lammermoor<\/em>). Anna Moffo, Giulio Fioravanti, Carlo Felice Cillario, Orchestra Sinfonica di Roma [1971]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-film-6-1024x750.png\" alt=\"\" class=\"wp-image-11578\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-film-6-1024x750.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-film-6-300x220.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-film-6-768x562.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Lucia-film-6.png 1389w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"841\" height=\"829\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Liu.png\" alt=\"\" class=\"wp-image-11593\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Liu.png 841w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Liu-300x296.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Liu-768x757.png 768w\" sizes=\"auto, (max-width: 841px) 100vw, 841px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami, Renato Simoni [after Carlo Gozzi]: Tanto amore segreto (<em>Turandot<\/em>). Anna Moffo, Leopold Stokowski, Metropolitan Opera Orchestra [live 04.III.61]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1010\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-1010x1024.jpg\" alt=\"\" class=\"wp-image-11595\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-1010x1024.jpg 1010w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-296x300.jpg 296w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-768x779.jpg 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-1515x1536.jpg 1515w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo-1600x1622.jpg 1600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Stoky-Moffo.jpg 1809w\" sizes=\"auto, (max-width: 1010px) 100vw, 1010px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"908\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Rondine.png\" alt=\"\" class=\"wp-image-11580\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Rondine.png 697w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Rondine-230x300.png 230w\" sizes=\"auto, (max-width: 697px) 100vw, 697px\" \/><\/figure>\n<\/div>\n\n\n<p>Giacomo Puccini, Giuseppe Adami [after Alfred Maria Willner, Heinz Reichert]: Ore dolci e divine (<em>La Rondine<\/em>). Anna Moffo, Francesco Molinari-Pradelli, RCA Italiana Opera Orchestra [1966]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-seductive-shoulder-1024x576.png\" alt=\"\" class=\"wp-image-11581\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-seductive-shoulder-1024x576.png 1024w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-seductive-shoulder-300x169.png 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-seductive-shoulder-768x432.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-seductive-shoulder.png 1441w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-11.jpg\" alt=\"\" class=\"wp-image-11575\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-11.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-11-300x300.jpg 300w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-11-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Jules Massenet, Henri Meilhac, Philippe Gille [after Abb\u00e9 Pr\u00e9vost]: N\u2019est-ce plus ma main? (<em>Manon<\/em>). Anna Moffo, Giuseppe di Stefano, Ren\u00e9 Leibowitz, RCA Italiana Opera Orchestra [1964]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-rose-683x1024.png\" alt=\"\" class=\"wp-image-11582\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-rose-683x1024.png 683w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-rose-200x300.png 200w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-rose.png 720w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1008\" height=\"1024\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Traviata-1008x1024.png\" alt=\"\" class=\"wp-image-11574\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Traviata-1008x1024.png 1008w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Traviata-295x300.png 295w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Traviata-768x780.png 768w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Traviata.png 1058w\" sizes=\"auto, (max-width: 1008px) 100vw, 1008px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Francesco Maria Piave [after Alexandre Dumas]: Teneste la promessa&#8230; Addio del passato (<em>La traviata<\/em>). Anna Moffo, Berislav Klobu\u010dar, Orchester der Wiener Staatsoper [live Wien 27.X.64]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"590\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-9.jpg\" alt=\"\" class=\"wp-image-11569\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-9.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-9-300x295.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n<p>Follie, follie!&#8230; Sempre libera (<em>La traviata<\/em>). Anna Moffo, Kurt Eichhorn, Rundfunkorchester des Bayersichen Rundfunks [ca. 1972]<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-10.jpg\" alt=\"\" class=\"wp-image-11572\" width=\"574\" height=\"566\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-10.jpg 500w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/AlbumArtSmall-10-300x296.jpg 300w\" sizes=\"auto, (max-width: 574px) 100vw, 574px\" \/><\/figure>\n<\/div>\n\n\n<p>Giuseppe Verdi, Temistocle Solera [after Friedrich Schiller]: Sempre all\u2019alba ed alla sera (<em>Giovanna d\u2019Arco<\/em>). Anna Moffo, Franco Ferrara, RCA Italiana Orchestra [1962]<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"486\" src=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo-at-Punch-and-Judy-Show.jpg\" alt=\"\" class=\"wp-image-11573\" srcset=\"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo-at-Punch-and-Judy-Show.jpg 600w, https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Young-Moffo-at-Punch-and-Judy-Show-300x243.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Episode 180. Anna Moffo Reappraised SOCIAL SHARE SUBSCRIPTION PLATFORM The Italian-American lyric coloratura soprano Anna Moffo (1932-2006) is, for many,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":11523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[1075,1701,2109,1076,3273,2476,2398,2260,808,1470,2257,2806],"tags":[4864,4852,4267,4860,411,200,4460,4868,1639,4613,4869,1980,2151,296,1068,1452,1017,416,2896,4535,3761,4847,1448,3222,835,376,1396,350,390,1416,94,4856,4870,4858,4527,1504,4871,4610,1712,4759,4673,4861,4126,4853,3672,4072,108,1397,4857,3278,3606,4855,4020,433,2031,3013,1500,1948,1066,1050,2833,870,1610,1685,3673,4758,135,434,4866,2293,4021,4851,168,506,3388,3028,4849,4867,4865,4633,4611,4848,4863,4854,329,316,2092,644,4850,4336,4859,3432,4536,4862,453,2287,1092,1417,151,62,1233,4761,2600,34],"class_list":["post-11516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-song","category-bel-canto","category-broadway-and-musicals","category-crossover","category-french-opera","category-giacomo-puccini","category-giuseppe-verdi","category-music-for-a-world-in-crisis","category-needle-drop","category-operetta","category-richard-strauss","category-twentieth-century-music","tag-adolf-von-schack","tag-afro-poli","tag-alexandre-dumas","tag-alfred-grunwald","tag-anna-moffo","tag-anton-coppola","tag-anton-guadagno","tag-antonio-amurri","tag-arleen-auger","tag-berislav-klobucar","tag-billy-smith","tag-carlo-bergonzi","tag-carlo-felice-cillario","tag-charles-gounod","tag-don-giovanni","tag-emmerich-kalman","tag-erich-leinsdorf","tag-falstaff","tag-fernando-previtali","tag-francesco-maria-piave","tag-francesco-molinari-pradelli","tag-franco-ferrara","tag-franz-lehar","tag-friedrich-schiller","tag-fritz-lohner-beda","tag-gaetano-donizetti","tag-george-gershwin","tag-georges-bizet","tag-georges-pretre","tag-gerald-moore","tag-giacomo-puccini","tag-gian-francesco-malipiero","tag-gianni-ferrio","tag-gino-gorini","tag-giovanna-darco","tag-giuditta-lehar","tag-giulio-fioravanti","tag-giuseppe-adami","tag-giuseppe-di-stefano","tag-giuseppe-giacosa","tag-grafin-mariza","tag-hans-carste","tag-hans-rosbaud","tag-heinrich-hart","tag-henri-meilhac","tag-henri-rene","tag-i-puritani","tag-ira-gershwin","tag-jacopone-da-todi","tag-james-king","tag-jane-berbie","tag-john-orrick","tag-jules-barbier","tag-jules-massenet","tag-julius-brammer","tag-kurt-eichhorn","tag-la-rondine","tag-la-sonnambula","tag-la-traviata","tag-lehman-engel","tag-leopold-stokowski","tag-lorenzo-da-ponte","tag-lorin-maazel","tag-lucia-di-lammermoor","tag-ludovic-halevy","tag-luigi-illica","tag-madama-butterfly","tag-manon","tag-mario-lanfranchi","tag-mario-rossi","tag-michel-carre","tag-miti-truccato-pace","tag-oliviero-de-fabritiis","tag-oscar-straus","tag-paul-knepler","tag-peter-maag","tag-philippe-gille-abbe-prevost","tag-piero-piccioni","tag-piero-umiliani","tag-prosper-merimee","tag-renato-simoni","tag-rene-leibowitz","tag-richard-fredericks","tag-richard-hundley","tag-richard-strauss","tag-romeo-et-juliette","tag-rudolf-friml","tag-rudolf-schock","tag-salvadore-cammarano","tag-sergio-franchi","tag-sergio-lorenzi","tag-skitch-henderson","tag-temistocle-solera","tag-the-chocolate-soldier","tag-tosca","tag-tullio-serafin","tag-turandot","tag-victor-herbert","tag-victorien-sardou","tag-vincenzo-bellini","tag-walter-scott","tag-werner-schmidt-boelcke","tag-william-shakespeare","tag-wolfgang-amadeus-mozart"],"author_meta":{"display_name":"admin","author_link":"https:\/\/countermelodypodcast.com\/index.php\/author\/admin\/"},"featured_img":"https:\/\/countermelodypodcast.com\/wp-content\/uploads\/2023\/01\/Moffo-Toujours-cover-TRIMMED-300x125.jpg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/art-song\/\" class=\"advgb-post-tax-term\">Art Song<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/bel-canto\/\" class=\"advgb-post-tax-term\">Bel Canto<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/broadway-and-musicals\/\" class=\"advgb-post-tax-term\">Broadway and Musicals<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/crossover\/\" class=\"advgb-post-tax-term\">Crossover<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/french-opera\/\" class=\"advgb-post-tax-term\">French Opera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giacomo-puccini\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/giuseppe-verdi\/\" class=\"advgb-post-tax-term\">Giuseppe Verdi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/music-for-a-world-in-crisis\/\" class=\"advgb-post-tax-term\">Music for a World in Crisis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/needle-drop\/\" class=\"advgb-post-tax-term\">Needle Drop<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/operetta\/\" class=\"advgb-post-tax-term\">Operetta<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/richard-strauss\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Twentieth Century Music<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Art Song<\/span>","<span class=\"advgb-post-tax-term\">Bel Canto<\/span>","<span class=\"advgb-post-tax-term\">Broadway and Musicals<\/span>","<span class=\"advgb-post-tax-term\">Crossover<\/span>","<span class=\"advgb-post-tax-term\">French Opera<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Verdi<\/span>","<span class=\"advgb-post-tax-term\">Music for a World in Crisis<\/span>","<span class=\"advgb-post-tax-term\">Needle Drop<\/span>","<span class=\"advgb-post-tax-term\">Operetta<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Twentieth Century Music<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Adolf von Schack<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Afro Poli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alexandre Dumas<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anna Moffo<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton Coppola<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Anton Guadagno<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Antonio Amurri<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Billy Smith<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Bergonzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Carlo Felice Cillario<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Charles Gounod<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Don Giovanni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Erich Leinsdorf<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Falstaff<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fernando Previtali<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francesco Maria Piave<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franco Ferrara<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Friedrich Schiller<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Fritz L\u00f6hner-Beda<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gaetano Donizetti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">George Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Bizet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Georges Pretre<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gerald Moore<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giacomo Puccini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gian Francesco Malipiero<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gianni Ferrio<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gino Gorini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giovanna d\u2019Arco<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuditta (Leh\u00e1r)<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giulio Fioravanti<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Adami<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe di Stefano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Carste<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Hans Rosbaud<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Heinrich Hart<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Meilhac<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Henri Ren\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">I Puritani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ira Gershwin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jacopone da Todi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">James King<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jane Berbi\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">John Orrick<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Barbier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Jules Massenet<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Julius Brammer<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Kurt Eichhorn<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La rondine<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La sonnambula<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">La Traviata<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lehman Engel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Leopold Stokowski<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lorin Maazel<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Luigi Illica<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Madama Butterfly<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Manon<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mario Lanfranchi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Mario Rossi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Miti Truccato Pace<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oliviero de Fabritiis<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Oscar Straus<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Paul Knepler<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Peter Maag<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Philippe Gille Abb\u00e9 Pr\u00e9vost<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Piero Piccioni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Piero Umiliani<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Prosper M\u00e9rim\u00e9e<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Renato Simoni<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Ren\u00e9 Leibowitz<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Fredericks<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Hundley<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Richard Strauss<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rudolf Friml<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Rudolf Schock<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Salvadore Cammarano<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergio Franchi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Sergio Lorenzi<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Skitch Henderson<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Temistocle Solera<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">The Chocolate Soldier<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tosca<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Tullio Serafin<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Turandot<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victor Herbert<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Victorien Sardou<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Vincenzo Bellini<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Walter Scott<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Werner Schmidt-Boelcke<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">William Shakespeare<\/a>","<a href=\"https:\/\/countermelodypodcast.com\/index.php\/category\/twentieth-century-music\/\" class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Adolf von Schack<\/span>","<span class=\"advgb-post-tax-term\">Afro Poli<\/span>","<span class=\"advgb-post-tax-term\">Alexandre Dumas<\/span>","<span class=\"advgb-post-tax-term\">Alfred Gr\u00fcnwald<\/span>","<span class=\"advgb-post-tax-term\">Anna Moffo<\/span>","<span class=\"advgb-post-tax-term\">Anton Coppola<\/span>","<span class=\"advgb-post-tax-term\">Anton Guadagno<\/span>","<span class=\"advgb-post-tax-term\">Antonio Amurri<\/span>","<span class=\"advgb-post-tax-term\">Arleen Aug\u00e9r<\/span>","<span class=\"advgb-post-tax-term\">Berislav Klobu\u010dar<\/span>","<span class=\"advgb-post-tax-term\">Billy Smith<\/span>","<span class=\"advgb-post-tax-term\">Carlo Bergonzi<\/span>","<span class=\"advgb-post-tax-term\">Carlo Felice Cillario<\/span>","<span class=\"advgb-post-tax-term\">Charles Gounod<\/span>","<span class=\"advgb-post-tax-term\">Don Giovanni<\/span>","<span class=\"advgb-post-tax-term\">Emmerich K\u00e1lm\u00e1n<\/span>","<span class=\"advgb-post-tax-term\">Erich Leinsdorf<\/span>","<span class=\"advgb-post-tax-term\">Falstaff<\/span>","<span class=\"advgb-post-tax-term\">Fernando Previtali<\/span>","<span class=\"advgb-post-tax-term\">Francesco Maria Piave<\/span>","<span class=\"advgb-post-tax-term\">Francesco Molinari-Pradelli<\/span>","<span class=\"advgb-post-tax-term\">Franco Ferrara<\/span>","<span class=\"advgb-post-tax-term\">Franz Leh\u00e1r<\/span>","<span class=\"advgb-post-tax-term\">Friedrich Schiller<\/span>","<span class=\"advgb-post-tax-term\">Fritz L\u00f6hner-Beda<\/span>","<span class=\"advgb-post-tax-term\">Gaetano Donizetti<\/span>","<span class=\"advgb-post-tax-term\">George Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Georges Bizet<\/span>","<span class=\"advgb-post-tax-term\">Georges Pretre<\/span>","<span class=\"advgb-post-tax-term\">Gerald Moore<\/span>","<span class=\"advgb-post-tax-term\">Giacomo Puccini<\/span>","<span class=\"advgb-post-tax-term\">Gian Francesco Malipiero<\/span>","<span class=\"advgb-post-tax-term\">Gianni Ferrio<\/span>","<span class=\"advgb-post-tax-term\">Gino Gorini<\/span>","<span class=\"advgb-post-tax-term\">Giovanna d\u2019Arco<\/span>","<span class=\"advgb-post-tax-term\">Giuditta (Leh\u00e1r)<\/span>","<span class=\"advgb-post-tax-term\">Giulio Fioravanti<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Adami<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe di Stefano<\/span>","<span class=\"advgb-post-tax-term\">Giuseppe Giacosa<\/span>","<span class=\"advgb-post-tax-term\">Gr\u00e4fin Mariza<\/span>","<span class=\"advgb-post-tax-term\">Hans Carste<\/span>","<span class=\"advgb-post-tax-term\">Hans Rosbaud<\/span>","<span class=\"advgb-post-tax-term\">Heinrich Hart<\/span>","<span class=\"advgb-post-tax-term\">Henri Meilhac<\/span>","<span class=\"advgb-post-tax-term\">Henri Ren\u00e9<\/span>","<span class=\"advgb-post-tax-term\">I Puritani<\/span>","<span class=\"advgb-post-tax-term\">Ira Gershwin<\/span>","<span class=\"advgb-post-tax-term\">Jacopone da Todi<\/span>","<span class=\"advgb-post-tax-term\">James King<\/span>","<span class=\"advgb-post-tax-term\">Jane Berbi\u00e9<\/span>","<span class=\"advgb-post-tax-term\">John Orrick<\/span>","<span class=\"advgb-post-tax-term\">Jules Barbier<\/span>","<span class=\"advgb-post-tax-term\">Jules Massenet<\/span>","<span class=\"advgb-post-tax-term\">Julius Brammer<\/span>","<span class=\"advgb-post-tax-term\">Kurt Eichhorn<\/span>","<span class=\"advgb-post-tax-term\">La rondine<\/span>","<span class=\"advgb-post-tax-term\">La sonnambula<\/span>","<span class=\"advgb-post-tax-term\">La Traviata<\/span>","<span class=\"advgb-post-tax-term\">Lehman Engel<\/span>","<span class=\"advgb-post-tax-term\">Leopold Stokowski<\/span>","<span class=\"advgb-post-tax-term\">Lorenzo da Ponte<\/span>","<span class=\"advgb-post-tax-term\">Lorin Maazel<\/span>","<span class=\"advgb-post-tax-term\">Lucia di Lammermoor<\/span>","<span class=\"advgb-post-tax-term\">Ludovic Hal\u00e9vy<\/span>","<span class=\"advgb-post-tax-term\">Luigi Illica<\/span>","<span class=\"advgb-post-tax-term\">Madama Butterfly<\/span>","<span class=\"advgb-post-tax-term\">Manon<\/span>","<span class=\"advgb-post-tax-term\">Mario Lanfranchi<\/span>","<span class=\"advgb-post-tax-term\">Mario Rossi<\/span>","<span class=\"advgb-post-tax-term\">Michel Carr\u00e9<\/span>","<span class=\"advgb-post-tax-term\">Miti Truccato Pace<\/span>","<span class=\"advgb-post-tax-term\">Oliviero de Fabritiis<\/span>","<span class=\"advgb-post-tax-term\">Oscar Straus<\/span>","<span class=\"advgb-post-tax-term\">Paul Knepler<\/span>","<span class=\"advgb-post-tax-term\">Peter Maag<\/span>","<span class=\"advgb-post-tax-term\">Philippe Gille Abb\u00e9 Pr\u00e9vost<\/span>","<span class=\"advgb-post-tax-term\">Piero Piccioni<\/span>","<span class=\"advgb-post-tax-term\">Piero Umiliani<\/span>","<span class=\"advgb-post-tax-term\">Prosper M\u00e9rim\u00e9e<\/span>","<span class=\"advgb-post-tax-term\">Renato Simoni<\/span>","<span class=\"advgb-post-tax-term\">Ren\u00e9 Leibowitz<\/span>","<span class=\"advgb-post-tax-term\">Richard Fredericks<\/span>","<span class=\"advgb-post-tax-term\">Richard Hundley<\/span>","<span class=\"advgb-post-tax-term\">Richard Strauss<\/span>","<span class=\"advgb-post-tax-term\">Rom\u00e9o et Juliette<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Friml<\/span>","<span class=\"advgb-post-tax-term\">Rudolf Schock<\/span>","<span class=\"advgb-post-tax-term\">Salvadore Cammarano<\/span>","<span class=\"advgb-post-tax-term\">Sergio Franchi<\/span>","<span class=\"advgb-post-tax-term\">Sergio Lorenzi<\/span>","<span class=\"advgb-post-tax-term\">Skitch Henderson<\/span>","<span class=\"advgb-post-tax-term\">Temistocle Solera<\/span>","<span class=\"advgb-post-tax-term\">The Chocolate Soldier<\/span>","<span class=\"advgb-post-tax-term\">Tosca<\/span>","<span class=\"advgb-post-tax-term\">Tullio Serafin<\/span>","<span class=\"advgb-post-tax-term\">Turandot<\/span>","<span class=\"advgb-post-tax-term\">Victor Herbert<\/span>","<span class=\"advgb-post-tax-term\">Victorien Sardou<\/span>","<span class=\"advgb-post-tax-term\">Vincenzo Bellini<\/span>","<span class=\"advgb-post-tax-term\">Walter Scott<\/span>","<span class=\"advgb-post-tax-term\">Werner Schmidt-Boelcke<\/span>","<span class=\"advgb-post-tax-term\">William Shakespeare<\/span>","<span class=\"advgb-post-tax-term\">Wolfgang Amadeus Mozart<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 3 years ago","modified":"Updated 3 years ago"},"absolute_dates":{"created":"Posted on 20\/01\/2023","modified":"Updated on 21\/01\/2023"},"absolute_dates_time":{"created":"Posted on 20\/01\/2023 02:26","modified":"Updated on 21\/01\/2023 17:04"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/comments?post=11516"}],"version-history":[{"count":12,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11516\/revisions"}],"predecessor-version":[{"id":11596,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/posts\/11516\/revisions\/11596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media\/11523"}],"wp:attachment":[{"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/media?parent=11516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/categories?post=11516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/countermelodypodcast.com\/index.php\/wp-json\/wp\/v2\/tags?post=11516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}